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Michael Jackson is in rarified air when it comes to billion-view music videos on YouTube. This week, the late King of Pop notched his fifth visual to cross that mark when the gangster-themed clip for his 1988 single “Smooth Criminal” crossed the 10-digit mark.
The track from Jackson’s seventh album, 1987’s Bad, was brought to vivid life by director Colin Chilvers, who tapped into a 1930 gangster nightclub vibe for one of MJ’s most beloved videos. Jackson also paid homage to one of his musical and dancing heroes in it via a white suit and matching fedora that tipped its hat to dancer/actor/singer Fred Astaire.

The nearly 10-minute mini movie opens with Jackson running to the door of an underground club — where he’s blasted by a gust of white wind — before entering to silence as the clubgoers stare him down warily. In classic MJ fashion, he flips a coin through the tense air, landing it perfectly into the slot of a juke box, which, of course, cues up the rhythmic Quincy Jones co-produced track.

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What comes next is a clinic in classic Jackson, with the singer popping, locking and skittering across the club’s floor while executing some of his signature spins and fancy footwork while breaking hearts and deftly dispatching would-be assassins with his signature elan. The action culminates in the video’s centerpiece movie, the “anti-gravity lean,” during which the track drops out and time slows down, before the beat picks back up and the singer slides into his moonwalk and then appears to defy the rules of the physical universe by keeping his feet planted and back straight while his body dips into a nearly 45 degree angle before righting itself.

According to a 2018 article in The Telegraph, the stunt was achieved via unseen cables, because, as neurosurgeon Dr. Nishant Yagnick told the paper, “It’s not really possible physically to do it. He was cheating gravity.” Jackson later patented a specially designed shoe with a hook in it so that he could recreate the stunt live, as most humans are able to pull off, at best, a 30-degree lean without injuring themselves.

A group dance number brings things to a close as Jackson opens fire with a machine gun, sending the revelers running for the exits.

“Smooth Criminal” joins a handful of other all-time-classic Jackson videos with more than one billion YouTube views, including such beloved hits as “Beat It,” “Billie Jean,” “They Don’t Care About Us” and MJ’s Halloween-appropriate 14-minute scarefest, “Thriller.”

Watch the “Smooth Criminal” video below.

Megan Thee Stallion loves her some DC Comics, and she kicked off Halloween week — aka Hottieween — with her Starfire costume. Starfire Thee Stallion graced Instagram with her photo shoot on Tuesday, and Meg’s costume even got the attention of DC Studios CEO James Gunn. “STARFIRE THEE STALLION #hottieween24,” she captioned the customized comic-book […]

The death of Vicente Fernández at 81 years old in 2021 marked the end of a golden era of Mexican ranchera music that lasted almost a century and was immortalized in both film and music by larger than life stars like José Alfredo Jiménez, Javier Solís, Antonio Aguilar and Fernández’s idol, Pedro Infante. 

Now, Fernández’s lasting legacy not only in Mexico but throughout the entire Spanish speaking universe, is receiving a further boost with De Rey a Rey, the album and tour by his also superstar son, Alejandro Fernández, performing songs from his father’s vast recorded catalog.

Last weekend, Alejandro Fernández kicked of the De Rey a Rey Tour with two sold out shows at Mexico City’s Plaza de México, where he performed nearly 30 songs made famous by his father decades ago. The repertoire, ranging from beloved standards like “El Rey” to chart hits like “Estos Celos,” ran the gamut of Vicente’s long career and the universal appeal of his themes: love, honor and respect.

Alejandro also sang songs from his own extensive repertoire, which straddles contemporary pop and ballads as well as traditional Mexican music, but as he often does — and like his father, he wore his signature charro outfit.

“I’ve had the good fortune of being born with two great blessings: I was born Mexican, and I was born a Fernández,” Alejandro told the crowd. “Today, we’re celebrating the life of the great Mexican charro as he would have liked: Singing his songs. Viva Vicente Fernández! Viva music and tequila! Viva México!”

Alejandro will continue De Rey a Rey with shows in Mexico Nov. 2 and 7, and will relaunch his tour through Mexico and 27 U.S. cities in early 2025.

Meantime, Billboard’s Latin and Billboard Español editors have ranked all the Vicente Fernández songs currently on the show’s set list. From “El Rey” to “A Mi Manera,” here are the Vicente Fernández songs you will hear soon in Alejandro Fernández’s voice.

“De Un Rancho a Otro”

If you were looking for a breezy break from the unrelenting torrent of news about the Nov. 5 presidential election, SEVENTEEN had just what you needed on Wednesday morning (Oct. 30). The 13-member K-pop boy band marked their debut performance on ABC’s Good Morning America by providing some musical caffeine via the first U.S. TV run-through of their new single, “LOVE, MONEY, FAME” from their 12th mini album, SPILL THE FEELS.
Though the song’s featured artist, DJ Khaled, was not on hand, S.COUPS, JEONGHAN, JOSHUA, JUN, HOSHI, WONWOO, WOOZI, THE 8, MINGYU, DK, SEUNGKWAN, VERNON and DINO, rocked the GMA stage with their signature mix of smooth vocal harmonies, rapping and intricate choreography as the members took turns in the spotlight for the English-language version of the song.

The performance came after the group racked up their sixth top 10-charting release on the Billboard 200 album chart with SPILL, which debuted at No. 5 with 66,000 equivalent album units earned for the week ending Oct. 24.

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The superstar group kicked off the U.S. leg of their [RIGHT HERE] world tour in Chicago last week, marking their first American dates in more than two years. The three-hour, 22-song show showcased tracks from across their four album, 12 EP catalog, including the debut live performance of “LOVE, MONEY, FAME.”

American CARATs can check them out next on Halloween night (Oct. 31) at the Frost Bank Center in San Antonio (and again the next night), Oakland Arena in Oakland, CA (Nov. 5-6) and BMO Stadium in Los Angeles (Nov. 9-10); the latter will be their first U.S. stadium shows.

Watch SEVENTEEN perform “LOVE, MONEY, FAME” on GMA below.

10/30/2024

With the release of his seventh studio album, we see where Chromakopia ranks in his catalogue.

10/30/2024

For artists like Danny Ocean and María Becerra, who have left their homelands to pursue global music careers, staying connected to their roots is vital. As they navigate the music scene in Miami, both find that food—whether through a favorite restaurant or home-cooked meals—helps bridge the distance between where they are and where they come from. In their stories, DoorDash plays an unexpected role, providing a way to access the comforting flavors of home, even in a new city.

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Danny Ocean’s deep love for Venezuela is woven into his music, even as his career has taken him to Miami. Born in Caracas, Danny’s sound reflects the vibrant culture he grew up with, blending reggaeton, tropical rhythms, and pop. Although Miami offers him exciting new opportunities, his connection to Venezuela remains strong. His music carries the essence of his homeland, serving as a reminder of the warmth and energy of his roots, even as he continues to evolve as an international artist.

In Miami, Danny finds comfort through the familiar tastes that bring him back to Venezuela. Thanks to the variety of options on DoorDash, he often orders from arepa.bar, indulging in arepas and other traditional dishes. For Danny, it’s not just about satisfying his hunger—it’s a way to stay connected to the culture and flavors he grew up with, offering him a sense of home in the midst of a bustling city.

Similarly, María Becerra, one of Argentina’s rising stars, carries her love for her homeland wherever she goes. Hailing from Buenos Aires, her music blends urban pop with Latin rhythms, reflecting the culture and energy of Argentina. Even though she’s made Miami her new home to advance her music career, Argentina remains close to her heart. The colors, flavors, and spirit of her country influence her work, reminding her of the vibrant streets and rich traditions of Buenos Aires.

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In Miami, María often seeks comfort in recreating the dishes she grew up with, keeping a piece of Argentina with her through food. Thanks to DoorDash’s wide variety of vendor options, she orders groceries to cook her favorite meals, like vegetarian guiso, a hearty stew she loves to prepare. Cooking these meals allows her to bring the flavors of home into her kitchen, turning the experience into a way to stay connected to Argentina. Each dish serves as a reminder of her roots, offering her a sense of nostalgia and comfort while navigating the fast-paced world of the music industry.

For both Danny Ocean and María Becerra, DoorDash provides more than just convenience—it offers a way to stay connected to the flavors of home. Whether it’s a traditional arepa from or ingredients for a comforting guiso, these meals are a reminder of the places and cultures that continue to shape their lives and music, even from afar. Through food, they find small moments of nostalgia and comfort, all made a little easier to access in their new lives abroad. 

21 Savage and Summer Walker’s latest collaboration, “Prove It,” wraps a nearly five-month journey to No. 1 on Billboard’s Rhythmic Airplay chart date Nov. 2. The single, released through Slaughter Gang/Epic Records, advances from No. 2 as it became the most-played song on U.S. monitored rhythmic radio stations in the tracking week of Oct. 18 – 24, according to Luminate.

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“Prove It” jumped 7% in plays in the latest tracking week compared with the prior frame. It ousts Megan Thee Stallion’s “Mamushi,” featuring Yuki Chiba, from the top spot, with the former champ sliding to No. 4 after a 14% reduction in plays.

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In capturing the top spot on its 20th chart week, “Prove It” ties for the second-longest run to the summit on Rhythmic Airplay since the list launched in 1992. The single matches the treks of Kid Cudi’s “Day ‘N’ Nite” (2009) and Miguel’s “Sky Walker,” featuring Travis Scott (2018), while all three trail TLC’s “Waterfalls,” which needed 24 weeks to obtain the No. 1 spot in 1995.

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Thanks to “Prove It,” 21 Savage banks his eighth champ on the Rhythmic Airplay chart and third of 2024. Here’s a review of his chart-topping collection on the radio ranking:

Song Title, Artist (if other than 21 Savage), Weeks at No. 1, Date Reached No. 1

“Rockstar,” Post Malone featuring 21 Savage, six, Nov. 11, 2017

“A Lot,” two, April 20, 2019

“Jimmy Cooks,” Drake featuring 21 Savage, one, Oct. 8, 2022

“Rich Flex,” with Drake, two, Jan. 28, 2023

“Creepin’,” with Metro Boomin & The Weeknd, three, Feb. 11, 2023

“Surround Sound,” JID featuring 21 Savage & Baby Tate, one, March 9, 2024

“Redrum,” two, April 27, 2024

“Prove It,” with Summer Walker, one, Nov. 2, 2024

Walker achieves her first Rhythmic Airplay leader with her seventh visit to the list. Her previous best was also through a team-up with 21 Savage: “Good Good,” also with Usher, reached a No. 2 high in October 2023.

Elsewhere, “Prove It” slips 4-3 from its peak on the plays-based Mainstream R&B/Hip-Hop Airplay following a 4% decline in weekly spins. It holds at No. 5 on the audience-based R&B/Hip-Hop Airplay chart, after having reached No. 4, and sheds 2% in format audience to claim 11.5 million for the tracking week. Weighing the rhythmic gains with R&B/hip-hop losses, the net result is still positive: “Prove It” pushes 29-27 on the all-genre Radio Songs chart with a 1% audience gain to 22 million in weekly listenership.

“Prove It” appears on 21 Savage’s latest studio album, American Dream. The set, released in January, debuted at No. 1 on the Billboard 200, giving the rapper his fourth consecutive chart-topper.

As exciting and whirlwind as her romance was with Jonas Brothers singer and solo star Joe Jonas was, looking back on it now Sophie Turner can kind of sketch out what went wrong. In a new Harper’s Bazaar 2024 Women of the Year profile, the former Game of Thrones actress said her upcoming 2025 psychological thriller Trust — in which she plays an actress on the run after a high-profile internet scandal — “really mirrored my life from this past year.”
She said filming the movie was a very “cathartic” experience and a chance to “let out some serious anger, which was fun.” Not as fun was the end of her four-year marriage to Jonas, whom she married in 2019 in a Las Vegas wedding overseen by an Elvis impersonator that was livestreamed by Diplo.

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The couple subsequently had two children together, daughters Willa and Delphine, before Jonas filed for divorce in Sept. 2023, saying that their marriage was “irretrievably broken” and requesting shared custody of their children. Asked what went wrong in the high-profile relationship that found the glamorous jet-setting couple lighting up red carpets around the world during their union?

“I’m going through a legal process right now where I can’t really say much, but it was incredibly sad. We had a beautiful relationship, and it was hard,” Turner said of the highs of the marriage, and the lows of its dissolution. One of the reported points of contention in their split was Turner’s desire for their girls to grow up in her native England, and now that she’s back in the U.K. she told the magazine that her life feels like it’s back on the rails.

“I’m so happy to be back. It felt as if my life was on pause until I returned to England,” she said. “I just never really feel like myself when I’m not in London, with my friends and family. I was away for so long – six years – and it was when my friends were getting engaged, and when I got pregnant. I went for dinner with someone the other day, and she said, ‘I never got to touch your belly.’ We didn’t have those key experiences with each other.”

Turner, 28, said she was homesick living in Los Angeles and Miami with Jonas, revealing that the first thing she would do in every city they lived in was “find a British shop and stock up on a month’s worth of chocolate,” comfort food that helped her feel settled, but still didn’t make up for the aspects of American society she found most troubling. “The gun violence, Roe v Wade being overturned… Everything just kind of piled on,” she said. “After the [May 2022] Uvalde [school] shooting, I knew it was time to get the f–k out of there.”

Now she’s got her own place in West London, though Turner said she’s currently staying with a friend while the girls are with Jonas in the U.S. because being home alone without her kids is “absolute agony” for her. Turner — who can be seen now in the ITV crime drama Joan — also revealed that before becoming a mother she was “very depressed and anxious,” and used to isolate herself a lot.

“Now, I think I live my life for them. I want them to see me having a social life and enjoying work and thriving in my career and relationships,” she said. “I want them to see a hard-working mum. I’ll come back and say, ‘This is why Mummy was away – it’s because she’s doing this for you, so Father Christmas can come with a big bundle of presents.’”

In September, a Florida judge declared Jonas and Turner officially divorced and single, approving a confidential, moderated agreement between the two that split their assets and detailed spousal support and custody of their children. In January, Turner dropped her “wrongful retention” suit when the ex’s reached a co-parenting agreement.

Playboy Australia issue has featured Fuerza Regida‘s Jesús Ortiz Paz (JOP) on its November 2024 cover, alongside influencer Laci Kay Somers.
Captured by photographer Diego Farelo, the cover sees JOP in a calculated, businesslike attire, with his hair in cornrows and a cigar in his hand, alongside Somers dressed in black lingerie and sporting platinum blonde hair. The photoshoot depicts the pair in varied settings, such as a compromising pose with the model atop a pool table and another set in a poker scene.

The edition, titled “Unstoppable Force,” displays the SoCal frontman and businessman in a context somewhat unusual for a musician known primarily for his contributions to Mexican regional music: The cover and accompanying feature aim to showcase his broad appeal and versatility beyond traditional music circles.

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The shared Instagram posts by the cover stars and Playboy Australia have captions that detail their respective personas and contributions. The caption about JOP reads: “As the force behind Fuerza Regida, he’s redefining Mexican regional music, blending traditional sounds with hip-hop. A powerful voice and a bold style make him a true modern icon.” Meanwhile, the description for Somers notes, “Model, singer, and influencer, Laci commands attention with her beauty and confidence, bridging fashion and entertainment with her unique style and presence.”

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In related news, Sony Music Publishing Latin recently signed JOP and Street Mob Records, his indie label that puts out records in the música mexicana genre, which boasts a roster of more than 25 songwriters, producers and artists, including Chinco Pacas, Calle 24, Clave Especial and Miguel Armenta.

Fuerza Regida recently achieved significant accolades at the 2024 Billboard Latin Music Awards, winning Hot Latin Songs artist of the year, duo or group; Top Latin Albums artist of the year, duo or group; regional Mexican artist of the year, duo or group; and regional Mexican album of the year. JOP was also recognized on Billboard’s 2024 Latin Power Player list.

See the Playboy Australia cover below:

Amazon Music Live is continuing throughout the NFL season, and revealed on Wednesday (Oct. 30) that TWICE and Gunna have joined the lineup. The show takes place after Thursday Night Football on Prime Video, and will continue on November 14 with a performance from Gunna, fresh off the road from his One Of Dem Nights tour. In May, the rapper released […]