Music

U.S. Vinyl Album Sales Rise for 17th Straight Year — But Growth Is Slowing

In 2022, for the second year in a row — and only the second year since Luminate began tracking music sales in 1991 — vinyl albums outsold CD albums in the U.S. Vinyl continues to be the leading format for album purchases for the second straight year, according to figures announced in the U.S. 2022 Luminate Year-End Music Report.

Vinyl was the dominant format for album purchases in the U.S. up until the early 1980s. After that, cassettes took hold until the early 1990s, when the CD format blossomed and remained king until 2021.

Further, vinyl album sales grew for a 17th consecutive year in the U.S., with Taylor Swift’s Midnights ruling as the top-selling vinyl LP in 2022. It sold 945,000 copies last year — the largest yearly sales total for a vinyl album since Luminate began tracking sales in 1991.

Growth for the format is slowing, though. Following a 51.4% year-over-year increase in vinyl album sales in 2021 and a 46.2% year-over-year increase in 2020, sales in 2022 rose just 4.2% over the year. Whether that’s due to slowing demand or supply issues that more pressing plants could help alleviate — it marks a significant deceleration following a pandemic-fueled period of rapid expansion.

17 YEARS OF VINYL GROWTH: 43.46 million vinyl albums were sold in 2022 (up 4.2% from 41.72 million in 2021). 2022 was the 17th consecutive year vinyl album sales grew in the U.S., and the largest year for vinyl album sales since Luminate began tracking data in 1991. Plus, vinyl LP sales posted their single-largest sales week of the Luminate era when 2.232 million vinyl albums were sold in the week ending Dec. 22.

43% OF ALL ALBUMS SOLD WERE VINYL LPS: Vinyl album sales comprised 43.4% of all album purchases in the U.S. in 2022 (43.46 million of 100.09 million total sales across all formats — both digital and physical). Vinyl LPs accounted for 54.4% of all physical albums sold last year (43.46 million of 79.89 million; physical albums include CDs, vinyl LPs, cassette tapes and other niche physical formats). Both sums are Luminate-era records for vinyl’s share of the album sales market in the U.S.

In 2022 there were a total of 88 albums that sold at least 50,000 copies on vinyl — up from 87 in 2021. To compare, only 56 albums in the CD format sold at least 50,000 copies in 2022 (down from 67 in 2021).

ONLY HALF OF U.S. VINYL BUYERS OWN A RECORD PLAYER: While vinyl album sales continue to gain each year in the U.S., only half of those fans buying records actually own a vinyl record player, according to a research survey commissioned by Luminate. Last September, the firm published the statistic as part of its U.S. Music 360 2022 – Wave 2 report. Of those respondents over the age of 13 who had purchased vinyl in the previous 12 months, there was a question asked about which devices they owned, and only 50% said they owned a record player. Total respondents for the Music 360 study: 3,992.

NEARLY HALF OF ALL VINYL ALBUMS WERE SOLD AT INDIE STORES: in 2022, 48% of all vinyl albums sold in the U.S. were purchased at independent record stores (20.92 million of 43.46 million). The second-largest seller of vinyl LPs in 2022 was Luminate’s category of Internet/mail order/venue, which accounted for 32.8% of the market (14.26 million of 43.46 million). Sales included in the Internet/mail order/venue category include those generated by mail-order websites like Amazon, Target.com and Walmart.com, official artist web stores and merchandise stands at concert venues. In third place was the mass merchant category, which includes in-store sales at stores like Target and Walmart. The segment had 13.6% of vinyl album sales in 2022 (5.90 million of 43.46 million).

ROCK RULES: Among Luminate’s core music genres measured, rock music accounted for a leading 51.83% of all vinyl albums sold in 2022 (22.52 million of 43.46 million). That’s essentially the same volume as in 2021 when rock accounted for 51.78% of all vinyl albums sold (21.60 million of 41.72 million). The second-biggest genre for vinyl album sales in 2022 — and in 2021 — was R&B/hip-hop, which accounted for 17.59% of the market last year (7.65 million of 43.46 million). In 2021, R&B/hip-hop held 17.38% (7.25 million of 41.72 million). R&B/hip-hop is an umbrella genre that includes most R&B and/or rap albums.

‘MIDNIGHTS’ IS MASSIVE: The top-selling vinyl album of 2022 is Swift’s Midnights, with 945,000 copies sold across all of its vinyl variants and editions (see top 10 list, below). Midnights has the largest yearly sales total for a vinyl album since Luminate began tracking sales in 1991. The set also posted the single-largest sales week for a vinyl LP in Luminate history, when it launched with 575,000 copies in its first week.

TOP 10 SELLING VINYL ALBUMS OF 2022 IN U.S.
1. Taylor Swift, Midnights (945,000)
2. Harry Styles, Harry’s House (480,000)
3. Olivia Rodrigo, Sour (263,000)
4. Kendrick Lamar, good kid, m.A.A.d city (254,000)
5. Fleetwood Mac, Rumours (243,000)
6. Tyler, the Creator, Call Me If You Get Lost (211,000)
7. Taylor Swift, Folklore (174,000)
8. Tyler, the Creator, Igor (172,000)
9. Michael Jackson, Thriller (168,000)
10. The Beatles, Abbey Road (160,000)
Source: Luminate, for the tracking period Dec. 31, 2021, through Dec. 29, 2022.

Eight of the year-end top 10-selling vinyl albums saw their sales enhanced by their availability across multiple variants (including assorted color-vinyl editions). Among the top 10 vinyl sellers, only Tyler, the Creator’s Call Me If You Get Lost (No. 6) and Igor (No. 8) were available in one iteration each.

Midnights, for example, was available in four vinyl LP editions, each with a different cover and colored vinyl (dubbed Moonstone Blue Edition, Jade Green Edition, Mahogany Edition and Blood Moon Edition). Target stores also carried an exclusive colored-vinyl Lavender Edition. To further enhance sales, Swift’s official web store sold signed copies of the four standard vinyl LPs during a pre-order window before the album launched. As previously reported when the album debuted at No. 1 on the Billboard 200, some superfans may have been motivated to purchase all four vinyl variants, as the back covers of the albums fit together like a puzzle to display a clock face (a literal reference to Midnights). Swift shared the news through her social media in mid-September, saying: “If you put all the back covers together, she’s a clock. It’s a clock… It makes a clock.” (Swift’s official web store previously sold hardware to hold the four CDs or the four vinyl LPs together as a wall clock.)

SWIFT IS QUEEN OF VINYL: Swift sold the most vinyl albums among all acts in 2022 in the U.S., with 1.695 million sold across her entire catalog of albums. (She sold more vinyl LPs last year than the next two biggest sellers on vinyl combined: Harry Styles with 719,000 and The Beatles with 553,000.) Swift loomed so large on vinyl in 2022 that one of every 25 vinyl LPs sold last year in the U.S. was a Swift album (1.695 million of 43.46 million).

Swift has six of the year’s top 40-selling vinyl albums — Midnights (No. 1; 945,000), Folklore (No. 7; 174,000), Red (Taylor’s Version) (No. 11; 153,000), Evermore (No. 14; 134,000), Fearless (Taylor’s Version) (No. 30; 97,000) and Lover (No. 36; 91,000). Styles and Kendrick Lamar have the second-most titles among the year’s top 40-selling vinyl LPs, with three each.

Luminate began tracking music sales in 1991 when the company was known as SoundScan. Luminate’s sales, streaming and airplay data is used to compile Billboard’s weekly charts. Luminate’s 2022 tracking year ran from Dec. 31, 2021, through Dec. 29, 2022. Luminate is an independently operated company owned by PME TopCo, a PMC subsidiary and joint venture between Penske Media Corporation and Eldridge.  Billboard is an independently operated company owned by PME Holdings, a subsidiary of PME TopCo.

50 Cent Apologizes to Megan Thee Stallion for Trey Songz Shooting Meme: ‘Now I Know What Happened’

50 Cent is walking back his words about Megan Thee Stallion.

In a radio interview with Big Boy, published Wednesday (Jan. 11), the “In da Club” rapper shared that he now feels compelled to apologize to Megan for believing she lied about having an intimate relationship with Tory Lanez, now that the trial has revealed more details regarding the 2020 shooting.

“I’m gonna apologize to Megan Thee Stallion,” 50 told Big Boy (at the 7:50 mark of the interview above). “I said some things, and it was because… On social media I posted things that — when she was with Gayle [King] — she said, ‘Were you intimate with Tory Lanez?’ And she said, ‘What?’ and it was like, ‘No.’ And I was like, ‘Ah, she lying.’ At that point I knew she was lying, it wouldn’t be no reason for them to be around each other. From that, it felt like she was lying, to me.”

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The Power actor added that he “should apologize to her, because when I heard the [jail] phone conversation [between Lanez and Meg’s former best friend Kelsey Harris] … That made me feel like, ‘Oh sh–, now I know what happened.’ I’m sure that was probably what swayed people in court too.”

50 Cent’s apology comes after he shared a meme to Instagram in December comparing Megan to Jussie Smollett, the former Empire actor who lied about being physically attacked in a 2019 hate crime that included both racist and homophobic slurs. “Damn I’m confused all this sh– going around I don’t know what to think LOL,” he wrote at the time.

A verdict was reached in Megan and Lanez’s trial on Dec. 23: Lanez was found guilty of assault with a semiautomatic firearm; carrying a loaded, unregistered firearm in a vehicle; and discharging a firearm with gross negligence. He faces up to 22 years in prison, with his sentencing taking place Jan. 27.

Watch 50 Cent’s interview in the video above.

Dr. Dre Selling Music Assets to Universal Music and Shamrock

Dr. Dre is selling a bundle of music income streams and some owned music assets in a deal that was seeking $250 million when it came to market, according to sources. Those assets, which generate almost $10 million in annual income, are being acquired, apparently in two separate deals, by Shamrock Holdings and Universal Music Group. Both deals are said to be close to completion and were shopped by Peter Paterno, name partner in King, Holmes, Paterno & Soriano, sources say.

The assets include mainly passive income streams, according to those sources, such as artist royalties from two of his solo albums and his share of N.W.A. artist royalties; his producer royalties; and the writer’s share of his song catalog where he doesn’t own publishing, which may include the writer’s share of songs on his The Chronic album, which is published by Sony Music Publishing. Sources say that portion of the bundle comprises 75% to 90% of the package’s revenue and is most likely being acquired by Shamrock, which owns some Taylor Swift master recordings, among other past acquisitions. The remaining 10% to 25% of income in the package is generated by owned assets and is probably being acquired by Universal Music Group.

The latter Dre-owned assets that are said to be headed to UMG include the ownership of the master recording of his first solo album, The Chronic, which is scheduled to revert from Death Row Entertainment to Dre in August of this year; his share of an Aftermath/Interscope joint venture with the Top Dawg label for Kendrick Lamar releases through that deal; and maybe some publishing, though it’s unclear exactly which portion of his song catalogs is included. The bundle of offered assets doesn’t, however, include his ownership stake in the Aftermath label, which he co-owns with UMG’s Interscope.

The way the assets are being divided in the sale process fits with each buyer’s strategic profile. Shamrock, as a financial player, is much more interested in income streams and hopefully incremental valuations down the line. UMG, as an industry strategic player, is more interested in owning music assets than in buying passive income streams controlled through ownership or administration by competitors. Plus, ownership of Dr. Dre assets would give UMG the added bonus of enjoying a closer relationship with the rapper/producer, who — along with his co-ownership in Aftermath — has been on Interscope Records for most of his solo career.

While the sellers were seeking $250 million, sources suggest that the combined payments likely fell short but will collectively bring in upwards of $200 million, which would imply a 20-times multiple. But not all of the pieces of the bundle individually carry that type of multiple. Some of the Dre assets could be trading hands at a lower multiple.

UMG declined to comment while representatives from Dr. Dre’s camp and Shamrock Holdings could not be reached for comment.

Dr. Dre is one of the pre-eminent producers of his generation, as well as a rapper and songwriter who has worked with some of the most iconic R&B and hip-hop artists of all time, including Snoop Dogg, Eminem, 2Pac, Mary J. Blige, Busta Rhymes, 50 Cent and Lamar. He initially rose to fame as a co-founder of seminal gangsta rap group N.W.A in the 1980s, before releasing his first solo album, The Chronic, in 1992, which is widely regarded as one of the best hip-hop albums of all time and ushered in the West Coast G-Funk movement that helped to popularize the sampling of 1970s and 1980s funk music by the likes of Parliament, Funkadelic and Ohio Players. That album was released under Death Row Entertainment, the pioneering hip-hop label Dre co-founded with Suge Knight that would rise to fame with releases by Dre, Snoop Dogg, Tha Dogg Pound and 2Pac, who became the label’s marquee artist.

Dre would later found Aftermath Entertainment, his own imprint through Interscope, through which he would sign Eminem, 50 Cent, Lamar and Anderson .Paak, among others. In 1999 he released the followup to The Chronic, titled 2001, which was similarly celebrated, with star turns from Snoop Dogg, Eminem, Nate Dogg, Kurupt, Xzibit and others. In 2015, the famously perfectionist Dre would release his third album, Compton, a companion to the N.W.A biopic Straight Outta Compton, which was also released that year. As a solo artist, his three studio albums have amassed close to 20 million album consumption units, with 2001 at 11 million units and The Chronic at 6.6 million units. On an annual basis, those albums have averaged about 600,000 units over the last three years.

Dre also co-founded Beats Electronics alongside Interscope co-founder Jimmy Iovine in 2006, initially as a headphone brand. In 2014, the company morphed into a streaming service, Beats Audio, as well. The company was subsequently purchased by Apple later that year for north of $3 billion, turning Dre into a billionaire, while the Beats Audio streaming service became the backbone of what became the Apple Music streaming service, which was officially introduced in 2015. In subsequent years, Dre and Iovine donated $70 million to the University of Southern California, endowing a program that became the USC Jimmy Iovine and Andre Young Academy for Arts, Technology and the Business of Innovation. Lately, his production has appeared on releases by Anderson .Paak, Eminem and DJ Khaled.

With Dre coming to market and having found a buyer, the deal marks an acceleration of a run on hip-hop/rap assets kicked off by the acquisition of music assets owned by Future and production songwriter duo Andre Harris and Vidal Davis, better known as Dre & Vidal, in groundbreaking deals that finally brought private equity into the R&B/hip-hop/rap world. Future’s assets were acquired by Influence Media Partners, while the latter duo’s assets were purchased by HarbourView Equity Partners. Up until those deals, private equity had been primarily interested in classic rock, country or current mainstream pop music.

Dr. Dre has been in the news lately after his lawyers called out Rep. Marjorie Taylor Green for using his song “Still D.R.E.” in a video posted to social media without permission. A cease and desist letter signed by Howard King of King, Holmes, Paterno & Soriano LLP informs the Congresswoman that Dre “ will never grant [Taylor Greene] permission to broadcast or disseminate any of his music.” While Dre appears to be selling a large portion of his music rights, that doesn’t mean that the Congresswoman may eventually be able to license his music from some other owner. When such deals are being done, an artist or songwriter might want to retain some control over song use approval rights, though that could result in a discount to a deal’s valuation.

Dan Rys provided assistance in preparing this story.

Kyle Richards Defends Gwen Stefani Over ‘I’m Japanese’ Comment

Gwen Stefani found an unexpected supporter in Kyle Richards on Wednesday (Jan. 11) in the wake of her controversial statements about being Japanese.

One day prior, Stefani made headlines by defending her long-documented love of Harajuku culture in a profile for Allure. “My God, I’m Japanese and I didn’t know it,” she said in the piece. (For the record, the Anaheim, Calif., native is of Italian and Irish descent.)

The comments have attracted all kinds of reactions — from ire and confusion to accusations of appropriation — from fans on social media, but the Real Housewives of Beverly Hills OG didn’t seem to see what the big problem was. “Everyone can’t wait to be offended by something,” she commented an Instagram post by E! News about Stefani’s quote from the interview.

Thus far, Stefani herself has stayed mum amid the online backlash; the pop star’s most recent Instagram post, shared one day before the interview went live, featured her promoting her GXVE cosmetics line. (According to Allure, she turned down a request to clarify or add additional context to her statements prior to publication.)

Surely, Stefani’s controversial statement isn’t the only music-related story Richards has her mind on these days either. Just before New Year’s, her famous niece Paris Hilton dropped a new version of the socialite’s cult classic 2006 single “Stars Are Blind.” The DJ and heiress, whose mom Kathy Hilton has appeared on the last two seasons of RHOBH with Richards as a friend of the Housewives, also gave a surprise performance of the track alongside Miley Cyrus and Sia during NBC’s Miley’s New Year’s Eve Party on Dec. 31.

Donald Glover Admits That He’s ‘Making Music Right Now’

No, Donald Glover has not retired his beloved musical alter ego, Childish Gambino.

The 39-year-old Atlanta actor joined Laverne Cox for E! News on the Golden Globes red carpet on Tuesday (Jan. 10), where he revealed that music is on its way. “I’m making music right now. I love it,” he shared. “I’m in the studio, bringing people in, secret people, working on little things. I’ve just been making it for fun right now but soon something will happen, I promise.”

“I thought I heard you were retiring Childish Gambino,” Cox said, before Glover replied, “No, that was out in the ether. You don’t have to worry about that. He will be back.”

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The star, who was nominated for best actor in a musical/comedy series, also chatted with Billboard at the official Golden Globes afterparty, where he revealed his plans for 2023. “I cannot wait for this year,” he shared. “I think this year is the year of positivity. I think people are actually going to be — and I don’t mean, like, bulls— YouTube inspirational videos. I mean actual happiness.”

Glover’s last release as Childish Gambino was his fourth studio album, 3.15.20, which arrived back in March 2020. Watch Billboard‘s full interview below.

Jeff Beck, Master Rock Guitarist, Dead at 78

Jeff Beck, member of The Yardbirds, founder of the Jeff Beck Group and one of the most influential rock guitarists of all time, died on Tuesday (Jan. 10). He was 78 years old.

The news of his death was confirmed in a statement released by his family on Wednesday (Jan. 11). “It is with deep and profound sadness that we share the news of Jeff Beck’s passing,” the statement reads. “After suddenly contracting bacterial meningitis, he peacefully passed away yesterday. His family ask for privacy while they process this tremendous loss.”

The British rocker brought his adventurous and powerful guitar style to The Yardbirds in 1965, when he joined the British band to replace Eric Clapton on the recommendation of fellow session musician Jimmy Page. He spent 20 months in the band, working on the 1966 album Roger the Engineer.

After being fired from The Yardbirds, Beck recorded a number of solo singles produced by Mickie Most, including “Hi Ho Silver Lining” and “Tallyman.” He went on to form his own band, the Jeff Beck Group, featuring vocalist Rod Stewart, bassist Ronnie Wood and drummer Nicky Hopkins, and the group released two albums together, 1968’s Truth and 1969’s Beck-Ola.

In the ’70s, Beck briefly formed a trio with bassist Tim Bogert and drummer Carmine Appice of Vanilla Fudge and Cactus.

He won eight Grammys and was nominated 17 times throughout his career, and was inducted into the Rock and Roll Hall of Fame twice — as a member of the Yardbirds in 1992 and as a solo performer in 2009. Beck recently wrapped up a tour in support of 18, his joint album with Johnny Depp.

See the family’s statement below:

Kelly Clarkson Lets Out Her Inner-Punk With Blink-182 Cover: Watch

Kelly Clarkson is letting her rock and roll side shine. For the Wednesday (Jan. 11) installment of her fan-favorite Kellyoke segment, the Grammy-winning singer tried her hand at a Blink-182 cover and went for the band’s classic track “All the Small Things.”

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Accompanied by her band Y’all, the “Since U Been Gone” singer donned clothing fit for the occasion, appearing onstage in an oversize gray dress and grunge-inspired flannel shirt for her rendition of the track.

“All the small things/ True care, truth brings/ I’ll take one lift/ Your ride, best trip/ Always, I know/ You’ll be at my show/ Watching, waiting/ Commiserating/ Say it ain’t so, I will not go/ Turn the lights off, carry me home,” Clarkson sang, powering through a shortened version of the track with her signature full-bodied tone and vocal runs.

“All the Small Things” was released on Sept. 28, 1999, as the second single from Blink-182’s third album, Enema of the State. The track served as a crossover hit for the band, peaking at No. 6 on the Billboard Hot 100 chart in February 2000. The track additionally reached the summit of Billboard‘s Alternative Airplay chart and is widely considered to be one of the pop-punk group’s signature songs.

Clarkson’s cover comes at a fitting time — Blink-182 recently restored its original lineup consisting of Tom DeLonge, Travis Barker and Mark Hoppus and is gearing up to go on a world tour starting in March; the first dates of the tour will take place in Latin America with stops in Buenos Aires, Bogotá, Mexico City and more.

Watch Clarkson’s cover of “All the Small Things” in the video above.

Michelle Yeoh Is ‘Looking Forward’ to Filming ‘Wicked’ With Ariana Grande & Cynthia Erivo: ‘Those Two Are So Adorable’

Michelle Yeoh is set to take on the big-screen as Madame Morrible in the upcoming film adaptation of Wicked, and the actress spoke with Variety on the Golden Globes red carpet about the movie.

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She revealed that she hasn’t yet started shooting with Ariana Grande and Cynthia Erivo — who play Glinda the Good Witch and Elphaba the Wicked Witch of the West, respectively. “Those two are so adorable, so gorgeous, so talented,” Yeoh added. “I’m so blessed that I’m going to be one of them and I’m really looking forward to it.”

The Everything Everywhere All at Once star also shared that she recently watched the Wicked Broadway musical last weekend while in New York City. “I loved it, and then I go, ‘Oh my God, Madame Morrible sings a lot.’”

When asked if she sings a lot, Yeoh replied with a laugh, “No, only in the bathroom.”

Yeoh won her first Golden Globe at Tuesday night’s (Jan. 10) ceremony, taking home the trophy for best actress in a motion picture, musical or comedy for her role as laundromat owner Evelyn Wang in A24’s Everything Everywhere All at Once.

“I’m just going to stand here and take this all in,” she said during her acceptance speech, clutching the gold statue. “40 years… I’m not letting go of this.”

“Thank you A24 for believing in these two goofy, insanely smart, wonderful geniuses, [directors Daniel Kwan and Daniel Scheinert], who had the courage to write about a very ordinary immigrant, aging woman, mother, daughter,” she continued. “I was given this gift of playing this woman who resonated so deeply with me and with so many people because, at the end of the day, in whatever universe she was at, she was fighting for love, for her family.”

Demi Lovato’s ‘Holy Fvck’ Poster Banned in the U.K. for Being Offensive to Christians

Posters promoting Demi Lovato‘s newest album, Holy Fvck, have been banned in the United Kingdom with the provocative visual being deemed potentially offensive to Christians.

Great Britain’s Advertising Standards Authority announced the decision on Wednesday (Jan. 11) after starting an investigation into the promo material that started popping up all over London. Four people ultimately complained to the watchdog group about the posters’ content, which featured the album’s subversive cover art, according to a report by CNN.

“We considered that the image of Ms. Lovato bound up in a bondage-style outfit whilst lying on a mattress shaped like a crucifix, in a position with her legs bound to one side which was reminiscent of Christ on the cross, together with the reference to ‘holy fvck’, which in that context was likely to be viewed as linking sexuality to the sacred symbol of the crucifix and the crucifixion, was likely to cause serious offense to Christians,” the ASA said in a statement about its decision.

Billboard has reached out to Lovato for comment.

The singer herself had previously wondered how the album could be promoted on radio and in the press when she chose the name of the album. “I remember being the one asking questions, like, ‘Am I gonna be able to say this? And what do I say instead?’” the singer recalled in a July interview with SiriusXM. “And it’s just like, look, it’s f–king rock n’ roll. They’ll bleep you if they need to and, like, if they don’t, even better.”

At the time of its release, Holy Fvck debuted at No. 7 on the Billboard 200 and has spawned singles “Skin of My Teeth,” “Substance” and “29.” It also bowed at No. 1 on Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums, earning Lovato their first chart-topping hat trick on those three tallies.

See Lovato’s album cover image below:

6 Things You Didn’t See on TV at the 2023 Golden Globes

The 2023 Golden Globes took over the Beverly Hilton in Los Angeles, Calif., on Tuesday (Jan. 10), where the biggest names in television and film gathered to celebrate an impressive year of entertainment.

The top film prizes of the night went to The Fabelmans (drama) and The Banshees of Inisherin (musical or comedy), while the big TV awards went to House of the Dragons (drama), Abbott Elementary (musical or comedy) and The White Lotus (limited series, anthology series or a motion picture made for television).

Meanwhile, in the music world, Justin Hurwitz won best original score for Babylon, while “Naatu Naatu” from RRR was named best original song.

Beyond the onscreen excitement, moving speeches and viral-worthy moments, even more fun went down behind the scenes. Billboard was on site at the Golden Globes and the afterparty, and we’re breaking down the six best moments you didn’t see on TV. Check them out below.