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Billie Eilish, Lady Gaga and several more stars have joined the lineup for FireAid, an upcoming benefit concert at the Intuit Dome supporting victims of the ongoing wildfire crisis that has devastated the Los Angeles area. As reported Thursday (Jan. 16) by The Hollywood Reporter, the “Bad Guy” singer and Joker: Folie a Deux actress […]
Robbie Williams is a Swiftie!
The English singer-songwriter stopped by SiriusXM Hits 1 this week to promote his recently released, CGI monkey-led musical biopic Better Man. During his conversation with host Ben Harlum, Williams opened up about his love for Taylor Swift, with whom he performed “Angels” in 2018 at London’s Wembley Stadium.
“I love Taylor Swift. Who doesn’t and who can’t?” he said. “There are levels to this stuff, and she is achieving levels that have been unreached, unmatched. When I was in my pocket of omnipresence, I couldn’t help but go, ‘Hey, the crazy’s showing itself. Hey, this is what crazy looks like. This is making me crazy.’ And people went, ‘Oh, he’s being crazy.’ ‘Yes, I am. I’m insane right now, and I’m having a nervous breakdown.’ The poise that she has and the way that she is navigating very, very unfair things leveled at her — she’s just a girl singing some songs, trying to entertain people. Obviously, with great love comes great hate too. With omnipresence, comes the crazy and she’s navigating it all so well, it would seem from the outside.”
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Elsewhere, in an interview with Andy Cohen on SiriusXM, Williams opened up about his love for Madonna after Cohen called him out for previously “slagging” her for her age. “That’s not nice of me,” Williams said. “Here’s the thing, too, is I absolutely adore her and love her.”
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He continued, “The thing is about being a 90s British person, it was wrestling and you did this thing in the press where — which made me me and made us us — but you fill a space and in the 90s and the tail end of that, you filled a space sometimes by being mean, but funny.”
However, despite at times being “unkind” to Madonna, Williams added, “I adore her, respect her, love her music, love everything about her, everything that she’s managed to do in her career. I’ve been a d—. I can be a d—.”
Watch below.
The class of new country artists with debut projects coming in the first six months of 2025 looks a little different. Thankfully.
Of 13 acts readying their first album or EP for a major label or indie of significance, three are projects by solo females and three belong to vocal duos. Those subsets include Kat Luna, a singer with Cuban-American roots; and two multi-racial duos: Neon Union and 2 Lane Summer.
That development comes at a time when country labels are recognizing the nation’s changing consumer base, which practically requires a universe of artists that better resembles those shifts.
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That doesn’t mean that the genre’s history is being overlooked: John Morgan, Tucker Wetmore and Bryce Leatherwood continue to work the kind of musical vein that country listeners expect. Luna, Neon Union and 2 Lane fit within those historic boundaries, too, while owning their own sonic brand.
“The country market is a lot of male country singers,” says 2 Lane’s Chris Ray, “so we were like, ‘Let’s just come together. Let’s do something that’s bigger than our solo careers.’”
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Release schedules can change, but here’s a look at 13 acts expected to launch a first album or EP between Jan. 1 and June 30, and how they’re staking out unique territories:
• 2 Lane Summer (Quartz Hill) – Illinois-bred Joe Hanson and Mississippian Chris Ray were both chasing solo careers when they found harmony. Big harmony. Their combined voices are bold and beautiful, evident in their Jan. 10 release “Eyes That Ain’t Yours (Wedding Version).” An EP is in progress, possibly for spring.
• Bayker Blankenship (Lone Star/Santa Anna) – His 2024 indie breakout “Maxed Out” garnered 60 million streams on Spotify alone in 2024, and Blankenship’s label is teaming with Sony Music Nashville on a spring EP release, his first with major-label assistance. The Tennessean’s lonesome tone and somnolent phrasing make him easily relatable.
• Mackenzie Carpenter (Valory) – A co-writer on Lily Rose’s “Villain” and Megan Moroney’s “I’m Not Pretty,” Carpenter owns a cutting tone that allows her to sound country without seeming backwoods. The Georgian’s 13-track Hey Country Queen, due March 7, frames small-town scenarios with subtly engaging melodies, delivered with a fierce confidence.
• Carter Faith (Capitol Nashville) – Faith wears her heart on her breath, exuding fragility with a smoky resonance. She’s played the Grand Ole Opry a dozen times, collaborated with Alison Krauss, opened for Willie Nelson and issued a well-received 2024 EP, The Aftermath. A full album is currently in the works.
• Zach John King (Sony Music Nashville) – King might be the first artist to cite George Jones and Switchfoot among his influences, and those threads are both faintly evident in his just-released “Slow Down.” After issuing a series of singles and EPs independently, King’s first major-label EP likely arrives in March.
• Bryce Leatherwood (Mercury Nashville) – Leatherwood’s understanding of country music was formed first by a Conway Twitty compilation during his youth, and a tinge of that influence comes through in his adult approach to a song. A former Blake Shelton apprentice on The Voice, Leatherwood’s first album blooms in the spring.
• Kat Luna (Sony Music Nashville) – Her original Nashville recordings came as one-half of Latin country duo Kat & Alex, but Luna – to quote a subsequent solo outing – is not “That Girl” anymore. The Miami product owns powerful pipes, and she’s got a spring EP on the way to showcase them.
• Vincent Mason (Interscope/MCA Nashville) – Heartbreak and loneliness come in multiple gears, and the Roswell, Ga., native leans on ballads and midtempos with a languid vocal style that conveys emptiness without throwing in the towel. His first headlining tour is around the corner, as is more music – perhaps a debut album.
• John Morgan (Night Train/Broken Bow) – Currently in circulation with the Jason Aldean collaboration “Friends Like That,” Morgan likely unleashes his first album in the first quarter. Whether he’s crafting a country ballad or riding a ‘90s-rock pulse, Morgan’s work is consistently melodic, designed to hook a listener in a heartbeat.
• Ty Myers (RECORDS Nashville/Columbia) – Raised on a central Texas cattle ranch, Myers wraps a little blues-rock and a fair amount of red-dirt alternative texture around a commercial vocal tone and Black Crowes phrasing. His first album – The Select, featuring already-released “Ends of the Earth” – is set for Jan. 24 release.
• Neon Union (Red Street) – Miami native Leo Brooks and North Carolina-bred Andrew Millsaps met in Nashville and quickly discovered they shared an appreciation for edgy, spirited, party-time country. The duo’s first album, Good Years, arrives Jan. 31, with shades of Montgomery Gentry and Brooks & Dunn influencing its grinding, upbeat sound.
• Pitney Meyer (Curb) – Longtime Curb solo act Mo Pitney paired with bluegrass vet John Meyer for a concert at Nashville’s Station Inn, and the blend was so inspiring they started a duo. They cut their first album – Cherokee Pioneer, due April 18 – in three days, with rippling acoustic rhythms and aptly lonesome harmonies.
• Tucker Wetmore (Back Blocks/EMI Nashville) – With “Wind Up Missin’ You” in the Hot Country Songs top 10 and two RIAA-certified platinum singles in his favor, Wetmore’s first full-length album is due this spring. His ultra-country vocals are tempered by a mix of sharpened steel guitar and reverberant classic rock beats.
Former Beatles drummer Ringo Starr has long threaded country music into his work, both as part of the Fab Four, and his decades of solo work.
During his tenure with the Beatles, Starr sang lead on the Fab Four’s cover of the Buck Owens classic “Act Naturally.” Later, as a solo artist, Starr decamped to Nashville to record his 1970 country album Beaucoups of Blues, crafted with Nashville session musician Pete Drake.
Now, more than five decades after that project, the 84-year-old Starr continues his country inclinations, crafting his recently-released new country album Look Up with legendary producer/musician T Bone Burnett, the former Bob Dylan band member known for his production work on the O Brother, Where Art Thou? and Walk the Line soundtracks, as well as his work with a range of artists, including Robert Plant, Elton John and Brandi Carlile.
Starr celebrated the release of Look Up with two concerts at Nashville’s famed Ryman Auditorium, on Tuesday (Jan. 14) and Wednesday (Jan. 15). Each show featured Starr welcoming a star-studded lineup of his fellow music luminaries, including Sheryl Crow, Jack White, Emmylou Harris, Rodney Crowell, The War and Treaty, Jamey Johnson, Billy Strings, Molly Tuttle, Mickey Guyton, Sarah Jarosz and Larkin Poe. Burnett hosted the show, welcoming artists throughout the evening, as some performances featured artists in collaboration with Starr, while other performances featured the evening’s guest offering solo performances.
Together, they spearheaded a night of music that highlighted Starr’s long-forged country connections and the wealth of musical talent Nashville encompasses beyond the country commercial mainstream, incorporating songs from Starr’s Look Up, but also several country-tinged Beatles songs along the way.
“I feel blessed tonight, with all these great players coming out,” Starr told the audience.
Noting the work of artists including Strings, Tuttle and Jarosz, Burnett commented at one point, “Some of the most exciting stuff in music is happening in bluegrass.”
Backing the artists was an ace band of revered musicians that included Mike Rojas, Daniel Tashian, David Mansfield, Dennis Crouch, Paul Franklin and Jim Keltner. White joined Starr to open the show with a rendition of “Matchbox,” and later returned to the stage to perform an intricate, blazing version of “Don’t Pass Me By.”
Tuttle called taking part in Starr’s Look Up album “the honor of a lifetime, working with Ringo and T Bone.” The Grammy winner then played what she called “the first Beatles song I ever heard,” offering a rendition of “Octopus’s Garden,” from The Beatles’ Abbey Road album. Elsewhere in the evening, Crowell and Jarosz performed rollicking version of “Act Naturally.”
Elsewhere, Strings offered a blistering performance of “Honey Don’t,” Guyton gave a powerful, elegant vocal showcase on “You Don’t Know Me at All,” Johnson dipped into grizzled blues-rock territory on “Have You Seen My Baby,” and Larkin Poe teamed with Starr for “Thankful” and also offered a sultry version of “I Wanna Be Your Man.”
Throughout the evening, the artists feted Starr for not only his musical acumen and lasting musical influence, but also for his signature devotion to crafting music that uplifts.
“I needed this,” Crow said at one point, adding, “I can’t think of anybody who emanates love and peace like Ringo — and it’s not a brand, he really does…he believes in it.”
Starr’s two Ryman Auditorium shows were taped for the upcoming television special Ringo & Friends at the Ryman, which will air on CBS and stream on Paramount+ this spring.
The show concluded, appropriately, with an all-star singalong of The Beatles’ classics “Yellow Submarine” and “With a Little Help From My Friends,” which saw additional artists join Starr onstage, including rock and country music trailblazer Brenda Lee (the Beatles once opened for Lee back in the 1960s, prior to the Fab Four’s breakthrough).
Here, Billboard highlights five top moments from Ringo Starr’s Wednesday evening show.
Jack White Brings Electrifying Performances to Ryman Stage
After 15 years, singer Michael Tait is exiting his role as lead singer of contemporary Christian band Newsboys.
Tait made the announcement in an Instagram post on Jan. 16, calling his time leading Newsboys “some of the most fulfilling, faith-based and rewarding years of my life. I have been on an amazing journey all over the globe, performing and ministering to people of all ages, races and backgrounds.”
He added, “I have made for me what is a monumental and heartfelt decision that it is time to step down from Newsboys. This decision does not come lightly and has been a shock to even myself, but amidst prayer and fasting, I have clarity that this is the right decision.”
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Tait went on to thank his Newsboys bandmates for their time together, saying, “You are family, and always will be. I know Newsboys will carry on doing incredible things for God’s kingdom with strength and purpose and I can’t wait to cheer you on while you do.”
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The announcement comes just days before the group continues the 2025 leg of their Worldwide Revival Nights Tour on Jan. 18 in Poplar Bluff, Missouri. A social media statement from Newsboys noted that Tait’s exit will not impact their upcoming tour, which is slated to run through August.
“We are grateful for the extended season Michael has had with Newsboys….as he said in his announcement, the memories we share are deeply cherished. As he walks into the next season of life, we are stepping into the next season of Newsboys,” the group’s Duncan Phillips, Jeff Frankenstein, Jody Davis and Adam Agee said in the social media post.
“We are kicking off our Worldwide Revival Nights tour as planned this weekend, and we hope to see you at a show soon … as we navigate this season of change, we know that worshipping together is the way we want to move forward. We know there will be questions about what the future holds, and in due time we’ll have answers for those questions. For now, we want you to know that Newsboys isn’t going anywhere; we’re going everywhere!” the group’s statement continued.
Newsboys released their most recent album, Worldwide Revival (Part One), on July 19, 2024. Tait joined Newsboys in 2009, following the departure of former Newsboys member Peter Furler. Since forming in 1989, the band has earned two No. 1 hits on Billboard’s Christian Airplay chart, including “You Are My King (Amazing Love),” and “We Believe.” The group has also earned 13 top 10 Christian Airplay hits, and has been nominated for four Grammy Awards.
Tait was previously part of the groundbreaking CCM rap-rock group, DC Talk, from 1988-2001, alongside TobyMac and Kevin Smith. The four-time Grammy-winning DC Talk was known for songs including “Jesus Freak” and “Between You and Me.” He also led his own band, Tait, prior to joining Newsboys.
Check out both statements from Tait and Newsboys below:
What is Drake doing?
Tuesday night, Rap Twitter was sent into a frenzy when news of Drake withdrawing his legal action accusing his label UMG and Spotify of using bots and payola to push Kendrick Lamar’s “Not Like Us” diss track to one of the biggest songs in the world. Social media lawyers simultaneously claimed victory and defeat, but little did they know he was clearing the way for something more serious and ridiculous (depending on who you ask).
Then on Wednesday, news broke that the Toronto superstar decided to file a straight-up defamation lawsuit against his current and longtime parent record company, Universal Music Group. Drake claims UMG benefited and helped promote a “false and malicious narrative” and chose “corporate greed over the safety and well-being of its artists.”
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Drake’s lawyers claim the drive-by shooting of one of his security guards outside of his Toronto mansion (a.k.a. “The Embassy”) may be connected to “Not Like Us,” because it happened just days after the song was released. “UMG’s greed yielded real world consequences,” his lawyers wrote. “With the palpable physical threat to Drake’s safety and the bombardment of online harassment, Drake fears for the safety and security of himself, his family, and his friends.”
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A few days after the shooting, an intruder was apprehended trying to break into Drake’s residence, and while The Embassy is featured prominently on the cover art for “Not Like Us,” the address is well-known and was the location used for the “Toosie Slide” music video released during the Covid lockdown of 2020, a video that has since racked up close to 400 million views on YouTube. And a week before both incidents at Drake’s crib took place, The Weeknd’s manager Cash’s security guard was also shot in front of his security gate. At the time, many fans speculated both shootings were connected based on the history between the Canadian record labels XO and OVO.
Elsewhere in the filing are less-serious claims if you’re familiar with rap battle etiquette (or lack thereof). Firstly, his lawyers mistakenly say Kendrick grew up in Oakland when they reference the “Not Like Us” line, “I think that Oakland show gon’ be your last stop.” Drake’s lawyers allege that Kendrick was suggesting that Drake “would not make it out alive” if he chooses to perform in the city where the late 2Pac once lived. Drake famously (and notoriously) used an A.I. version of ‘Pac’s voice and told Lamar that he should mention Drake “likin’ young girls.” Secondly, they claim “Not Like Us” actually “alludes to Drake’s Jewish heritage saying that Drake is ‘not a colleague’ but ‘a f—kin’ colonizer,” completely disregarding the bars that preceded those statements that mention his history of aligning himself with artists from Atlanta to allegedly bolster his street credibility.
Drake winning this lawsuit has the potential to change the way diss songs are handled moving forward. Mind you, Drake insinuated that Kendrick’s kids aren’t his and that he has abused the mother of the children — who, according to him, are really the children of his friend and business partner. Kendrick could sue as well if he truly wanted to, but the game isn’t played that way. There are many unwritten rules in hip-hop, and suing over a diss song is one of the 10 Rap Commandments of dos and don’ts.
Ironically, Drake suing over a diss further complicates his relationship with hip-hop culture, making him look like an outsider and *check notes* a colonizer. He can win this lawsuit, but he’s already lost in the court of public opinion. He’s currently doing more damage to his public perception amongst rap fans than “Not Like Us” ever could. Rap music has always been full of hyperbole. Most rap fans don’t take every single lyric literally and Drake, who has said publicly that he “studies rap battles for a living” on LeBron’s talk show The Shop should know that.
To quote one of the great philosophers of our time:
“The streets is the streets, this is industry. N—as wanna bring they lawyers to muthaf—kin’ battles, man. Don’t bring your lawyer, bring your gat or bring your clique, man. So, it’s a big difference… They not ghetto celebrities if they tellin’.”
David Lynch, the beloved filmmaker and director known for his dark, surrealist vision in the television classic Twin Peaks, as well as films including Mulholland Drive and Blue Velvet, has died. He was 78 years old.
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Lynch’s family announced the news of his passing via a Facebook post on Thursday (Jan. 16). “It is with deep regret that we, his family, announce the passing of the man and the artist, David Lynch,” the statement reads alongside a photo of the artist playing a guitar. “We would appreciate some privacy at this time. There’s a big hole in the world now that he’s no longer with us. But, as he would say, ‘Keep your eye on the donut and not on the hole.’ It’s a beautiful day with golden sunshine and blue skies all the way.”
See the post here. His cause of death was not revealed.
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Lynch’s death comes just five months after he announced that he was housebound over fears he’ll contract COVID-19 after being diagnosed with emphysema from many years of smoking. At the time, he added that he wasn’t planning to make another film. “I would try to do it remotely, if it comes to it,” Lynch said. “I wouldn’t like that so much.”
The Missoula, Montana, native, was a one-time painter who enrolled in the Pennsylvania Academy of the Fine Arts before he shifted his focus to making films. His breakthrough came via 1977’s Eraserhead, which became popular in the midnight movie underground circuit. Among his many notable films include 2001’s Mulholland Drive starring Justin Theroux, Naomi Watts and Laura Harring; and 1986’s Blue Velvet, starring Kyle MacLachlan, Isabella Rossellini, Dennis Hopper and Laura Dern.
In television, he was best known as the visionary behind the mystery drama series Twin Peaks, which ran for two seasons from 1990 to 1991 and returned for a third season in 2017. The series won three Golden Globes and two Emmys, as well as a 1991 Grammy for best pop instrumental performance for the Angelo Badalamenti-composed theme music.
Lynch’s projects also made appearances on the Billboard charts. Twin Peaks: Music From The Second Season And More claimed the No. 17 spot on the the April 27, 2019-dated Soundtracks chart. That same week, it peaked at No. 68 on the Top Album Sales tally. His third studio album, The Big Dream, peaked at No. 40 on Independent Albums and No. 167 on Top Current Album Sales in 2013.
He also directed a number of music videos, including Nine Inch Nails’ 2013 “Came Back Haunted” clip as well as Moby’s 2009 “Shot in the Back of the Head” video.
Mrs. GREEN APPLE’s “Lilac” holds at No. 1 on the Billboard Japan Hot 100, dated Jan. 15, extending its reign atop the chart to four weeks.
The Oblivion Battery opener saw an increase in streams, video views and karaoke plays this week. Streaming and video both gained by around 20% compared to last week, and the song dominated downloads, streaming, video and karaoke, while coming in at No. 19 for radio. 19 songs by the three-man band are charting on the Japan Hot 100 this week, including three more in the top 10 — “Que Sera Sera” at No. 3, “Bitter Vacances” at No. 5, and “Soranji” at No. 10.
Rosé & Bruno Mars’ “APT” also holds at No. 2. Streams for the long-running hit, which topped the Billboard Global 200 for the 11th week, increased 30% from the week before, and charts in the top 5 for the seventh week. The track comes in at No. 7 for downloads, No. 2 for streaming, No. 15 for radio airplay, No. 2 for video, and No. 27 for karaoke.
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Kis-My-Ft2’s “Curtain call’ debuts at No. 4. The boy band’s 32nd single launched with 121,351 copies to rule sales, while coming in at No. 45 for radio. Lienel’s fifth single “Go Around The World” also bows at No. 6, selling 73,952 copies to hit No.2 for sales and also coming in at No. 26 for radio.
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The song that ruled the radio metric this week was “Sakura, Hirari” by veteran band Southern All Stars, which held the top spot for a second week. The lead single off their upcoming new album THANK YOU SO MUCH, due in March, gained about 70% in radio airplay from the week before. Streams and video views also increased and the song rises 28-25 on the Japan Hot 100.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Jan. 6 to 12, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
01/16/2025
A look at 25 unprecedented chart achievements from BTS and beyond from the past quarter century.
01/16/2025
Two musicals (Wicked and Emilia Pérez) and the Bob Dylan biopic A Complete Unknown are among the 10 films nominated for best theatrical motion picture by the Producers Guild of America.
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Since its inception in 1990, the PGA Award for best theatrical motion picture has gone to the subsequent Oscar winner for best picture on all but 10 occasions. The last time the two award bodies diverged was in 2020, when the PGA award went to 1917, but the Oscars favored Parasite.
The PGA expanded the number of nominees for its top award from five to 10 in 2010, the same year the Oscars made a similar expansion.
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The Greatest Night in Pop, a Netflix film about the 1985 “We Are the World” recording session, is nominated for outstanding producer of televised or streamed motion pictures. The film was nominated for three Primetime Emmys last year, including outstanding documentary or nonfiction special, and is currently nominated for a Grammy for best music film.
The Voice is among the nominees for outstanding producer of game & competition television. It is competing with The Amazing Race, RuPaul’s Drag Race, Top Chef and The Traitors.
Final ballots for TV and film categories will close on Thursday, Jan. 30, at 2 p.m. PT. Winners in these categories will be announced at the 36th annual Producers Guild Awards, which will be held on Feb. 8 at the Fairmont Century Plaza in Los Angeles.
Final ballots for children’s, short form, and sports programs will close on Monday, Jan. 20, at 2 p.m. PT. Winners in these categories will be announced at the guild’s nominee events in New York and Los Angeles the week of Feb. 3.
At the Producers Guild Awards ceremony in February, the guild will also present special honors to Chris Meledandri (David O. Selznick Achievement Award), Dana Walden (Milestone Award), Taika Waititi (Norman Lear Achievement Award) and Lynda Obst and Paula Weinstein (Trailblazer Award).
The 2025 Producers Guild Awards event chairs are Mike Farah and Joe Farrell. The 2025 Producers Guild Awards are produced by Anchor Street Collective and written by Lauren Cortizo, Jody Lambert and Matt Oberg for the guild. Branden Chapman is executive producer, and Carleen Cappelletti is co-executive producer.
Here’s the complete list of 2025 nominees by the Producers Guild of America.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
A Real Pain
September 5
The Substance
Wicked
Outstanding Producer of Animated Theatrical Motion Pictures
Flow
Inside Out 2
Moana 2
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Norman Felton Award for Outstanding Producer of Episodic Television – Drama
Bad Sisters
The Diplomat
Fallout
Shōgun
Slow Horses
Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy
Abbott Elementary
The Bear
Curb Your Enthusiasm
Hacks
Only Murders in the Building
David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television
Baby Reindeer
FEUD: Capote Vs. The Swans
The Penguin
Ripley
True Detective: Night Country
Outstanding Producer of Televised or Streamed Motion Pictures
Carry On
The Greatest Night in Pop
The Killer
Rebel Ridge
Unfrosted
Outstanding Producer of Non-Fiction Television
30 for 30
Conan O’Brien Must Go
The Jinx – Part Two
STEVE! (martin) a documentary in 2 pieces
Welcome to Wrexham
Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television
Ali Wong: Single Lady
The Daily Show
Last Week Tonight With John Oliver
The Late Show With Stephen Colbert
Saturday Night Live
Outstanding Producer of Game & Competition Television
The Amazing Race
RuPaul’s Drag Race
Top Chef
The Traitors
The Voice
The following nominees were previously announced.
Outstanding Producer of Documentary Motion Picture
Gaucho Gaucho
Mediha
Mountain Queen: The Summits of Lhakpa Sherpa
Porcelain War
Super/Man: The Christopher Reeve Story
We Will Dance Again
Outstanding Children’s Program
Avatar: The Last Airbender
Fraggle Rock: Back to the Rock
Percy Jackson and the Olympians
Sesame Street
SpongeBob SquarePants
Outstanding Short-Form Program
The Crown: Farewell To a Royal Epic
Hacks: Bit By Bit
The Penguin: Inside Gotham
Real Time with Bill Maher: Overtime
Shōgun – The Making of Shōgun
Outstanding Sports Program
Formula 1: Drive to Survive
Hard Knocks: Offseason with the New York Giants
Messi’s World Cup: The Rise of a Legend
Simone Biles Rising
Triumph: Jesse Owens and the Berlin Olympics
PGA Innovation Award
Critterz
Emperor
Impulse: Playing with Reality
Orbital
The Pirate Queen with Lucy Liu
What If…? – An Immersive Story
