Music
Page: 471
Natti Natasha isn’t taking for granted working alongside Romeo Santos for her latest album, Natti Natasha en Amargue, entirely produced and penned by the Aventura frontman. “It’s a balance of hard work, giving the best of me and good luck,” the Dominican artist tells Billboard‘s Leila Cobo about how the opportunity came about. Released in […]
Ja Rule’s decades-long feud with 50 Cent will seemingly never die, but Ja believes there could’ve been a different outcome had the internet and social media been more prevalent in the early 2000s.
The Murder Inc. rapper pulled up to Hot 97 on Monday (March 17) to discuss myriad topics, including Irv Gotti’s death and the Drake–Kendrick Lamar feud, which led to him recalling beef of his own, such as clashing with 50.
“I kind of wish I had the internet when I had my beef going on,” Ja said. “They would’ve seen things in real time, you know what I’m saying? They would’ve seen who this guy is in real time and then then it would have been a different outlook on what this is. You would’ve been like, ‘Oh, now I get it. This guy’s a f—ing fraud.’ You don’t get a chance to see that, feel that.”
Trending on Billboard
He continued: “Nowadays, with the internet, sometimes you get to feel too much. With the Drake and the Kendrick beef, you got these guys that break down the whole f—ing battle lyric for lyric for lyric. I don’t know if this is good or battle … We just live in a different time right now.”
Billboard has reached out to 50 Cent for comment.
Ja Rule went on to say that “people didn’t want to see Drake win” anymore after being on top for so long. He related it to sports, with NFL fans being tired of Patrick Mahomes and the Kansas City Chiefs winning three Super Bowls in five years. “Kendrick makes a hot record and everybody jumps on it,” he said.
“Drake’s in a position right now, and I know this position well. He’s in a position where two plus two is adding up to seven, and he just doesn’t understand it,” Rule added. “He’s like, ‘How can I be the hottest motherf—er for 10 years and now everybody wants me to lose?’ He’s not understanding the dynamic of that.”
He went on to claim: “Drake could go and make a thousand f—ing dope records right now. People are rejecting his deposit. So that’s what he’s going through right now. But if he was an athlete, and you go put up f–king 55 — you gonna put up 60 points in the night, I can’t deny that, man.”
Ja Rule’s overarching advice to rappers? “Stay out of beef,” he said, before going back to his 50 feud. “I don’t give a f–k what happened. I’m a real one, you know what I’m saying? I don’t think about that s–t, it don’t bother me.”
Watch the full interview below. Ja speaks on his feud with 50 as well as Drake and Kendrick shortly after the 43-minute mark.
Feeling good can definitely lead to sounding good. That’s the lesson Selena Gomez said she learned while working in secret on her first album with fiancé Benny Blanco, I Said I Love You First.
In an joint interview with Rolling Stone, the happy couple said that while they are super psyched to plan their wedding — “I think every day she’s planned a new wedding in her head” said Blanco — for now, they are focusing on promoting and talking about the LP due out this Friday (March 21).
On her first album since 2020’s Rare, Gomez said the sessions were the “most intimate” she’s ever had in a studio, helped by the fact that she was working with her beloved and their trusted group of friends and collaborators. “We did everything from home, and we created it with people that we love,” she said, citing a re-team with songwriters Julia Michaels and Justin Tranter, who she worked with a decade ago on her Billboard Hot 100 No. 5 hit “Good For You.”
Trending on Billboard
And while the seating arrangements for their nuptials are not being worked out just yet, Blanco said the sessions were a love-filled supplement to their relationship. “I hadn’t seen her excited about music for a long time. And I remember she was like, ‘I have to pull over the car because I’m so happy,’” Blanco said. “And then I knew at that moment. I was like, ‘Well, if it’s making both of us happy, then hopefully it makes a few other people happy.’”
Gomez said she was “very frustrated and kind of confused” about where she wanted to go next musically, confiding in Blanco that she wasn’t sure what her sound is now. Luckily, 11-time Grammy nominee producer/songwriter Blanco was there, with a pad and pen, writing down whatever was on Sel’s mind as soon as she woke up, then jumping right into their home studio to make it a reality. “It was such a cathartic and therapeutic experience,” he said of the sessions they purposely kept “really close to the chest” so that they could write “exactly how we wanted it and to feel exactly now we wanted it to feel.”
After the success of her 2019 No. 1 hit “Lose You to Love Me” Gomez, 32, said she realized that storytelling was her strength and that her vocal sweet spot was in a lower register with a softer tone. Plus, given Blanco’s platinum status contact list, roping in current chart queens like Gracie Abrams (as well as Billie Eilish collaborator and older brother Finneas for two songs) was easy, and made perfect sense.
Blanco has known the “That’s So True” singer since she was 14 — she used to date one of his close friends — so when it came to inviting Abrams, 25, into their circle of trust to record “Call Me When You Break Up” he said it was not only a slam dunk, but seemingly meant to be. “One day, me and Selena were just talking about stuff, and Selena started following her, and they started commenting on each other’s things … She has so many unique characteristics about her, but she also has so many similar ones to Selena,” he said of Abrams. “When they hang out, they’re like, ‘Oh my god, we’re like, the same person.’ And they’re both little hermits that want to stay in and they’re both pretty shy, but somehow turn it on and become the biggest stars in the world.”
During the shoot for the song’s video, Blanco said the two women had what he described as “almost like telepathy” when they were talking to each other, with Gomez easily slipping into the big sister role. “And low-key, I got cool points from my little sister for having her on [the album],” Gomez added.
The ease of the sessions also helped produce one of Gomez’s cheekiest love songs to date, the lascivious “Sunset Blvd.” which is simply dripping with innuendo that Blanco said had them laughing during the sessions. “‘Can we really get away with it? Is this really something we’re gonna do?’” he remembered asking. “That’s when the best moments come out. A lot of artists won’t do stuff like that. And Selena has the perfect way of dipping her toe in the water of, like, almost too far, but not — but, like, is it? And it’s because she’s so multifaceted.”
Gomez said that toe-dipping came as a result of her being more comfortable playing around with lyrics that she used to be, crediting acts like Chappell Roan, Sabrina Carpenter, Abrams and Charli XCX for giving her “a little bit more freedom to play.”
Clearly at ease in each other’s company, Gomez said the title of the album perfectly describes their relationship and “embodies his stories combined with my stories,” while also leaving some things unsaid. “They have meanings that are really just personal to both of us,” he said. “So one song could actually mean two different things.”
At this point, Blanco said he’s just “happy to be along for the ride” thanks to his “put me in, coach” attitude about his professional and personal relationship with Gomez. “I’m doing whatever it takes,” he said.
Thanks to the “massive” marquise-cut diamond ring Blanco slipped on Gomez’s finger in December, it’s only natural that questions about their wedding plans keep coming up. Blanco said they’re just taking things one day at a time for now, even as Gomez can’t stop staring at the sparkler. “I genuinely feel like this is such a special time that we get to apply it to this album and really just pour our heart into it, and completely translate what we feel and bring it to the world,” she said. “That’s my main focus right now, at least.”
There was once a time when Playboi Carti made Ye’s (formerly Kanye West) list of rappers who never crossed him, but that doesn’t appear to be the case any longer.
The embattled rapper went on an extended X tirade targeting Carti and many of his collaborators and superstar peers throughout hip-hop early Tuesday (March 18).
He initially voiced his issue with Carti (born Jordan Carter) allegedly taking him off his Music album, and felt the “All Red” artist crossed the line when requesting vocals from West’s daughter North after Kim Kardashian posted the project to her Instagram Story.
“I DECIDED NORTH WONT BE DOING ANY SONGS WITH CARTI HOW IT LOOK FOR ME TO GET LEFT OFF THE ALBUM AND THEN HE ASK KIM TO HAVE VOCALS FROM MY DAUGHTER,” Ye wrote. “I DONT A F–K ABOUT NONE OF THIS INDUSTRY SHIT AND HOW ITS A SKIMS LINE IN THE FIRST PLACE AND I DONT GIVE A F–K WHAT NO COMMENTS THE MAN HAS THE FIRST AND FINAL SAY OVER HIS KIDS.”
Ye flipped the script on Carti while using the Atlanta rapper’s ex Iggy Azalea and brought the “Magnolia” musician’s son, Onyx, into the mix.
“HEY IGGG AZALEA I NEED TO GET ONYX VOCALS ON MY SONG THATS MY NEPHEW OH AND IMA RAP ABOUT ONE OF YOUR BUSINESSES THE F–k,” he added. “I HELD MY TONGUE ABOUT MOT BEING ON CARTI ALBUM HIM GOING TO MY EX TO ASK MY DAUGHTER TO BE ON A SONG 2 DAYS LATER WAS TOO FAR NOBODY FINNA PLAY WITH ME.”
Azalea got wind of Ye’s remarks and fired back in her child’s defense. “Ye, I understand the point you want to make. I say this with kindness & as a mother: Please, leave my child out of this. At the end of the day, Jordan has other children (less famous… Does it matter?) but it seems only my son gets harassed in perpetuity about or on behalf of a man he has no relationship with,” she wrote on X. “Does he read it? No. Hes a child. But it creates a digital legacy & an odd (s—-y) situation for him to one day discover & endure in perpetuity from strangers online. Can I please have some peace?”
The embattled Chicago artist turned his focus elsewhere and claimed he actually “HAAAAAATED” Kendrick Lamar’s “Not Like Us” Drake diss.
He continued to go after Pusha T and Ty Dolla $ign. “NOBODY GET A PASS I WAS A PART OF SO MANY OF THESE NIGGAS SUCCESS AND A LOT OF N—-S,” he ranted, blaming to his antisemitic hate speech — for which he’s been roundly condemned — as the reason for his peers pulling away. “PUSHA TALKING ABOUT HE DONT AGREE WITH MY POLITICAL OPINIONS BRO I HATE ALL THESE N—-S THATBIVE SAT AND CHOPPED SOMGS FOR TY AINT HAVE TO USE THE TERM HATE SPEECH EVERY NIGGA IN THE INDUSTRY IS A SLAVE TO THIS F—-T A– JEWISH INDUSTRY EVERRRYYYYY ONE DO YOUR F–KING DISS SONGS OR PULL UP.”
West also posted photos hugging Kid Cudi, Playboi Carti, Travis Scott and Virgil Abloh while saying they turned their backs on him after his hate speech.
He went on to target Tyler, the Creator, saying he’s never made a “memorable song” and called out Future and Metro Boomin after they allegedly called him to hop on the “Like That” remix only to dead him afterward.
“THIS N—A HAS NEVER MADE A MEMORABLE SONG HES LIKE IF AN ARTIST CHECKED EVERY BOX OTHER THAN HAVING ANY GOOD VERSES OR SONGS AND HIS LAST ALBUM RIPPED OFF MY WHOLE LANGUAGE,” he wrote about his “Smuckers” collaborator.
Billboard has reached out to reps for Future, Pusha T, Ty Dolla $ign, Playboi Carti, Kendrick Lamar, Travis Scott and Tyler, the Creator for comment.
Over the weekend, Ye released a song titled “Lonely Roads Still Go to Sunshine,” which appears to feature Diddy and North. Kardashian had reportedly trademarked their daughter’s name in a legal tactic to block the track’s release.
The lineup for Chicago’s biggest music festival went live Tuesday (March 18), with Sabrina Carpenter, Olivia Rodrigo, TWICE and more major acts set to headline Lollapalooza 2025.
Explore
See latest videos, charts and news
See latest videos, charts and news
Also leading the bill for the summer music event are Tyler, the Creator, Gracie Abrams, Doechii, Rüfüs du Sol, Luke Combs, A$AP Rocky and Korn. Dozens of other artists are also set to take one of the festival’s eight stages at Chicago’s Grant Park this summer, including Dom Dolla, Martin Garrix, Cage the Elephant, Clairo, The Marias, Djo, Dominic Fike, Bleachers, Wallows, Young Miko, Mk.Gee, Two Friends, T-Pain, Knock2, Foster the People, Still Woozy, Sierra Ferrell, Role Model, Finneas, Remi Wolf, Mau P, Royel Otis, Marina, Bladee and Barry Can’t Swim.
Mariah the Scientist, Alex Warren, Latin Mafia, Flipturn, magdalena Bay, Gryffin, JPEGMAFIA, ISOxo, Artemas, GigiPerez, Del Water Gap, Katseye, Rebecca Black and more are also on the docket. The full lineup spans more than 170 acts.
Trending on Billboard
This year, Lollapalooza will take place across four days, from July 31 to Aug. 3. Four-day tickets will go on sale at 10 a.m. CT Thursday (March 20), while one-day and two-day packages will become available for purchase at a later date.
The 2025 festival is set to be a historic one, with the “Vampire” singer’s headlining appearance marking her Lollapalooza Chicago debut. Combs is the Windy City festival’s first-ever country closer, while TWICE is the first K-pop girl group to headline. It’ll also be special for Korn, which hasn’t played Lolla since 1997.
See the full Lollapalooza lineup below.
John Legend is going global with the 20th anniversary celebration of his debut album Get Lifted. The 13-time Grammy Award winner’s Get Lifted 20th Anniversary World Tour — with select dates produced by Live Nation — will visit more than 40 cities across the U.K., Europe and North America when it begins on May 27 in Glasgow, U.K. Additional major stops include The O2 in London, Ziggo Dome in Amsterdam, Accor Arena in Paris, Hollywood Bowl in Los Angeles and Barclays Center in New York before the tour wraps on Dec. 9 in Oakland, Calif.
Explore
See latest videos, charts and news
See latest videos, charts and news
In tandem with the tour announcement, Legend will visit The Tonight Show Starring Jimmy Fallon Tuesday (March 18). Doubling as both a talk and musical guest, he will perform the Get Lifted track “Used to Love U” along with Black Thought and backed by The Roots.
Trending on Billboard
“Used to Love U” is one of several fan faves featured on Legend’s Grammy-winning breakthrough album. Released Dec. 28, 2004 (Legend’s 26th birthday) via GOOD Music, Sony Urban Music and Columbia Records, the 14-track Get Lifted was comprised of songs written or co-written by Legend, who also served as an executive producer. In addition to “Used to Love U,” the album spun off the singles “Number One,” “So High” and “Ordinary People” (his first top 40 Hot 100 hit at No. 24) while notching No. 4 and No. 1, respectively, on the U.K. Singles Chart and U.K. R&B Singles Chart.
With its engaging and seamless fusion of R&B, neo-soul, hip-hop and pop, Get Lifted gave Legend his first Billboard 200 top 10 (No. 4) and first No. 1 on the Billboard Top R&B/Hip-Hop Albums chart. It later scored eight Grammy nominations and won Legend three statuettes — best new artist, best R&B album and best male R&B vocal performance for “Ordinary People.” The single as well as the album have since attained RIAA double-Platinum status.
Also available now are two special Get Lifted (20th Anniversary) packages:the digital deluxe and deluxe 3LP vinyl editions. Highlights on both include remixed versions of eight tracks such as the aforementioned Black Thought guesting on the revamped “Used 2 Love U.” Among the editions’ other special guests are Tems, Killer Mike and Lil Wayne, and Simi. Expanding on the original album with 11 bonus tracks, Get Lifted (20th Anniversary) offers eight brand new remixes, rare B-sides and two previously unreleased studio performances recorded during the original Get Lifted sessions.
Legend will be backed by his full band on the forthcoming world tour. The setlist will include fan faves, deep cuts and fresh interpretations of seminal tracks from Get Lifted. The EGOT-winning singer-songwriter-pianist will also perform an array of his other career-defining hits.
Additional dates for the Get Lifted 20th Anniversary World Tour will be announced soon. In the meantime, presales for the U.K./Europe dates begin March 19, with general onsale starting March 21. North America presales kick off March 26, followed by general on-sale starting March 28. For additional tour details and ticket information, visit Legend’s website.
See the full list of tour dates below:
As the Grand Ole Opry celebrates its centennial anniversary in 2025, the revered country music institution will highlight its 100-year history, as well as its present and future, on Wednesday (March 19) when Opry 100: A Live Celebration airs live on NBC and simulcasts on Peacock. The event will be hosted by 29-time Billboard Country Airplay chart-topper and Opry member Blake Shelton, who was inducted in 2010.
Ahead of the special, Billboard is exclusively premiering a first-look video with artists including Brad Paisley (inducted in 2001), Keith Urban (2012), Luke Combs and Kelsea Ballerini (both in 2019) wishing the Nashville staple a happy birthday and discussing the institution’s enduring impact on country music. The clip also features “I Was Country When Country Wasn’t Cool” hitmaker Barbara Mandrell (inducted in 1972) and “Mama Sang a Song” hitmaker Bill Anderson (inducted in 1961).
“You just walk into the Opry House and you feel the history and the richness of the stories and the people that have made country music what it is,” five-time Country Airplay chart-topper Ballerini says in the video.
Trending on Billboard
Elsewhere, the artists also displayed the close-knit camaraderie the Opry is known for, as they offered up good-natured jokes. “I think it’s great that Blake’s going to host the show,” Anderson says in the video, before adding with a chuckle: “And I look forward to just watching him sweat.”
Other artists who have notched enduring country hits spanning decades will also be included in the special, which will highlight nearly 50 official Grand Ole Opry members over the course of the three-hour show. Opry 100: A Live Celebration will also feature appearances from Alan Jackson, Alison Krauss & Union Station, Ashley McBryde, Carly Pearce, Carrie Underwood, Clint Black, Dierks Bentley, Garth Brooks, Jamey Johnson, Lady A, Lainey Wilson, Marty Stuart, Reba McEntire, Ricky Skaggs, Steven Curtis Chapman, Terri Clark, Trace Adkins, Travis Tritt, Trisha Yearwood, Vince Gill, Randy Travis and more. Other fan favorites — including Aloe Blacc with the McCrary Sisters, Amy Grant, Eric Church, Jelly Roll, Post Malone, The War And Treaty and Yolanda Adams — will also make appearances.
The upcoming special spotlights how the Grand Ole Opry, radio’s longest-running show and broadcast on WSM-AM, has evolved to become a multimedia, global juggernaut through the decades, reaching fans through not only radio, but television, social media and digital streaming platforms. Since launching in 1925, the Grand Ole Opry has called several Nashville buildings home, among them the Ryman Auditorium (from 1943-1974), and has called the Grand Ole Opry House home since 1974. The special will feature artist performances from both iconic venues.
“NBC is proud to continue expanding its commitment to the genre, offering both iconic performances that highlight the impact and relevance of country music,” Jen Neal, NBCUniversal Television and Streaming Exec. VP, Live Events & Specials, told Billboard in a statement. “Opry 100: A Live Celebration reflects country music’s enduring influence on the American musical landscape, and NBC is honored to be a platform for its continued growth.”
Opry 100: A Live Celebration airs on NBC and will stream on Peacock on Wednesday, beginning at 8 p.m. ET. The special marks NBC’s fourth live television event from Nashville in the past two years. The telecast will be executive produced by Silent House Productions’ Emmy Award winners Baz Halpin, Mark Bracco and Linda Gierahn, along with R.A. Clark and Steve Buchanan.
See the exclusive video below:
Carín León expands his radio reach with his third No. 1 on Billboard’s Latin Airplay chart as “El Amor De Mi Herida” rises 2-1 on the March 22-dated list. The song also adds a second week atop the Regional Mexican Airplay chart. Explore Explore See latest videos, charts and news See latest videos, charts and […]
Yellowstone fans will remember when Beth Dutton gave Rip Wheeler a hard no after he asked her if she wanted to go to a music festival in season 1 of the popular series, instead opting for the pair to get drunk and watch wolves kill an elk in a park.
Yellowstone creator Taylor Sheridan — who has made country music a cornerstone of his extraordinarily popular television shows, which also include Landman, 1923 and Tulsa King — will likely have a much more positive result with his first live music event.
The inaugural Bosque Ranch Live concert will take place noon-11 p.m. Sept. 13 at Sheridan’s Weatherford, Texas, ranch and will feature up-and-coming country acts Drayton Farley, Kaitlin Butts and Jackson Dean. All three artists have had their music featured in Sheridan’s shows.
Trending on Billboard
“My career is built on the art of storytelling,” Sheridan tells Billboard. “And nowhere is the storytelling tradition more alive than in country music. My hope is that Bosque Ranch Live is a space where these stories can come to life and sets the stage for more events like it to come.”
Sheridan’s blessing has been a boon to artists’ careers, many of whom have seen huge spikes in streaming numbers following a placement on one of his shows. The only TV show Zach Bryan has ever performed on remains Yellowstone.
While this is the first music concert at Bosque Ranch, the 1,000-acre ranch has played host to a number of equine events, including the NCHA Brazos Bash, and has served as a filming location for Yellowstone and its 1883 spin-off.
Attendance for Bosque Ranch Live is capped at 500 people and there are multiple levels of participation: $500 gains the ticketholder entry, access to the grounds and a Bosque Ranch hat, whereas $1,500 gets fans a true Country Campfire experience with a night at the ranch in their RV, as well as the concert, lunch and dinner on Sept. 13, breakfast on Sept. 14, 10 complimentary drinks and a collection of memorabilia from the ranch.
For all tiers and more ticketing information, go here.
Yeah Yeah Yeahs announced the dates for a residency-like run of 2025 international shows that will feature the band playing their greatest hits and deep cuts in theaters in the U.K., Mexico and the U.S. this summer.
“Hi, we’ve missed you, they don’t miss you like we miss you. Out of a deep desire to reconnect with our band family and you our lovely fans, YYY’s are embarking on a series of very special shows this summer,” the band said in an announcement on Instagram on Monday (March 17).
“The dearly departed David Lynch would say: all you need to do is turn on the light and the darkness goes. To let our love light shine we will be digging deep into our back catalogue,” they revealed about tour that will hit the road a quarter century after their founding in New York. “We’ll be playing songs that are rarely (if ever) performed, alongside all time favorites with new arrangements to delight…and yes there will be acoustic guitars and strings too. We’d love for you to join us for these intimate performances in beautiful iconic theaters to celebrate 25 years of Yeah Yeah Yeahs, not a bad seat in the house!”
Trending on Billboard
The pre-sale for the tour will kick off on Wednesday (March 19) at 10 a.m. local time, followed by a general on-sale on Friday (March 21) at 10 a.m. local time; click here for details on signing up for the pre-sale. At press time no support acts had been announced yet.
The band’s most recent album was 2022’s Cool It Down.
Check out the tour announcement and dates below.
Yeah Yeah Yeahs 2025 tour
June 16 — Manchester, UK @ O2 ApolloJune 18 — London, UK @ Royal Albert HallJune 19 — London, UK @ Royal Albert HallJune 30 — Mexico City, MX @ Teatro MetrópolitanJuly 1 — Mexico City, MX @ Teatro MetrópolitanJuly 9 — Los Angeles, CA @ Orpheum TheatreJuly 10 — Los Angeles, CA @ Orpheum TheatreJuly 11 — Los Angeles, CA @ Orpheum TheatreJuly 14 — San Francisco, CA @ Davies Symphony HallJuly 15 — San Francisco, CA @ Davies Symphony HallJuly 18 — Nashville, TN @ Ryman AuditoriumJuly 19 — Nashville, TN @ Ryman AuditoriumJuly 22 — Chicago, IL @ The Chicago TheatreJuly 23 — Chicago, IL @ The Chicago TheatreJuly 29 — New York, NY @ Beacon TheatreJuly 30 — New York, NY @ Beacon Theatre
State Champ Radio
