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There’s nothing in this world Cardi B likes more than checks, but that doesn’t mean she took any money from the Kamala Harris campaign to attend a rally in Milwaukee.
On Thursday (Nov. 14), the politically outspoken rapper cleared up any misconceptions on the matter with a tweet aimed at conservative commentator Candace Owens, who’d written on X, “Hey @iamcardib — Working on a story and was wondering if you were in any way paid to speak at the Kamala campaign event you spoke at.”
Cardi quickly replied with, “I didn’t get paid a dollar and that’s on my three!!”
“I actually came out of pocket for glam and travel because it’s somewhere I wanted to be..,” the “WAP” artist continued. “Like please girl you know damn well I’ll argue you down about politics FOR FREE.”
The interaction comes a week after Donald Trump won the 2024 presidential election, beating out the Democratic Harris-Walz ticket. Cardi — as well as numerous other A-list musicians — had staunchly supported the VP’s White House bid, with the Whipshots founder even speaking at a Nov. 1 campaign event in Milwaukee, Wisconsin, to help drum up some last-minute support.
“Like Kamala Harris, I’ve been the underdog, underestimated, and had my success belittled,” she said at the time. “Women have to work 10 times harder and still face questions about how we achieved success. I can’t stand a bully, but just like Kamala, I always stand up to one.”
When Harris’ campaign efforts proved unsuccessful, Cardi shared an emotional letter to the politician. “This may not mean much but I am so proud of you!” the hip-hop titan wrote, addressing the former prosecutor directly. “No one has ever made me change my mind and you did! I never thought I would see the day that a woman of color would be running for the President of the United States, but you have shown me, shown my daughters and women across the country that anything is possible.”
Cardi also issued a warning to Trump’s supporters post-election. “So you know, Trumpettes, y’all won, I know y’all happy,” she said in a video posted to X Nov. 6. “Ain’t nobody acting like they’re the losers. However, y’all need to leave me the f–k alone. Because I got one more f–king cigarette in me before I start lighting your asses up. Aight?”
The “Up” artist’s history with Owens goes back years before their latest X exchange, with the latter first calling the former “illiterate” and suggesting that Black Americans should be “insulted” by Biden’s partnership with Cardi in 2020. The two women have sparred multiple times in the years since, but unexpectedly found a fleeting piece of common ground in 2023 when Owens backed up Cardi’s assertion that Brian Szasz — the stepson of a billionaire who died in the Titanic submersible implosion that year — was merely looking for “clout.”
“We all know this day would come,” Owens tweeted at the time. “Finally, I agree with [Cardi B] and everything she said about the submarine stepson from hell.”
See Cardi’s tweet to Owens below.
I didn’t get paid a dollar and that’s on my three!! I actually came out of pocket for glam and travel because it’s somewhere I wanted to be.. Like please girl you know damn well I’ll argue you down about politics FOR FREE https://t.co/SxJWWDSqFP— Cardi B (@iamcardib) November 14, 2024
All Cher ever needed was Sonny Bono — but for his part, it took the late singer-songwriter a little more time to fall for his famous ex-wife and collaborator.
In a new interview with CBS Sunday Morning, the “If I Could Turn Back Time” musician gave her unfiltered side of the story of first time crossing paths with her Sonny & Cher counterpart. “I thought it was like when Tony met Maria,” she said, recalling how she met him at a coffee shop in 1962. “I mean, everybody disappeared.”
“And it was just the two of us,” Cher continued. “But he didn’t like me. It wasn’t love at first sight. It was something. I never felt it before.”
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But while the “Believe” artist was all about Bono from the start, she says he preferred her friend. “He said, ‘You know, you can come and stay with me,’” she reflected. “And I was like, ‘Okay, you know.’ And he went, ‘No, no, I don’t find you particularly attractive.’ So, I was upset and happy at the same time.”
Cher was famously 16 when she met a then-27-year-old Sonny, with the couple eventually getting married in ’64 and rising to fame via their husband-and-wife band. They split up a decade later and finalized their divorced in 1975, and the former politician died in a 1998 skiing accident at age 62.
While speaking to CBS, Cher also disputed that their age gap ever felt “strange.” “He was kind of childish,” she said. “He got to be with me … because I didn’t expect anything. I didn’t want money. I didn’t think about anything, you know. And all these other women that were his age, they wanted him to be grownup.”
After the dissolution of Sonny & Cher, the Burlesque star nurtured a successful solo career that was recently celebrated by the Rock & Roll Hall of Fame, which inducted her into its 2024 class in October. “I have a kind love hate relationship [with the Rock Hall],” she told Billboard at the time. “Because I thought, ‘What do I have to f–king do , you know, to be inducted into this place? What do you have to do to be a part of it?’”
Also in October, Cher lead an all-female lineup of performers at the Victoria’s Secret Fashion Show. LISA of BLACKPINK also took the catwalk, as did Tyla.
Cher is now gearing up to release the first part of her autobiography, Cher: The Memoir, Nov. 19. It’s expected to chronicle her childhood and tumultuous marriage to Bono, while the second volume is slated for 2025.
Watch the clip of Cher recounting her earliest memories with Sonny Bono below.
In 1962, a young Cher met Sonny Bono in a coffee shop. She was captivated, comparing their first meeting to Tony and Maria’s in West Side Story—a moment when everyone else faded away. Anthony Mason sits down with the legendary icon. pic.twitter.com/NiGSQeO5EJ— CBS Sunday Morning 🌞 (@CBSSunday) November 14, 2024
Jay-Z’s Sean Carter Foundation is looking to help out students at historically Black colleges and universities in a major way. The foundation announced the launch of the Champions for Financial Legacy (CFFL) on Wednesday (Nov. 13). The educational financial initiative was formed in collaboration with the esteemed Wharton School of Business at the University of […]
Composer, lyricist, librettist and performer Shaina Taub, creator and star of the Broadway musical Suffs, has received The ASCAP Foundation Richard Rodgers New Horizons Award. Taub, who in June became the first solo woman to win Tony Awards for both the book and score of a musical, is a current Grammy nominee for best musical […]
“Whatever Wham say goes.” That’s the phrase that popped up on billboards in L.A., referencing a Young Thug jailhouse tweet from June. The YSL boss teased new music with his fellow Atlanta rapper Lil Baby, tweeting, “Wham let’s drop one on these rats peter,” shortly after coming home from Fulton County Jail.
Now, Baby is ready to say his piece with a brand new album — his first since 2022’s It’s Only Me. On Thursday (Nov. 14), the rapper released the lead single and video to his project WHAM: Who Hard As Me.
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“5AM” (produced by Wheezy and Sean Momberger) shows Baby trying to come to terms with the pressure of expectations and celebrity. He starts the song off by talking about those pitfalls, rapping, “How you managed to get everything you want and still ain’t happy?/ Half of me done died, the other half alive, I’m tryna balance it/ Granny said if it’s worth something to you, then it’s worth the challenge.”
Later in the song he raps about struggling with vulnerability and survivor’s guilt, saying, “Five in the mornin’, just me and a ‘Rari, don’t know where I’m goin’/ Thinkin’ ’bout all this sh—t, honestly, I don’t know how I be doin’ this/ Can’t be vulnerable, who I’m gon’ talk to when I’m going through it?/ Am I delusional? Keep tellin’ myself that it’s all good/ All I know is survival and dollars, I come from the hood.”
Last night, the Atlanta rapper took to Instagram and posted footage of himself shooting the new music video and recording the song with a caption that mentions he was going through a rough patch the last two years. “Ain’t it crazy how they tryna play me like i ain’t the one!!! It’s that time! I would say again, but this run will be totally different!!” he wrote. “I had the darkest period of my life these last two years, but I stayed down and overcame that sh—t now I’m back to f—kin sh—t up as usual…, Sincerely, Wham!! Who hard as me. Let’s go.”
While no release date for the album has been announced, Baby wrote on X that he was dropping another single and video this week. He was recently spotted in the studio with Young Thug and Future, so there could be something from the trio coming soon.
Check out Lil Baby’s new video for “5AM” above.
When Jack and Jill went up the hill, they got more than just a pail of water. Or, at least, Jill did. Jack didn’t really stick around.
Jordan Fletcher, in the closing track on his Triple Tigers EP Classic (released Sept. 27), rewrites the centuries-old “Jack and Jill” nursery rhyme with a surprising, modern-day twist. “About Jill” is a sensitive, almost celebrant, portrait of a single mom raising a boy who looks very much like his father, an immature rich kid who leaves a pregnant girl to fend for herself.
But Jack isn’t really the story of “About Jill.”
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“No one likes Jack,” Fletcher allows, “but you don’t want to make him the focal point.”
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Fletcher didn’t know Jack would be the topic du jour when he showed up for a co-writing session with Nora Collins (“Leroy”) at Sea Gayle in Nashville on March 16, 2022. They ended up talking about how she was rebounding from the pandemic, and in the process, Fletcher started thinking about the challenges that single women face trying to succeed in a male-dominated world. He turned to his phone for an appropriate title.
“I think I’ve got 50,000 – that’s a real number – I think, 40,000 or 50,000 voice memos on the phone of partial songs, ideas, partial ideas, full songs, completely unorganized,” he says. “And I had this thing called ‘Jack and Jill.’”
They figured out pretty quickly that they could use that title to write about a woman finding her way.
“He said, ‘You know that everybody knows Jack, but they don’t know jack about Jill,’” Collins recalls. “That got me. He started playing a little guitar part, and then I started writing that first verse.”
The nursery rhyme gave them an obvious starting point, and they altered the rhyme just enough to change the story’s direction: “Jack and Jill had time to kill.” They make out on a back road, and things develop quickly: by the end of line three, she’s pregnant, he decides he’s “too young for kids,” and he leaves it to “Jill to choose.” It’s a subtle hint that she considered an abortion (they wrote that line three months before the Supreme Court’s Dobbs decision stripped many women of that choice). They broached the topic so gracefully that the controversy is all but eliminated.
“I think that that was important,” Collins says. “It was, you know, ‘Let’s lightly discuss a really hard topic, and let’s empower Jill.’”
The remainder of the verse and the chorus paint Jack as a playboy who eventually ends up living an easy life with a girl he meets in college. And it’s at the end of that chorus that the hook makes its debut: “Everybody knows Jack/ But they don’t know jack about Jill.”
Musically, “About Jill” disguises the serious nature of the story, using a light chord progression and breezy tempo, maintained by a strong upstroke, owing in part to Fletcher’s reggae appreciation.
Verse two contrasts Jill’s struggles with Jack’s good fortune. She works two jobs, drives a hand-me-down car and can’t look at her boy without seeing Jack’s reflection. But she still loves the kid. “She has a very, very difficult situation,” Fletcher says. “This turns out to be a lot of people’s story, and I didn’t realize that. It’s a story that wasn’t really told often.”
The bridge reiterated her ability to stay positive, concluding that life had given her lemons, but “she makes damn good lemonade.”
“You can’t predict what life’s gonna hand you,” Collins says. “It’s all a choice, how you choose to deal with things. Life by no means is easy for anyone, and if you’re a single mom or a single parent, you do the best that you can for your kid, and you got to make lemonade.”
Collins sang on the work tape at the end of the day as they considered several women – including Lainey Wilson, Ella Langley and Miranda Lambert – as potential matches. “About Jill” received good feedback, but no cuts. Meanwhile, Fletcher posted a back-porch video of the song a week after they wrote it, with the sounds of birds and traffic in the background. He finally decided to record it himself for the Classic EP.
“It honestly is sweeter coming from a guy, because it just seems more objective,” he reasons. “I could definitely see how a female would feel like it was a man-hating song, but if a guy’s singing it, it’s just a very observant song.”
Producer Austin Nivarel (Jelly Roll, Austin Snell) identified “About Jill” on first listen as a song they needed to cut, and he and Fletcher agreed that it should be presented as simply as possible. “We wanted it to just feel so real and raw,” Nivarel says.
They accomplished that by cutting it as a guitar/vocal track at the Black River studio complex on Nashville’s Music Row. Engineer Nick Autry set up two mics in the center of the studio and a couple more placed elsewhere to capture room noise. But after one or two test passes, Nivarel had the room mics shut down, deciding instead to make it authentic to Fletcher’s back-porch demos.
Fletcher played about two feet away from the mics, tracking the guitar at the same time as his vocal, which meant that his voice and the supporting instrument both appeared on every track. The performance itself had to be right, since Nivarel was unable to do much tinkering later – if he were to boost the low notes in Fletcher’s voice, for example, it would also boost the bass in the guitar notes.
“Since the vocal mic is picking up the guitar, you get what you get,” Nivarel says. “You can’t perfect performances. You can’t do too much to edit something like that. So everything the listener hears is very real.”
Fletcher also cut 3-5 minutes of environmental sound from his back porch, and the resulting atmospherics are used to present the singer even more authentically.
“About Jill” provides the clearest picture of Fletcher’s vocal sound and artistic sensitivity. But it also has increased value in the immediate aftermath of the election. Within days, misogynists began posting crude “Your body, my choice” threats on some women’s social media pages. As a result, “About Jill” rises from a well-crafted song to an important one about decency and real American values.
“I want to give light to it,” Fletcher says. “It just tells the positivity and the strength of this woman that [does what] so many women do daily. It’s the side of the coin people don’t want to look at, but it is right there.”
Chris Brown‘s 2019 summer smash “No Guidance,” featuring Drake, becomes his first diamond-certified record by the Recording Industry Association of America, the RIAA announced on Wednesday (Nov. 13). Diamond certification is given to artists whose songs have moved 10 million units. According to the RIAA, one equivalent song unit is equal to a single digital song sale, or 150 […]
Tyler Childers is gearing up for an extensive headlining tour in 2025, when his Tyler Childers: On the Road makes stops at venues including Lexington’s Kroger Field (April 19), two nights at New York’s Forest Hills Stadium (Sept. 29-30) and two nights at Nashville’s GEODIS Stadium (Oct. 10-11), as well as shows at Los Angeles’ Hollywood Bowl (June 10), Las Vegas’ MGM Grand Garden Arena (June 7), Minneapolis’ Target Center (April 9) and Boston’s Xfinity Center (Sept. 25).
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The tour launches April 3 in New Orleans and runs through Nov. 15, ending with a show at the 02 in London.
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Joining Childers on the trek are guests Wynonna Judd, Charley Crockett, Robert Earl Keen, The Hold Steady, Medium Build, Deer Tick, Hayes Carll, S.G. Goodman, Cory Branan and SOMA.
Artist presale tickets will be available beginning Nov. 19 at 10 a.m. local time, with general onsale launching Friday, Nov. 22, at 10 a.m. local time. Presale registration is open now through Sunday, Nov. 17, at 11:59 p.m. ET.
Those who purchase tickets on Ticketmaster and can’t attend will have the option to resell their tickets at the original price paid using the Face Value Exchange. To protect the Exchange, Childers has requested that all shows ticketed by Ticketmaster — except those in New York and Virginia, where Face Value Exchange can’t be mandated — use tickets that are mobile-only and restricted from transfer. For AXS-ticketed events, fans will be able to resell their tickets for face value plus fees through AXS Official Resale Marketplace.
Last year, Childers’s Rustin’ in the Rain album debuted at No. 10 on the Billboard 200. The album’s single “In Your Love” was nominated for Grammys including best country song and best country solo performance, and marked the singer-songwriter’s debut on Billboard’s Hot 100.
$1 from every ticket sold will benefit both Hickman Holler Appalachian Relief Fund (HHARF) and REVERB. Established in 2020 by Childers and Senora May, HHARF brings awareness and financial support for philanthropic efforts in the Appalachian Region. REVERB’s efforts reduce environmental impact in live music and fund carbon impact programs.
See the full list of tour dates below:
https://twitter.com/TTChilders/status/1857109117543833902
SZA’s back.
After taking over the music scene with her record-breaking sophomore album, SOS, in December 2022, the 35-year-old star has maintained a relatively low profile since. In a new British Vogue interview, she’s ready to return to the music scene, revealing that she has not one, but two releases up her sleeves.
According to the publication, both the deluxe version of SOS and her third studio album, Lana, are on the way. “I think I am making music from a more beautiful place. From a more possible place versus a more angsty place,” she explained. “I’m not identifying with my brokenness. It’s not my identity. It’s shit that happened to me. Yeah, I experienced cruelty. I have to put it down at some point. Piece by piece, my music is shifting because of that, the lighter I get.”
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Elsewhere in the story, her TDE label mate Kendrick Lamar praised her creative openness. “I recognize a more expressive SZA. The shy s— is completely out the window – to a degree, at least,” he said. “She has the answers to some of the things she was curious about and is willing to tell it all in the most disruptive yet beautiful compositions this generation has ever heard.”
Following its release, SOS debuted at No. 1 on the Billboard 200 albums chart with 318,000 equivalent album units – the third-highest debut week of 2022 – and shattered the record for the biggest streaming week for an R&B album by a woman, with 404.6 million official on-demand streams for the album’s songs, according to Luminate. It spent 10 total weeks atop the chart, and became the first R&B album by a woman to hit the double-digit mark since Mariah Carey’s self-titled debut posted 11 weeks at No. 1 in 1991.
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The album’s longstanding hit single, “Kill Bill,” dominated on the Hot R&B/Hip-Hop Songs chart, racking up 21 weeks at No. 1, surpassing the 20-week run of Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, as the song with the most weeks at No. 1 on the chart since it became an all-encompassing genre survey in 1958.
At the 2023 Grammy Awards, she led the nominees with nine nods, and ended up taking home three awards. SOS won best progressive R&B album, “Snooze” snagged best R&B song and her Phoebe Bridgers collaboration, “Ghost in the Machine,” won best pop duo/group performance.
The first batch of winners of the 2024 Latin Grammys were announced during the Latin Grammy Premiere on Thursday (Nov. 14). The ceremony — where most of the awards are presented — kicked off at 1:15 p.m. ET, a few hours prior to the televised gala (set to begin at 8 p.m. ET).
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For the second year in a row, Edgar Barrera leads the list of nominees with nine nods, including songwriter of the year and producer of the year. He is followed by superstars Karol G and Bad Bunny, who each got eight nominations.
For its 25th anniversary, the Latin Grammy Awards incorporated a new field of electronic music, and two new categories: best Latin electronic music performance, and best contemporary Mexican music album.
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The nominees for the coveted best new artist prize are Agris, Kevin Aguilar, Darumas, Nicolle Horbath, Latin Mafia, Cacá Magalhães, Os Garotin, Iñigo Quintero, Sofi Saar and Ela Taubert.
Below, find the list of Latin Grammy winners for 2024, which will be updated throughout the day. The televised ceremony will be broadcast live starting at 8 p.m. ET on Univision, Galavisión and ViX.
Record of the year
“Mil Veces,” Anitta
“Monaco,” Bad Bunny
“Una Vida Pasada,” Camilo & Carín León
“Catalina,” Cimafunk & Monsieur Periné
“Derrumbe,” Jorge Drexler
“Con Dinero y Sin Dinero,” Fonseca & Grupo Niche
“Mi Ex Tenía Razón,” Karol G
“Mambo 23,” Juan Luis Guerra y 4.40
“Tenochtitlán,” Mon Laferte
“Igual Que Un Ángel,” Kali Uchis & Peso Pluma
Album of the year
Bolero, Ángela Aguilar
Cuatro, Camilo
Xande Canta Caetano, Xande De Pilares
Mañana Será Bonito (Bichota Season), Karol G
García, Kany García
Radio Güira, Juan Luis Guerra 4.40
Autopoiética, Mon Laferte
Boca Chueca, Vol. 1, Carín León
Las Letras Ya No Importan, Residente
Las Mujeres Ya No Lloran, Shakira
Song of the year
“A Fuego Lento,” Daymé Arocena & Vicente García, songwriters (Daymé Arocena & Vicente García)
“A La Mitad” (Banda Sonora Original De La Serie “Zorro”), Julio Reyes Copello & Mariana Vega, songwriters (Maura Nava)
“Aún Me Sigo Encontrando”, Rubén Blades, Gian Marco & Julio Reyes Copello, songwriters (Gian Marco & Rubén Blades)
“Caracas En El 2000,” Marvin Hawkins Rodriguez, Jerry Di, La Pichu, Danny Ocean & Elena Rose, songwriters (Elena Rose, Danny Ocean & Jerry Di)
“Derrumbe,” Jorge Drexler, songwriters (Jorge Drexler)
“(Entre Paréntesis),” Edgar Barrera, Kevyn Mauricio Cruz, Manuel Lorente Freire, Lenin Yorney Palacios & Shakira, songwriters (Shakira, Grupo Frontera)
“Mi Ex Tenía Razón,” Edgar Barrera, Andres Jael Correa Rios, Kevyn Mauricio Cruz Moreno, Karol G & MAG, songwriters (Karol G)
“Según Quién,” Edgar Barrera, Kevyn Mauricio Cruz, Luís Miguel Gómez Castaño, Maluma, Lenin Yorney Palacios & Juan Camilo Vargas, songwriters (Maluma & Carín León)
“Te Lo Agradezco,” Rafa Arcaute, Kany García, Carín León & Richi López, songwriters (Kany García & Carín León)
“313,” Leo Genovese, Residente & Silvia Pérez Cruz, songwriters (Residente, Silvia Pérez Cruz & Penélope Cruz)
Best new artist
Agris
Kevin Aguilar
Darumas
Nicolle Horbath
Latin Mafia
Cacá Magalhães
Os Garotin
Iñigo Quintero
Sofi Saar
Ela Taubert
Best pop vocal album
Tofu, Caloncho
.mp3, Emilia
El Viaje, Luis Fonsi
Hotel Caracas, Mau y Ricky
Orquídeas (AOP), Kali Uchis
Escrita, Nicole Zignago
Best traditional pop vocal album
Obras Maestras, Diego El Cigala
García, Kany García
Mar Adentro, Juliana
Aún Me Sigo Encontrando, Gian Marco
Almas Paralelas, Laura Pausini
Best pop song
“A La Mitad” (Banda Sonora Original De La Serie “Zorro”), Julio Reyes Copello & Mariana Vega, songwriters (Maura Nava)
“A Las 3,” Paty Cantú, Ángela Dávalos, León Leiden & Saibu, songwriters (Paty Cantú & León Leiden)
“Ahora,” David Bisbal, Pablo Preciado & Carlos Rivera, songwriters (David Bisbal & Carlos Rivera)
“Amor,” José Andrés Benitez, Christian Bermudez, Richard Bermudez, Rodney Kumbirayi Hwingwiri, Juan Diego Linares, Luis Alejandro Márquez, Anibal Morin Diaz, Danny Ocean & Rafael Salcedo, songwriters (Danny Ocean)
“Dime Quién,” Lagos, songwriters (Lagos)
“Feriado,” Rawayana, songwriters (Rawayana)
“Igual Que Un Ángel,” Carter Lang, Manuel Lorente Freire, Kali Uchis & Dylan Wiggins, songwriters (Kali Uchis & Peso Pluma)
Best Latin electronic music performance
“La Ceniza,” Ale Acosta, Valeria Castro
“Drum Machine,” Alok
“Pedju Kunumigwe,” Alok, Guarani Nhandewa
“Bzrp Music Sessions, Vol. 53 (Tiësto Remix),” Bizarrap, Shakira – WINNER
“Bambole,” Vikina Featuring Deorro
Best urban/fusion performance
“Nadie Sabe,” Bad Bunny
“Corazon Vacío,” Maria Becerra
“Young Miko: Bzrp Music Sessions, Vol. 58,” Bizarrap Featuring Young Miko
“S91,” Karol G
“Tranky Funky,” Trueno
Best reggaeton performance
“Perro Negro,” Bad Bunny Featuring Feid
“Un Preview,” Bad Bunny
“Triple S,” J Balvin Featuring Jowell & Randy & De La Ghetto
“Byak,” Alvaro Diaz Featuring Rauw Alejandro
“Qlona,” Karol G Featuring Peso Pluma
“Labios Mordidos,” Kali Uchis Featuring Karol G
Best urban music album
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
Sol María, Eladio Carrión
Sayonara, Álvaro Díaz
Ferxxocalipsis, Feid
Mañana Será Bonito (Bichota Season), Karol G
El Último Baile, Trueno
Best rap/hip-hop song
“Aprender A Amar,” Pablo Drexler, Alberto Escámez López & Nathy Peluso, songwriters (Nathy Peluso)
“Bendecido,” Eladio Carrión, songwriter (Eladio Carrión)
“Blam Blam,” Al2 El Aldeano & Vico C, songwriters (Vico C Featuring Al2 El Aldeano)
“La Sabia Escuela,” Akapellah, Leonardo Daniel Díaz, Jose Gonzalez Ollarves, Marlon Luis Morales Santana, Luis Jacinto Muñoz Hernandez & Pedro Elias Querales, songwriters (Akapellah Featuring Canserbero & Lil Supa)
“Teléfono Nuevo,” Bad Bunny & Luar La L, songwriters (Bad Bunny Featuring Luar La L)
“Thunder y Lightning,” Bad Bunny & Eladio Carrión, songwriters (Bad Bunny Featuring Eladio Carrión)
Best urban song
“Bonita,” Daddy Yankee, songwriter (Daddy Yankee) – WINNER
“Columbia,” Quevedo, songwriter (Quevedo)
“El Cielo,” Feid, Nicolás Jaña Galleguillos, Gabriel Mora Quintero, Andres David Restrepo Echavarria, Sky Rompiendo & Myke Towers, songwriters (Sky Rompiendo, Feid, Myke Towers)
“La Falda,” Julio Emmanuel Batista Santos, Carlos Alberto Butter Aguila, Orlando J. Cepeda Matos, Ralph Jemar Milln Calderon, Jose Reyes, Myke Towers & Siggy Vazquez Rodriguez, songwriters (Myke Towers)
“Luna,” Feid, songwriters (Feid Featuring Atl Jacob)
“Qlona,” Karol G, Daniel Esteban Gutiérrez, Ovy on the Drums & Peso Pluma, songwriters (Karol G Featuring Peso Pluma)
Best rock album
El Dorado (En Vivo), Aterciopelados
Diáspora Live Vol. 1, La Vida Bohème
Herencia Lebón, David Lebón
Alicia En El Metalverso, Mägo De Oz
Mi Mejor Enemigo, Viniloversus
Best rock song
“Algo Bueno Tenía Que Tener (Bogotá)”, Diamante Eléctrico & Andrés Kenguan, songwriters (Diamante Eléctrico)
“Animal Temporal”, Viniloversus, songwriters (Viniloversus)
“Camaleónica”, Ali Stone, songwriters (Ali Stone)
“No Me Preguntes (Live)”, Jesús Quintero & Draco Rosa, songwriters (Draco Rosa)
“Qué Más Quieres”, Anton Curtis Delost, Shaun Lopez, Kathryn Ostenberg, Monica Velez & The Warning, songwriters (The Warning)
Best pop/rock album
Cuando Ella Me Besó Probé A Dios, Bruses
Jet Love, Conociendo Rusia
Jay De La Cueva, Jay De La Cueva
Reflejos De Lo Eterno, Draco Rosa
Adentro, Francisca Valenzuela
Best pop/rock song
“Acapulco,” Emmanuel Horvilleur, Siddhartha & Rul Velázquez, songwriters (Siddhartha Featuring Emmanuel Horvilleur)
“Afilá,” Ali Stone, songwriter (Ali Stone)
“Blanco y Negro,” Christian Mauricio Aloisio Zavala, Lagos & Elena Rose, songwriters (Lagos Featuring Elena Rose)
“5 Horas Menos,” Conociendo Rusia & Natalia Lafourcade, songwriters (Conociendo Rusia Featuring Natalia Lafourcade)
“Diciembre,” Los Mesoneros, songwriters (Los Mesoneros)
Best alternative music album
Por Cesárea, Dillom
Híper, Hello Seahorse!
Nica, Nicole Horts
Autopoiética, Mon Laferte
Pandora, Ali Stone
Descartable, Wos
Best alternative song
“Cabecear,” J Noa, Jeffrey Peñalva “Trooko” & Skai, songwriters (J Noa)
“Déjalo Ir,” Francisco Rojas & Francisca Valenzuela, songwriters (Francisca Valenzuela)
“El Día Que Perdí Mi Juventud,” Devonté Hynes & Nathy Peluso, songwriters (Nathy Peluso)
“Insomnia,” Goyo, Illmind, Omar Isaiah Lupuku, Don Mills, Carlos Santander & Telly, songwriters (Goyo)
“Lloro,” Nicole Horts, Camilo Velez & Maria Vertiz, songwriters (Nicole Horts)
Best salsa album
Yo Deluxe, Christian Alicea
Muevense, Marc Anthony
Siembra: 45° Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022), Rubén Blades and Roberto Delgado & Orquesta
Joyas Que Bailan, Ronald Borjas
Coexistencia, Luis Figueroa
Best cumbia/vallenato album
‘Ta Malo, Silvestre Dangond
De La Uno A La 1000 (Primera Temporada), Omar Geles
Se Agradece, Los Ángeles Azules
Vallenatos Pa Enamorar, Osmar Pérez & Geño Gamez
La Sociedad De La Cumbia (Big Band Live), Puerto Candelaria
Best merengue/bachata album
Radio Güira, Juan Luis Guerra 4.40
Agradecido Live!, Eddy Herrera
Superhéroe Merengue, Magic Juan
Lo Tengo Todo, Oscarito
Llamada Perdida, Prince Royce
Best traditional tropical album
Rodando Por El Mundo, José Alberto “El Canario”
Tengo Algo Que Decirte, Luis Fernando Borjas
Voces De Mi Familia, Alex Cuba
Los Mismos Negros, Yelsy Heredia
A Mis Ancestros, Yeisy Rojas
Best contemporary tropical album
Epílogo: La Clave Del Tiempo, Jeremy Bosch
Cuatro, Camilo
Tropicalia, Fonseca
Monte Adentro, Gusi
La Fiesta, Ilegales
Best tropical song
“Baila y Goza,” Renesito Avich & Rafael “Pollo” Brito, songwriters (Renesito Avich Featuring Rafael “Pollo” Brito)
“Con Dinero y Sin Dinero,” Jorge Luis Chacín, Fonseca & Miguel Yadam González Cárdenas, songwriters (Fonseca & Grupo Niche)
“Hasta Que Aguante El Cuerpo,” Jorge Luis Piloto, songwriters (Dayhan Díaz & Pupy Santiago)
“Llorar Bonito,” Luis Figueroa & Yoel Henríquez, songwriters (Luis Figueroa)
“Mambo 23,” Juan Luis Guerra, compositor (Juan Luis Guerra 4.40)
Best singer-songwriter album
Compita Del Destino, El David Aguilar
Scratch De Versos, El Riqué
Pausa, Leonel García
De Magia Imperfecta, Nicolle Horbath
El Abrazo, Rozalén
Best singer-songwriter song
“Antes Que O Mundo Acabe,” Tiago Iorc, songwriter (Tiago Iorc)
“Derrumbe,” Jorge Drexler, songwriter (Jorge Drexler)
“Entonces,” Rozalén, songwriter (Rozalén)
“García,” Kany García, songwriter (Kany García)
“Luz De Cabeza,” El David Aguilar, songwriter (El David Aguilar)
Best ranchero/mariachi album
Mariachi y Tequila (Deluxe), Majo Aguilar
Que Llueva Tequila, Pepe Aguilar
Te Llevo En La Sangre, Alejandro Fernández
Romances Eternos, Mariachi Sol de México de José Hernández
Best banda album
Presente, Julión Álvarez y Su Norteño Banda
Yo Te Extrañaré, Luis Angel “El Flaco”
Diamantes, Chiquis
Best Tejano album
Imperfecto, El Plan
Siempre Gabriella, Gabriella
Ganas (Deluxe), Vilax
Best Norteño album
El Comienzo, Grupo Frontera
Modus Operandi, Intocable
LNDT, Los Nietos de Terán
Te Amaré, Pesado
Terca, Sofi Saar
Best contemporary Mexican music album
Nata Montana, Natanael Cano
Evoluxion, DannyLux
Jugando A Que No Pasa Nada, Grupo Frontera
Boca Chueca, Vol. 1, Carín León
Trastornado, Michelle Maciel
Génesis, Peso Pluma
Best regional song
“Aquí Mando Yo,” Héctor Guerrero, songwriter (Los Tigres Del Norte)
“Canción Para Olvidarte,” Mango, Nabález, Chris Zadley & Nicole Zignago, songwriters (Majo Aguilar)
“El Amor De Su Vida,” Edgar Barrera & Kevyn Mauricio Cruz, songwriters (Grupo Frontera, Grupo Firme)
“Por El Contrario,” Edgar Barrera, Kevyn Mauricio Cruz & Elena Rose, songwriters (Becky G Featuring Angela Aguilar & Leonardo Aguilar)
“Tienes Que Ser Tú,” Salvador Aponte & Yoel Henríquez, songwriters (La Energía Norteña)
Best instrumental album
Impronta, Omar Acosta
Claude Bolling Goes Latin – Suite For Flute And Latin Music Ensemble, Carlomagno Araya, Jose Valentino & The Latin Music Ensemble
Capriccio Latino, Alexis Cárdenas
Encontro Das Águas, Yamandu Costa & Armandinho Macêdo
Tembla, Hamilton De Holanda & C4 Trío
Best folk album
Canto y Río, Martina Camargo
C4 Suena a Navidad, C4 Trío
Raíz Nunca Me Fui, Lila Downs, Niña Pastori, Soledad
Paisajes, Ciro Hurtado
Bullerengue y Tonada, Tonada
Best tango album
El Cantor de Tangos, Guillermo Fernández Featuring Cristian Zarate
Tangos Cruzados, Franco Luciani, Fabrizio Mocata
¿Y El Fin Del Amor?, Mariana Mazú
Apiazolado, Diego Schissi Quinteto
Ya Está En El Aire, Ullmann Cuarteto
Best flamenco album
Andenes del Tiempo, Vicente Amigo
Rumberas, Las Migas
Historias De Un Flamenco, Antonio Rey
Best Latin jazz/jazz album
Collab, Hamilton De Holanda & Gonzalo Rubalcaba
Searching For A Memory (Busco Tu Recuerdo), Sammy Figueroa Featuring Gonzalo Rubalcaba & Aymée Nuviola
My Heart Speaks, Ivan Lins
Pra Você, Ilza, Hermeto Pascoal & Grupo
El Arte Del Bolero, Vol. 2, Miguel Zenón & Luis Perdomo
Best Christian album (Spanish language)
Necesito De Ti, Jesús Israel
No Yo, Sino Cristo, Majo y Dan
Maverick, Redimi2
Kintsugi, Un Corazón
Tu Iglesia, Marcos Witt
Best Portuguese language Christian album
Ele É Jesus – Ao Vivo, Bruna Karla
Deixa Vir – Vol II (Ao Vivo), Thalles Roberto
In Concert (Ao Vivo), Rosa de Saron
Vida (Ao Vivo), Eli Soares
Temporal, Vocal Livre
Best Portuguese language contemporary pop album
Afrodhit, Iza
Super, Jão
Amaríssima, Melly
Os Garotin De São Gonçalo, Os Garotin
Escândalo Íntimo, Luísa Sonza
Best Portuguese language rock or alternative album
Erasmo Esteves, Erasmo Carlos
No Rastro de Catarina, Cátia de França
Me Chama de Gato Que Eu Sou Sua, Ana Frango Elétrico
Ontem Eu Tinha Certeza (Hoje Eu Tenho Mais), Jovem Dionisio
Lagum Ao Vivo, Lagum
Best Portuguese language urban performance
“Joga Pra Lua,” Anitta Featuring Dennis & Pedro Sampaio
“Cachimbo da Paz 2,” Gabriel O Pensador, Lulu Santos, Xamã
“Da Braba,” Gloria Groove Featuring Ludmilla & Mc Gw
“Carta Aberta,” Mc Cabelinho
“Fé nas Maluca,” Mc Carol, Iza
“La Noche,” Yago Oproprio Featuring Patricio Sid
Best samba/pagode album
Alcione 50 Anos (Ao Vivo), Alcione
Xande Canta Caetano, Xande De Pilares
Iboru, Marcelo D2
Tardezinha Pela Vida Inteira (Ao Vivo), Thiaguinho
Subúrbio (Ao Vivo), Tiee
Best MPB (Musica Popular Brasileira)/MAPB (Música Afro Portuguesa Brasileira) album
D Ao Vivo Maceió, Djavan
Se o Meu Peito Fosse o Mundo, Jota.Pê
Portas (Ao Vivo), Marisa Monte
Outros Cantos, Milton Nascimento, Chitãozinho & Xororó
No Tempo da Intolerância, Elza Soares
Best Sertaneja music album
Boiadeira Internacional (Ao Vivo), Ana Castela
Paraíso Particular (Ao Vivo), Gusttavo Lima
Cintilante (Ao Vivo), Simone Mendes
Raiz Goiânia (Ao Vivo), Lauana Prado
Luan City 2.0 (Ao Vivo), Luan Santana
Best Portuguese language roots album
Mariana e Mestrinho, Mariana Aydar, Mestrinho
Aguidavi do Jêje, Aguidavi Do Jêje, Luizinho Do Jêje
De Norte a Sul, João Gomes
Night Clube Forró Latino (Volume I), Marcelo Jeneci
Faróis do Sertão, Gabriel Sater
Best Portuguese language song
“Alinhamento Milenar,” Jão, Pedro Tófani & Zebu, songwriters (Jão)
“Ata-me,” Junio Barreto, songwriter (Alaíde Costa)
“Chico,” Bruno Caliman, Carolzinha, Douglas Moda, Jenni Mosello & Luísa Sonza, songwriters (Luísa Sonza)
“Esperança,” Criolo, Dino D’Santiago, Amaro Freitas & Nave, songwriters (Criolo, Dino D’Santiago, Amaro Freitas)
“Ouro Marrom,” Jota.Pê, songwriter (Jota.Pê)
Best Latin children’s album
Navidad de Norte a Sur: Cantoalegre Big Band (En vivo), Cantoalegre, Orquesta La Pascasia
Cantemos Juntos, Claraluna
¡A Cantar!, Danilo & Chapis
Dun Dun Dara, Payasitas Nifu Nifa
Todos Podemos Cantar 2024, Todos Podemos Cantar
Best classical album
Aire, Aire… No Puedo Respirar, Ricardo Jaramillo, director; Ricardo Jaramillo, Jefferson Rosas & Marcela Zorro, producers
Credo For Orchestra, Choir And Five Soloists, Iván Cardozo, Fernando Escalona, Claudio González, Jhoxiris Medina & Grace Terán; Christian Vásquez, director; Maria Beatriz Cárdenas, Eugenio Carreño & Eduardo Martínez Planas, producers (Orquesta Sinfónica Simón Bolívar de Venezuela, Coro Nacional Simón Bolívar)
Fandango, Anne Akiko Meyers & Gustavo Castillo; Gustavo Dudamel, director; Dmitry Lipay, producers (Los Angeles Philharmonic)
Fantasies of Buenos Aires, Lincoln Trio; Daniel Binelli & Ted Viviani, producers
The Latin Rites, Josep Vicent, director; Fernando Arias, producers (Adda Simfònica Alicante)
Best classical contemporary composition
“Caribbean Berceuse,” Paquito D’Rivera, composer (Barcelona Clarinet Players, Paquito D’Rivera, North Texas Wind Symphony, Eugene Migliaro Corporon (director))
“Fandango,” Arturo Márquez, composer (Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers)
“La Minerva – III. Himno A La Mujer,” Juan Pablo Contreras, composer (Juan Pablo Contreras, Orquesta Latino Mexicana, Angélica Olivo)
“Meditation No.1,” Julien Labro, composer (Takács Quartet, Julien Labro)
“Sueño Austral,” Daniel Freiberg, composer (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay & Daniel Freiberg)
Best arrangement
“Sueño Austral,” Daniel Freiberg, arranger (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay & Daniel Freiberg)
“Night In Tunisia,” Hilario Durán, arranger (Hilario Durán And His Latin Jazz Big Band Featuring Paquito D’Rivera)
“Fuego De Noche, Nieve De Día,” Julio Reyes Copello, arranger (Ricky Martin, Christian Nodal)
“Linha de Passe,” Nailor Proveta, arranger (Orquestra Jazz De Matosinhos, Gabi Guedes, Kiko Freitas)
“Rapsodia Aérea,” Andrés Soto, arranger (Andrés Soto, Orquesta Sinfónica Nacional de Costa Rica, Carl St. Clair)
Best recording package
En Vivo – 100 Años de Azúcar, Nelson Albareda, Sebastian Aristizabal, Kemelly Figueroa-Mouriz, Omer Pardillo-Cid & Albertico Rodríguez, art directors (Celia Cruz)
Figurantes, Boa Mistura, art director (Vetusta Morla)
Karma, Carlos Ortiz, art director (Diana Burco)
Realismo Mágico, Carlos Sadness, art director (Carlos Sadness)
Tekoá, Leonardo Macias, art director (Jair Oliveira)
Songwriter of the year
Edgar Barrera – WINNER
Yoel Henríquez
Manuel Lorente Freire
Horacio Palencia
Pablo Preciado
Best engineered album
Analu, Tó Brandileone, engineers; Daniel Musy, mixer; André Dias, mastering engineer (Analu Sampaio)
Era Uma Vez, Pedro Peixoto & Matheus Stiirmer, engineers; Pedro Peixoto, mixer; Fili Filizzola, mastering engineer (Mobi Colombo)
Os Garotin De São Gonçalo, Uiliam Pimenta, Julio Raposo & Pepê Santos, engineers; Bernardo Martins, mixer; Felipe Tichauer, mastering engineer (Os Garotin)
Quem É Ela?, Túlio Airold, Alex Dos Reis Silva & Gianlucca Pernechele Azevedo, engineers; João Milliet, mixer; Fili Filizzola, mastering engineer (Mariana Nolasco)
Se o Meu Peito Fosse o Mundo, Thiago Baggio, Will Bone, Leonardo Emocija, Rodrigo Lemos & Felipe Vassão, engineers; João Milliet, mixer; Felipe Tichauer, mastering engineer (Jota.Pê)
Producer of the year
Edgar Barrera
Eduardo Cabra
Nico Cotton
Juan Luis Guerra, Janina Rosado
Julio Reyes Copello
Best short form music video
“Ale Ale,” Marc Anthony; Carlos Pérez, director; Joanna Egozcue, producer
“Baticano,” Bad Bunny; Stillz, director
“Oliveira Dos Cen Anos,” C. Tangana; C. Tangana, director
“Sálvanos,” Leonel García; Nuno Gomes, director; Nuno Gomes, producer
“Glock,” Mau y Ricky; Daniel Duran, director; Alegna Espinoza & Maricel Zambrano, producers
“313,” Residente Featuring Penélope Cruz & Silvia Pérez Cruz; Residente, director; Carolina Wolf, producer
Best long form music video
Beautiful Humans Vol 1. Documental, Alemor; Wismer Jimenez, director; Alemor & Wismer Jimenez, producers
Meu Karma, Jovem Mk; Kaique Alves, Gabriel Avelar & Beto Galloni, directors; Rodrigo Castello, Mariê Nunes & Eduardo Saraiva, producers
Hotel Caracas, Mau y Ricky; Daniel Duran, director; Alegna Espinoza & Maricel Zambrano, producers
Grasa (Album Long Form), Nathy Peluso; Agustín Puente, director
Nacimos Llorando, Rubio; Fernando Cattori, director; Luis Betances, Fernando Cattori, Josep Pardo, Jaume Rigual, Ana Laura Solis, Aura Solis & Joe Solis, producers