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Primus fans have been left reeling after the band’s longtime drummer, Tim “Herb” Alexander, made an unexpected exit from the band.
In a message shared on social media on Oct. 29, Les Claypool and Larry LaLonde revealed that Alexander had resigned suddenly on Oct. 17 via email “effective immediately”, citing a “loss of passion for playing”—a reason that Claypool and LaLonde admitted “came as a complete shock.”

“On the heels of a wonderful spring & summer of touring and some fabulous plans ahead, it has been a bit bewildering for us that Herb would so abruptly opt out,” Claypool and LaLonde said.

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“After several attempts to communicate with Herb, his only response was another email stating that he has ‘lost his passion for playing.’ As disappointing as that is, we respect his choice and it’s forced us to make some tough decisions.”

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Primus will move forward with their New Year’s Eve show in Oakland, California, enlisting members of Claypool’s other projects, Holy Mackerel and Frog Brigade, for a “special, one-time event.”

Additionally, for their upcoming Dominican Republic festival date, they’ll be joined by Tool drummer Danny Carey. Heading into 2025, Primus will begin a search for “the Greatest Drummer on Earth” to join them for the second leg of Maynard James Keenan’s Sessanta tour.

Alexander’s exit marks the end of an era for Primus, whose musical legacy is peppered with chart-topping moments and fan-favorite tracks that have kept them thriving since the ’90s.

Primus’s journey in the music world is as bold and unpredictable as their sound. They made their Billboard breakthrough with Sailing the Seas of Cheese in 1991, and by 1993, their offbeat style had firmly resonated with fans. Their third studio album, Pork Soda, debuted at an impressive No. 7 on the Billboard 200, proving that there was a place for Primus’s funk-infused rock in the mainstream. The success didn’t stop there—Tales from the Punchbowl hit the top 10 on Billboard as well.

Singles like “My Name Is Mud” and “Jerry Was a Race Car Driver” brought even more attention to the band, becoming alternative radio and MTV staples. And despite their unconventional style, Primus pulled in platinum certifications from the RIAA for Sailing the Seas of Cheese and Pork Soda.

As North Carolina natives Luke Combs and Eric Church organized the Concert for Carolina benefit held Oct. 26 in Charlotte, the only question anyone asked was “How can I help?”

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“All egos went out the door,” said Chris Kappy, Combs’ manager. “It was just everybody working together, AEG and Live Nation, all the managers, all the teams. It never got territorial.

The six-hour concert, which also featured James Taylor, Keith Urban, Sheryl Crow, Billy Strings, Scotty McCreery, Avett Bros., Chase Rice,  Parmalee and Wesko, has raised $24.5 million (and counting) for western North Carolina victims of Hurricane Helene.

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While many benefits take several weeks, if not months, to plan, Concert for Carolina was held less than a month after the worst natural disaster to ever hit North Carolina ravished mountain towns, including Asheville and Boone, and left close to 100 people dead.

North Carolina Governor Roy Cooper said at an Oct. 26 press conference that more than 100,000 people in the state had damage to their homes and thousands of businesses had been affected. The estimated financial damages of the storm to North Carolina are $53 billion.

The day after Hurricane Helene hit on Sept. 27, Combs called Church about organizing a benefit and they immediately started calling their artist friends. “I remember sitting at home in Nashville and wanting to figure out how I can be of service, how I can help the place that raised me,” said Combs. “There was no question that this was going to happen come hell or high water.”

David Bergman

The next step was for Kappy to call David and Nicole Tepper, who own the Carolina Panthers, FC Charlotte and Bank of America stadium, where the NFL and soccer teams play in Charlotte, to see if they could use the stadium. “The yes was so fast,” Kappy said. “David and Nicole said, ‘We’ve got the stadium. We’ve got everything covered.’ David and Nicole would have moved heaven and earth to make it happen for us.”

The Teppers were already looped into hurricane relief via their work with the American Red Cross and had started giving what has now become close to $6 million toward relief efforts for both Hurricane Helene and Hurricane Milton, which hit Florida just days after Helene passed through. “When [Kappy] called us, it was like, ‘Okay, what do we have to do to do it and it’s three weeks,’” David Tepper told Billboard. “It’s hard from [Combs’ and Church’s] end to get the artists, but on this end, we had to make sure we didn’t get scheduled with [a soccer playoff game.]” Luckily, the Panthers were playing away from home and FC Charlotte could also play away from home. Also fortuitously, Morgan Wallen played two shows at the stadium the weekend before the Concert for Carolina and production could just keep the field covering down.

Ultimately, with Tepper’s encouragement, the stadium’s concession, merchandise and parking vendors all donated their proceeds as well. All the other participating companies, including those providing sound, stage, lighting and video, also donated their resources. Ticketmaster also donated its services and put plans in place to keep tickets out of the secondary market. The show sold out quickly, setting a new venue record of more than 82,000 attendees.  Veeps donated all proceeds from a $24.95 streaming option. The acts all paid their own expenses and were not paid to play.

While Combs’ and Church’s teams dealt with the show aspects, Tepper was dealing with logistics. “There’s contracts, there’s the police, there’s who’s holding the money and where’s the money going and making sure it’s flowing the right way,” he said. “Usually there are long negotiations, but everybody was trying to make sure everything was done right. It was a lot of people putting everything aside just to get this done.” Tepper had some experience, having helped organize New York’s 12-12-12 benefit in 2012 following Hurricane Sandy, which hit the east coast in late October 2012.

Even rivals AEG and Live Nation joined together to co-promote the show. “We really looked at it and said, ‘We just need the smartest minds in the room’ and this was an opportunity for everybody,” Kappy said. “You can show everybody that you can put down your swords and you can all put your arms around each other and lift each other up to lift everybody else up.”

The goodwill was infectious. “Everybody wanted to be part of something special and saw what we were doing. They said, ‘We want to be part of that,’” Kappy said. Kappy and Church’s manager, John Peets, worked in “lockstep,” on the benefit, staying in constant communication. “It’s been awesome to go back and forth with him on this and for him to be like, ‘Whatever Kappy says,’ and for me to be like ‘Whatever John says.’ Same with our two agents at WME and our production managers working hand in hand.”

“Everybody in the city, at the stadium, on the artist side…quite frankly, all  their better angels were working together to put this together in three weeks,” Tepper said.

All proceeds from the benefit show, auction and livestream are going to organizations selected by Combs and Church, including Samaritan’s Purse, Manna Food Bank, Second Harvest Food Bank of Northwest NC, Eblen Charities and the organizations supported by Church’s foundation, Chief Cares. At the show, Church also stated his intention to build more than 100 houses for those who lost their homes in the hurricane.

The focus now shifts to how to keep awareness on the area and the ongoing need as the recovery will take years. “The biggest thing for Luke and I is we continue to shine a light on this,” Church said. “This concert’s a great way to do it, but these people are going to need help long after tonight and long after next month and long after six months. So, it’s about, how can we continue to put this up front to make people be aware of what happened there,  and we help the people.”

Bruce Springsteen and John Legend have both thrown their support behind Kamala Harris once again, with the acclaimed artists appearing at the Democratic nominee’s rally in Philadelphia on Sunday (Oct. 28).

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Taking place just one day after Donald Trump’s much-maligned Madison Square Garden rally in New York City on Saturday (Oct. 27), the tone of the Democratic rally was one less centered on division and rhetoric, and instead focused on unity.

Alongside speeches from Philadelphia Mayor Cherelle Parker, Pennsylvania Senator Bob Casey, and former President Barack Obama, the event at Temple University’s Liacouras Center also featured a handful of songs performed by Legend and Springsteen.

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Legend’s performance featured four songs, including the likes of “Ordinary People”, “Glory”, a cover of Harold Melbin & The Blue Notes’ “Wake Up Everybody”, and Legend’s own version of Sam Cooke’s “A Change Is Gonna Come”.

“We face a once in a lifetime, once in a generation opportunity right now,” Legend told the crowd. “A chance to choose something better, bolder, brighter, to choose progress and healing.”

Springsteen’s own three-song acoustic set followed, opening with a rendition of his 1978 single “The Promised Land”, and featuring a version of 2001’s “Land of Hope and Dreams”. Springsteen closed his performance with a rendition of “Dancing in the Dark,” which peaked at No. 2 on the Billboard Hot 100 in 1984 and marks the highest-charting song of his career.

Prior to his performance of the latter, Springsteen gave a special mention to Legend, noting that he “does the most beautiful version of this song I have ever heard”.

“I understand folks have different opinions about things, but this election is about a group of folks who want to fundamentally undermine our American way of life,” Springsteen told those in attendance at the rally. “Donald Trump doesn’t understand this country, its history, or what it means to be deeply American.”

Springsteen’s appearance at the Philadelphia rally took place just days after he appeared at Harris’ rally in Georgia, wherein he told supporters that while Harris is “running to be the 47th president of the United States, Donald Trump is running to be an American tyrant”.

Richard Andrew, the drummer for award-winning Australian Underground Lovers, died Wednesday (Oct. 30). He was 58 years old.
News of Andrews’ passing was shared by both his family and his bandmates, who both took to social media to confirm the news. Andrews himself had taken to social media just one week earlier to reveal he had been diagnosed with stage IV metastatic lung cancer.

“Our beautiful Richard John Andrew died at around 5.25am, this morning” the musician’s family wrote. “His death, as he was in life, was epic. He left this world, face to face with his wife, Nicolette, as she sang their song ‘Do You Realise’ by The Flaming Lips. We are all heartbroken though relieve that our sweet prince is finally free.”

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“It is with profound sadness that we announce the passing of our charming beautiful force of nature Richard John Andrew,” Underground Lovers echoed on social media. “We are numb with grief and sadness. He passed peacefully in his sleep at home this morning with his wife Nicolette at his side.”

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Andrew first rose to fame as a member of the Underground Lovers in 1988. He joined the group as their drummer shortly before they changed their name from the initial GBVB after founding members Glenn Bennie and Vincent Giarrusso.

Throughout his initial tenure with the group, Andrew was on hand to share in their sole ARIA Award win for Best New Talent in 1992, and performed on three of the group’s studio albums, including 1994’s Dream It Down, which peaked at No. 55 on the national charts.

Leaving the group ahead following the release of Dream It Down, Andrew went on to perform with a number of different bands in Australia, including kinderland, Red Textas, Registered Nurse, and others.

Though Underground Lovers would initially disband in 2002, Andrew took part in their reunion in 2009, going to perform on albums such as 2013’s Weekend, 2017’s Staring At You Staring At Me, and 2019’s A Left Turn.

In his post on social media announcing his diagnosis last week, Andrew shared a dictated message reflecting on his imminent passing.

“I am completely reconciled to whatever the future is, however, that future is probably quite limited and I’m in the process of preparing to pop this mortal coil and return to the trees, as it were,” he wrote. “I cannot overstate enough what an honour and a privilege it has been to know you all over the last 58 years, and to have lived the most incredible, incredible life.”

Lady Gaga wants to heal your “Disease.” The pop superstar dropped a music video for her latest single on Tuesday (Oct. 29). “I think a lot about the relationship I have with my own inner demons. It’s never been easy for me to face how I get seduced by chaos and turmoil. It makes me […]

He knows how to ball, she knows Aristotle! Kelly Ripa and Mark Consuelos are celebrating Halloween on their daytime talkshow series, Live With Kelly & Mark, this Thursday (Oct. 31) by dressing up as another famous couple. Explore Explore See latest videos, charts and news See latest videos, charts and news In a photo first […]

MF DOOM and Madlib‘s collab album of all collab albums, Madvillainy, turned 20 this year and Stone’s Throw announced that they will be releasing the demos on vinyl for the very first time in a lengthy Instagram post. Read it below. Explore See latest videos, charts and news See latest videos, charts and news “In […]

A co-defendant in Young Thug’s YSL RICO case has agreed to a plea deal, according to The Atlanta Journal-Constitution. The outlet reports that Quamarvious Nichols, 29, reached a plea deal with prosecutors on Tuesday (Oct. 29), in which he pleaded guilty to a single count of violating Georgia’s anti-racketeering laws in exchange for having several […]

It’s a big week for Colombian newcomer Kapo, who earns his first No. 1 on any Billboard chart with “Ohnana,” as the song jumps 2-1 to crown the Latin Rhythm Airplay chart (dated Nov. 2). It also nearly misses the crown on the overall Latin Airplay chart, rising 3-2.

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“Ohnana” gave Kapo his maiden visit to any Billboard ranking when it debuted on the Billboard Global Excl. U.S. tally in July. A month later the song peaked at No. 30 (Aug. 31-dated list), the same week he became Billboard’s Latin Artist on The Rise, and the track also reached the No. 60 mark on the Billboard Global 200 chart.

Kapo celebrates his first No. 1 on his Billboard chart career with 7.2 million audience impressions earned in the U.S. in the tracking week ending Oct. 24 for “Ohnana” (up 12%), according to Luminate. The song ejects Feid’s “Sorry 4 That Much” from the summit and sends it to No. 4, following its one-week reign.

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“Ohnana” joins “Passoa” at its No. 18 peak on Latin Rhythm Airplay, Kapo’s first team-up with Jhayco. The latter is one of 29 tracks from Le Clique: Vida Rockstar (X), Jhayco’s third studio album which gave the Puerto Rican his third straight top 10 on Top Latin Albums and Latin Rhythm Albums in September.

“Ohnana” also reaches its No. 2 peak on the Latin Airplay chart, where Kapo joins nine other soloists who have reached the top two on the overall list in 2024. Here’s the recap of the 10 artists and their songs, where only Karol G makes for a female representation:

Artist, Title, Peak Position, Peak DateBad Bunny, “Monaco,” No. 1, Jan. 27Xavi, “La Diabla,” No. 1, Feb. 10Myke Towers, “La Falda,” No. 1, Feb. 24El Fantasma, “El Exitoso,” No. 2, March 16Ozuna, “Baccarat,” No. 1, March 30, 2024Myke Towers, “La Capi,” No. 1, May 25, 2024Danny Ocean, “Amor,” No. 1, June 15, 2024El Fantasma, “Sabor A Michelada,” No. 1, June 22Karol G, “Si Antes Te Hubiera Conocido,” No. 1, July 27Venesti, “Es Normal,” No. 2, Aug. 3Feid, “Sorry 4 That Much,” No. 2, Oct. 26Kapo, “Ohnana,” No. 2, Nov. 2

Arthur Hanlon Returns To The Top 10 on Tropical Airplay with Youtuel and Darell: Elsewhere on the Latin charts, pianist and songwriter Arthur Hanlon is back in the top 10 on Tropical Airplay with “Repetimos,” his first Youtuel and Darell-team-up, that climbs 11-9 in its fifth week.

The song, which marks Hanlon’s first top 10 on a radio ranking in over a decade, rises to the top 10 despite a 2% dip in audience impressions, to 1.4 million, earned in the U.S. in the tracking week ending Nov. 24.

“Repetimos” is Hanlon’s third top 10 and first since 2013, when “I’ll Be There (Allí Estaré),” featuring Karlos Rose, landed at its No. 3 high. The arranger, previously reigned with “La Gorda Linda,” featuring Tito Nieves, for one week in 2005.

For Youtuel and Darell, both artists pick up their first top 10 performance on the tropical radio ranking. While the Orishas lead singer also scored a top 10 on a radio tally in 2024 through “Fría,” with Enrique Iglesias (No. 3 peak on Latin Pop Airplay in May), Puerto Rican Darrell last secured a top 10 almost a year ago, with the Ozuna and Maluma three-way, “Lollipop” (No. 7 on Latin Rhythm Airplay in December 2023).

You can save those #PoorMichelle mentions for another day. Michelle Williams is speaking out about why she was missing from Kamala Harris‘ Houston rally with Beyonce and Kelly Rowland, and it’s all because the singer was booked and busy.

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Appearing on the Sherri show Tuesday, Williams explained that was stuck in New York, where she’s been starring in the Broadway musical, Death Becomes Her (the singer plays the role made famous by Isabella Rossellini in the 1992 cult classic film).

“I was so happy [for Beyonce and Kelly],” Williams said, confirming that she had originally wanted to join the two to reunite on the Houston stage. “It was the first time that I have not been able to be in person for something that I wanted to be at,” she said, adding that “it’s a sacrifice that we make [being] on Broadway.”

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Still, Williams said she watched the rally afterwards and loved that Rowland and Knowles, “represented and held me down in their own way.”

It’s been exactly 20 years since Destiny’s Child released their last studio album, Destiny Fulfilled, which debuted at number two on the Billboard charts in November 2004. While fans have been clamoring for a reunion ever since, Williams says the three artists aren’t even in the same place geographically right now.

“They live in L.A. and I’m in Atlanta,” she explained, “and folks will see them out or paparazzi will get them at dinner and they like, ‘Where’s Michelle?’ I’m like ‘Y’all, we ain’t together all time time!’ she said.

Williams did reveal that the trio “are together more than people think.”

Death Becomes Her is currently in previews, with Williams’ run on Broadway officially opening November 21. The film-to-stage adaptation also stars Megan Hilty and Jennifer Simard. Find tickets here.

In the meantime, you can watch the full clip of Williams on Sherri below.