Music

Blink-182, Paramore, Turnstile to Headline New Atlantic City Adjacent Music Festival

Blink-182, Paramore, Turnstile, Bleachers and Japanese Breakfast will top the bill for the new Live Nation-produced two-day Adjacent Music Festival on the beach in Atlantic City. The Memorial Day 2023 event (May 27-28) will feature more than 40 artists on three stages, with Atlantic City’s historic boardwalk and the Atlantic Ocean serving as the fest’s backdrop.

Also on the roster are a number of acts who grew their fan bases in the Northeast corridor or are from the region, including The Starting Line, Mannequin Pussy, Thursday and Midtown, as well as Folly, The Front Bottoms, L.S. Dunes (featuring My Chemical Romance’s Frank Iero), the Happy Fits, Jeff Rosenstock, Wheatus and The Movie Life.

Other bands pulling up include Coheed and Cambria, Jimmy Eat World, IDLES, Pup, Andrew McMahon in the Wilderness, Beach Bunny, Motion City Soundtrack, The Linda Lindas, Drug Church, Electric Callboy, Hot Milk, I Am the Avalanche, Knocked Loose, Loveless, Meet Me @ the Altar and more.

Two-day VIP packages and two-day general admission passes will go on sale on Friday (Oct. 28) at 10 a.m. ET here. Organizers are offering a number of travel packages, including a “Super VIP” experience at the Caesars Hotel & Casino that includes one Super VIP GA ticket for two days — including an exclusive VIP viewing area and VIP boardwalk viewing deck and VIP standing-room pit access on the beach for the main stage; other travel packages are available for the Ocean Casino Resort, the Tropicana Hotel and Showboat Hotel.

Check out the event poster below.

Mary J. Blige, Jill Biden Team Up For Cancer Prevention

The Biden administration’s initiative to spur prevention and treatment of cancer got a dose of celebrity support Monday (Oct. 24) when singer Mary J. Blige joined Jill Biden and the American Cancer Society to announce national meetings on breast and cervical cancer.

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The cancer society pledged to convene the events after President Joe Biden and the first lady resurrected the “cancer moonshot” initiative this year. The program provides more money for research to, as Jill Biden said, “help us end cancer as we know it. For good.”

R&B superstar Blige said she lost aunts and other family members to breast, cervical and lung cancer. She has promoted breast cancer screening, especially among Black women who are disproportionately affected, through the Black Women’s Health Imperative.

Blige on Monday blamed misconceptions about mammograms among Black women and “the practice of not wanting other people in our business” for disparities in breast cancer outcomes between Blacks and whites.

She said she is convinced that, had her aunts, godmother and grandparents been informed about cancer, “they would have a different outcome today.” She paused a few times to stay composed. The first lady reached for Blige when the Grammy Award-winning singer returned to her seat. They sat holding hands for several minutes before Biden, whose adult son Beau died of brain cancer in 2015, thanked Blige for “lending your powerful voice to this cause.”

The first lady said the administration’s cancer initiative will help encourage collaboration and research, invest in new treatments and therapies, and help people get the best care and support for their loved ones. She said it is about creating “a future where we don’t have to be afraid of the word cancer anymore.”

The American Cancer Society said the roundtables will bring doctors, scientists and other professionals together with leading organizations to work on making progress against cancer. They are to begin this week, said Karen Knudsen, the CEO.

Breast cancer is the leading cancer for women, and is the No. 1 cause of death among Black and Latino women. More than 14,000 women will be diagnosed with cervical cancer this year, resulting in more than 4,000 deaths, she said. Knudsen said the meetings will work to “end breast and cervical cancer as we know it for everyone.”

Since becoming first lady, Jill Biden has traveled around the country to learn about advances in cancer research and encourage people, especially women, to catch up on the screenings they skipped during the pandemic. Her cancer advocacy began in the 1990s, after four of her friends were diagnosed with breast cancer.

Adidas Ends Partnership With Kanye West Over Antisemitic Remarks

Adidas has ended its partnership with the rapper formerly known as Kanye West over his offensive and antisemitic remarks, the latest company to cut ties with Ye and a decision that the German sportwear company said would hit its bottom line.

“Adidas does not tolerate antisemitism and any other sort of hate speech,” the company said in a statement Tuesday. “Ye’s recent comments and actions have been unacceptable, hateful and dangerous, and they violate the company’s values of diversity and inclusion, mutual respect and fairness.”

The company faced pressure to cut ties with Ye, with celebrities and others on social media urging Adidas to act. It said at the beginning of the month that it was placing its lucrative sneaker deal with the rapper under review.

Adidas said Tuesday that it conducted a “thorough review” and would immediately stop production of its line of Yeezy products and stop payments to Ye and his companies. The sportswear company said it was expected to take a hit of up to 250 million euros ($246 million) to its net income this year from the move.

The move by Adidas, whose CEO Kasper Rorsted is stepping down next year, comes after Ye was suspended from Twitter and Instagram this month over antisemitic posts that the social networks said violated their policies.

He recently suggested slavery was a choice and called the COVID-19 vaccine the “mark of the beast,” among other comments. He also was criticized for wearing a “White Lives Matter” T-shirt to his Yeezy collection show in Paris.

Ye’s talent agency, CAA, has dropped him, and the MRC studio announced Monday that it is shelving a complete documentary about the rapper.

The Balenciaga fashion house cut ties with Ye last week, according to Women’s Wear DailyJPMorganChase and Ye have ended their business relationship, although the banking breakup was in the works even before Ye’s antisemitic comments.

In recent weeks, Ye also has ended his company’s association with Gap and has told Bloomberg that he plans to cut ties with his corporate suppliers. After he was suspended from Twitter and Facebook, Ye offered to buy conservative social network Parler.

Demonstrators on a Los Angeles overpass Saturday unfurled a banner praising Ye’s antisemitic comments, prompting an outcry on social media from celebrities and others who said they stand with Jewish people.

Rita Ora & Taika Waititi Set to Co-Host 2022 MTV EMAs

Rita Ora and writer, director, and actor Taika Waititi will host the 2022 MTV EMAs, which are set to broadcast live from Düsseldorf, Germany on Sunday, Nov. 13. Harry Styles is this year’s top nominee. Ora previously hosted the EMAs in 2017.

Ora reached No. 3 on the Billboard Hot 100 in 2014 as a featured artist on Iggy Azalea’s “Black Widow.” Waititi won both an Oscar and a Grammy for his work on the 2020 film Jojo Rabbit. His Oscar was for best adapted screenplay; his Grammy, for best compilation soundtrack for visual media.

“I’m thrilled to be back hosting, and sharing the stage with Taika makes it all the more special,” Ora said in a statement. “We’ve got it all at this year’s EMAs, fun surprises, fantastic fashion, comedy, and above all amazing music!”

 “Rita Ora is a long-time MTV/EMA favorite and together with the multi-talented Taika Waititi, we’re absolutely certain this powerhouse duo will set the stage for one electrifying night of global music celebration,” said Bruce Gillmer, president of music, music talent, programming and events at Paramount, and chief content officer of music for Paramount+. 

The 2022 MTV EMAs will broadcast live on MTV in more than 170 countries and on Pluto TV in select territories across the U.S., Latin America and Europe and Comedy Central in Germany on Nov. 13. It will be available on Paramount+ and Pluto TV globally beginning Nov. 14.

Fans can vote for their favorites across 17 gender-neutral categories at www.mtvema.com until Nov. 9, at 11:59 p.m. CET.  There are two new categories this year — best longform video and best metaverse performance.

Gillmer and Richard Godfrey are executive producers of the 2022 MTV EMAs. Debbie Phillips and Chloe Mason are producers.    

Taylor Swift Is Blazing to a U.K. Chart Double

Midnights is on the brink of earning Taylor Swift a rare U.K. chart double.

Swift’s 10th studio album dropped last Friday (Oct. 21) and immediately caught fire on streaming platforms, smashing Spotify’s global 24-hour record. There’s a lot of love for Midnights (via EMI) in the U.K., with the album pushing past 140,000 combined sales in just three days, good enough for the best opening-week result for any title this year.

Midnights should dominate the singles chart, too.

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Based on midweek sales and streaming data captured by the Official Charts Company, Swift is on the brink of a 1-2-3. Currently, Midnights track “Anti-Hero” leads the chart blast, ahead of “Lavender Blaze” and “Snow on the Beach,” respectively.

Swift should unseat Sam Smith and Kim Petras’ “Unholy” (EMI), ending its four-week run at the top. “Unholy” slips 1-4 on the midweek survey, ahead of David Guetta and Bebe Rexha’s “I’m Good (Blue)” (via Parlophone), down 2-5.

The challenger to Midnights is Arctic MonkeysThe Car (Domino Recordings). Like Midnights, The Car powers the full complement of three Arctic Monkeys songs into the midweek chart, with “I Ain’t Quite Where I Think I Am” new at No. 16, “Sculptures of Anything Goes” new at No. 17 and “There’d Better Be a Mirrorball” reentering at No. 20.

Meanwhile, two versions of “Miss You” continue to impact the U.K. top 40. Oliver Tree and Robin Schulz’s version, released by Atlantic Records, rises 12-10 on the Official Chart Update, while Southstar’s version, via B1/Ministry of Sound, dips 26-27.

Southstar has accused his fellow German Schulz of releasing a “copycat version,” a claim that places Sony Music and Warner Music at loggerheads. WMG’s Atlantic Records has responded. “Oliver Tree and Robin Schulz’s version of ‘Miss You’ is the definitive version of the song that uses both the recording and underlying composition from Oliver Tree’s original track ‘Jerk,’ says an Atlantic Records U.S. spokesperson via email. “Southstar remixed ‘Jerk’ without permission and then released a version with re-recorded vocals to avoid fully compensating Oliver Tree and his label.”

Further down, Joel Corry and Tom Grennan are eyeing another U.K. top 40 with “Lionheart (Fearless)” (via Atlantic), which starts at No. 36 on the chart update. If it holds its position, “Lionheart” would give Corry a ninth top 40 appearance, and Grennan a seventh.

Finally, Meghan Trainor’s “Made You Look” (Atlantic) appears to be en route to the top 40. It’s at No. 37 on the chart blast, and should enjoy a nudge following Trainor’s performance of the song Monday (Oct. 24) on The Tonight Show.

All will be revealed when the Official U.K. Singles Chart is published late Friday.

Taylor Swift Hints at ‘Midnights’ Tour: ‘I Think I Should Do It’

Midnights is already a hit. Spotify has told us, charts compilers on both side of the Atlantic have confirmed it, Swifties spread it on social media.

Will Swift present the album to fans in venues around the globe? Don’t bet against it.

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Swift stopped by The Tonight Show Starring Jimmy Fallon on Tuesday night (Oct. 24) for a chat, and some hints at concerts to come.

When Fallon asked if a tour was on her mind, her first in four years, Swift responded. “I think I should do it.” With a little more prompting, “I should do it.” And a nudge on when it might happen, “When it’s time, we’ll do it.”

Though she gave the late-night host nothing definitive, Swift admits she has a hankering for the live experience. “I really miss it,” she enthuses. “I really miss that connection.”

Midnights, Swift’s tenth studio album, dropped last Friday (Oct. 21) and immediately reached its audience, everywhere. Spotify announced it had smashed the music platform’s 24-hour streaming record. In the U.S., it’s sprinting to No. 1 on the Billboard 200, with more than 1.2 million chart sales racked up in just three days. In the U.K., it’s on track for the chart crown with more than 140,000 units shifted in the same frame.

Those numbers are music to Swift’s ears.

“I’m beside myself,” she says of its early success. “I’m feeling very overwhelmed by the fans’ love of this record. I’m also feeling, like, very soft and fragile. The two can exist at once.”

For all the numbers and the adoration, she’s “just happy to be here,” she insists. “I’m 32. So we’re considered geriatric pop stars. They start trying to put us out to pasture at 25.”

During her time in the NBC studio, Swift discusses the mystery of writing (“the more I write, the more I keep writing”), her productive zone (“in the last six or seven years, I’ve been constantly making things… The more things I make, the happier I am”), she calls out her “genius” collaborator Lana Del Rey, and flexes her cat-lady talents for naming feline breeds.

Sometimes the words and music are an involuntary reflex. And when it happens, TayTay reaches for her phone and records it.

Midnights, she continues, is “a pretty dark album, but I’d say I had more fun making it than any album I’ve ever made.” You can pen songs “about pain or grief or suffering or loss or hard things that you go through in life. Shame – you know, love to write about that one. Self-loathing…,” but over time, she continues, making music is “like a way to suck the poison out of a snakebite.”

Later in the Q&A, Swift walks us through the new music videos for “Anti-Hero” and “Bejeweled,” which features cameos from Laura Dern, the Haim sisters and Dita Von Teese.

TayTay wrote and directed the clip, which arrived at midnight, of course, something she’s keen to do more often. “Writing them and then directing them, that’s kind of the way that it works in my head…they kind of go hand in hand.”

Watch below.

Taylor Swift’s ‘Midnights’ Sprints to Lead on Midweek U.K. Chart

The chart race of the year is only halfway complete, though Taylor Swift’s Midnights is already strides ahead of the pack.

Swift’s tenth studio album and Arctic Monkeys’ seventh studio set, The Car, are both blockbusters that would win almost any U.K. chart battle.

This is no ordinary chart cycle. It’s a heavyweight bout, with both sets notching well over 100,000 chart copies in just three days.

At the midweek point, Midnights has more than 140,000 chart units to secure the advantage. That sum gives Midnights the best start for any album this year, bettering the 113,000 chart units accumulated by Harry Styles’ Harry’s House across its first full week, the OCC reports.

The Car is some distance behind in second place on the Official Chart Update, with 105,000 chart units – an exceptional result for any other week.

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If Midnights stays on target, it will hand Swift her ninth U.K. No. 1 following Red (2012), 1989 (2014), Reputation (2017), Lover (2019), Folklore (2020), Evermore (2020), Fearless (Taylor’s Version) (2021) and Red (Taylor’s Version) (2021). Also, the U.S. artist could swoop in for a chart double; she holds the top three spots on the singles chart update, led by “Anti-Hero.”

Meanwhile, Arctic Monkeys enjoy a spotless streak of six consecutive career No. 1s, starting with their 2006 debut Whatever People Say I Am That’s What I’m Not, and continuing with 2007’s Favourite Worst Nightmare, 2009’s Humbug, 2011’s Suck It And See, 2013’s AM, and 2018’s Tranquility Base Hotel & Casino. Frontman Alex Turner has eight in the row, including his side project, the Last Shadow Puppets.

Based on midweek sales and streaming data published by the OCC, South London artist Loyle Carner could come at No. 3 with his third album, Hugo; veteran Scottish band Simple Minds’ 19th record Direction of the Heart could bow at No. 4; and Australian pop star Kylie Minogue’s sixth studio LP Impossible Princess could return to the chart at No. 5, thanks to a 25th anniversary edition. Impossible Princess originally peaked at No. 10 following its release in 1997.

Norwegian ‘80s pop trio a-ha is set for a return to the U.K. survey this week with True North, new at No. 6 on the chart blast. If True North stays put, it would become the “Take On Me” singers’ highest-charting studio LP in the U.K. since 2009’s Foot of the Mountain went to No. 5.

Finally, Canadian pop singer Carly Rae Jepsen is on track for her career chart peak in the U.K. with The Loneliest Time, eyeing a No. 7 berth; while British alternative-rocker act Dry Cleaning is aiming for a second top 10 appearance with Stumpwork, on track for a No. 8 start.

All will be revealed when the Official U.K. Albums Chart is published late Friday (Oct. 28).

Taylor Swift Transforms Into Cinderella for Sparkling ‘Bejeweled’ Video

Taylor Swift had yet another gift for fans at the stroke of midnight on Tuesday (Oct. 25), unveiling her second Midnights music video, this time for the shimmering “Bejeweled.”

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The Cinderella-inspired clip stars Swift in the familiar lead role, though it’s her bejeweled outfits, not a glass slipper, that catches everyone’s attention.

TayTay herself wrote and directed the music video. Keep an eye out for “Prince” Jack Antonoff and cameos from Laura Dern, the Haim sisters and Dita Von Teese, who encourages the pop superstar to slip into a giant cocktail glass. Stay watching for some fiery dragon-action at the close.

Earlier in the day, the pop superstar took to Instagram to announce the video’s release.

“Midnight, what a storied and fabled hour… On this sparkling evening I’ll be releasing my twist on a fairytale we all know. The one about the girl and her step sisters and the clock striking 12…” she captioned a photo of herself as Cinderella, sitting in a dark room wearing a worn down dress while sewing a glittery, midnight blue gown. “This video is wild, whimsical and created SPECIFICALLY for you, my beloved fans who have paved this shimmering path. Look out for some dazzling cameos! Join us later for a very Bejeweled premiere [diamond emoji].”

Midnights is already a global hit. The album set a new 24-hour streaming record on Spotify, and is expected to dominate sales charts around the world.

Watch the “Bejeweled” music video below.

Christian McBride & Inside Straight Win Big at Inaugural Jazz Music Awards: Full List

Christian McBride & Inside Straight were the top winners at the inaugural Jazz Music Awards, which were held on Saturday, Oct. 22, at the Cobb Energy Performing Arts Centre in Atlanta. McBride & Inside Straight received two of the eight competitive awards — best mainstream artist and best duo, group or big band. McBride, 50, an eight-time Grammy winner, was on the road in Europe and unable to attend the event.

The show, dubbed Celebrating the Spirit of Jazz, was co-hosted by Dee Dee Bridgewater and actor Delroy Lindo. Terri Lyne Carrington was the show’s musical director and co-executive producer.

A mid-show medley of “songs of social justice” featured Dianne Reeves, Lizz Wright, Dee Dee Bridgewater, Jazzmeia Horn, and Ledisi. Reeves opened the segment with her 1994 composition, “Endangered Species,” which gained notice at last month’s Primetime Emmy Awards when Sheryl Lee Ralph sang it in her acceptance speech.

Vocalist Somi, one of two winners of the best vocal performance award (due to a tie), performed a Miriam Makeba tribute, “House of the Rising Sun.” 

A presentation of a lifetime achievement award to influential jazz saxophonist and composer Wayne Shorter included a medley of his songs and Shorter’s heartfelt video message.

The show closed with an affecting performance by Lizz Wright and Tia Fuller of “Georgia on My Mind.” 

Carrington’s All-Star Band played throughout the show. The group included pianist Orrin Evans, bassist James Genus, guitarist Mark Whitfield, tenor saxophonist Marcus Strickland, alto saxophonist Braxton Cook, trumpeter Milena Casado, keyboardist Ray Angry, drummer Nikki Glaspie, and DJ/percussionist Kassa Overall. 

Presenters included Reeves, Horn, Jean and Marcus Baylor of The Baylor Project, Brandee Younger, Ben Tankard, Orrin Evans, Ragan Whiteside, Tia Fuller, and Bob Baldwin.

Many in attendance were sobered by the more than 100 jazz greats listed in the In Memoriam tribute. All died between the latter part of December 2019 and October 2022.

The Jazz Music Awards is a nonprofit division of Jazz 91.9 WCLK at Clark Atlanta University, owner and licensee of WCLK. 

The second Annual Jazz Music Awards is scheduled for Saturday, Oct. 21, 2023.

Here’s a complete list of nominees in the eight competitive categories:

Best Mainstream Artist
Joey DeFrancesco, More Music
Kenny Garrett, Sounds From The Ancestors
WINNER
: Christian McBride & Inside Straight, Live at the Village Vanguard
Brandee Younger, Somewhere Different

Best Contemporary Artist
Brian Bromberg, A Little Driving Music
Ben Tankard, SHINE!
Lindsey Webster, “I Didn’t Mean It”
WINNER: Ragan Whiteside, “Off the Cuff”

Best Duo, Group, or Big Band
The Baylor Project, Generations
Jazzmeia Horn and Her Noble Force, Dear Love
WINNER
: Christian McBride & Inside Straight, Live at the Village Vanguard
Count Basie Orchestra, Live at Birdland
(under the direction of Scotty Barnhart)
Kevin Eubanks and Orrin Evans, EEE (Eubanks-Evans-Experience)

Best New Jazz Artist (Contemporary or Mainstream)
Simon Moullier, Countdown
Julieta Engenio, Jump
Kazemde George, I Insist
WINNER
: Samara Joy, Samara Joy

Best Vocal Performance
The Baylor Project, Generations
CO-WINNER
: Somi Kakoma, Dreaming Zenzile
CO-WINNER
: Stacey Kent, Songs From Other Places

Shawnn Monteiro, You Are There

Best Mainstream Album
The Baylor Project, Generations
CO-WINNER
: Orrin Evans, The Magic of Now
CO-WINNER
: Kenny Garrett, Sounds From the Ancestors
Brandee Younger, Somewhere Different

Best Contemporary Album
WINNER: Bob Baldwin, The Stay at Home Series, Volume 1
Brian Culbertson, The Trilogy Red
Sonny Emory, Soul Ascension
Gabriel Mark Hasselbach, Tongue & Groove

Song of the Year (Fan Vote)
WINNER: Norman Brown, “Back at Ya”
Brian Culbertson, “Feel the Love”
Justin-Lee Schultz, “Gruv Kid”
James “PJ” Spraggins, “Up From Here”

K-Pop Star Lee Chanhyuk Gets Head Buzzed While Singing New Single ‘Panorama’: Watch the Performance-Art Production

While K-pop performances are synonymous with coordinated choreography and flashy stage setups, singer-producer Lee Chanhyuk brought something entirely new — and shocking — to the live stage.

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In support of his newly released album Error on Oct. 17, Chanhyuk took to the South Korean music television program Inkigayo to deliver one of the first performances of the LP’s lead single “Panorama.” But instead of bringing the synth-pop cut to life with a dramatic spotlight and onstage mirror like he did previously, the singer opened his performance sitting completely still in a chair and wouldn’t move until the cameras cut. With just the stand holding a microphone near his mouth, a barber wrapped a sedated Chanhyuk in a white sheet boasting the Error album title and began to buzz off his freshly bleached blonde hair as the star gave a pitch-perfect rendition of his new single.

Chanhyuk is one half of the beloved K-pop/folk duo AKMU with his younger sister Suhyun. The pair got their start on the Korean singing competition K-pop Star 2, before signing with YG Entertainment (the same label home as BLACKPINK and BIGBANG) in 2013 and becoming one of Korea’s most beloved and reliable chart-toppers. The primary producer and writer behind the team, Chanhyuk not only handles a majority of AKMU’s work but has lent his talents to write for K-pop legends like Lee Seungchul, Lee Hyori and IU.

Error marks the 26-year-old’s opportunity to share his unique musical style via listening and visual experiences.

The 11 tracks of Error are said to tell a story detailing someone’s reaction after being involved in an accident in the opening track “Eyewitness Account.” The story continues through song titles like “Siren,” “If I Can’t Go See You Right Now,” “Goodbye, Stay Well” (the album’s sole feature from K-pop soloist Chung Ha) and, ultimately, with “Funeral Hope.”

The accompanying music video for “Panorama” encapsulates the album’s story as Chanhyuk is seen on the brink of death after an accident and recalling his memories.

A theme throughout the album, and first shared on the “Eyewitness Account” track, is about a protagonist that’s fallen into a coma from an accident and can’t move. The record’s storyline likely plays into Chanhyuk’s head-shaving performance and why he chose not to speak during on-camera interviews for other shows like M Countdown.

Similar to how The Weeknd has embraced various characters, both physically and personality-wise, in his eras, Chanhyuk is taking his album persona seriously and creating all the more intrigue around his album. Written entirely by Chanhyuk, the throwback ’80s sounds throughout Error were already refreshing to the K-pop scene this year. Even as fans are holding debates around the promotional tactics, these slightly bizarre, excitingly artistic performances make the impressive LP all the more compelling.