Music

Snoop Dogg Wants to Play Ball With Scottish Soccer Giant

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Snoop Dogg is open to joining the ownership team of his beloved sporting club, Celtic.

Glasgow Celtic, that is.

Speaking with Scotland’s Daily Record, Snoopy, who earlier this year invested in English Championship side Swansea City, is ready and willing to do the same with Celtic.

“It’s something I have talked about in the past and if the opportunity was right I would be down for it,” he’s reported as saying. “Celtic is a huge club and fans want to see the best players playing in this great stadium. All the owners have got to do is ask.”

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“Huge” might be an understatement. Competing in the Scottish Premiership, Celtic F.C. is one half of The Old Firm, a name given to the historic derby matches against Rangers, which is also based in Glasgow. Celtic Park, the team’s iconic homegrown, is a beast, with a capacity north of 60,000 — fitting for a club with more than 100 major trophies, including the European Cup (now the UEFA Champions League) in the 1966–67 season.

Snoop isn’t just a casual fan. Speaking with the Record, he considered Celtic’s prospects, which is now guided on an interim basis by experience manager Martin O’Neill, following the departure of incumbent Brendan Rodgers. The future may belong to the past, reckons Snoop, who called for the return of Australian coach Ange Postecoglou, who is now available following the briefest of stints leading Premiership team Nottingham Forest.

Postecoglou captured a bunch of titles during his successful two-year reign at Celtic. “You got to give Martin O’Neill big respect, he is coming back when we need him,” the “Drop It Like It’s Hot” artist remarked. “I think you got to bring Ange back. The club are going to do what they are going to do, but the fans would love to see him back.”

Snoop, it turns out, is a man of many sports. The Doggfather founded the Snoop Youth Football League (SYFL) in 2005, which has produced numerous NFL players, and he hosted the 2025 NFL Honors.

And just last month, Snoop performed at the AFL grand final, the showpiece event for Australian rules football.

He won’t be ringing in the new year on NBC, however. After previously announcing that the hip-hop legend would host a two-hour musical variety special from Miami titled Snoop Dogg’s New Year Eve as an extension of the hip-hop icon’s larger deal with NBCUniversal, Deadline reported on Wednesday (Nov. 5) that the network has decided not to proceed with the project.

Pentatonix Celebrates 11th Top 10 on Holiday Albums Chart With ‘Christmas In the City’

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Pentatonix collects its 11th top 10-charted album on Billboard’s Top Holiday Albums chart, as the group’s latest release, Christmas In the City, debuts at No. 6 on the chart dated Nov. 8. The 16-track set features new original recordings and covers of familiar favorites, like “Silver Bells” and “Holly Jolly Christmas.”

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The group also teams with JoJo on “Snowing in Paris” while the late Frank Sinatra appears posthumously on a rendition of the classic “I’ve Got My Love to Keep Me Warm.”

Penatonix is no stranger to the Top Holiday Albums chart, as the three-time Grammy Award-winning act has seen all 11 of its entries on the list reach the top 10, dating back to its first visit to the list with 2012’s No. 3-peaking PTXmas. Christmas In the City is also the first album from the quintet with Republic Records, after a career with RCA.

Christmas In the City was released on Oct. 24 via streaming services and to purchase as a digital download, CD and vinyl. It’s the vocal group’s eighth holiday release.

The Top Holiday Albums chart ranks the 50 most popular seasonal albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each units equals one album sales, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

The Top Holiday Albums chart will continue to be published on a weekly basis through early January of 2026, when it will jingle away until the next holiday season. (The chart generally returns to Billboard’s weekly chart menu every October.)

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Bruce Springsteen’s ‘Nebraska’ Hits Top 10 on Seven Charts After Expanded Reissue

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Bruce Springsteen’s Nebraska, first released in 1982, returns to Billboard’s charts following its expanded reissue. The set, which peaked at No. 3 on the overall Billboard 200 in its release year, re-enters that list (dated Nov. 8) at No. 26 for its first week on the chart since 1985 and its highest rank since 1982.

Further, Nebraska debuts on a host of charts that didn’t exist in 1982: Americana/Folk Albums (No. 3), Indie Store Album Sales (No. 3), Catalog Albums (No. 4), Top Album Sales (No. 5), Top Rock & Alternative Albums (No. 6), Vinyl Albums (No. 6) and Top Rock Albums (No. 7).

Nebraska was reissued on Oct. 24 with 27 additional tracks via streaming services, and to purchase on digital download, CD and vinyl. (The reissue came on the same day as the theatrical debut of the biopic Springsteen: Deliver Me From Nowhere, starring Jeremy Allen White as The Boss.) All versions of Nebraska, old and new, are combined for tracking and charting purposes. In the tracking week ending Oct. 30, Nebraska earned 18,000 equivalent album units in the United States, according to Luminate. Traditional album sales (purchases of digital and physical copies of the album) comprise nearly 15,000 of that sum, with the rest largely powered by streaming activity of the album’s songs.

That 15,000 sales figure equates to a No. 5 debut on Top Album Sales, where Nebraska stands alongside five other debuts in the top 10: Brandi Carlile’s Returning to Myself (No. 1), Demi Lovato’s It’s Not That Deep (No. 2), Daniel Caesar’s Son of Spergy (No. 4), BOYNEXTDOOR’s The Action (No. 7) and Mammoth’s The End (No. 8). As for the holdovers in the top 10, Taylor Swift’s The Life of a Showgirl falls 1-3, the KPop Demon Hunters soundtrack slips 3-6, Stray Kids’ former leader KARMA is pushed down 5-9 despite a 4% gain in sales, and Sabrina Carpenter’s chart-topping Man’s Best Friend falls 6-10.

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Hilary Duff Has ‘Mature’ Conversation With Her Past Self on Comeback Single: Stream It Now

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Is this what dreams are made of? At long last, Hilary Duff is back with new music, dropping new song “Mature” after taking several years off to focus on acting.

Arriving Friday (Nov. 7), the bright pop track finds the performer reckoning her past and present self. “‘Mature’ is a little conversation that my present self is having with my younger self,” she said of the project in a statement. “The two of us are reflecting on a past experience and sending love to each other. It’s a chuckle, a wink, and a sense of being grateful that we are sure footed in where we landed.”

Marking her first proper release in nearly a decade, “Mature” was cowritten by Duff’s husband, producer Matthew Koma, and Halsey collaborator Madison Love. The Lizzie McGuire alum last dropped a solo song in 2016, when she released single “Little Lies.” In 2020, she assisted Koma and artist RAC on a track titled “Never Let You Go.”

“You know it’s all for them,” Duff said in October of her LGBTQ+ fans being the reason why she’s making music again. “It’s just to impress them.”

The performer first announced “Mature” just a few days prior to its release, though fans had known before then that she was planning to return to music. In September, Duff — who hasn’t released an album since 2015’s Breathe In., Breathe Out. — signed a new label deal with Atlantic Records. At the same time, it was announced that she would be the subject of a docuseries chronicling Duff’s personal journey back to making music.

Listen to “Mature” below.


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Katy Perry Cheats Death While Narrowly Escaping One Disaster After the Next in Vulnerable ‘Bandaids’ Video

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Leonardo DiCaprio starred in the One Battle After Another movie, but Katy Perry lived that title to the fullest in her “Bandaids” music video, which arrived on Thursday night (Nov. 6).

“Bandaids” serves as Perry’s first solo single of 2025, as she displays emotional vulnerability while looking back on her journey in the spotlight. “If I had to do it all over again. I would still do it all over again,” she sings.

The accompanying visual finds KP nearly meeting her demise on multiple instances as she faces near-death experiences while life continues to throw hurdles at her, but the pop star doesn’t stop trudging on.

She lives out every kid’s nightmare of having their shoelace stuck in an escalator while walking through the Puente Hills Mall and then the hits keep coming.

Perry proceeds to get electrocuted at a car charging station, has her coffee date interrupted by an explosion, a faulty GPS nearly leads to a car accident and then she gets stuck in the third rail while facing an oncoming train.

Even after hopping out of the train tracks, KP ends up in a muddy sinkhole. At this point, she’s had enough and can’t catch a break. Perry decided to take her dirt-stained clothes and money to buy a pack of cigarettes. As she lights one up in an attempt to process her terrible day, a relatable situation for many smokers.

The 41-year-old launches into a new musical era while putting a bow on 143, her 2024 album, which debuted at No. 6 on the Billboard 200 album chart. She launched the eras-spanning Lifetimes Tour in Mexico City in April, which grossed over $80 million when accounting for the U.S., Canada and Australia legs.

Perry’s currently wrapping up the European leg with shows in France and Spain, before heading to China later this month. The trek will finish with a show in Abu Dhabi on Dec. 7.

Watch the “Bandaids” video below.

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Tems’ Leading Vibe Initiative Releases ’72 Hours in Lagos’ Mini Documentary About Three Rising Female Producers

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Tems‘ Leading Vibe Initiative and Native Instruments released a mini documentary on Thursday (Nov. 6) that follows three female producers in Lagos, Nigeria.

The 72 Hours in Lagos doc follows Saszy Afroshii, TinyBraz and Gbots around the “chaotic” city (as all three women, plus Tems, individually describe the hub) during the inaugural edition of the Leading Vibe Initiative, which “aims to support, connect and amplify the next generation of women in music,” according to the doc. Native Instruments contributes training, mentorship and industry-leading software and hardware. Tems is also on the Native Instruments artist board, a collective that also includes Alicia Keys, Noah “40” Shebib, Jacob Collier and Ludwig Goransson, among others.

Saszy Afroshii, who’s produced for Fave, Qing Madi and Tiwa Savage, says inspiration strikes anywhere in the midst of Lagos’ hustle and bustle, but opportunities aren’t always that easy to find. “I think it’s very important for females to support each other. This is an industry that is occupied by males and people think, ‘Ok, this is just a man’s world.’ When you walk into a session and they’re like, ‘So where’s the producer?’ And you’re like, ‘Hi! I’m here,’” she said. “It’s just trying to shift the mindset of people. Having to go the extra mile because sometimes they don’t give you as much opportunities. So it’s very, very good when you see a female doing something that people really thought, ‘Oh, maybe she can do it.’”

In her Billboard cover story earlier this year, Tems said she taught herself to produce and engineer her own music through YouTube tutorials while studying economics at IIE MSA in Johannesburg, South Africa. “Learning how to produce definitely made me solidify my sound because usually, you have a producer that gives you a beat and you have to go on the beat. But being a producer myself, it’s more authentic now. The music became more genuine and more true to me and more distinctive,” the Grammy-winning star said in the doc.

Tems launched the Leading Vibe Initiative this past August, which Billboard exclusively announced. She hosted a two-day seminar for approximately 20 women to gain hands-on training, access to world-class tools and connections to industry executives and creatives through a series of workshops, masterclasses and panel discussions. She also launched the Leading Vibe Initiative in Nairobi, Kenya in September.

Singer-songwriter TinyBraz (who’s also a DJ/producer known as Purple Halo) echoed Tems’ sentiments about authenticity, describing it as the core message behind the Leading Vibe Initiative. “That really cut deep to me because as an artist, you can tell I’m kind of androgynous. I’m in between being girly and being masculine. The label I was in really wanted me to be on that girly side. And to be honest, it wasn’t what I was feeling,” she explained. “I just wanted to find myself again because they were basically imposing their idea of what they think a female artist should be on me, and I didn’t want that. Hearing Tems say, ‘You have to double down on what you believe in’ made me realize that it was a good decision for me to say, ‘I don’t want to do this anymore with you guys. I want to go on my own. I want to be independent and find my way.’”

TinyBraz took the cameras from her current makeshift studio to her former apartment, which she called “Purple Island” “because it’s a creative space. It’s a space where I truly found the people that I was meant to align with,” such as dancers, graphic designers, engineers and artists, she explained.

Gbots, who’s worked with Olamide, CKay and P. Prime, described herself as “an outlier” because “I noticed I was one of the fewest female music producers. At that time, I even thought I was the only one making music.” In 2022, she founded the female music community, We Are ProducHERS. “Female music producers and artists and songwriters should just have a place and a safe space where they feel like because you can do it, I can do it,” she added.

Watch 72 Hours in Lagos below.

6ix9ine Says He’s ‘The Original Content Creator,’ But People Dismiss Him Because They Hate Him: ‘I Walked So Y’all Could Run’

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6ix9ine claims to be the original content creator, suggesting that people dismiss his influence simply because they are haters.

During his appearance on Adin Ross’ Kick channel on Wednesday, the rainbow-haired rapper reflected on his rise to fame, stating that his breakout moments preceded the invention of TikTok. He argued that if the app had existed during his tumultuous ascent in 2018, he would have dominated the platform.

“In 2018, there was no TikTok,” he said at the 40-minute mark. “Let me get this point across, and maybe y’all say I’m reaching, but this is what I truly believe. … I walked, I went to jail, I entertained you guys with real-life crimes. I was out there putting my life on the line so you guys could run. When Vine was a thing, remember? Instagram. I was the original content creator. I know people don’t like me. It’s the right message, wrong messenger. But these is facts.”

The rapper recalled some of his most unforgettable viral stunts during his rise, including running up a hill with an AK-47. He mentioned prominent streamers like Ross, IShowSpeed and Kai Cenat, claiming they owe some of their success to his pioneering style.

“Y’all remember that?” he said. “Y’all was in high school. I walked so y’all could run, so streamers could run. … My Instagram views and numbers were through the roof. I think I was meant to be a streamer because I’m not faking nothing. I’m just charismatic, and when I’m wrong, I’m wrong. I’m human at the end of the day. But I respect what you do.”

He continued to emphasize how his candidness shaped perceptions of him: “People don’t like me because they can’t control my mouth… and they’re like, ‘Damn, he’s too right.’ I’m not right about everything, because I’m human… I fed families. I’ve fed many families. I’ve created a lot of movements. But because I’m 6ix9ine, people are like, ‘Nah, nah, nah.’”

Check out the full stream below.

Ye Apologizes to Rabbi for Comments About Jewish People: ‘I Wanted to Come & Take Accountability’

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Ye (formerly Kanye West) met with Rabbi Yoshiayao Yosef Pinto on Tuesday to apologize for his antisemitic remarks about the Jewish community.

“I feel really blessed to sit here and take accountability,” West began while holding Pinto’s hands. “I was dealing with various issues. I was dealing with bipolar also, so I would take the ideas I had and forget about the protection of the people around me and myself. So I wanted to take accountability.”

The Chicago native continued: “So it’s like if you left the house and you left your kid at the house and your kid went and messed up the kitchen and messed up the garage and messed up the living room. Then when you get back, it’s your responsibility because that’s your job. That’s the way I look at it. It’s like I gotta go clean up the kitchen, I gotta clean up the living room, I gotta clean up the garage.”

Ye said he “wanted to come and take accountability,” as he believes these are the “first steps” in building “brick-by-brick” for the “strong walls” in repairing his relationship with the Jewish community.

 “A person is not defined by his mistakes, but by the way he chooses to correct them,” Rabbi Pinto, who serves as the leader of the Shuva Israel institutions, said in a translated statement. “This is the true strength of man: The ability to return, to learn, and to build bridges of love and peace.”

West has been under fire for his repeated antisemitic commentary, which included him tweeting he was going to go “death con 3” [sic] on Jewish people in 2022. Ye’s inflammatory remarks resulted in corporations such as Universal Music Group, Balenciaga, Gap and Adidas cutting ties with him.

While he’s been releasing music in recent years, Ye hasn’t operated inside the major label system since the UMG split in 2022, and he hasn’t performed a concert in the U.S. this year.

Although he’s taken his performances global with a July show in South Korea and has concerts lined up in South Africa in December and a show in Mexico in January. The 48-year-old has also continued to delay the release of his forthcoming Bully album.

Watch Ye’s meeting with Rabbi Pinto below.

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Juan Luis Guerra & Sting Join Forces for ‘Genuine’ Duet in ‘Estrellitas y Duendes’: Watch

Juan Luis Guerra and Sting, two of the most globally admired artists in music, surprise their fans Thursday night (Nov. 6) with a new version of “Estrellitas y Duendes” — a classic by the Dominican maestro, included on his iconic 1990 album Bachata Rosa — which you can preview exclusively above. (Return at 7:00 p.m. ET to watch the full music video).

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The sweet song — a bachata with bolero elements that expresses the pain and melancholy of a lost love through deeply poetic lyrics — returns 35 years later to unite Guerra’s celebrated sound with Sting’s unmistakable artistic sensitivity, with the latter taking on the task of singing entirely in Spanish.

“Juan Luis’ lyrics in ‘Estrellitas y Duendes’ are a master class in what one might call romantic magical realism. I had to try to sing them exactly as they were written because they’re impeccable,” Sting says in a statement to Billboard Español. “My Spanish pronunciation is hardly perfect, but the spirit in which I sang them is genuine and true.” 

For Guerra, this came as a surprise. “We recorded remotely, and what stood out to me the most is that he wanted to record it all in Spanish,” he explains separately in a Zoom interview. “It’s a somewhat challenging song, with metaphorical words that aren’t very common, and he did it impressively well. I know he put in special effort.”

In its new version, “Estrellitas y Duendes” keeps the elegant, evocative instrumentation and arrangements of the original basically intact, but it’s Sting’s voice that opens with the romantic line: “Viviré en tu recuerdo como un simple aguacero de estrellitas y duendes” (“I will live in your memory like a simple downpour of little stars and elves”). From there, both artists take turns singing the different verses in a sweet back-and-forth of their unmistakable voices.

This isn’t the first time these two music legends have collaborated in some way. In 2006, Sting invited Guerra on stage during a concert at Altos de Chavón in La Romana, Dominican Republic, to perform “Fragile” together.

Almost two decades later, Guerra was re-recording “Estrellitas y Duendes” for an upcoming album of new versions of his songs when Sting’s name came up as a possible collaborator. “We approached him, and he accepted, and for me, it was a privilege and an honor to have him as one of the greatest representations of rock in the world,” Guerra says. “Besides, we are fans of his and have always admired him.”

Sting recalls that it was his manager Martin Kierszenbaum, who is a Spanish-speaker “and, like me, a big admirer of Juan Luis’ compositions,” the one who encouraged him to lend his voice to this classic by Guerra, “one of his favorites.” They immediately recorded his part one afternoon at Night Bird Studios in Los Angeles.

Guerra notes that this happened a couple of years ago, explaining that they had to wait for the right moment to release it. Finally ready, they met in person a few months ago to shoot the music video at Power Station Studios in New York, directed by Guerra Films.

Juan Luis Guerra and Sting both have extraordinary legacies in music. The former, one of the most celebrated Latin artists in history, has received three Grammy Awards and 31 Latin Grammys. The latter, both as a solo artist and as the leader of The Police, has earned 17 Grammy Awards, as well as a Golden Globe, an Emmy, and multiple Oscar nominations.

Released on December 11, 1990 under Karen Records, Bachata Rosa debuted at No. 1 on Billboard‘s Top Tropical Albums and topped the chart for 12 weeks. “Estrellitas y Duendes,” the fifth single from the set, reached No. 3 on Hot Latin Songs in 1991.

Estrellitas y Duentes ft. Sting

“Estrellitas y Duentes” ft. Sting

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Charli xcx Reveals How Velvet Underground Inspired Her ‘Elegant & Brutal’ Song for ‘Wuthering Heights’

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Charli xcx wasn’t messing around when she took on the assignment of writing an original song for Emerald Fennell’s upcoming Wuthering Heights adaptation.

On Thursday (Nov. 6), the pop star posted a teaser for the track, titled “House,” and shared a long description of the creative process behind how she made it — including how she teamed up with surprise guest the Velvet Underground’s John Cale for the project. Explaining that she was immediately taken with the “world [Fennell] was creating” after the director reached out about making a song for Wuthering Heights last Christmas, Charli wrote, “After being so in the depths of my previous album [Brat], I was excited to escape into something entirely new, entirely opposite.”

“When I think of Wuthering Heights, I think of many things,” she continued. “I think of passion and pain. I think of the Moors, I think of the mud and the cold. I think of determination and grit.”

The singer went on to say that while working on the music for the movie — which will star Margot Robbie as Catherine and Jacob Elordi as Heathcliff — she kept returning to a phrase she’d heard Cale use to describe his band’s music in a Velvet Underground documentary. “Any song had to be both ‘elegant and brutal,’” Charli wrote. “When the summer ended I was still ruminating on John’s words.”

This led Charli to reach out to Cale with the idea of collaborating on the scoring project, after which he sent her a poem that made her “cry.”

“I feel so lucky to have been able to work with John on this song,” she added in her note. “I’ve been so excited to share it with you all, sitting quietly in anticipation.”

“House” will arrive Monday, months ahead of when Wuthering Heights is set to hit theaters in February next year. In the song teaser, Charli appears on the screen lying on the side of her face while a man’s hand presses into her hair.

“Can I speak to you privately for a moment?” a deep voice says from off camera over sparse violin strikes.

Fennell’s take on Wuthering Heights is just the latest screen adaptation of Emily Brontë’s iconic gothic novel of the same name. In September, the first teaser trailer for the film dropped, featuring “Everything Is Romantic” from Charli’s Brat album. “House” will mark Charli’s first release since unveiling the full Brat remix album in October 2024.

See Charli’s teaser for “House” below.

Hannah Dailey
4:37 PM

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