Music

Bad Bunny & Beyond: Here Are the Latin Artists Nominated for the 2026 Grammy Awards

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Bad Bunny continues to expand his winning streak this year. On Friday (Nov. 7), the Puerto Rican superstar not only received six nominations for the 2026 Grammy Awards, but also made history as the first Latin artist to appear in three main categories in the same year: album of the year for Debí Tirar Más Fotos, and song of the year and record of the year for “DTMF.”

This is the second time Benito is competing for the album of the year award, having previously done so in 2023 with Un Verano Sin Ti. Additionally, “DTMF” is only the second Spanish-language track to be nominated for both record of the year and song of the year, following “Despacito” by Luis Fonsi and Daddy Yankee (featuring Justin Bieber). Bad Bunny is also nominated for best música urbana album, best global music performance for “EoO,” and best album cover as the art director for his LP’s artwork.

Also in the main categories, Mexican hitmaker Edgar Barrera received his third nomination for songwriter of the year, non-classical, this time for writing or cowriting hits for artists including Young Miko, Karol G, Carín León, Fuerza Regida, Grupo Frontera, Manuel Turizo, Shakira and Juanes. He is, once again, the only nominee for the award for writing songs in Spanish.

Other Latin artists are sprinkled throughout the categories. For the best global music performance award, in addition to Bad Bunny, Peruvian singer Ciro Hurtado is nominated for “Cantando en el Camino,” and Cuban artist Yeisy Rojas for “Inmigrante y Qué?” Venezuelan conductor Gustavo Dudamel and Mexican composer Gabriela Ortiz are once again featured in the classical music categories, while the jazz and Latin jazz sections include Cuban musicians Paquito D’Rivera and Gonzalo Rubalcaba, Mexican Arturo O’Farrill and Puerto Rican Miguel Zenón.

In the Latin music categories — which include pop, urban music, rock or alternative music, Mexican music and tropical music — there are superstars who have been nominated or awarded in the past, such as Gloria Estefan, Fito Páez, Karol G, Rauw Alejandro, Natalia Lafourcade and Alejandro Sanz, among others. It also includes first-time nominees such as Colombian singer Paola Jara and Argentine duo CA7RIEL & Paco Amoroso.

Many of the artists who received nominations on Friday will first compete at the 2025 Latin Grammy Awards, which will be held Thursday (Nov. 13) in Las Vegas. At this ceremony, Bad Bunny leads with 12 nominations, followed by Edgar Barrera and CA7RIEL & Paco Amoroso, with 10 each.

Below are the nominees for the 68th Annual Grammy Awards in the Latin and Latin Jazz categories. The winners will be announced in Los Angeles on Sunday, Feb. 1, just a few days before the Super Bowl, where Bad Bunny will headline the halftime show.

Best Latin Pop Album

Cosa Nuestra, Rauw Alejandro

BOGOTÁ (DELUXE), Andrés Cepeda

Tropicoqueta, Karol G

Cancionera, Natalia Lafourcade

¿Y Ahora Qué?, Alejandro Sanz

Best Música Urbana Album

Debí Tirar Más Fotos, Bad Bunny

Mixteip, J Balvin

FERXXO VOL X: Sagrado, Feid

NAIKI, Nicki Nicole

EUB DELUXE, Trueno

SINFÓNICO (En Vivo), Yandel

Best Latin Rock or Alternative Album

Genes Rebeldes, Aterciopelados

ASTROPICAL, Bomba Estéreo, Rawayana, ASTROPICAL

PAPOTA, CA7RIEL & Paco Amoroso

ALGORHYTHM, Los Wizzards

Novela, Fito Paez

Best Música Mexicana Album (Including Tejano)

MALA MÍA, Fuerza Regida, Grupo Frontera

Y Lo Que Viene, Grupo Frontera

Sin Rodeos, Paola Jara

Palabra De To’s (Seca), Carín León

Bobby Pulido & Friends Una Tuya Y Una Mía – Por La Puerta Grande (En Vivo), Bobby Pulido

Best Tropical Latin Album

Fotografías, Rubén Blades, Roberto Delgado & Orquesta

Raíces, Gloria Estefan

Clásicos 1.0, Grupo Niche

Bingo, Alain Pérez

Debut y Segunda Tanda, Vol. 2, Gilberto Santa Rosa

Best Latin Jazz Album

La Fleur de Cayenne, Paquito D’Rivera & Madrid-New York Connection Band

The Original Influencers: Dizzy, Chano & Chico, Arturo O’Farrill & The Afro Latin Jazz Orchestra Featuring Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa

Mundoagua – Celebrating Carla Bley, Arturo O’Farrill & The Afro Latin Jazz Orchestra

A Tribute to Benny Moré and Nat King Cole, Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro

Vanguardia Subterránea: Live at The Village Vanguard, Miguel Zenón Quartet


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‘KPop Demon Hunters’ Smash ‘Golden’ Notches 10th Week as U.K. No. 1 Single

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It’s another “Golden” week for KPop Demon Hunters as the breakout song reaches a whopping 10th week at No. 1 on the U.K. Official Singles Chart dated Nov. 7.

The song, taken from the Netflix smash film, is credited to the animated group HUNTR/X and sung by EJAE, Audrey Nuna and Rei Ami. Earlier this week it was reported that Netflix is targeting 2029 as a release date for a highly anticipated sequel to the animated flick. 

“Golden” has now appeared at No. 1 on the U.K. Official Singles Chart for 10 non-consecutive weeks, and is the longest-running No. 1 single for an animated act of all time. The Archies’ “Sugar Sugar” ruled on the U.K. Singles Chart for eight weeks back in 1969, while “We Don’t Talk About Bruno” from Disney’s 2022’s Encanto achieved seven weeks.

The song is also closing in on Alex Warren’s “Ordinary”, which has spent a whopping 13 weeks at No. 1 throughout 2025.

Taylor Swift’s “The Fate of Ophelia” is a non-mover and ends the week at No. 2. It has already notched three weeks at the summit to give her longest-running No. 1 single since 2022’s “Anti-Hero”. The LP’s other breakout song, “Opalite”, stays strong at No. 4.

Joining them in the top five is RAYE‘s “Where Is My Husband!” which holds its position at No. 3. Olivia Dean’s “Man I Need” lifts one place to No. 5, and is at the same spot on the Billboard Hot 100 this week, a career best.

As Lily Allen’s West End Girl moves up to No. 2 on the U.K. Albums Chart, the LP’s breakout song “Pussy Palace” heads into the top 10, finishing at No. 8. Two more tracks from the record, “West End Girl” (No. 15) and “Madeline” (No. 16), also achieve new peaks.


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Florence + The Machine Earns Fifth U.K. No. 1 Album With ‘Everybody Scream’

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Following its release on the spookiest week of the year, Florence + the Machine’s Everybody Scream has landed at No. 1 on the U.K.’s Official Albums Chart dated Nov. 7.

It makes for Florence Welch’s fifth set to reach the summit following 2009’s Lungs, 2011’s Ceremonials, 2015’s How Big, How Blue, How Beautiful and 2022’s Dance Fever. Her fourth studio LP, High as Hope, peaked at No. 2 in 2018.

Speaking to the Official Charts Company, Welch said, “Sixteen years on from Lungs, I take none of this for granted. I’m so grateful to everyone who took time with this record. It is a scream, but I also wanted it to be a balm to anyone who needed it. Sending love x.”

Everybody Scream was produced alongside The National’s Aaron Dessner, Glass Animals’ Dave Bayley, IDLES’ Mark Bowe, Danny L Harle, and superproducer and frequent collaborator James Ford. Welch will embark on a U.K. and Ireland arena tour in February 2026, before hitting North America in April.

Chatter around Lily Allen’s West End Girl has propelled the LP up the charts to a new high of No. 2. It first arrived on the U.K. Albums Chart at No. 4 last week, though discourse about the songs’ subject matter — that of an unfaithful former partner, widely assumed to be Stranger Things star David Harbour — has kept momentum on streaming and downloads. Physicals of the record will be released in January.

Taylor Swift’s The Life of a Showgirl holds its position at No. 3, having already spent three weeks at the summit in October. She was dethroned by a massive opening week for Dave’s third LP, The Boy Who Played the Harp.

Olivia Dean’s The Art of Loving holds strong at No. 4 as she readies herself for a performance on Saturday Night Live on Nov. 15. Following her stint on the U.K. version of the Celebrity Traitors, Cat Burns’ How to Be a Human lands at No. 5 for a new career high.


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Friday Dance Music Guide: The Week’s Best New Tracks From Charlotte de Witte, Illenium, Romy & More

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This week in dance music: Bunt.’s manager Nick Groff talked about using emerging technology to turn phones back on fans during shows during Billboard’s Live Music Summit in Los Angeles on Monday, Nov. 3.

Diplo reflected on his ex Katy Perry and her new boyfriend, the former prime minister of Canada Justin Trudeau. Demo Lovato’s new dance album It’s Not That Deep bumped Tame Impala’s Deadbeat out of the number one spot on Top Dance/Electronic albums and the co-writer of Deadbeat’s star single “Dracula” Sarah Aarons told us about the production process and the procrastination that brought the song to life.

“It was like, ‘Cool, this mix is due in 45 minutes,’” Aarons recalled of finishing “Dracula.” “When you know you have a deadline, your brain just goes, ‘This is the right thing.’ [Kevin Parker] called me and he went, ‘What about this melody?’ And I was like, ‘Yeah! How did we not do that melody already? It totally fits the song.’ We’d written lyrics so many times, we already had so many lyrics floating around our brains. We had so much of what we knew the song was that it kind of clicked.”

Meanwhile, Fred again.. continued his 10 shows/10 songs/10 weeks run in Dublin (and in fact released three songs this week), we celebrated the 20 year anniversary of Madonna’s disco-laced Confessions On a Dancefloor and Calvin Harris announced a 2026 Las Vegas residency at Wynn Nightlife, the property where the Scottish producer had his first ever Vegas residency back in 2011.

The Avicii Estate and Pophouse released the first of a three-part documentary series about the making of the late artist’s 2015 album Stories and Above & Beyond released their own documentary about the making of their July album Bigger Than All of Us. Plus, Grammy season kicked off with the nominations announced today, with Skrillex, PinkPantheress and Fred again.. leading the dance/electronic fields with two noms each.

Is there more? You bet there’s more. These are the best new dance tracks of the week.


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Nicki Minaj Says She’s ‘Happy to See’ Ye ‘Take Accountability’ by Meeting With Rabbi to Apologize

Nicki Minaj showed love to Ye (formerly Kanye West) for taking accountability for his hurtful actions against the Jewish community after meeting with a rabbi.

West met with Rabbi Yoshiyahu Yosef Pinto on Tuesday (Nov. 4), during which he expressed remorse and apologized for his previous antisemitic remarks about the Jewish community.

“So happy to see Kanye publicly take accountability for the pain his words may have cause to so many,” she wrote to X on Thursday (Nov. 6), praising West. “Standing with our Jewish brothers & sisters.”

Footage surfaced of West’s meeting with Rabbi Pinto when an Instagram account for Pintoposted the exchange on social media on Thursday.

“I feel really blessed to sit here and take accountability,” West began. “I was dealing with various issues. I was dealing with bipolar also, so I would take the ideas I had and forget about the protection of the people around me and myself. So I wanted to take accountability.”

Ye added: “So it’s like if you left the house and you left your kid at the house and your kid went and messed up the kitchen and messed up the garage and messed up the living room. Then when you get back, it’s your responsibility because that’s your job. That’s the way I look at it. It’s like I gotta go clean up the kitchen, I gotta clean up the living room, I gotta clean up the garage.”

West saw his meeting with Rabbi Pinto as the “first steps” in rebuilding “brick by brick” for the “strong walls” as far as his damaged relationship with the Jewish community goes.

Rabbi Pinto appeared to accept Ye’s apology. “A person is not defined by his mistakes, but by the way he chooses to correct them,” he replied in a translated statement. “This is the true strength of man: The ability to return, to learn, and to build bridges of love and peace.”

The Chicago rapper has been slammed for his repeated antisemitic rhetoric over the last few years, which includes a tweet saying he was going to go “death con 3” [sic] on Jewish people in 2022, and again praising Hitler on X in February this year.

As a result, just about all of his business deals vanished, as companies such as Universal Music Group, Balenciaga, Adidas and Gap ended their partnerships with the rapper.


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Madonna Drops Digital ‘Confessions on a Dance Floor Twenty Years Edition’ Featuring B-Sides & Remixes

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Madonna headed back to the club on Friday (Nov. 7) with the release of Confessions on a Dance Floor Twenty Years Edition, an expanded version of the pop queen’s beloved 2005 electropop dance record featuring such beloved hits as “Hung Up,” “Sorry” and “Get Together.”

The digital deluxe edition expands the original 12-track LP with eight additional b-sides, remixes and promo-only tracks including: “Hung Up (Chus & Ceballos Remix),” “Sorry (PSB Maxi-Mix),” “Get Together (Jacques Lu Cont Mix),” “Jump (Axwell Remix)” and “Hung Up (Archigram Remix).”

The original album was released in Nov. 2005 and featured the singer collaborating with producers Mirwais, Stuart Price and Bloodshy & Avant on a seamless collection that was strung together like a DJ set, with the anniversary edition tapping the vibe by including the original cross-faded continuous mix in a digital version for the first time.

The anniversary digital refresh of Confessions comes nearly two months after Madonna announced that she is returning to her original label home, Warner Records, after nearly two decades away. Not only that, but in an Instagram post announcing the deal she also teased that she is working on a sequel to the original Confessions album.

“Almost 2 decades later — And it feels like home with Warner Records! Back to music, Back to the Dance Floor, Back to where it all began! COADF – Pt. 2 2026,” Madonna teased back in September. The expanded Confessions LP comes amid a year of looking back for Madonna, which has included the release in July of her long-rumored Veronica Electronica album, a collection of eight rare and unreleased remixes of songs from her beloved 1998 Ray of Light album, as well as the upcoming revamp of her 1994 Bedtime Stories album on the upcoming (Nov. 28) eight-track Bedtime Stories — The Untold Chapter EP.


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Chase Matthew Scores His First No. 1 on Country Airplay Chart With ‘Darlin’ ‘

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Chase Matthew lands his first No. 1 on Billboard’s Country Airplay chart with “Darlin’.” The single tops the ranking dated Nov. 15 with a 3% gain to 31.3 million audience impressions Oct. 31–Nov. 6, according to Luminate.

The Sevierville, Tenn., native cowrote the song with four others, including Jake Angel and Alex Maxwell, who also share producer credits. It’s Matthew’s third charted single and follows his first top 10, “Love You Again,” which reached No. 9 in September 2024.

The coronation of “Darlin’” marks another breakout moment for the relative newcomer, highlighting both his growing fan base and rising momentum at radio. Matthew recently wrapped a special guest run on Keith Urban’s High and Alive World Tour, which closed in Nashville late October, and has his own dates booked through next year.

Matthew becomes just the second artist this year to earn a career-first Country Airplay No. 1, after Corey Kent with “This Heart” in July. Not since Jelly Roll and Nate Smith in 2023 have so few artists done so. Last year saw nine first-time leaders, including five collaborations. Since the start of 2016, 51 artists have scored their first No. 1s on the chart; narrowing that list to solo performances puts the number at 33 (among 299 total leaders in that span).

‘3, 2, 1’ Top 10

Washington state-born Tucker Wetmore breaks into the Country Airplay top 10 for a second time as “3, 2, 1” rises 11-10 (17.6 million, up 1%). His “Wind Up Missin’ You” reached No. 2 in January.

The single also delivers a breakthrough for Summer Overstreet, who cowrote it alongside veteran hitmakers Josh Miller and Jordan Reynolds. The Nashville native — daughter of Nashville Songwriters Hall of Fame inductee Paul Overstreet, who penned hits of his own and for many others beginning in the 1980s — earns her first top 10 on Country Airplay as a writer.


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Global Superstar Nora Fatehi Details New Shenseea Collaboration ‘What Do I Know’: ‘It’s About Creating My Own Lane in the Pop World’

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To coincide with her mainstage performance at Dubai’s Untold Festival this weekend (Nov. 6-9), India-based global superstar Nora Fatehi has unveiled a brand new single — and she’s brought Jamaican dancehall-pop sensation Shenseea along for the ride.

Out Friday (Nov. 7) via 5 Junction and Warner Records, “What Do I Know” is an infectious, dancefloor-ready banger that blends subtle house influences with elements of Jamaican dancehall, courtesy of Shenseea’s show-stealing verse. Written by three-time Grammy nominee Justin Tranter, Fatehi’s new track plays on the dominant “I’m just a girl” social media meme to explore femininity, power and sensuality through a global pop lens. Her seductive timbre pairs well with the track’s sleek production, and Shenseea’s commanding presence doubles down on her global appeal post-“Shake It to the Max” and offers a nice contrast to both.

“What Do I Know” is also accompanied by an entertaining, Arrad-helmed music video, featuring scenes inspired by Marilyn Monroe’s iconic rendition of “Diamonds Are a Girl’s Best Friend” from 1953’s Gentlemen Prefer Blondes. “I definitely learned to be more expressive and animated,” Shenseea tells Billboard of the music video shoot. “I haven’t fully tapped into that side yet, but I think it’s time now.”

Beyond Dubai’s Untold Festival, Fatehi is set to make her U.S. television debut with the first live performance of “What Do I Know,” alongside Shenseea, on The Tonight Show Starring Jimmy Fallon. A Bollywood star turned renowned multi-hyphenate, 2025 has been a busy year for Fatehi. In March, she starred in and provided songs for the soundtrack of Be Happy, an Indian Hindi-language dance drama from Amazon Prime, and, by May, she appeared in Netflix’s The Royals rom-com series.

On the music side of things, Fatehi connected with Jason Derulo for “Snake” at the top of the year, and by April, she was announced as one of the first signees to 5 Junction Records — a joint venture label under Warner Music Group aiming to serve as “a pipeline for South Asian artists to reach North American listeners.”

“South Asian music is having its moment, and Nora Fatehi is a global sensation bringing together sounds from India, the Middle East, and contemporary pop,” 5 Junction Records co-founder Anjula Acharia says in a statement. “With over 46 million fans already behind her, we’re now taking Nora and her sound from India to the world.”

Below, Nora Fatehi dishes on her new single and what else fans can expect from them as they enter 2026.

What inspired “What Do I Know (Just A Girl)”? What message did you want to get across with this song?

All the credit goes to our iconic writer Justin Tranter and producers Max Martin and Robyn. It’s a brilliant concept of a song, and when I first heard it, all I could think of was how so many girls would be able to relate to the idea of being misunderstood, undervalued and unappreciated. It’s a cheeky way of telling the world that we play the game wisely, but with our own rules, of course. We know what we bring to the table, and our power is not to be taken for granted. 

Why did Shenseea feel like the right collaborator for this song?

I love Shenseea as an artist and have been following and supporting her work for years! I wanted a collaboration that reflected my global multicultural appeal, and I feel Shenseea, as a Jamaican artist, brings just that. Her style adds the extra spice; she embodies confidence, edge and femininity. She’s also someone who’s broken barriers in her own lane, just like I’ve had to do in mine. I’ve always wanted to incorporate dancehall elements into my music, and being able to have her dancehall touch [on] a pop record like “What Do I Know (Just A Girl)” feels so unique. 

What can fans expect from your first televised performance of the song?

I’m so excited to perform this song on TV for the first time! Fans can expect a lot of dancing, glam and drama. We are currently preparing the entire concept. But I’m definitely leaning into some amazing choreography and, of course, some fun moments with Shenseea.

What was the music video shoot like?

We had a blast shooting the video. It was a hectic two days, but the sequences were worth i,t and I had the chance to work with some of the best in the business. One of my favourite choreographers, JaQuel Knight, did the dance choreography, and Arrad, known for some of the coolest pop and hip-hop music videos, directed the project. My favourite part was the airplane sequence. I’ve always wanted to add a bit of comedy in my music videos, and we did just that.

Why do you feel this song “marks the start of your pop girl era?”

With “What Do I Know (Just A Girl),” I’m embracing a sound, a style and an attitude that reflects everything I’ve learned from my journey so far. Bollywood, Afrobeat, Arabic influences, Western pop, all of these worlds make me who I am as an artist today, and in my new era, these worlds are all fused into one unapologetic expression. It’s not about fitting in; it’s about creating my own lane in the pop world.

This era is bold, glamorous and empowering. It’s about celebrating femininity while being powerful, sexy and strong. I’ve always loved artists who could command a global stage like Beyoncé, Rihanna and Shakira. I’m finally stepping into that energy with my own flavor. This is me saying: I’m here. I’m not just a dancer, not just an actress, but also I’m a global pop girl.

How did you go about fusing dancehall and pop on this track?

The track is as pop as it can get, which I love! However, the addition of Shenseea takes the track to another level. The fusion happens so subtly and beautifully through her delivery in the second verse. 

For you, what is the importance of global collaborations and working with artists across genres?

They open up so many creative doors and allow artists to blend cultures, sounds, and emotions in a way that speaks to people everywhere. When I work with artists from different parts of the world or from different genres, it’s not just about making a song — it’s about creating a fusion of energy, rhythm, and stories.

Music and dance have no language barrier, and I truly believe collaboration helps us celebrate that universality. It’s how we grow as artists, by learning from each other’s influences, experimenting with new styles, and building bridges between audiences. It’s the most beautiful part of being in the global entertainment space.

Based on “What Do I Know (Just A Girl)” and “Snake,” when can fans expect a full project from you?  

I’m currently working on my EP for 2026, and my fans expect to see a different side of me as an artist. I’m experimenting with my sound more than ever and gearing up to drop some dance bangers for the summer. 


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Skrillex, PinkPantheress & Fred again.. Lead 2026 Dance/Electronic Grammy Nominations

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The 2026 Grammy nominations were announced Friday (Nov. 7), with the academy once again once again selecting a group of dance/electronic producers across the four dance-focused categories.

Skrillex and Kaytranada lead the nominees with two nods each. Skrillex, whose already got nine Grammys to his name, gets the 2026 nods for his April mixtape style album  F*ck U Skrillex You Think Ur Andy Warhol But Ur Not!! <3>in the dance/electronic album category, and its triumphant final track “Voltage” in best dance/electronic recording.

Fellow previous Grammy winner Fred again.. also picks up a pair of noms for his album Ten Days, and his Skepta and Plaqueboymix collab “Victory Lap.” PinkPantheress also scores a pair of noms for her FancyThat mixtape and her single “Illegal.” Other artists nominated across the categories also include David Guetta, Rüfüs du Sol, Gesaffelstein and FKA Twigs.

The 2026 Grammy Awards happen on Feb. 1 at the Crypto.com Arena in Los Angeles, with returning host Trevor Noah. Barring any unforeseen changes, the awards in the dance categories will be presented during the Grammys Premiere Ceremony that happens earlier in the day.

Best Dance/Electronic Recording:

  • Disclosure & Anderson .Paak, “No Cap”
  • Fred again.., Skepta, Plaqueboymix, “Victory Lap”
  • Kaytranada, “Space Invader”
  • Skrillex, “Voltage”
  • Tame Impala, “End of Summer”

Best Dance/Electronic Album:

  • FKA Twigs, Eusexua
  • Skrillex,  F*ck U Skrillex You Think Ur Andy Warhol But Ur Not!! <3>
  • PinkPantheress, FancyThat
  • Rüfüs du Sol, Inhale/Exhale
  • Fred again.., Ten Days

Best Dance/Pop Recording:

  • Selena Gomez & Benny Blanco, “Bluest Flame”
  • Lady Gaga, “Abracadabra”
  • Zara Larsson, “Midnight Sun”
  • Tate McRae, “Just Keep Watching (From F1® The Movie)”
  • PinkPantheress, “Illegal”

Best Remixed Recording:

  • Lady Gaga, “Abracadabra” (Gesaffelstein Remix)
  • Mariah Carey, “Don’t Forget about Us” (Kaytranada, Remixer)
  • Soul II Soul, “A Dreams a Dream” (Ron Trent Remix)
  • The Chemical Brothers, “Galvanize” (Chris Lake, Remixer)
  • Huntr/x, “Golden” (David Guetta Remix)


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Rod Stewart Extends One Last Time Tour With 15 Additional 2026 U.S. Dates

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Sir Rod Stewart has extended his globe-hopping One Last Time tour yet again. After taking the greatest hits outing across Europe, Asia and North and South America over the past year and a half, the pop icon announced another round of shows in the U.S. next spring and summer on Friday morning (Nov. 7).

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The 15 freshly added stops on the Live Nation-produced tour are slated to kick off on March 13 at Mohegan Sun Arena in Uncasville, Conn., and feature gigs in Knoxville, Houston, Phoenix, Hollywood, Salt Lake City, Cincinnati and Cleveland before winding down on Aug. 15 at the Morton Amphitheater in Kansas City, Mo. on Aug. 15. Howard Jones and Richard Marx will serve as opening acts on the new shows.

Tickets for the new dates will go on sale first with an artist pre-sale beginning on Monday (Nov. 10) at 10 a.m. local time, with additional pre-sales running throughout the week ahead of a general on-sale beginning on Nov. 14 at 10 a.m. local time here.

Stewart, 80, kicked off the One Last Time tour in 2024, serving up his typical high-energy, soccer ball-booting revue of classic hits, including, “You Wear It Well,” “Maggie May,” “Da Ya Think I’m Sexy,” “The First Cut is the Deepest,” “Tonight’s the Night,” “Every Picture Tells A Story,” “Forever Young,” “Have I Told You Lately That I Love You” and others.

Check out the dates for Rod Stewart’s 2026 One Last Time U.S. dates below.

  • March 13: Uncasville, Conn. @ Mohegan Sun Arena
  • Apr. 15: Knoxville, Tenn. @ Food City Center %
  • Apr. 17: Huntsville, Ala. @ Orion Amphitheater %
  • Apr. 19: Houston, Texas @ The Cynthia Woods Mitchell Pavilion sponsored by Huntsman %
  • Apr. 22: Rogers, Ark. @ Walmart AMP %
  • June 8: Phoenix, Ariz. @ Mortgage Matchup Center ^
  • June 10: Hollywood, Calif. @ Hollywood Bowl ^
  • June 12: Chula Vista, Calif. @ North Island Credit Union Amphitheatre ^
  • June 15: Morrison, Colo. @ Red Rocks Amphitheatre ^
  • June 19: Salt Lake City, Utah @ Utah First Credit Union Amphitheatre ^
  • July 31: Wantagh, N.Y. @ Northwell at Jones Beach Theater ^
  • Aug. 1: Virginia Beach, Va. @ Veterans United Home Loans Amphitheater at Virginia Beach ^
  • Aug. 9: Cincinnati, Ohio @ Riverbend Music Center ^
  • Aug. 11: Cleveland, Ohio @ Rocket Arena ^
  • Aug. 15: Kansas City, Mo. @ Morton Amphitheater ^

% with Howard Jones

^with Richard Marx


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