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Katy Perry is finally talking about it. After going months without addressing her controversial decision to work with Dr. Luke on her comeback single “Woman’s World,” which dropped in July, the 39-year-old pop star opened up about her reasons for working with the producer Kesha accused of sexual assault in 2014 on the latest episode of Call Her Daddy.
In the podcast episode posted Wednesday (Sept 4), Perry acknowledged that the collaboration “started a lot of conversations.”
“He was one of many collaborators that I collaborated with,” she continued of Dr. Luke, who helped craft “California Gurls,” “Teenage Dream” and several more of her biggest hits over the years. “But the reality is, it comes from me. The truth is, I wrote these songs from my experience of my whole life going through this metamorphosis, and he was one of the people to help facilitate all that. One of the writers, one of the producers.”
“I am speaking from my own experience,” Perry added. “When I speak about ‘Woman’s World,’ I speak about feeling so empowered now as a mother, as a woman, giving birth, creating life … I’m still a matriarch and feeling really grounded in that. That’s where I’m speaking from. So I created all of this with several different collaborators, people that I’ve collaborated with from the past, from the Teenage Dream era, all of that.”
Word that the “Roar” singer had enlisted Dr. Luke for “Woman’s World” emerged shortly before the singer dropped, leading many to criticize Perry for doing so in spite of the producer’s nine-year legal battle with Kesha. After the “Tik Tok” artist accused the Kemosabe Records founder of drugging and raping her at a 2005 party, which he strongly denied, he countered with a defamation lawsuit that the two parties eventually settled in 2023.
Other critics also pointed out the irony of “Woman’s World” — which Perry branded as an ode to female empowerment — being produced and written by a team of mostly men, with a male director helming its music video. Luke also worked on the singer’s followup single “Lifetimes,” which dropped Aug. 8.
The interview comes a few weeks ahead of Perry’s new album, 143, which is set to arrive Sept. 20. Her conversation with Cooper also spanned the American Idol alum’s relationship with husband Orlando Bloom and how they’re raising their 4-year-old daughter, Daisy. At one point, Perry apologized to parents of kids who innocently sang along to her cheeky track “Peacock” in 2010 — because now she’s going through the same thing with her own child.
“Even now my daughter sings the song ‘Peacock’ — dancing around the house — that I wrote as a double-entendre, funny song about dicks,” Perry said, laughing. “And I’m like, ‘Don’t sing that song!’ My karma has now served me.”
Listen to Perry’s episode of Call Her Daddy below.
Diplo isn’t afraid to take a taste on the wild side. After Ludacris gained traction last month for checking a major item off his bucket list when he sampled some pure Alaskan glacial water, Diplo figured if it’s good enough for Luda, it’s good enough for me.
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In a 20-second video posted on Tuesday night (Sept. 3) the DJ/producer is seen bundled up and kneeling on a glacier as a he dips a silver cup into the clear blue water in an undisclosed location. “Gonna try this glacier water,” he narrates as he dunks his glass in for a healthy fill-up. “Oh that’s good boy, bottoms up!”
The clip, which features a text overlay reading “this glacier water is ludacris,” also has the disclaimer: “it’s clean everyone, it’s literally clear.”
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The stunt came a few weeks after Ludacris drew concern, and some condemnation, following his recent trip to Alaska, which included a sip of Alaskan glacial water. “Half of the world’s glaciers are here in Alaska. I couldn’t come here and just have a show. You know I got a bucket list — or as I like to call it the f— it list,” Luda said in his video. ” I’ve never tasted fresh glacial water in my life and this is a first. Here we go.”
After taking his slug, Luda ended the video with a cliffhanger in which he said, “Oh my God.” Commenters noted that glacier water can reportedly contain some dangerous bacteria, parasites and viruses, which are invisible to the eye and can cause serious health issues if ingested without purification.
Luda gave an update a few days later, assuring fans that as a “water snob” he could definitively say it was the, “best tasting water I’ve ever had in my life and as I drank it I felt like every cell in my human body was being hydrated and rejuvenated at the same damn time… Listen man, I’m here. I feel like Superman.”
Commenters on Diplo’s post had similar concerns, including: “Hows it clean if everyone walks with dirty boots?,” “Diplo about to be dumplo for 2-5 weeks,” “But what if a polar bear just dipped his b–ls in it?” and “how’s the diarrhea bud?”
Check out Diplo’s video below.
The Weeknd is gearing up for the final chapter in his After Hours trilogy. The singer (who now goes by his birth name, Abel Tesfaye) revealed the name of the third album in the series on Wednesday (Sept. 4) in a dramatic video setting up the denouement of his musical story arc.
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Though Hurry Up Tomorrow doesn’t currently have an official release date yet, Tesfaye set up the follow-up to After Hours (2020) and Dawn FM (2022) with yet another elaborate backstory filled with intrigue and vague menace.
“Yesterday was fourteen years ago… We held our breath, falling into a shimmering sea in the after hours of the night,” began the scroll in an Instagram video backed by spare, ominous instrumental music that teased his next era via phrases from earlier songs.
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“Attempted to cleanse the wounds with melodies and lights, a bulletproof bandage to shield what lies beneath,” he continued. “In a place where the seasons never changed, where time ceased to exist. But therein lays the problem. Today has felt like an endless spin, I keep distorting the truth, immune to the dizziness, numb to the nausea. What lies beneath — screams in silence.”
The spooky story continued with more allusions to the songs that came before, with the crawl adding, “I look in the mirror and feel both old and new, stuck in limbo and unable to move. I still haven’t faced myself. More songs could help, but what do I have left to say? Woe is me in my gilded cage, right? The very thing that once made me invincible failed me on the world stage. A new trauma surfaced, opening floodgates… when today ends, I’ll discover who I am.”
According to a press release announcing the album, it represents “the creative apex of the project, serving as the third and final chapter crafted with existential and self-referential themes as seen with the latest visionary teasers that have set fans ablaze with anticipation for this concluding installment.”
Last month, Tesfaye posted a cryptic three-minute CGI-heavy teaser featuring a digitally animated toddler crawling through a creepy mansion. A previous teaser from July featured the vague promise that “There are Three Chapters in this Tale” along with a trailer in which a digital toddler runs through a field and eludes danger before ascending to heaven.
The singer is performing a special one-off concert at Estádio Morumbi in São Paulo, Brazil on Saturday (Sept. 7) which will be livestreamed on YouTube; 10% of the proceeds from all merch sales at the show and online will go to the Brazilian Soul Fund of BrazilFoundation, which supports communities affected by natural disasters and economic hardship in southern Brazil.
Tesfaye is also about to open the “Halloween Horror Nights” experience at Universal Studios in Los Angeles, “The Weeknd: Nightmare Trilogy,” which opens on Thursday (Sept. 5) and runs through Nov. 3.
Check out the preview below.
Sabrina Carpenter‘s “Espresso” reigns as Billboard’s No. 1 global song of the summer for 2024.
The race for Billboard’s No. 1 global song this summer reflects performance on the weekly Billboard Global 200, from charts dated June 8-Sept. 7, spotlighting the biggest songs worldwide from Memorial Day through Labor Day. The Global 200 ranks songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate.
(Billboard recognizes that countries in the Southern Hemisphere were not in summer the past three months. Listeners in those territories might at least feel a bit warmer browsing the biggest worldwide hits over that span.)
“Espresso” buzzed to No. 1 on the Global 200 chart in June and spent all 14 weeks of the summer tracking span in the top three, the only song with such a perfect record in that stretch, and more than twice the total of any other hit; Billie Eilish’s “Birds of a Feather” and Carpenter’s “Please Please Please” logged six weeks each in the top three in that span and finish the summer at Nos. 2 and 4, respectively.
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Here is a rundown of the 10 biggest global songs of the summer for 2024, with Carpenter the only act with multiple titles on the tally:
No. 1, “Espresso,” Sabrina Carpenter
No. 2, “Birds of a Feather,” Billie Eilish
No. 3, “A Bar Song (Tipsy),” Shaboozey
No. 4, “Please Please Please,” Sabrina Carpenter
No. 5, “Not Like Us,” Kendrick Lamar
No. 6, “I Had Some Help,” Post Malone feat. Morgan Wallen
No. 7, “Beautiful Things,” Benson Boone
No. 8, “Million Dollar Baby,” Tommy Richman
No. 9, “Too Sweet,” Hozier
No. 10, “Gata Only,” FloyyMenor X Cris Mj
Jung Kook’s “Seven,” featuring Latto, reigned as the No. 1 global song of the summer of 2023. Notably, led by Jung Kook, from South Korea, seven songs in the top 10 a year ago involved billed artists born outside the U.S. This year, paced by Pennsylvania native Carpenter, U.S.-born acts claim the top eight spots, followed by Hozier, from Ireland, and FloyyMenor and Cris Mj, both from Chile.
Meanwhile, Morgan Wallen is the only act to repeat in this year’s season-ending top 10 from last year. Post Malone’s “I Had Some Help,” on which he’s featured, places at No. 6, after Wallen’s “Last Night” wrapped at No. 6 for 2023.
As previously reported, “I Had Some Help” rules as the No. 1 title on Billboard’s Songs of the Summer chart for the 2024 summer season, as based on performance on the weekly, U.S.-based Billboard Hot 100 between Memorial Day and Labor Day.
It’s the first night of July’s Broccoli City Festival in Washington, D.C., and actor-writer-producer Issa Rae has some exciting news to share with the 30,000 fans in attendance: She’s releasing her first rap album. Although moments later she clarifies that it was a joke, the Hollywood polymath reveals what might deter her if she was really angling to become music’s top female rapper. “Megan Thee Stallion has bars and body,” Rae says as she introduces Megan’s headlining set. “She’s actually intimidating. I can’t look into her eyes for too long.”
It’s easy to see why Megan Thee Stallion would give anyone pause. Standing at 5 foot 10 inches, she’s bold, bright and bodacious — an awe-inspiring trifecta. When I meet Megan at D.C.’s Four Seasons Hotel the next morning, her larger-than-life persona is in full force: Clutching a Louis Vuitton Murakami bag, she walks into the plush hotel suite with model-like precision as if it were her personal runway. But her imposing aura quickly melts away to reveal her signature wit. When we last spoke two years ago, Megan gave me a hard time when she learned I’d never had Flamin’ Hot Cheetos — and neither of us has forgotten it. “So, you really never tried Hot Cheetos?” she asks before giving me a quizzical look. “What kind of childhood did you have?”
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In 2020, Megan’s two Billboard Hot 100 No. 1s — her “Savage (Remix),” featuring Beyoncé, and her Cardi B collaboration, “WAP” — helped her become one of pop culture’s biggest names, and her three Grammy Award wins in early 2021 cemented her critical bona fides. Since then, she’s been omnipresent, becoming one of just 40 artists to pull double duty as both host and musical guest on Saturday Night Live (and on Sept. 11 she will host the MTV Video Music Awards), guest-starring in the Disney+ Marvel series She-Hulk and later appearing in 2022’s campy Dicks: The Musical as well as 2024’s big-budget musical remake of Mean Girls. She expanded beyond entertainment through savvy brand partnerships with Nike (her sneaker collection The Hot Girl Systems) and Popeyes (her signature Hottie sauce), and she even has her own tequila coming, Chicas Divertidas, which was inspired by a conversation with Beyoncé. “ ‘You better have your own s–t,’ ” Megan quips, imitating her fellow Houstonian. “You better know the next time she saw me, I said, ‘Hey, Beyoncé. Look what I got.’
“I’m proud of all my business deals because everything I do is personal to me,” she continues. “I put 100% into my partnerships, and I’m always so grateful when people want to step into my world. When I see a brand I f–k with and they want to come into the Hot Girl World, I’m like, ‘Thank you, this makes sense. I love that you’re recognizing me as much as I was already recognizing you.’ ” She’s stepping into worlds outside her immediate orbit, too: In July, Megan performed at Vice President Kamala Harris’ presidential campaign rally in Atlanta, using her Hot 100 top 20 hit “Body” as a vehicle to speak up for reproductive rights.
But while the 29-year-old enjoys wearing multiple hats — college graduate, philanthropist, actress, mogul — she’s always happiest when she’s rapping, and her extra-musical pursuits have made her a wiser businesswoman as she pursues her passion. Following a yearslong legal dispute, Megan and her label, 1501 Certified Entertainment, amicably parted ways in 2023, making her an independent artist. In February, she partnered with Warner Music Group for distribution, gaining complete ownership of her masters and publishing — an unprecedented move for a female rapper. Her third album, Megan, is her first under this new arrangement.
Released in June, Megan debuted at No. 3 on the Billboard 200 with 64,000 equivalent album units in the United States, according to Luminate, making it the biggest debut for any rap album released by a woman in 2024. Megan also topped Billboard’s Top R&B/Hip-Hop Albums chart for the second time in her career — the sixth female rapper to do so.
On Megan, the Houston MC’s world of bruising Southern rap and rump-shaking anthems is alive and well, as is her deep and abiding love for Japanese culture. “Otaku Hot Girl” samples the popular anime series Jujutsu Kaisen, while she performs alongside Japanese rapper Yuki Chiba on “Mamushi.” After the latter track broke out on TikTok — bolstered by Megan creating and demonstrating the song’s dance in a Sailor Moon-inspired outfit — she shot its video in her second home: Japan.
“When I’m out there, I always feel happy,” she says with a smile. “The air is clear, the people are polite, the food is good. The culture is so interesting to me. I learn something every time I go out there. I learn a little bit of Japanese every time I go. The shopping is good. It just feels super positive every time I’m there. I really like being there because I’m big on energy. As soon as I touch down, I always feel like I can take a breath. Everybody good.”
House of JMC dress, Anabela Chan earrings.
Ramona Rosales
On Megan, the Houston Hottie lives up to her nickname, returning to her hometown roots — including her pairing with hip-hop duo UGK on album standout “Paper Together.” Megan grew up a fan of UGK’s Chad “Pimp C” Butler and received a gift from his widow, Chinara Butler, during the recording process: unreleased vocals by the late legend that she sent Megan to use. “From the first time I met Meg, I knew she was meant to work with Chad,” Butler tells Billboard. “She’s an extremely talented MC, and I’ve always appreciated her genuine love for my husband’s music. She’s helped introduce Chad to a new generation of hip-hop fans.”
Though Megan can be an aggressive rhymer, she knows how to calm things down and keep it sexy, too — like on the Magic City-ready anthem “Spin,” featuring Victoria Monét. “She’s a very confident and strong woman,” Monét says. “Megan knows exactly who she is. She doesn’t let people push her off her dot. There’s a lot of respect there. Also, she makes great music that brings people together and makes them dance. You want to watch her shake something and learn to shake something because of her. She’s inspiring.”
But at her core, Megan is still an MC — and like a coiled snake, this fierce iteration of her strikes on album opener “Hiss,” released in January. Aimed at collaborator-turned-detractor Nicki Minaj, “Hiss” ignited the year of competitive rap — in which Kendrick Lamar and Drake have also feuded, as well as Latto and Ice Spice — as Megan delivered a searing diatribe at Minaj, following the Pink Friday star’s slights against her on 2023’s “FTCU,” when Minaj rapped: “Stay in your Tory Lanez, bitch, I’m not Iggy,” referencing the rapper found guilty of shooting Megan in 2020 who was sentenced to 10 years in 2023. A year later, Megan lashed back: “These hoes don’t be mad at Megan, these hoes mad at Megan’s Law,” she raps on “Hiss,” referring to the federal law mandating that law enforcement make information about registered sex offenders public. (Minaj’s husband, Kenneth Petty, is a registered sex offender who was convicted of rape in 1995 for assaulting a 16-year-old.) The song debuted at No. 1 on the Hot 100 — Megan’s third chart-topper on the list.
“I’m going to keep doing what I’m doing,” Megan says. “If people feel like I’m somebody to aim at, then I must be pretty high up if you’re reaching up at me. I must be some kind of competition. That makes me feel good. That makes me feel like I could rap because if I wasn’t the s–t, y’all wouldn’t be worried about me.”
Though Megan relishes competitive battles, she prefers championing her peers. Following the success of her first-ever headlining tour, this year’s Hot Girl Summer, she reconnected with the run’s opener and her new bestie, GloRilla, on “Accent.” Earlier this year, she’d scored a top 15 Hot 100 song with Glo’s “Wanna Be,” and the sold-out arena tour created a rock-solid bond between the female MCs that sharpened their studio chemistry; now, they want to release a joint project together.
“Megan is a real rapper, and I’m also a real rapper,” GloRilla says. “We actually be talking and coming with bars on some down South gangsta s–t. [It would be] some down South, real turnt, real rap [s–t].” (“I think that would be very fire,” Megan says. “I ain’t gon’ say too much, but it feels like it’s going to get done.”)
While being the face of female rap may sound enticing, it doesn’t move Megan, who, during her three-month tour, happily shared the spotlight with not only GloRilla but also Cardi B and Latto, who made guest appearances at the tour’s New York and Atlanta stops, respectively.
“I got a lot of people trying to critique me and tell me what I am and what I’m not. I feel like I’ve proved myself over and over again,” she says. “If there’s a question if Megan Thee Stallion can’t rap, you need to go ahead and quit asking that question. We know I could rap.”
Ramona Rosales
You began your career playing the Texas circuit and now you’re an arena-caliber superstar. How did your beginnings prepare you for this?
It definitely taught me how to be the performer that I am. It made me understand, “OK, all you got to do is get out here and have fun.” So every time I get onstage, I’m not thinking too hard. I’m thinking like, “I’m partying with my people.” Going around my home state definitely set me up to be prepared to be comfortable with people everywhere else.
Because of the pandemic, Hot Girl Summer was the first time you hit the road since 2019. Was the extended layoff a blessing in disguise?
It wasn’t a blessing in disguise — it was a blessing outright. I was so happy to see that so many people came out and sold out a bunch of these dates. People were genuinely excited to see me, genuinely excited to see [GloRilla]. You had people like, “Oh, we don’t know if she can [sell out arenas].” Bitch, it ain’t no question about it now.
Take me back to your concert at Madison Square Garden, where you, Cardi B and GloRilla shared that stage. It was a powerful moment.
It was a little East Coast-Southern sandwich we had going on. I was very happy. I genuinely love Cardi. I genuinely love Glo. In the industry, you really don’t meet a lot of girls who want to see you be successful. You meet people, and I’m not just going to say girls, but you don’t meet a lot of artists that want you to have success because they’re scared sometimes it’s going to take away from their success. Music is competition, rap is a competition, but those two ladies, I feel like we all like to see each other do good things. We like to see each other win. Sharing the stage with people that want to see you do good and you want to see them do good, it felt very uplifting. I felt like we were feeding off each other. I felt like we helped each other. Being onstage with them made me feel good because I knew we were proud of each other.
In 2022, I spoke to Q-Tip about you, and he said, “People still haven’t even seen her full artistry yet.” Is Megan the peak of that artistry?
I still feel like I have more to give. With this album, I wanted to show people my personal interests and thoughts. I wanted to touch on my love for all things anime, all things Southern, how much I like to have fun, and I wanted to be myself. I feel like I did that. A lot of people were expecting me to come on this album talking one way and I wanted to introduce myself — this version of myself that I am right now. Sometimes, people listen to me with ears of “I don’t like her, so I don’t want to like it.” The more people sit with the album, the more and more they’re like, “OK, you know what? This s–t is banging.”
Ramona Rosales
On “BOA,” there’s a bar where you say: “Y’all do this s–t for TikTok/Bitch I’m really hip-hop.”
Nothing wrong with TikTok. TikTok is fun. It’s for people to get on there and have fun. Show me what you’re eating, show me how you’re dancing, show me what you’re doing. I feel like TikTok is happy.
I say that because you’re one of the biggest stars in the world. How do you still maintain that hip-hop essence?
Because I really like to rap. Where I come from, people are really freestyling. What I come from is hardcore rap, Southern rap. The one thing in my life that I knew I was really good at was rapping. I don’t ever want to get away from that. I don’t ever want to play with it. I don’t ever want people to think I don’t take it seriously. I’ll be the rapper that is good for a bunch of verses and freestyles because that’s what I like to do.
Your mother, Holly-Wood, was a rapper. What did you learn from her, skillwise?
Just that attitude. My mama was so feisty. She had a lot of aggression in her rap voice, and because in her nature she was naturally an aggressive woman, she sold it. I feel like the main thing for me is always selling it. Making sure who I am comes through in my voice when I’m rapping. You’re not going to believe what I’m saying if I don’t deliver it strong. My delivery lets people know that I’m strong.
What was it like when you received Pimp C’s verse, which you used on “Paper Together,” while in the studio with your producer, LilJuMadeDaBeat?
We both cried. Like, “Oh, my God. I can’t believe we got this verse.” I love Pimp and Ju love Pimp, and we share that same love of Southern rap. Pimp C made me feel so gangster, he made me feel so cool. To have my voice on a song with my favorite rapper ever, an unreleased verse? Motherf–kers ain’t walking around with Pimp C verses. And I got blessed with one.
I heard you’re sitting on more unreleased Pimp C verses.
I mean, we might [have] some more stuff. It’s more stuff in the chamber, but I want to keep Pimp C alive. Not saying it’s not alive; [his wife] Chinara keeping it alive, his children keeping it alive, people in Texas keeping it alive. I really want people to know who the f–k Pimp C is. As much as I get to put his voice on wax, I will.
House of JMC corset, Jimmy Choo shoes, Anabela Chan earrings.
Ramona Rosales
You’ve said that your relationship with Warner Music Group is based on trust. How has the label proved its trustworthiness?
They ain’t told me “no” yet. They did exactly what they said they was gon’ do. Everybody that I work with there, we’re on calls together all the time talking about how we feel like we could make the partnership better. Everybody’s been so cool, and they’re so easy to work with. Everybody’s been super nice, and I like nice people. They’re just nice at Warner.
Very few artists can say they got their masters before they turned 30. Why was that a priority for you?
I’ve been fighting for my freedom my whole rap career. I just couldn’t take no for an answer. I don’t ever want to be in a situation where somebody got their foot on my neck ever again. You got to do things to make yourself be your own boss.
How has it been navigating that road as an independent artist?
Being independent is hard. When you got a label that does everything for you, all you got to do is wake up and be the celebrity. That’s a very easy life. I have to do s–t other people aren’t doing. I do work as my own label. I do fund a lot of my own things. There’s a lot of things I’m still learning as I go. The s–t is not just handed to me in my lap — I really got to go figure out, “OK, now I’m doing it by myself.” Not that I’m doing it only by myself, but I’m in a position to be my own boss, so I got to figure out how to be the boss and how to be the employee. It’s tough, but I like figuring it out. I like doing things on my own. I like working. I’m not going to stop. The more I know, the better I’ll get.
You’ve been so open about your love for Japanese culture, especially anime. As a Black creative, how influential has it been on you?
I really like the storytelling in anime. The thing that resonates with me while watching a lot of the anime I like is watching the character development — seeing the character go from nothing to everything. When I feel like I’m getting beat up in life, I remember some of my favorite characters. I see that they had to go from literally zero and getting their ass whooped in their training. Even when they start popping and getting their muscles — because you know they be skinny as hell, then they start getting a little ripped — even when you start seeing the character getting a little swole, you like, “All right, he’s going to defeat all you motherf–kers. It’s over with.” Then he still getting his ass whooped and it’s like, “Man, I feel bad for my boy.”
Even after getting his ass whooped, because you got to fall down a few times, the character doesn’t ever get discouraged. They always like, “All right, I may have got my ass whooped but Imma get back up, and watch how I come back 20 times stronger.” I resonate with that. No matter how many times I get knocked down, I never feel like, “F–k it, Imma quit.” I just need to get better. I need to get back, try again, train harder and go harder so I can keep evolving into my best self.
When you did “Pressurelicious” with Future in 2022, you paid him $250,000 for a verse and said you treat your features like a business. Why, and how?
When you cool with somebody, you should support their business. You shouldn’t ask them to do nothing for free because you cool with them. I feel like that’s a lot of people’s problem with their homies. Just because your homie got a clothing line, that don’t mean he got to give you clothes for free — like, support your friend. Don’t expect anyone to give you something just because we cool. That’s how I treat my artist friends. I’m not asking you to do nothing for free. I wouldn’t come in your house and take all your food out your house and I invite you to my house and it’s like, “Oh, what?” Just as much as I give, I can receive. I just feel like it’s a back-and-forth thing. I just want them to know I really respect what they do. I go all out for myself. I splurge on myself, I love myself, I love what I do, and I want everything to look right. I want everything to be right. I feel like you’re going to take me seriously once I let you know: This is not a favor; I’m asking for this.
Natalia Fedner dress, Alexis Bittar earrings, XIV Karats rings.
Ramona Rosales
I think you started this competitive rap energy we’ve seen in 2024 when you released “Hiss.” Do you feel you’re the reason MCs are rapping competitively again?
I would like to think that I start things. I don’t know; I just knew what I had to do and what I had to say. If it opened up the door for everyone else to get s–t off their chest, well, I’m glad.
You took shots at Nicki Minaj. Is there a chance for a reconciliation or even another collaboration one day?
I still to this day don’t know what the problem is. I don’t even know what could be reconciled because I, to this day, don’t know what the problem is.
Does being the face of female rap for the next 10 years drive you? Is that something that you want?
I just want to rap. I want to be Megan Thee Stallion. I want to rap for as long as I can.
After he made some inappropriate comments about you last November, Shannon Sharpe apologized. Do you feel you’ve been getting more support from Black men over the last few years, or is that something you’re still looking for more of?
At this point in life, I really don’t care. Maybe if you would’ve asked me this last year or two years ago, I would’ve wished I had more Black people in general in my corner. It would’ve felt nice to be protected by some Black men in this instance, but the more I wasn’t getting it, the more and more I realized I wasn’t going to get it. Who should feel safe and important at the end of the day is me, and I was going to have to make myself feel that way. I wasn’t going to find it in people I don’t know at all. Now I don’t care. As long as I make myself feel happy, then that’s what matters to me.
I’ve seen a lot of Black men rapping your lyrics at your shows. That must be a dope feeling.
Because we actually are going the hardest right now. The women are killing it right now. We are the hardest MCs right now. We going harder than the boys, for sure.
Ramona Rosales
How do you maintain personal peace while living a good chunk of your life as Megan Thee Stallion?
I feel like Megan and Megan Thee Stallion are the same person. When I’m Megan Thee Stallion, I’m having to wear armor. I definitely got to go onstage and get in that mode, but I’m still the same person. Just when I’m not in public, I can really decompress and slouch, and I could watch anime all I want. I can play with my puppies, I can talk on the phone with my cousin, I could be with my best friends in peace. I don’t have to worry about being too strong. I could just be me.
You’ve been extremely vulnerable on songs like “Cobra” and “Moody Girl.” How therapeutic were those to make?
It felt really good to make them because it used to be hard for me to be vulnerable on songs. I could be upset and make a song like “Freak Nasty.” [I’ll be] pissed and I’ll go make that. I’ll be sad and make something like “Body.” I’ve always wanted to open up and not make it too preachy or too sad. I still want to ride the beat. Now I’m getting in a space where I can figure out how to express myself over beats that still allow me to be hard. It’s tough, but I use it like a diary now. I really do it because I know there are other Hotties that like to listen to those songs, and they resonate with the lyrics. I feel like it makes them understand, “OK, this my girl and she might appear to be Superwoman, but she going through it just like me.” I don’t want everyone to think I’m a goddamn robot, because I’m not a robot. I want them to know it’s OK to be human, to feel anxiety, depression and to feel low. You’re not going to feel like that all the time.
How inspiring is it for you to see Kamala Harris running for president, especially as a young Black woman?
To be alive in a lifetime where a Black woman or a woman at all could be the president, I feel so blessed. This is what the future is about. We really about to get a strong, Black female in there. I feel like America needed a woman to come in here and put a woman’s touch on it. It’s been going a little crazy lately, and we need somebody to put their foot down. I feel like Kamala, she gon’ do that.
I never thought we’d be in a situation where we could have two Black presidents…
Yeah, in the same lifetime. We are really doing the damn thing. I’m proud of us. Now we just got to get out there and go vote. I don’t like it when I see people saying, “I’m not voting. F–k it.” What the f–k are you talking about? You’re going to complain about what you don’t like but you’re not going to help the cause? I think that’s very irresponsible because if you don’t like what Trump has going on, why even aid in him being the president again?
You’ve said this is your “selfish era.” Do you feel like you’ve been able to reclaim some of your power?
Yeah. I used to really care how I made a lot of people feel before how I made myself feel, before how they made me feel. Somebody could make me feel like complete s–t, but I still never wanted to do anything to make anybody else feel like s–t. I still don’t want to make people feel like s–t. At least now I know, “Let me put up my boundary.” As soon as you make me feel a way that I don’t like, I just don’t want to deal with you anymore. You don’t got to fight evil with evil, but I don’t have to deal with this at all. I don’t have to do things to make other people smile. What am I going to do to make me smile? What you going to do to make me smile? Everything was about making other people smile and other people happy. Now I’m in a space where I want to be happy. I’m not going to take away [from] being happy so I can put other people’s life and happiness as a priority over mine.
This story appears in the Aug. 31, 2024, issue of Billboard.
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Queen guitarist Brian May has revealed that he recently suffered a minor stroke that resulted in damage to his left arm. The 77-year-old rock icon described a “health hiccup” last week that made him temporarily unable to control the hand he uses to pick out chords on his guitar, even as he assured his fans […]
It goes without saying that Taylor Swift, technically, has nothing to do with football. Besides, of course, dating Super Bowl star tight end Travis Kelce for the past year. But if you are new to this whole NFL thing, you might think that Swift was one of the leagues premiere athletes based on a viewing of the leagues promotional sizzle reel for this weekend’s official kick-off of the season.
In fact, you only have to wait, literally, two seconds, before spotting Swift hanging in a luxury box with Mama Kelce and shouting her support for Kelce’s Kansas City Chiefs in the 30-second promo clip. And there she is, five seconds later, once again flipping out alongside Donna Kelce.
If you watch closely, you might notice that the pop superstar actually gets more screen time than any actual NFL star, including three-time Super Bowl champ (and three-time Super Bowl MVP) and Kelce’s QB, Patrick Mahomes. As the video moves through the months, we also get a glimpse of Dolly Parton, who famously donned the skimpy Dallas Cowboys cheerleader outfit last season, swaggy fedora-sports agent Sean Stellato… and then Swift again, dressed in a Kelce No. 87 puffer coat and beanie hat.
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And then, a few seconds later, there she is again giving Kelce a big kiss on the field after the Chiefs punched their ticket to Super Bowl LVIII before a brief glimpse of Usher during the Super Bowl halftime show makes way for another shot of Swift, this time in the luxury box pounding a drink with Brittany Mahomes and Ice Spice.
To be fair, since Swift and Kelce began dating near the beginning of last season, the singer has dominated the gridiron in the same way she does the charts, with reports that ratings were up last year, especially among women 12-17 and 18-49. Swift recently wrapped the European leg of her Eras Tour and while it’s unknown if she’ll be back in the box on Thursday night (Sept. 5) when the Chiefs take on the Baltimore Ravens in their season opener, Mahomes recently revealed that Swift is “really interested” in football and asks great questions, joking that “she’s already drawing up plays.”
Kelce seconded that emotion on The Rich Eisen Show recently, when he said that Swift has learned so much about football over the past year that she is, in fact, making prettygoodplay suggestions. “She had just been so open to learning the game. She didn’t know much about the rules and everything,” he said. “I think what makes her so good in her profession is that she’s so detailed in every aspect of it, from the words to her music and even the releases and the music videos and everything. She’s just so detailed and apart of it, that I think she was just curious about the profession. I know none of the plays have gotten to Coach [Andy] Reid yet. If they ever do, I’ll let everyone know it was her creation.”
Of course, he added, “she’s a little biased and just creates plays for me.”
Check out the NFL video below.
Billie Eilish stopped by Jimmy Kimmel Live! last night (Sept. 3) to chat about her new album Hit Me Hard and Soft, her creative process, and the connection she shares with her fans. At just 22, the singer-songwriter already boasts seven Grammy Awards and has broken streaming records worldwide.
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“I’ve always been such an album lover,” she told Kimmel, explaining why she prefers to release full-length projects. “I really love when something feels like one piece and is cohesive and thought through.”
Eilish, who made history as the youngest person to sweep the top four Grammy categories in 2020, shared how she carefully arranges the flow of each album. “I’ll write down all the names, tear them up, move them around… it’s all about dynamics and the flow.”
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The “Lunch” singer also touched on her long-standing relationship with her fans, likening seeing familiar faces at her concerts over the years to “seeing old friends again.”
“What’s been so cool is that all of these fans, all of my little family, we’ve been growing up at the same time,” she told Kimmel. “So many kids, especially in L.A. because I’m from here and I’m around and stuff, when I was first starting out there would be certain kids that I would see at everything I would do, and we were all the same age.”
Eilish continued, “So they would come to stuff and I would see them multiple times a year and then not for a couple years, and then I’d see them again. Over the years I’ve seen the same faces multiple times, and it feels like seeing my old friends again.”
Elsewhere in the interview, she treated the audience to an exclusive behind-the-scenes clip of her and her brother, Finneas, working on the track “Birds of a Feather” while in the back of an SUV in Brazil.
“This is such a normal thing for me and Finneas,” she said, referring to their sibling collaboration that has produced multiple hit records, including the James Bond theme “No Time to Die.” “We’ve recorded everywhere—from a tour bus bunk to little hotel rooms. It’s casual, but we love it.”
With her Hit Me Hard and Soft World Tour kicking off Sept. 29 in Quebec, Eilish shared how she balances life on the road. “I don’t ever want to resent it,” she explained. “I love touring, but you can start hating yourself if you’re gone for too long, so I make sure to take breaks in between.”
Eilish’s latest album Hit Me Hard and Soft debuted at No. 2 on the Billboard 200 in June, marking the biggest weekly album units of her career. All 10 tracks from the album made it into the Billboard Hot 100’s top 40, including “Lunch” at No. 5, her highest debut to date. The album also secured 90,000 units in vinyl sales, earning Eilish her fifth consecutive No. 1 on the Vinyl Albums chart.
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