Music
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Almost 12 years to the day since they embarked upon an indefinite hiatus, New York City pop rock outfit Scissor Sisters may be teasing their long-awaited return.
News of a potential return has come by way of the group’s activity on social media, which has seen them update their Facebook, X, and Instagram profile pictures with an image of television static. One user has even noted the presence of something square hidden within the static, potentially hinting at a single or album.
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In addition to the confusion of their social media reports from fans throughout the U.K. have also pointed toward the band’s logo appearing on the side of Manchester’s Co-op Live arena, possibly suggesting a live return as well.
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Currently, the band have made no official statement in regard to a return, instead letting the rumor mill run rife.
Scissor Sisters first formed in 2000, going on to release a total of four records between 2004 and 2012, with 2010’s Night Work becoming their highest-charting record in the United States, reaching No. 18 on the Billboard 200 (its predecessor Ta-Dah hit No. 19 in 2006). In the U.K., however, the group received a far stronger response, with their first two albums reaching the top of the Official U.K. Albums Chart, and Night Work and 2012’s Magic Hour reaching No. 2 and 4, respectively.
In October 2012, the group announced their hiatus while performing in England, with a performance in Italy on Nov. 1, 2012 being their last live appearance to date. In 2017, the group reconvened somewhat, collaborating with MNDR on the track “Swerlk” to honor the one-year anniversary of the Orlando nightclub shooting.
In 2019, frontman Jake Shears reflected on the demise of the group, telling GayCities that the band’s decision to split came following the success of 2012’s “Let’s Have a Kiki”, which became their third song to top the Dance Club Songs chart.
“I didn’t know what the f— to say after that song, quite honestly,” Shears said in 2019. “When that song came out and did what it did … I was just like, ‘Well, there it is, I guess we did it.’
“I thought, we’ve been recording and touring for 10 years, and I felt like it was time,” he added. “This wasn’t what anybody in the band had planned to do. So I thought it would be fun to end on a high note.”
During his interview, Shears did hint at the future of the band, noting that the uncertainty of their hiatus would eventually be ended by an eventual return.
“That’s not to say we’re never going to do anything again,” Shears said. “The Scissor Sisters will be back.”
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Primus fans have been left reeling after the band’s longtime drummer, Tim “Herb” Alexander, made an unexpected exit from the band.
In a message shared on social media on Oct. 29, Les Claypool and Larry LaLonde revealed that Alexander had resigned suddenly on Oct. 17 via email “effective immediately”, citing a “loss of passion for playing”—a reason that Claypool and LaLonde admitted “came as a complete shock.”
“On the heels of a wonderful spring & summer of touring and some fabulous plans ahead, it has been a bit bewildering for us that Herb would so abruptly opt out,” Claypool and LaLonde said.
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“After several attempts to communicate with Herb, his only response was another email stating that he has ‘lost his passion for playing.’ As disappointing as that is, we respect his choice and it’s forced us to make some tough decisions.”
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Primus will move forward with their New Year’s Eve show in Oakland, California, enlisting members of Claypool’s other projects, Holy Mackerel and Frog Brigade, for a “special, one-time event.”
Additionally, for their upcoming Dominican Republic festival date, they’ll be joined by Tool drummer Danny Carey. Heading into 2025, Primus will begin a search for “the Greatest Drummer on Earth” to join them for the second leg of Maynard James Keenan’s Sessanta tour.
Alexander’s exit marks the end of an era for Primus, whose musical legacy is peppered with chart-topping moments and fan-favorite tracks that have kept them thriving since the ’90s.
Primus’s journey in the music world is as bold and unpredictable as their sound. They made their Billboard breakthrough with Sailing the Seas of Cheese in 1991, and by 1993, their offbeat style had firmly resonated with fans. Their third studio album, Pork Soda, debuted at an impressive No. 7 on the Billboard 200, proving that there was a place for Primus’s funk-infused rock in the mainstream. The success didn’t stop there—Tales from the Punchbowl hit the top 10 on Billboard as well.
Singles like “My Name Is Mud” and “Jerry Was a Race Car Driver” brought even more attention to the band, becoming alternative radio and MTV staples. And despite their unconventional style, Primus pulled in platinum certifications from the RIAA for Sailing the Seas of Cheese and Pork Soda.
As North Carolina natives Luke Combs and Eric Church organized the Concert for Carolina benefit held Oct. 26 in Charlotte, the only question anyone asked was “How can I help?”
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“All egos went out the door,” said Chris Kappy, Combs’ manager. “It was just everybody working together, AEG and Live Nation, all the managers, all the teams. It never got territorial.
The six-hour concert, which also featured James Taylor, Keith Urban, Sheryl Crow, Billy Strings, Scotty McCreery, Avett Bros., Chase Rice, Parmalee and Wesko, has raised $24.5 million (and counting) for western North Carolina victims of Hurricane Helene.
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While many benefits take several weeks, if not months, to plan, Concert for Carolina was held less than a month after the worst natural disaster to ever hit North Carolina ravished mountain towns, including Asheville and Boone, and left close to 100 people dead.
North Carolina Governor Roy Cooper said at an Oct. 26 press conference that more than 100,000 people in the state had damage to their homes and thousands of businesses had been affected. The estimated financial damages of the storm to North Carolina are $53 billion.
The day after Hurricane Helene hit on Sept. 27, Combs called Church about organizing a benefit and they immediately started calling their artist friends. “I remember sitting at home in Nashville and wanting to figure out how I can be of service, how I can help the place that raised me,” said Combs. “There was no question that this was going to happen come hell or high water.”
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The next step was for Kappy to call David and Nicole Tepper, who own the Carolina Panthers, FC Charlotte and Bank of America stadium, where the NFL and soccer teams play in Charlotte, to see if they could use the stadium. “The yes was so fast,” Kappy said. “David and Nicole said, ‘We’ve got the stadium. We’ve got everything covered.’ David and Nicole would have moved heaven and earth to make it happen for us.”
The Teppers were already looped into hurricane relief via their work with the American Red Cross and had started giving what has now become close to $6 million toward relief efforts for both Hurricane Helene and Hurricane Milton, which hit Florida just days after Helene passed through. “When [Kappy] called us, it was like, ‘Okay, what do we have to do to do it and it’s three weeks,’” David Tepper told Billboard. “It’s hard from [Combs’ and Church’s] end to get the artists, but on this end, we had to make sure we didn’t get scheduled with [a soccer playoff game.]” Luckily, the Panthers were playing away from home and FC Charlotte could also play away from home. Also fortuitously, Morgan Wallen played two shows at the stadium the weekend before the Concert for Carolina and production could just keep the field covering down.
Ultimately, with Tepper’s encouragement, the stadium’s concession, merchandise and parking vendors all donated their proceeds as well. All the other participating companies, including those providing sound, stage, lighting and video, also donated their resources. Ticketmaster also donated its services and put plans in place to keep tickets out of the secondary market. The show sold out quickly, setting a new venue record of more than 82,000 attendees. Veeps donated all proceeds from a $24.95 streaming option. The acts all paid their own expenses and were not paid to play.
While Combs’ and Church’s teams dealt with the show aspects, Tepper was dealing with logistics. “There’s contracts, there’s the police, there’s who’s holding the money and where’s the money going and making sure it’s flowing the right way,” he said. “Usually there are long negotiations, but everybody was trying to make sure everything was done right. It was a lot of people putting everything aside just to get this done.” Tepper had some experience, having helped organize New York’s 12-12-12 benefit in 2012 following Hurricane Sandy, which hit the east coast in late October 2012.
Even rivals AEG and Live Nation joined together to co-promote the show. “We really looked at it and said, ‘We just need the smartest minds in the room’ and this was an opportunity for everybody,” Kappy said. “You can show everybody that you can put down your swords and you can all put your arms around each other and lift each other up to lift everybody else up.”
The goodwill was infectious. “Everybody wanted to be part of something special and saw what we were doing. They said, ‘We want to be part of that,’” Kappy said. Kappy and Church’s manager, John Peets, worked in “lockstep,” on the benefit, staying in constant communication. “It’s been awesome to go back and forth with him on this and for him to be like, ‘Whatever Kappy says,’ and for me to be like ‘Whatever John says.’ Same with our two agents at WME and our production managers working hand in hand.”
“Everybody in the city, at the stadium, on the artist side…quite frankly, all their better angels were working together to put this together in three weeks,” Tepper said.
All proceeds from the benefit show, auction and livestream are going to organizations selected by Combs and Church, including Samaritan’s Purse, Manna Food Bank, Second Harvest Food Bank of Northwest NC, Eblen Charities and the organizations supported by Church’s foundation, Chief Cares. At the show, Church also stated his intention to build more than 100 houses for those who lost their homes in the hurricane.
The focus now shifts to how to keep awareness on the area and the ongoing need as the recovery will take years. “The biggest thing for Luke and I is we continue to shine a light on this,” Church said. “This concert’s a great way to do it, but these people are going to need help long after tonight and long after next month and long after six months. So, it’s about, how can we continue to put this up front to make people be aware of what happened there, and we help the people.”
Bruce Springsteen and John Legend have both thrown their support behind Kamala Harris once again, with the acclaimed artists appearing at the Democratic nominee’s rally in Philadelphia on Sunday (Oct. 28).
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Taking place just one day after Donald Trump’s much-maligned Madison Square Garden rally in New York City on Saturday (Oct. 27), the tone of the Democratic rally was one less centered on division and rhetoric, and instead focused on unity.
Alongside speeches from Philadelphia Mayor Cherelle Parker, Pennsylvania Senator Bob Casey, and former President Barack Obama, the event at Temple University’s Liacouras Center also featured a handful of songs performed by Legend and Springsteen.
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Legend’s performance featured four songs, including the likes of “Ordinary People”, “Glory”, a cover of Harold Melbin & The Blue Notes’ “Wake Up Everybody”, and Legend’s own version of Sam Cooke’s “A Change Is Gonna Come”.
“We face a once in a lifetime, once in a generation opportunity right now,” Legend told the crowd. “A chance to choose something better, bolder, brighter, to choose progress and healing.”
Springsteen’s own three-song acoustic set followed, opening with a rendition of his 1978 single “The Promised Land”, and featuring a version of 2001’s “Land of Hope and Dreams”. Springsteen closed his performance with a rendition of “Dancing in the Dark,” which peaked at No. 2 on the Billboard Hot 100 in 1984 and marks the highest-charting song of his career.
Prior to his performance of the latter, Springsteen gave a special mention to Legend, noting that he “does the most beautiful version of this song I have ever heard”.
“I understand folks have different opinions about things, but this election is about a group of folks who want to fundamentally undermine our American way of life,” Springsteen told those in attendance at the rally. “Donald Trump doesn’t understand this country, its history, or what it means to be deeply American.”
Springsteen’s appearance at the Philadelphia rally took place just days after he appeared at Harris’ rally in Georgia, wherein he told supporters that while Harris is “running to be the 47th president of the United States, Donald Trump is running to be an American tyrant”.
Richard Andrew, the drummer for award-winning Australian Underground Lovers, died Wednesday (Oct. 30). He was 58 years old.
News of Andrews’ passing was shared by both his family and his bandmates, who both took to social media to confirm the news. Andrews himself had taken to social media just one week earlier to reveal he had been diagnosed with stage IV metastatic lung cancer.
“Our beautiful Richard John Andrew died at around 5.25am, this morning” the musician’s family wrote. “His death, as he was in life, was epic. He left this world, face to face with his wife, Nicolette, as she sang their song ‘Do You Realise’ by The Flaming Lips. We are all heartbroken though relieve that our sweet prince is finally free.”
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“It is with profound sadness that we announce the passing of our charming beautiful force of nature Richard John Andrew,” Underground Lovers echoed on social media. “We are numb with grief and sadness. He passed peacefully in his sleep at home this morning with his wife Nicolette at his side.”
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Andrew first rose to fame as a member of the Underground Lovers in 1988. He joined the group as their drummer shortly before they changed their name from the initial GBVB after founding members Glenn Bennie and Vincent Giarrusso.
Throughout his initial tenure with the group, Andrew was on hand to share in their sole ARIA Award win for Best New Talent in 1992, and performed on three of the group’s studio albums, including 1994’s Dream It Down, which peaked at No. 55 on the national charts.
Leaving the group ahead following the release of Dream It Down, Andrew went on to perform with a number of different bands in Australia, including kinderland, Red Textas, Registered Nurse, and others.
Though Underground Lovers would initially disband in 2002, Andrew took part in their reunion in 2009, going to perform on albums such as 2013’s Weekend, 2017’s Staring At You Staring At Me, and 2019’s A Left Turn.
In his post on social media announcing his diagnosis last week, Andrew shared a dictated message reflecting on his imminent passing.
“I am completely reconciled to whatever the future is, however, that future is probably quite limited and I’m in the process of preparing to pop this mortal coil and return to the trees, as it were,” he wrote. “I cannot overstate enough what an honour and a privilege it has been to know you all over the last 58 years, and to have lived the most incredible, incredible life.”
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A co-defendant in Young Thug’s YSL RICO case has agreed to a plea deal, according to The Atlanta Journal-Constitution. The outlet reports that Quamarvious Nichols, 29, reached a plea deal with prosecutors on Tuesday (Oct. 29), in which he pleaded guilty to a single count of violating Georgia’s anti-racketeering laws in exchange for having several […]