Music

Jeff Beck: 12 Surprising (But Essential) Career Moments

The late Jeff Beck’s career was marked by an abundance of excellence. And surprises.

From his playing choices to his stylistic maneuvering and frequent changes of personnel, Beck made a career out of keeping everyone guessing — including those who played with him. He was a restless chameleon, starting in rock and blues and then incorporating jazz – mostly of the ‘70s electric fusion variety – into his mix, achieving mastery on all fronts. But it was never just for change’s sake; Beck’s experiments and diversions almost always had purpose.

It worked out, of course. Beck – who passed away Tuesday (Jan. 10) at the age of 78 in England – was a two-time Rock and Roll Hall of Fame inductee (with The Yardbirds in 1992 and on his own in 2009) and won eight Grammy Awards, five of them for best rock instrumental performance. He also received the British Academy’s Ivor Novello Award for Outstanding Contribution to British Music in 2014 along with a slew of other honors. He’s universally acknowledged as one of the greatest guitar players of all-time, in any genre.

His skill on the instrument could and often did leave our jaws on the floor. But some of his decisions did the same — or at least made us raise our eyebrows. As we continue to celebrate one of (and to some, the) best proponent of the electric guitar, here’s a look back at a dozen of the most surprising moments in Beck’s long career.

Jack Harlow Super Bowl Ad Preview Hints a Spicy ‘Love Triangle’

Jack Harlow is getting an early jump on Super Bowl LVII in a new teaser for his big game Doritos commercial. In the 15-second clip that dropped on Thursday morning (Jan. 12), the “First Class” rapper runs a red carpet gauntlet as paparazzi scream his name, with one in particular smashing his face up against the limo window with a super important question.

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As Harlow gets a moment’s peace inside his ride and begins digging into a bag of the brand’s new sweet and tangy BBQ Doritos, the pap yells, “Is it true about the love triangle?” Harlow considers the question before popping a three-corner chip into his mouth and slyly saying, “Maybe.” The photog, however, mishears him and yells, “Baby? You’re having a baby?”

The full ad will drop closer to Super Bowl LVII on Feb. 12 at State Farm Stadium in Glendale, Arizona. Harlow is just one of the A-list names on tap for this year’s championship game, joining Rihanna, who will be headlining the halftime show.

Last month, Harlow landed at No. 8 on Billboard‘s list of greatest pop stars of 2022 after scoring a breakthrough year scoring hits including “Nail Tech” and “First Class” and landing a starring role in the remake of White Men Can’t Jump before releasing his album Come Home the Kids Miss You.

Last year’s viral Doritos SB ad was soundtracked by Queen’s 1984 hit “I Want to Break Free” and famously featured actor Matthew McConaughey in the bizarro role of #FlatMatthew. The 2020 version featured a dance-off between Lil Nas X and Sam Elliott in a wild west showdown cued to LNX’s global hit “Old Town Road.”

Check out Harlow’s ad preview below.

Chartbreaker: Phony Ppl’s Prospects are ‘Up,’ Thanks to a Timeless ’80s Sample

Just before 2022 came to a close, Phony Ppl ended the year on a hard-earned high. One month after releasing its third album, Euphonyus, in November, the act celebrated with a pair of nearly sold-out shows at Sounds of Brazil in Manhattan’s Hudson Square neighborhood. The five-piece band opened the sets with “Nowhere But Up,” an uptempo, feel-good track that was beginning to take off at radio.

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“It’s one of those songs that’s just as easy to digest for a newcomer as a fan that’s been there for 25 shows in a row,” says drummer Matt “Maffyuu” Byas. “It invokes a lot of energy and optimism” — two things the band has in spades. Last year, Phony Ppl embarked on an 18-date Nowhere But Up tour, testing the song live long before it arrived.

Phony Ppl

Clockwise from top left: Matt “Maffyuu” Byas, Elijah Rawk, Aja Grant, Elbee Thrie and Bari Bass of Phony Ppl photographed on December 28, 2022 at S.O.B.’s in New York, NY.

Krista Schlueter

Formed as a nine-piece collective in Brooklyn in 2010, Phony Ppl’s members all met in high school, and the current lineup is a tight roster of classically trained musicians, including Byas, vocalist Elbee Thrie, guitarist Elijah Rawk and brothers Aja Grant (keyboard) and Bari Bass (bass). Phony Ppl’s debut, Yesterday’s Tomorrow, arrived in 2015 as a blend of soul, R&B, jazz and rock. Its second album, 2018’s mō’zā-ik, was the first official release on 300 Entertainment following a distribution deal in 2014, development deal in 2017 and a record deal at the start of 2020.

“The way they treat one another and the democratic style in which they operate is a very unique situation,” says the band’s manager Jon Kaslow, who worked as Kid Cudi’s tour DJ and musical director before getting into management (he first met Phony Ppl through former member Dyme-A-Duzin). “Transparently, sometimes you want someone to just say, ‘It’s my way or the highway,’ because then a decision gets made. But that’s not who they are and that’s not what our team is.”

“The thing about Phony Ppl is we have different angles of thinking about everything,” adds Grant. “We’ve put trust in each other.”

Phony Ppl

Clockwise from top left: Aja Grant, Matt “Maffyuu” Byas, Elijah Rawk, Elbee Thrie and Bari Bass of Phony Ppl photographed on December 28, 2022 at S.O.B.’s in New York, NY.

Krista Schlueter

The sunny outlook of “Nowhere But Up” not only taps into Phony Ppl at its core, but signals the return of its mainstream momentum. The band hit a stride at the top of 2020 thanks to a collaboration with 300 Entertainment labelmate Megan Thee Stallion titled “Fkn Around.” The hand-clapping groove, which they live debuted during Meg’s NPR Tiny Desk concert in 2019, reached No. 7 on Billboard’s Adult R&B Airplay chart and put Phony Ppl on radio’s radar. 

Then, the pandemic hit. “Especially since we couldn’t tour, they were great about doing call-ins and Instagram Lives with program directors and DJs at stations that were supporting the record,” says Kaslow. “The band learned that radio is important and our very strong performance on ‘Fkn Around’ gave us that initial momentum.” 

And though the pandemic also delayed Euphonyus longer than the band would have liked, they now see the extra time as something that improved the album. “It allowed us time to really zero in,” says Byas. “And a lot of tracks that in 2019 were considered done, we got to open those back up — and make new songs.”

Grant recalls the night that producer Ivan Barias (who the band worked with on “Fkn Around”) hit him up with the idea for “Nowhere But Up” back in 2020. “At like, two in the morning, he was like, ‘Yo, Aja, listen to this song.’ I was thinking he was trying to put me on to something and I was like, ‘Ivan, I know this song.’ I’m not that young.” 

Barias had sent him “I Didn’t Mean To Turn You On,” the synth-funk debut hit from mid-80’s rhythmic pop star Cherrelle. The producer then instructed him to open Ableton and play the chords, part of what Grant now calls “an experiment” during which the two jammed over Zoom. Weeks later, the band met in Philadelphia to finish recording the album and decided to add the new track. “When the music was presented, I just felt fireworks,” recalls Thrie. 

But when he learned the song was built on a sample (unlike his bandmate, he was initially unfamiliar with the Cherrelle hit, written by songwriting duo Jimmy Jam and Terry Lewis) he had hesitations. “My emotions changed about the idea. ‘How can I still feel excited writing this music knowing it’s not something we created from scratch?’ ” he questioned. “But at a certain point I was like, ‘Let’s just do what we can do.’ If we were to sample something, let’s make it the best we can.”

“It keeps songs and artists’ memories alive and sends it down another generation,” says Bass of sampling. “And I think that’s a lesson that we were learning.” Adds Rawk: “It’s important that whatever we’re trying to do, our intention matches our execution.”

Phony Ppl

From left: Bari Bass, Matt “Maffyuu” Byas, Elbee Thrie, Elijah Rawk and Aja Grant of Phony Ppl photographed on December 28, 2022 at S.O.B.’s in New York, NY.

Krista Schlueter

The end result was exactly what the band and its team had hoped for: a growing radio smash. Kaslow credits 300’s Shadow Stokes, executive vp of promotions, for getting Phony Ppl right back on the airwaves — and the airplay charts — today, as if no time had passed. “He went back and did the rounds with a lot of people. Like, ‘Hey, remember these guys that had that record with Meg? This is their new song.’ ” As a result, “Nowhere But Up” currently sits at No. 30 on the R&B/Hip-Hop Airplay and could soon enter the top 10 on Adult R&B Airplay.

And though Kaslow admits he sent “Nowhere But Up” to some A&Rs to see about a potential feature, he believes it was important for the band to have a hit without another name attached. Still, Thrie views the song as a collaboration of sorts, citing Jam and Lewis as unofficial features. “They cleared it, but I hope that they really enjoy the song,” he says. “And they’re not like, ‘These young motherf–kers just ran with our s–t!’ ”

Soon, it will become a sprint. Kaslow is preparing to get Phony Ppl back to “a full-time touring act, both domestically and internationally.” “Phony Ppl’s superpower is their live show,” says Lallie Jones, vp of marketing for 300 Entertainment, while teasing a global tour and upcoming festival appearances. 

Meanwhile, the band is brainstorming just how far its hit can go — from a 50-piece orchestral rendition to a FIFA placement to becoming an airline’s official song. Grant’s wish is a bit more simple: “I just really hope this song goes nowhere but up — and that’s the corniest thing I could say.”

Phony Ppl

From left: Matt “Maffyuu” Byas, Aja Grant, Elbee Thrie, Bari Bass and Elijah Rawk of Phony Ppl and Jonathan Kaslow photographed on December 28, 2022 at S.O.B.’s in New York, NY.

Krista Schlueter

Guess Who’s Back? Selena Gomez Returns to Instagram After Four Years: ‘Can You Tell I’m Back?’

Selena Gomez is back. The singer and Only Murders in the Building star who was the second-most-followed woman on Instagram when she quit the social network more than four years ago quietly returned on Wednesday (Jan. 11) with a low-key series of bathroom selfies and the message, “Wait can you tell I’m back on Instagram?”

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A year ago, Gomez opened up to InStyle about her troubled relationship with the app, on which she now has 369 million followers. “I became aware that my little world is complicated, but the picture is much bigger than the stuff I deal with. I have problems with depression and anxiety, and I found it difficult for me to be me,” she told the publication at the time. “I didn’t want to post anything on social media because I realized that I was in a situation where I was extremely blessed. What could I possibly post or say?”

So, Gomez, 30, deleted Insta from her phone and turned the keys over to a member of her team after realizing that she had an unhealthy relationship with the app and other forms of social media. “At one point Instagram became my whole world, and it was really dangerous. In my early 20s, I felt like I wasn’t pretty enough. There was a whole period in my life when I thought I needed makeup and never wanted to be seen without it,” said the singer who has been open about her struggles with bipolar disorder and anxiety in the past.

“The older I got, the more I evolved and realized that I needed to take control of what I was feeling. I wanted to be able to look in the mirror and feel confident to be who I am,” she explained. “Taking a break from social media was the best decision that I’ve ever made for my mental health. I created a system where I still don’t have my passwords. And the unnecessary hate and comparisons went away once I put my phone down. I’ll have moments where that weird feeling will come back, but now I have a much better relationship with myself.”

Check out Gomez’s post below.

If you or anyone you know is struggling with mental health issues, reach out to SAMHSA’s National Helpline at 1-800-662-HELP (4357) for free, confidential support and resources 24/7.

Fall Out Boy Tease Apocalyptic New Single, ‘Love From the Other Side’

Fall Out Boy are storming into 2023 with a vengeance. The first taste of new music from the follow-up to 2018’s MANIA album was revealed in a 13-second clip featuring the Chicago-bred group’s signature urgent emo-tinged rock. “Sending my love from the other side/ The apocalypse/ And I just about snapped/ Don’t look back/ Every lover’s got a little dagger in their hand,” singer Patrick Stump rages over a rush of pop-punk energy.

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In the tease posted on Wednesday afternoon (Jan. 11), the band also revealed that the song is due out on Jan. 18 and that there is “lots more to come soon.”

FOB has been teasing their eight album for months, explaining in a new year’s note to fans that they, “spent the last year jamming ideas in a tiny room [and] can’t wait to share them with you,” adding, “Thanks for always sticking around. Thanks for working the beat. Spoiler alert: we got more than a gold watch coming for you next year.”

The update was the follow-up to a nearly two-minute animated claymation video they dropped in late Dec. — A Claymation Fall Out Boy Celebration — starring a cute black dog, vomiting neon hands and a magical land of bizarre, shape-shifting creatures with what sounded like a brief snippet of new music. The video and note appear to be part of a long tease for the as-yet-untitled album, whose release date has not yet been announced.

The update for fans was also preceded by a website announcing “greetings from pink seashell beach,” with an image of a shell (inscribed with the hint “the answers are all inside of this”) that flips over when clicked to reveal a baseball on the other side and the message “the beach was never real. None of it is”; some fans also received cryptic postcards with the words “Pink Seashell Beach” on them and the message, “I saw you in a bright clear field. Hurricane heat in my head. The kind of pain you feel to get good in the end. Inscribed like stone and faded by the rain: ‘Give up what you love give up what you love before it does you in…’”

The shell game reportedly continued this week when Bring Me the Horizon singer Oli Sykes revealed in his Instagram Story that he’d received a box featuring a giant numbered seashell and a note with the single’s title on it. “wtf what is this & why is it at my house,” Sykes wrote.

Before that, fans also posted images of a full-page ad FOB took out in their hometown Chicago Tribune in late November that read “FOB 8: If you build it, they will come.” At press time no additional information was available on follow to MANIA, which featured the singles “Young and Menace,” “Champion” and “The Last of the Real Ones.”

Check out the “Love From the Other Side” preview below.

Keith Richards Promises ‘New Music’ On the Way: ‘Hopefully We’ll Get to See You’

Keith Richards is promising some big things in 2023. In a video posted on his socials on Wednesday (Jan. 11) the Rolling Stones guitarist and solo bandleader gave fans something to get excited about when he gave an update on the plans for this year.

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“Hi guys, here we are again. Wishing you all a belated Happy New Year,” said Richards in the 15-second clip in which he looks super-chill hanging in a tropical-looking locale in round shades, a green t-shirt and matching headband. “There is some new music on the way and hopefully we’ll get to see you. Anyway, let’s keep our fingers crossed.”

While Richards did not specify who the music was coming from, there have been ongoing rumblings about the band’s first album of new material since 2005’s A Bigger Bang. At press time there was no official announcement about the follow-up to 2016’s covers album, Blue & Lonesome, guitarist Ronnie Wood reportedly confirmed to The Sun in October that the band’s firsts new album in nearly two decades will drop this summer and that it will feature some drumming from late timekeeper Charlie Watts, who died at 80 in August 2021.

At the time, Wood said the band was slated to finish tracks in Los Angeles in late 2022 and that it will feature playing from Watts and and touring drummer Steve Jordan; the unnamed album will be the first one from the group recorded without Watts.

In the meantime, fans can slake their third for Stones classics with the upcoming definitive live album, GRRR Live!, which is due out on Feb. 10. The 24-track collection features the biggest hits from throughout the legendary band’s 60-year career, including “Honky Tonk Women,” “Start Me Up,” “Get Off of My Cloud,,” “Paint it Black” and “Miss You.”

The Rock and Roll Hall of Famers celebrated their 50th anniversary in 2012 and 2013 on the 30-show 50 & Counting Tour, which included a Dec. 15, 2012 show at Newark, New Jersey’s Prudential Center that featured a number of special guests. Some of those performances are chronicled on the album, including collabs with the Black Keys (“Who Do You Love?”), Lady Gaga (“Gimme Shelter”), Gary Clark Jr. and John Mayer (“Going Down”), former guitarist Mick Taylor (“Midnight Rambler”) and Bruce Springsteen (“Tumbling Dice.”) After its original airing on pay-per-view in 2012, recordings of the anniversary shows have not been available to fans until now.

Check out Richards’ message here.

Joni Mitchell Is the 2023 Recipient of Gershwin Prize for Popular Song

Joni Mitchell will be the 2023 recipient of the Library of Congress Gershwin Prize for Popular Song.

Mitchell is the third woman to receive the honor, following Carole King and Gloria Estefan, who was honored alongside her husband, Emilio Estefan. Mitchell, who was born in Canada, is the third person born outside the U.S. to receive the honor, following Paul McCartney (who was born in England) and the Estefans (who were both born in Cuba).

Mitchell will receive the award at an all-star tribute concert in Washington, D.C., on March 1. PBS stations will broadcast the concert at 9 p.m. ET on Friday, March 31, and on PBS.org and the PBS Video App. The show, titled “Joni Mitchell: The Library of Congress Gershwin Prize for Popular Song,” is a co-production of WETA Washington, D.C., Ken Ehrlich Productions and the Library of Congress.

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“Joni Mitchell’s music and artistry have left a distinct impression on American culture and internationally, crossing from folk music with a distinctive voice whose songs will stay with us for the ages,” Carla Hayden, the Librarian of Congress, said in a statement. “Joni Mitchell’s music has so many artists and music lovers all singing her tunes. We are honored to present the Gershwin Prize to this musical genius.”

“This is a very prestigious award,” Mitchell said. “Thank you for honoring me.”

In making the selection, the Librarian of Congress consulted leading members of the music and entertainment communities, as well as curators from the Library’s Music Division, American Folklife Center and National Audio-Visual Conservation Center.

Mitchell redefined the role of women musicians in popular music. She oversaw all aspects of her albums, including songwriting, arrangements, performance, production and artwork.

Mitchell, 79, was inducted into both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame in 1997. She received the Kennedy Center Honors in 2021. A nine-time Grammy winner, Mitchell received a lifetime achievement award from the Recording Academy in 2002 and was named MusiCares person of the year in 2022.

Mitchell has also received the Polar Music Prize and an honorary doctorate from the Berklee College of Music.

In Canada, Mitchell has received the Governor General’s Performing Arts Award for Lifetime Artistic Achievement, Canada’s highest honor in the performing arts, and has been named a Companion of the Order of Canada, Canada’s highest civilian honor.

Mitchell has amassed three top 10 albums on the Billboard 200, though that number doesn’t begin to do justice to her impact and influence. Her highest charting albums are Court and Spark, which logged four weeks at No. 2 in 1974, and the live album Miles of Ailes, which hit No. 2 in February 1975.

Mitchell’s first top 10 hit on the Billboard Hot 100 as a songwriter was “Both Sides Now” (No. 8 for Judy Collins in December 1968). Her first (and only, to date) top 10 hit as an artist was “Help Me” (No. 7 in June 1974).

Mitchell recently launched the Joni Mitchell Archives, which began with her curating her vast catalog to reveal hours of previously unissued studio and live recordings. In 2022, Mitchell won a Grammy for producing the first volume in the series, Joni Mitchell Archives Vol. 1: The Early Years (1963 to 1967).

This is looking to be another landmark year for Mitchell as she brings her Joni Jam to the stage for her first headlining concert in more than two decades at Washington State’s Gorge Amphitheatre in June.

Named in honor of the legendary songwriting team of George and Ira Gershwin, the Library of Congress Gershwin Prize for Popular Song is the nation’s highest award for influence, impact and achievement in popular music.

Established in 2007, the prize honors living musical artists whose contributions in the field of popular song exemplify the standard of excellence associated with the Gershwin brothers. Criteria for selection include artistic merit; influence in promoting music as a vehicle of cultural understanding; impact and achievement in entertaining and informing audiences; and inspiring new generations of musicians.

The honoree is selected by the Librarian of Congress in consultation with a board of scholars, producers, performers, songwriters and other music specialists.

Previous recipients are Paul Simon, Stevie Wonder, McCartney, Burt Bacharach and Hal David, King, Billy Joel, Willie Nelson, Smokey Robinson, Tony Bennett, the Estefans, Garth Brooks, and Lionel Richie.

The Gershwin name is used courtesy of the families of George Gershwin and Ira Gershwin. As the Library of Congress reminds us, GERSHWIN® is a registered trademark of Gershwin Enterprises.

Nick Cave Has Begun Work on a New Bad Seeds Album

It’s a New Year, and Nick Cave has the Bad Seeds on his mind.

Writing on his blog The Red Hand Files, the Australian alternative rock icon confirms his 2023 wishlist includes a new record with his long-standing band.

Responding to a fan’s question, Cave writes, “My plan for this year is to make a new record with the Bad Seeds. This is both good news and bad news. Good news because who doesn’t want a new Bad Seeds record? Bad news because I’ve got to write the bloody thing.”

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The album that transpires will be the followup to 2021’s Ghosteen, a two-disc album that explores Cave’s exposure to grief and pain, following the sudden death of his son Arthur in 2015. Ghosteen, the 17th recording from Nick Cave and The Bad Seeds, cracked the top 5 in Australia (peaking at No. 2) and the U.K. (No. 4), and was shortlisted for several major music awards, including the Australian Music Prize and the U.K.’s Ivor Novello Awards.

Cave is making headway.  The process started Jan. 1, and, by Jan. 6 he’d “written a few things but they aren’t very good, or maybe they are, it’s difficult to tell. A kind of doldrums has set in, perennial and predictable. It’s the same with every record, I feel that familiar feeling of lack, like I’m a big, dumb blank thing in a suit.”

The creativity is there, deep down, hopefully, he points out. “I have to call it forth, provoke it from its slumber. It becomes a nasty, punishing, baggy-eyed business. I’m starting to get an infuriating sing-song voice in my head that actually rhymes, like a madness. Like sadness.”

Those first few lines include a dark tale that harks back to 1996’s The Murder Ballads: “Ushering in the year he knelt down/And crushed his brother’s head with a bone.”

That “felt like an okay way to start a record,” he notes, and additional lyrics would flow.

Cave recently wrapped a well-received tour of Australia with his longtime Bad Seed and Dirty Trio collaborator Warren Ellis, in support of 2022’s Carnage, the first album of material they’d cut and released as a duo.

Last September, Cave announced the release of a new book Faith, Hope and Carnage, co-written with journalist Seán O’Hagan, in which the two examine questions of faith, art, music, freedom, grief and love over 40 hours in conversation.

The prolific singer, songwriter, bandleader, novelist and screenwriter is a national treasure in Australia, where he was inducted into the ARIA Hall of Fame in 2007, and he’s considered something of a living legend in the U.K., his adopted homeland.

Read Cave’s blog post here.

Red Stewart Remembers Jeff Beck: He ‘Was On Another Planet’

Rod Stewart is remembering Jeff Beck as “the greatest,” an otherworldly axeman with whom he formed one of rock music’s hallowed partnerships more than 50 years ago.

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Beck, who passed away Tuesday (Jan. 10) after contracting bacterial meningitis, at the age of 78, was a guitarist “on another planet,” Stewart recounts in a social post.

Posting a picture of the pair together, he writes that Beck “took me and Ronnie Wood to the USA in the late 60s in his band the Jeff Beck Group and we haven’t looked back since. He was one of the few guitarists that when playing live would actually listen to me sing and respond. Jeff, you were the greatest, my man. Thank you for everything. RIP”.

Beck tapped Stewart in 1967 to join his post-Yardbirds project as singer and occasional songwriter. Stewart performed on the albums Truth (from 1968) and Beck-Ola (1969), both cracking the U.S. top 20 and kick-starting Stewart’s Hall of Fame career.

As the decades passed, the magic was still there. In 1985, the pair reunited on “People Get Ready,” a rare hit under Beck’s own name which charted in the U.S., Australia and Europe.

The legendary, late guitarist is considered one of the most gifted musicians to play the six-string, proof of which can be seen in the outpouring from the music community, as the likes of Mick Jagger, David Gilmour, Jimmy Page, Ronnie Wood, Tony Iommi and Buddy Guy pay tribute on social media. The estates of John Lennon, David Bowie, Jimi Hendrix, and others also paid their respects.

“Now Jeff has gone,” writes Ronnie Wood, “I feel like one of my band of brothers has left this world, and I’m going to dearly miss him. I’m sending much sympathy to Sandra, his family, and all who loved him. I want to thank him for all our early days together in Jeff Beck Group, conquering America.”

Along the way, Beck won eight Grammys and was nominated 17 times throughout his career, and was inducted into the Rock and Roll Hall of Fame twice — as a member of the Yardbirds in 1992 and as a solo performer in 2009.

Stewart has endured a particularly difficult stretch of late, with two of his brothers dying in as many months during 2022. The two-time Hall of Famer is slated to tour North America, Australia and New Zealand in 2023, while also slotting into a residency at the Colosseum at Caesars Palace in Las Vegas in May.

Zendaya, Austin Butler & More Score 2023 SAG Awards Nominations

A day after winning at the 2023 Golden Globes, Zendaya and Austin Butler have a new awards show to look forward to: the 2023 Screen Actors Guild Awards.

Both young superstars scored nominations Wednesday (Jan. 11) at the SAG Awards – Butler for outstanding performance by a male actor in a leading role for his electric breakthrough role as Elvis in Baz Luhrmann’s 2022 biopic of the music icon and Zendaya for outstanding performance by a female actor in a drama series for her second season as Rue in HBO’s Euphoria. It’s the first SAG nomination for both actors.

The Banshees of Inisherin and Everything Everywhere All at Once dominate the film nominations, with five nods each, while Ozark and Dahmer – Monster: The Jeffrey Dahmer Story lead TV nods with four apiece.

The 2023 SAG Awards will take place Feb. 26 and air live on Netflix for the first time. See the full list of nominees below:

FILM

Outstanding Performance by a Cast in a Motion Picture
Babylon
The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Women Talking

Outstanding Performance by a Male Actor in a Leading Role
Austin Butler, Elvis
Colin Farrell, The Banshees of Inisherin
Brendan Fraser, The Whale
Bill Nighy, Living
Adam Sandler, Hustler

Outstanding Performance by a Female Actor in a Leading Role
Cate Blanchett, Tár
Viola Davis, The Woman King
Ana de Armas, Blonde
Danielle Deadwyler, Till
Michelle Yeoh, Everything Everywhere All at Once

Outstanding Performance by a Male Actor in a Supporting Role
Paul Dano, The Fabelmans
Brendan Gleeson, The Banshees of Inishirin
Barry Keoghan, The Banshees of Inisherin
Ke Huy Quan, Everything Everywhere All at Once
Eddie Redmayne, The Good Nurse

Outstanding Performance by a Female Actor in a Supporting Role
Angela Bassett, Black Panther: Wakanda Forever
Hong Chau, The Whale
Kerry Condon, The Banshees of Inisherin
Jamie Lee Curtis, Everything Everywhere All at Once
Stephanie Hsu, Everything Everywhere All at Once

Outstanding Performance by a Stunt Ensemble in a Motion Picture
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Top Gun: Maverick
The Woman King

TELEVISION

Outstanding Performance by an Ensemble in a Drama Series
Better Call Saul
The Crown
Ozark
Severance
The White Lotus

Outstanding Performance by an Ensemble in a Comedy Series
Abbott Elementary
Barry
The Bear
Hacks
Only Murders in the Building

Outstanding Performance by a Female Actor in a Drama Series
Jennifer Coolidge, The White Lotus
Elizabeth Debicki, The Crown
Julia Garner, Ozark
Laura Linney, Ozark
Zendaya, Euphoria

Outstanding Performance by a Male Actor in a Drama Series
Jonathan Banks, Better Call Saul
Jason Bateman, Ozark
Jeff Bridges, The Old Man
Bob Odenkirk, Better Call Saul
Adam Scott, Severance

Outstanding Performance by a Female Actor in a Comedy Series
Christina Applegate, Dead to Me
Rachel Brosnahan, The Marvelous Mrs. Maisel
Quinta Brunson, Abbott Elementary
Jenna Ortega, Wednesday
Jean Smart, Hacks

Outstanding Performance by a Male Actor in a Comedy Series
Anthony Carrigan, Barry
Bill Hader, Barry
Steve Martin, Only Murders in the Building
Martin Short, Only Murders in the Building
Jeremy Allen White, The Bear

Outstanding Performance by a Male Actor in a Television Movie or Limited Series
Steve Carell, The Patient
Taron Egerton, Black Bird
Sam Elliott, 1883
Paul Walter Hauser, Black Bird
Evan Peters, Dahmer – Monster: The Jeffrey Dahmer Story

Outstanding Performance by a Female Actor in a Television Movie or Limited Series
Emily Blunt, The English
Jessica Chastain, George & Tammy
Julia Garner, Inventing Anna
Niecy Nash-Betts, Dahmer – Monster: The Jeffrey Dahmer Story
Amanda Seyfried, The Dropout

Outstanding Performance by a Stunt Ensemble in a Television Series
Andor
The Boys
House of the Dragon
The Lord of the Rings: The Rings of Power
Stranger Things