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Phil Collins has shared an update on his health — which has for years made playing drums difficult — and unfortunately, the 73-year-old Genesis icon still isn’t in fighting shape. In a snippet from a recent interview with Mojo, Collins disclosed that he’s thought about getting back behind the drum set, but hasn’t been able […]
Hundreds of people participated in a heartfelt posthumous tribute to the iconic Mexican singer Paquita la del Barrio on Friday (February 21). Her remains were transferred to her restaurant in the Guerrero neighborhood, in the Historic Center of Mexico City, where a mass was held in her honor and the doors of her establishment were opened to all those who wanted to give her a final farewell.
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The procession carrying her ashes departed from a funeral home in the central Juárez neighborhood, traveled along part of the touristy Paseo de la Reforma Avenue, and reached the iconic Plaza Garibaldi. There, around midday, her fans, mostly women, and groups of mariachis awaited, performing her most famous songs, including “Tres Veces Te Engañé” and “Rata de Dos Patas.”
The route included a stop at a public market, where merchants interrupted their activities to bid farewell to the famous singer, who passed away at the age of 77 on Monday (Feb. 17) from a heart attack while sleeping in her home in her native Veracruz, as confirmed to Billboard Español by her manager, Francisco Torres.
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Paquita la del Barrio rose to fame with her anthems about infidelity and heartbreak.
“Thank you for your songs that brought so much joy to my heart!” said a visibly moved resident of the Guerrero neighborhood to Foro TV, holding a bouquet of white flowers. “Paquita was a brave woman to sing to men in that way,” commented another woman, who mentioned that the artist was a great influence on the trans community.
Dozens of anecdotes about Paquita la del Barrio were shared by her neighbors with the press, remembering her as a “very humane,” “affectionate”, and “forward-moving woman.”
Some women were crying inconsolably while a private mass was held, and a crowd of people gathered around the artist’s restaurant, Casa Paquita, waiting for the doors to open to enter the place, undeterred by a light rain that covered that part of the city.
While Paquita la del Barrio, whose real name was Francisca Viveros Barradas, was not originally from Mexico City, she made this central area of the country’s capital her “second home,” opening her restaurant-bar in the late 1970s. With over a five decade-spanning career, Paquita la del Barrio was an idol in popular music. In 2011, she received the Billboard Regional Mexican Music Award “La Voz,” and 10 years later, she was awarded the 2021 Billboard Latin Music Lifetime Achievement Award for her exceptional career.
This week in dance music: Massive Attack will headline London’s LIDO festival in June with an entirely battery-powered performance, an ongoing legal battle between Sony Music and Ultra Music Publishing escalated with a new lawsuit, Carl Cox exited the Movement 2025 lineup and was replaced by Jeff Mills and Odesza made a 23-minute remix of the Severance score.
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And to all that we add these, the best new dance tracks of the week.
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Mochakk feat. The RAH Band, “From the Stars”
Brazil’s jet-setting party starter makes his Ninja Tune debut with his From the Stars EP, a two-song project led by its title track. A collaboration with England’s The RAH Band, the song is a take on the group’s 1983 bop “Messages From the Stars,” with Mochakk turning up the BPM and the far-out factor on the slinky, sexy but still muscular club update, which balances nicely with its cool after-hours B-side, “Maria.” The mustachioed producer born Pedro Maia calls releasing the EP on Ninja Tune “completely bananas… one of those stamp-of-approval moments” that he’ll celebrate by playing a flurry of shows in his native country as Brazil celebrates carnival later this month. Closer to home, he plays EDC Las Vegas in May.
Röyksopp feat. Robyn, “Do It Again [True Electric]”
11 years after the release of the original, Röyksopp drop an edit of their Robyn collab “Do It Again.” While the original leaned hard into urgency and flirted with heaviness, the new take adds maximum peak hours heft, dialing up the BPM, isolating the vocals in just the right moments and eventually exploding into all-out, all-encompassing dancefloor delirium. The edit is the second track from the Norwegian legends’ tenth studio album, True Electric, coming April 11 on their own Dog Triumph label.
Bianca Oblivion feat. Sam Binga, “Hypnø”
Los Angeles-based producer Bianca Oblivion makes her long-form debut with a heater of an EP, Net Werk. The four-track project spans bass, grime, Jersey club and more, with “Hypnø” (a collab with British artist Sam Binga) fusing squelchy strings, a hectic beat and waves of low end into a delicious kind of chaos. Oblivion says she “never wanted to rush into an EP or album until I fully understood myself as a producer and felt that my music could stand alongside the tracks I play in my sets.” The title reflects the global network of friends and collaborators I’ve connected with over the years, all of whom, alongside the many music influences from my childhood, have helped shape this release.” Net Werk is out on the U.K. imprint LuckyMe.
Tripolism & Nandu, “Sunrise”
Danish trio Tripolism and producer Nandu link for the hypnotic “Sunrise,” a track that says right there in the name what part of the set it should be played at. It’s recently been rinsed by acts including the ever chic Keinemusik and has gotten support from other tastemakers, with key ears apparently in thrall with the track’s balance of sunlight-like falsetto and a chant that implores what those of us still dancing at dawn might already feel: “You’re never going home, you’ve got to keep going.” The heater is out on Ultra Records.
Hiver, “Dreamachine“
Be transported to the ’90s afterhours of your mind with this electronica-era influenced dreamscape of a track from Milanese duo Hiver. Out on CircoLoco Records, the track pairs pristine production and clean, soaring strings with a feeling of undertow embodied by the beat and the emotive vocals. Hiver says the song is “a testament to our growth as producers. We’ve invested countless hours in honing our studio skills, experimenting with sound design, and perfecting the production process to craft something that feels authentic and unique. The track reflects our love for the electro sound while pushing boundaries to create something unique.” Also: Do not sleep on the uptempo edit by Romanian master Gerd Janson.
With February coming to an end, some of today’s top stars are welcoming some warmer weather with hot new music drops. It was a major week for pop, with Tate McRae dropping her highly anticipated third studio album, So Close to What. The project features previously released viral singles “It’s ok I’m ok,” “Sports Car” and […]
The 2025 Premio Lo Nuestro, held live from Miami’s Kaseya Center on Thursday (Feb. 20), was full of glitz and glam, memorable moments, and exciting wins and performances. Shakira was the evening’s top winner with six Premio Lo Nuestro awards, including the coveted Album of the Year for Las Mujeres Ya No Lloran. She also […]
SZA isn’t the only artist topping charts with an “SOS” release.
Victoria Monét’s “SOS (Sex on Sight),” featuring Usher, wins the crown on Billboard’s Adult R&B Airplay chart, leaping 4-1 to lead the list dated March 1. The pair’s sultry duet gives Monét her second leader on Adult R&B Airplay, while Usher collects his 10th champ and ties for the most among male artists in the chart’s 31-year history.
“SOS,” released on Lovett/RCA Records, tops Adult R&B Airplay as the most played song on U.S. panel-contributing adult R&B radio stations in the tracking week of Feb. 14-20, according to Luminate. The single improved 14% in plays for the week compared with the previous frame.
Monét previously topped Adult R&B Airplay with her breakout hit, “On My Mama,” for three weeks in March 2024.
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In addition to entering the double-digit No. 1s club on Adult R&B Airplay, Usher ties Charlie Wilson for the most leaders by a male artist since the chart launched in September 1993. Here’s a look at the overall leaderboard:
14, Alicia Keys
11, Toni Braxton
10, Mary J. Blige
10, Usher
10, Charlie Wilson
9, Maxwell
9, Tank
8, H.E.R.
8, Kem
8, Bruno Mars
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To review Usher’s milestone moment, here are the superstar’s 10 No. 1 titles on the Adult R&B Airplay chart:
“Here I Stand,” seven weeks at No. 1, beginning Dec. 6, 2008
“Papers,” three, Jan. 2, 2010
“There Goes My Baby,” one, July 31, 2010
“Climax,” one, July 7, 2012
“Don’t Waste My Time,” featuring Ella Mai; two, June 13, 2020
“Bad Habits,” one, Dec. 5, 2020
“Glu,” two, June 24, 2023
“Good Good,” with Summer Walker & 21 Savage; six, Nov. 18, 2023
“Risk It All,” with H.E.R., two; April 27, 2024
“SOS (Sex on Sight),” Victoria Monét featuring Usher; one (to date), Feb. 28, 2025
“SOS” is on the deluxe edition of Monét’s debut album, Jaguar II, which was reissued in October 2024. The original version, released in August 2023, won two Grammy Awards in 2024: best R&B album and best engineered album, non-classical.
Elsewhere, “SOS” pushes 25-21 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. There, the single improved to 4.6 million audience impressions, an 18% climb from the prior tracking week.
All charts dated March 1 will update on Billboard.com on Tuesday, Feb. 25.
Barranquilla experienced a historic night, with the return of Shakira to her homeland after almost 20 years of absence on local stages. The global star delivered an unforgettable performance at the Estadio Metropolitano Roberto Meléndez, where her fans gathered to enjoy a show filled with emotion, culture and a very special tribute to the Barranquilla Carnival.
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From early in the day, thousands of people lined up under the sweltering heat of Barranquilla to secure their entry to this unforgettable event, part of Shakira’s Las Mujeres Ya No Lloran tour. The production of the show was up to her international status, featuring striking visual effects, giant screens and a dance troupe that accompanied each performance.
The artist began her performance with a triumphant entrance, dressed in a dazzling silver outfit, while the attendees enthusiastically chanted her name. Visibly moved, Shakira expressed her joy at returning home: “I am very happy to be here, at home. There is nothing like singing among my own people.”
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Promoted by Live Nation, Shakira’s stadium tour began on Feb. 11 in Río de Janeiro and continued in São Paulo, Brazil (Feb. 13) and Lima, Peru. After a second concert in her native Barranquilla, Colombia on Friday (Feb. 21), she will make stops in Santiago, Chile (March 2-3); Buenos Aires, Argentina (March 7-8), and several cities in Mexico.
Below are the most memorable moments from Thursday’s concert.
Concert setlist and fan club
The show’s setlist included the biggest hits from each stage of her more than three-decade-long career, such as “Estoy Aquí,” which reached No. 2, and “Suerte” and “Te Felicito,” both which topped Billboard‘s Latin Airplay chart. Additionally, the song that earned her the only No. 1 so far on the coveted all-genre Hot 100, “Hips Don’t Lie,” was also included.
Shakira took a journey through the years to reminisce about her beginnings in the ’90s, when her career was just starting to take off, and she concluded her memories with an emotional performance of “Pies Descalzos” which moved everyone in attendance.
One of the most special moments of the night came with the ballad “Antología.” Shakira dedicated the song to her mother, Nydia Ripoll, who was present at the concert along with the artist’s children, Milan and Sasha. At that moment, the stadium stands lit up with the colors of the Colombian flag, an initiative led by Shakira’s fan club in the city as a deep show of affection.
Tribute to the Barranquilla Carnival
Shakira dedicated a portion of the concert to the Carnival of her hometown. The artist surprised the audience by revealing her special guest: Chelito De Castro.
A musician renowned for his work as a pianist for the late Joe Arroyo, the Caribbean icon joined Shakira years ago to perform “Te Olvidé,” which is considered by many as the anthem of the Carnival.
While singing the song, Shakira also played the tambora and wore a vueltiao hat as a sign of pride for her coastal roots. At that moment, she also welcomed onto the stage the current Carnival queen, Tatiana Angulo Fernández, with whom she danced to the rhythm of the traditional garabato dance.
Grand finale
The concert closure was marked by the energy of “Waka Waka,” where thousands of attendees joined in a massive chorus. The song was immediately followed by the hit made with Argentine producer Bizarrap: “Bzrp Music Sessions, Vol. 53,” a song with which many women connected — not only because of the story of heartbreak the artist wanted to tell, but also because of a phrase that could now be considered a national heritage: “Las mujeres ya no lloran, las mujeres facturan” (“Women no longer cry, women invoice”).
Cardi B and DJ Khaled are part of the Smurf family. While they won’t be starring in the blockbuster, the “Wish Wish” collaborators joined forces on Friday (Feb. 21) to contribute “Higher Love” to the Smurfs Movie Soundtrack. “Higher Love” also features vocals from Desi Trill’s Natania and Subhi. The track samples Belinda Carlisle’s iconic […]
02/21/2025
With the New Orleans rapper making appearance on the new Ransom & Dave East tape, we take a look back at some of his best early songs.
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This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music including a collaboration between Arthur Hanlon and Ángela Aguilar, and new singles from Ana Tijoux, Christian Alicea and Morat. Arthur Hanlon and Ángela Aguilar joined forces for “Bala Perdida,” a soulful huapango that they performed at the 37th annual Premio Lo […]