Music

AleXa Signs With UTA, Sets New EP Following ‘American Song Contest’ Win: Exclusive

Months after breaking into Stateside consciousness as the first-ever champion of American Song Contest, AleXa has connected with new team members as well as new music.

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Billboard can exclusively reveal that the U.S.-raised K-pop star has signed with United Talent Agency (UTA) for representation in all aspects, including areas beyond music like TV, film and licensing. Billboard had previously broken the news that the starlet had previously teamed with ICM Partners in 2020, just months after her debut onto the K-pop scene.

AleXa will continue under ZB Label, the subsidiary recording company under long-running Korean video and film production company Zanybros. “I’m looking forward to a new history of K-pop as AleXa works with one of the world’s best agencies,” says Kim Junhong, CEO of ZB Label. “I’m confident that this relationship between UTA and AleXa will grow into a new Hallyu axis in the global music market.”

Janet Kim, music agent at UTA, and David Zenek, partner and co-head of worldwide music at UTA, add to the excitement, saying: “AleXa is a multi-talented artist whose ability to engage her audience is unparalleled. We are excited to collaborate with her and the team at Zanybros to create innovative ideas across multiple platforms to help take AleXa to the next level.”

Meanwhile, Max Michael, head of Asian business development at UTA, sees the deal as a way for more Korean content to reach larger audiences.

“We are thrilled to grow our relationship with Korea’s leading music and entertainment company, Zanybros, and begin working with the wildly talented AleXa in expanding her global reach,” he says. “K-content is setting the pace for global content the world over, and both AleXa and the Zanybros are at the forefront of pioneering that impact.”

The signing comes ahead of AleXa’s first new music after winning NBC’s latest singing competition in American Singing Contest and landing herself a radio hit in the U.S.

As part of a new EP slated for November, AleXa will release new single “Back in Vogue” with some of the same creative team that crafted the winning formula behind “Wonderland,” which won her ASC and scored AleXa her first entry on Billboard‘s Pop Songs airplay chart. Credits on “Back in Vogue” include Sunshine of EKKO Music co-writing and producing on the track, while Paul and Jeri of the Los Angeles–based House of Sam helmed the choreography.

“I hope to showcase a new, fierce image through this concept,” AleXa says of her upcoming release. “With its musical-like elements, I feel right at home and in my comfort zone. ‘Back in Vogue’ is an exciting step forward and I can’t wait for my fans to enjoy the show.”

AleXa gave fans the first preview of her upcoming EP by performing unreleased tracks from the project during the opening stop of her First Meet & Live Tour in the U.S. that kicked off in Jersey City, NJ on Oct. 18. The seven-stop trek hits San Juan next, on Oct. 20, before wrapping in Los Angeles on Oct. 30.

Fans can look out for AleXa’s new EP on Nov. 10 with more details, including a comeback trailer previewing the record, coming very soon.

Grupo Frontera’s ‘No Se Va’ Continues Hot Streak Across Billboard Latin Charts

Grupo Frontera scores a first top 10 on Billboard’s Hot Latin Songs chart as “No Se Va” climbs 12-4 on the Oct. 22-dated ranking. The song’s fresh success comes after it topped Latin Digital Song Sales for one week and became the fifth regional Mexican song to hit the all-genre Billboard Hot 100 over its 64-year history.

“No Se Va” pushes to the upper region on Hot Latin Songs mainly on the strength of streaming activity. It logged 8.9 million official U.S. streams during the tracking week ending Oct. 13, according to Luminate. It yields a No. 26 debut on Streaming Songs and takes home the Greatest Gainer honors on Latin Streaming Songs with a 9-4 lift.

Meanwhile, sales drop by 22%, to 1,000.

On Latin Digital Songs Sales, the song cedes the throne back to Bad Bunny’s “Titi Me Preguntó” with a 1-2 dip.

“No Se Va” was released independently in April 28 and earned Grupo Frontera its first entry across Billboard’s charts with its debut in September. Plus, “No Se Va” is the second-highest charting regional Mexican song on Hot Latin Songs in 2022 — only Yahritza y Su Esencia’s “Soy El Único” went higher, reaching No. 1 in April.

Further, as mentioned, “No Se Va” also became the fifth regional Mexican song to enter Hot 100 since the list launched in 1958 (Oct. 8-dated chart). The song concurrently pushes up the chart, rallying 77-57 In its third week.

Across the globe, “No Se Va” also makes progress: it climbs 64-39 on Billboard Global 200 and 102-50 on Billboard Global Excl. U.S. chart.

Here’s Why Rising K-pop Girl Group IVE Are Hailed as the ‘Wannabe Icons of Gen MZers’

IVE, a rising girl group known as being “complete” from the time of its debut and now hailed as the “wannabe icons of the Gen MZers,” are now leading the contemporary K-pop scene.

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The six members of IVE are: Yujin (19, former leader of IZ*ONE), Wonyoung (18, another popular former IZ*ONE member), Gaeul (20), Liz (17), Leeseo (15), and Rei (18, hailing from Japan). The name of the group is the contraction of “I have” and is based on the concept of showing what “I have” to the audience with confidence. Confidence is the key word of the  group.

As the first group to launch after IZ*ONE’s disbandment, IVE attracted much attention from before its debut. When the girls released their debut single “ELEVEN” in Dec. 2021, it became a smash hit overnight. The six members give a captivating and graceful performance over exotic melodies for this number, and the accompanying music video showcases the girls’ beauty as well as the quality of their confident performance throughout, from the choreography to facial expressions led by the two experienced members. The group’s first album launched with 150,000 copies, the most among all acts that debuted in South Korea in 2021, and the single went on to win first place on music shows in the country 13 times. IVE is now one of the leading acts of the so-called fourth generation girl groups, following ITZY and aespa.

IVE has proven that its hype isn’t temporary. The group has released three singles — “ELEVEN,” “LOVE DIVE” (Apr. 2022), and “After LIKE” (Aug. 2022) — that have all become the group’s signature songs after recording long-running hits in South Korea and abroad. All three tracks are currently charting on the Billboard Japan Hot 100 dated Oct. 5, with “After LIKE” at No. 23 (peak position: No. 13), “ELEVEN” at No. 71 (No. 16), and “LOVE DIVE” at No. 79 (No. 8). 15 of the 100 songs on the list are K-pop, including three each by BTS and TWICE, and two by BLACKPINK, so IVE’s achievement is remarkable considering that the group hasn’t officially debuted in the country yet.

Over on Billboard U.S.A.’s Global 200 list, “ELEVEN” charted for ten weeks after peaking at No. 68, “LOVE DIVE” for 26 weeks (No. 15), and “After LIKE” for 5 weeks (No. 20), all consecutively. In particular, the ongoing record for “LOVE DIVE” is the longest streak for any K-pop song released this year.

Why is IVE achieving such amazing results globally? The first reason is the outstanding quality of their music. The three songs released so far can be described as being captivating, mysterious, and sentimental, respectively, each displaying a different side of the group without limiting it to a single color. Additionally, while the instrumentation and vocals for each song have been meticulously arranged, each features a simple structure — first verse, second verse, chorus, last chorus — familiar to K-pop and J-pop listeners, making them easy to listen to for the group’s core fanbase.

Each of IVE’s songs have distinctive points. In the debut song “ELEVEN,” there’s a bridge leading up to the chorus after the quietly beating first and second verses, in which Rei and Leeseo take turns singing “I didn’t know that my heart was so colorful” in the Korean version and “It’s a colorful suggestion from this point on” in the Japanese. This part where the girls slow down to belt out this line is one of a kind and fans love to sing along when the song is performed live.

“LOVE DIVE” was composed by creators from outside the girls’ native countries, and is a stylish number with a simple, bold rhythm and a deeply reverberated chorus refrain that radiates a sense of mystery. In the latter half of the song, a breath-like voice repeats “hold your breath and LOVE DIVE,” building up to the drop that sonically expresses the concept of “diving into love” through the dreamy sound.

In contrast, “After LIKE” is a danceable pop-house track, sampling Gloria Gaynor’s 1978 hit “I Will Survive” in the interlude. The song gives an EDM twist to the disco sound from the ‘70s and ‘80s, creating a nostalgic, sentimental feel that has led to the track’s popularity among older audiences. The lyrics feature clever wordplay that seem to express the way Gen Zers enjoy romantic relationships. While the members often perform with cool expressions on their faces, they are all smiles in the music video accompanying this song, again showcasing the breadth of their performance as a group.

While IVE’s music shows such wide range, the group’s dance is consistent in that it mostly features elegant choreography that makes the most of the curves of the body. The dancers’ upper body snakes from the waist up and their hand gestures also often ripple from the arms to fingertips. Even “After LIKE,” IVE’s cutest song so far, brims with the group’s signature grace. What’s more, the height of all six members average 169 cm (5’6) — Wonyoung is the tallest at 173 cm (5’8) — so this aspect is another feature that makes their dancing stand out.

All the songs feature lyrics about girls with high self-esteem heading straight into love. “ELEVEN” depicts how a girl’s heart becomes saturated with fantastical colors when she falls in love. In “LOVE DIVE,” she encourages her love interest to make the first move, to “jump in without fear if you dare to love,” and in “After LOVE,” she honestly expresses her feelings: “I don’t just like you, what’s ‘After LIKE’?” The protagonists in every song have inner strength, but the way they struggle with love is endearing. IVE’s way of expressing a girl’s crush is to display a confidence from within, rather than making an appeal through strong words and sounds.

Thus, the sonic variety of the group’s songs, the consistent stance of the protagonists depicted in the lyrics, the girls’ outstanding dance performances and their absolute good looks generate synergy that is powering the group’s skyrocketing popularity.

This year alone, 16 K-pop girl groups have debuted by the end of September. Among the particularly strong lineup of newcomers, IVE is considered a strong contender for Newcomer of the Year awards in its home country. The girls are set to debut in Japan on the 19th with the Japanese version of “ELEVEN,” taking the next step towards global recognition. 

–This article by Maho Kakei first appeared on Billboard Japan

Justin Timberlake Wishes Jessica Biel a Happy 10th Anniversary in Sweet Tribute: ‘10 Years Ain’t Enough!’

Justin Timberlake took to Instagram on Wednesday (Oct. 19) to celebrate 10 years of marriage with Jessica Biel — and to the pop superstar: “10 years ain’t enough!”

“You make me a better husband and father every day!” he wrote in the sweet caption. “I love you so much you beautiful human! Run it back!”

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Timberlake shared a carousel of seven photos and videos with his wife, starting with a pic from the beginning of their relationship followed by a photo from just earlier this month, when the couple took part in the Children’s Hospital Los Angeles 2022 Gala.

He also included a clip of the couple sharing a noodle Lady and the Tramp-style and a panoramic video “on top of the world” after reaching the peak of a mountain together.

Timberlake and Biel began dating in 2007 and were married on Oct. 19, 2012, in Fasano, Italy. They have two children together, both boys: 7-year-old Silas and 2-year-old Phineas.

Biel shared Timberlake’s tribute on her own Instagram Story, adding “10 years” with a red heart emoji.

Many of the couple’s famous friends chimed in with their own anniversary well-wishes, including Miguel, who wrote, “Big love to you guys ! Happy anniversary !” Quincy Jones commented with a heart emoji, while Biel’s Seventh Heaven sister Beverley Mitchell wrote, “Love you guys! Happy Anniversary to one of my favorite couples!”

See Timberlake’s post below:

Go Behind the Scenes of T1, Radien & The Boyz’s ’Last Man Standing’ Video Shoot: Exclusive

While K-pop stars have risen to newfound worldwide fame in the last decade, major players in the esports world are not too far behind in larger recognition, as made clear by a new collaboration.

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“Last Man Standing” is a new theme song crafted by K-pop super-producer Raiden, boy band The Boyz and T1, the South Korean esports organization with multiple world-champion titles for the massively popular, online multiplayer battle game League of Legends. The track follows up T1’s first foray into K-pop music with Raiden last year via “Runner,” which featured EXO member Baekhyun and Korean rapper Changmo. The collaboration will boost support as T1 competes in the League of Legends World Championship (also known as Worlds) that kicked off in September in Mexico City, which will hold its quarterfinals on Oct. 20 in New York City, ahead of the finals in November in San Francisco.

“Coming back as an executive producer for T1’s 2022 theme song ‘Last Man Standing,’ I feel more confident than ever,” Raiden tells Billboard. “I imagined this song to be ringing in everyone’s ears as we march for the Worlds trophy. In our music video, we worked with ILLUMIN, a very talented creative director, on a message ‘speaking through light.’ We captured The Boyz, T1 players and myself as the last men standing in saving the world. It is very cinematic and I’m happy that The Boyz were just as passionate as I was in delivering this song both vocally and on set.”

Produced by Raiden and co-written by The Boyz member Sunwoo, “Last Man Standing” is described as a culmination of creative admiration among the different artists. “We shared a lot of ideas together, so this is truly a collaborative project,” Raiden adds. “Sunwoo is such an amazing songwriter and a rapper—it was a pleasure being able to work with him creatively as well.” Billboard can also share exclusive behind-the-scenes photos and reflections from those involved.

The Boyz, Raiden esports team T1

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“I’m a big fan of T1 so it’s a dream to be able to deliver their 2022 Worlds theme song,” Sunwoo says of the track he helped co-write. “I think this song fits T1 and players very well. It has a majestic twist to it. What an experience—I’d love to play and learn the game from them more. Looking forward to reuniting!”

Meanwhile, T1 leader Faker adds that “It was great working with Raiden again after ‘Runner’ and I hope that the fans enjoy the music video for our theme song ‘Last Man Standing’ and cheer us on during Worlds 2022.”

Raiden, T1 players and members of The Boyz were all on hand to shoot the music video shoot for “Last Man Standing” where The Boyz gifted the gamers a signed copy of their latest album Be Aware featuring their summer hit “Whisper.”

“It was a very astonishing and cool experience to be at the shoot and a part of the same project with Raiden and T1 players,” The Boyz’s Jacob shares of the collaboration. “Personally, I am a big fan of League of Legends and T1 of course. ‘Last Man Standing’ is an amazing song!” Juyeon echoes the sentiment: “It was such a fun experience to shoot with Faker, Oner and Gumayusi, and sing their anthem. I will always cheer for T1 and their result for Worlds championship 2022.”

The Boyz, Raiden esports team T1

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The Boyz, Raiden esports team T1

Courtesy Photo

Even in the recording process, The Boyz leader Sangyeon says they envisioned the song helping the League of Leagues champs. “I recorded this song, hoping that our voice could help empower T1 and their endeavor for Worlds championship. I could not be happier with the final product. I hope for their best results at Worlds. This project united The Boyz, T1 and Raiden into one and I want to spread a joyful message to everyone through this amazing song.”

Plus, many of The Boyz members also follow T1.

“As a T1 fan, I hope for T1’s great results in their journey at T1 and onwards,” Younghoon says. “It’s an honor to be a part of this project.” And Hyunjae says, “this song fits T1 like no other—it sounds heroic and powerful. I will always be T1’s fan.”

The Boyz’s Kevin calls the collaboration “an honor,” member New called it “amazing,” while Q describes it as a “cool tune with a majestic edge to it.”

But Ju Haknyeon may sum up things best by saying, “This is a project with the world’s best team T1, and global DJ artist Raiden, it’s an honor to have all of us together for one song,” before adding a cheering message of his own: “Let’s go, T1! Let’s take on Worlds!”

Watch the music video for “Last Man Standing” below:

Taylor Swift Says Ina Garten Made Her Think of Cooking as ‘Self-Care‘ Instead of a ‘Chore’

Taylor Swift penned a thoughtful tribute to Ina Garten in a new cover story about the famous chef for Food Network magazine, released Wednesday (Oct. 19).

“I’ve been lucky enough to meet Ina a few times and get to know the magnificent woman behind the TV show and the cookbooks,” the superstar wrote of the chef, otherwise known as the Barefoot Contessa, adding, “She’s one of those people who is even better, funnier, warmer than you’d hoped her to be.

“My most potent memories of Ina come from when I first discovered her TV show,” Swift continued. “I was in my teens, and my life revolved around touring. On my rare days off at home, I barely ever cooked because it had always felt like a chore. Watching Ina prepare a meal changed my perspective on cooking and reframed it as something relaxing. She made cooking feel like self-care. Ever since, cooking has been my escape from stress and one of the only ways I can truly calm myself on a rough day. I’ll always be grateful to her for giving me that.”

Other famous faces who reminisced about Garten’s impact for the story included Julianna Margulies, Tina Fey, Nathan Lane, Katie Couric, Jennifer Garner and fellow Food Network personality Bobby Flay.

Swift is currently gearing up for the release of her landmark 10th studio album Midnights, which will drop, appropriately, at midnight on Friday (Oct. 21). In the lead-up to the studio set’s unveiling, she’s been teasing lyrics from its 13 tracks in major cities like New York, London, Nashville and São Paulo. She also used the rollout campaign to encourage her fans to vote in the upcoming 2022 midterm elections happening across the country.

Read Taylor’s thoughts about the Barefoot Contessa here.

Shakira Is Heartbroken in New Ozuna-Assisted Single ‘Monotonía’: Stream It Here

Shakira isn’t holding back and is as raw and honest as one can get singing about heartbreak and the end of what seemed to be a perfect relationship.

In her new Ozuna-assisted single, titled “Monotonía (Monotony),” a bachata track that released Wednesday (Oct. 19), the Colombian star starts off declaring: “It wasn’t your fault, it wasn’t my fault. It was monotony’s fault. I never said anything but it hurt. I knew this would happen.”

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Marking the first collaboration between Shakira and Ozuna, “Monotonía” follows the singer-songwriter’s Latin Airplay chart-topping song “Te Felicito” with Rauw Alejandro, where she calls out her significant other and congratulates them on a stellar performance making her believe he truly loved her.

In the music video — which Shakira co-directed with longtime collaborator Jaume de la Iguana — she has an encounter with the ex at a grocery store where he blows up her chest and her heart is ejected from her body. She then runs around with her beating heart in hand until she hands it over to Ozuna, who takes it from her and puts it in a safe box.

“Monotonía” and “Te Felicito” follow Shakira’s very public breakup from her longtime partner, and father of her two children, soccer star Gerard Piqué. In an interview with Elle, she addressed the split, calling this moment one of the “most difficult” of her life. “I’ve remained quiet and just tried to process it all. Um, and yeah, it’s hard to talk about it, especially because I’m still going through it, and because I’m in the public eye and because our separation is not like a regular separation. And so it’s been tough not only for me, but also for my kids. Incredibly difficult.”

Stream “Monotonía” below:

Watch Villano Antillano, Corina Smith & More Discuss Music & Sexuality in New ‘Cultura Clash’ Episode

Does an artist need a certain level of sex appeal in order to achieve success? Are labels asking their artists to be ultra sensual in their appearance and lyrics in order to sell? The role or intersectionality of sexuality and music took centerstage during a heated conversation between artists Dalex, Villano Antillano, Corina Smith and Lenny Tavárez for the newest episode of Billboard‘s Cultura Clash.

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“People like to consume through their eyes, they like what looks nice, what’s aesthetic,” says Puerto Rican trans rapper Villano Antillano. “Sex sells.” Smith adds, “I think physical appearance does have influence over any product but the power we have as artists, when one of our songs can make someone feel sexy or sensual, that’s where it’s at. To be able get someone in that mindset, that’s really powerful.”

The group also got candid about the advice given to them from their respective teams (managers, labels) and if its at all impacted their career path. “Everyone wants to have an opinion and it starts at home with your family,” says Tavárez. “And you take all of it into consideration but, as an artist, you have to know yourself, what you feel comfortable doing and how you’re going to project yourself. Sometimes my team wants me to automatically go onstage shirtless but sometimes I don’t want to do that.”

Now in its second season, Cultura Clash — hosted by Latin executive AJ Ramos — spotlights Latin artists and influencers who discuss trending topics within Latin culture and music. A new episode airs every Wednesday on Billboard.com, social media and Billboard‘s YouTube channel.  Watch this week’s episode above.

Christina Aguilera Gives ‘Beautiful’ a Modern Update With Powerful New Music Video

Don’t you bring her down today. Christina Aguilera unveiled a new music video for her classic single “Beautiful” on Wednesday (Oct. 19) to celebrate the 20th anniversary of her sophomore album Stripped.

The updated visual sends the song’s powerful message straight into 2022 as it depicts kids and teens grappling with the onslaught of negative messaging on social media, body dysmorphia, plastic surgery, depression and suicidal ideation.

“Every day is so wonderful/ Then suddenly, it’s hard to breathe/ Now and then, I get insecure/ From all the pain, I’m so ashamed/ I am beautiful, no matter what they say/ Words can’t bring me down/ I am beautiful in every single way/ Yes, words can’t bring me down/ Oh no, so don’t you bring me down today,” Aguilera sings as a team of young female dancers stare vacantly into their ring lights while applying makeup and other teens are transfixed to their phones.

Though she doesn’t appear in the new video, the singer shared her thoughts about the song’s impact on Twitter, writing, “The original ‘Beautiful’ video set out to bring awareness and a sense of compassion in the face of criticism. It still carries an important message to remember our core values outside of what’s being fed to us…to find a sense of balance and accepting ourselves for who we are.”

Originally released as a radio follow-up to lead single “Dirrty” in November 2022, the ballad peaked at No. 2 on the Billboard Hot 100, becoming Aguilera’s sixth career hit in the all-genre chart’s top three spots.

Watch the 2022 version of “Beautiful” and read Aguilera’s tweet below.

Lana Del Rey Says She Lost Unreleased Music & Book After Her Devices Were Stolen

Lana Del Rey took to social media on Instagram this week to share a series of videos explaining that her laptop, hard drives and camcorders were stolen from her car while she was out on Melrose Place in Los Angeles.

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As a result, the star shared that she lost a 200-page manuscript for her upcoming book from Simon & Schuster, which she had not backed up and must start over. And while she erased the contents of the laptop remotely, Del Rey said she still is noticing unreleased songs being leaked online.

“Please don’t listen to the music if you hear it because it’s not coming out yet,” she asked of her fans. “And in terms of the book, I loved the book that I lost with all of my heart and put a lot of passion into it. And in terms of the camcorders, we shall see what happens with that.”

On a positive note, Del Rey is just days away from being featured on Taylor Swift’s upcoming album Midnights on the LP’s track, “Snow on the Beach.” Swift shared that her collaborator is “one of the best musical artists ever. The fact that I get to exist at the same time as her is an honor and a privilege.” Midnights arrives on Friday (Oct. 21).

See below for the full message from Del Rey, screen recorded and shared by a fan Twitter page.