Music

Drake Calls AI-Generated Cover of Him Rapping Ice Spice’s ‘Munch’ ‘The Final Straw’

Drake is in his feelings.

On Friday (April 14), the chart-topping artist took to Instagram to voice his opinion about AI-generated versions of his voice, particularly a video that features him rapping Bronx artist Ice Spice’s “Munch.”

“This is the last straw,” he wrote on his story, along with a post about the AI clip. The pairing of Drake with Ice Spice is particularly interesting, given the rappers’ history. While Drake was an early advocate of Ice Spice, born Isis Gaston, he unfollowed her on Instagram, something Gaston had no explanation for in interviews. However, shortly after, he re-followed her.

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Drake’s complaint comes after Universal Music Group asked streaming services including Spotify and Apple Music to prevent artificial intelligence companies from accessing their copyrighted songs. AI companies would use the music to “train” their machines, something that is becoming a cause for concern within the music industry.

In an email sent to Spotify, Apple Music and other streaming platforms, UMG said that it had become aware that certain AI services had been trained on copyrighted music “without obtaining the required consents” from those who own the songs.

“We will not hesitate to take steps to protect our rights and those of our artists,” UMG warned in the email, first obtained by the Financial Times. Billboard confirmed the details with sources on both sides. Although there isn’t clarity on what those steps would be or what streaming platforms can do to stop it, labels and artists alike seem aligned about a needed change.

UMG later issued a statement regarding the email sent to DSPs. “We have a moral and commercial responsibility to our artists to work to prevent the unauthorized use of their music and to stop platforms from ingesting content that violates the rights of artists and other creators. We expect our platform partners will want to prevent their services from being used in ways that harm artists,” it read.

Other AI covers making the rounds include Rihanna singing Beyoncé’s “Cuff It,” which sounded relatively believable, aside from a glitch during a melodic run.

While the implications of artificial intelligence poking its head into music can be scary for artists and labels alike, it’s hard not to smirk at Drizzy rapping, “A– too fat, can’t fit in no jeans.”

SEVENTEEN Fight for Their Lives in Cinematic ‘FML’ Trailer

SEVENTEEN unveiled “F*ck My Life: Life in a Minute,” the intense trailer for their upcoming mini-album FML, on Friday (April 13).

“How do you define the world that surrounds you?” an unseen narrator asks over dramatic, dystopian visuals of security officers wielding orange batons and a car crash. “In the middle of this f–king world. You’re not allowed to feel happy. But you deserve to be happy. So fight. Fight for your life.”

As one member drops a pin emblazoned with the latter phrase, the rest of the idols do just that — smashing a television with a baseball bat, gazing up at the stars surrounded by telescopes and sitting on a serene beach as the narration continues: “Be an explorer. Be spontaneous. Break free from the perfectly unhappy world. Where are we going? How’s it going to end?”

The clip ends with all 13 members ecstatically racing down a beach towards an awaiting speedboat before the scene fades to black and the narrator concludes, “Inspired by everyone around the world. Coming soon.”

FML is set to be released April 24, just nine months after the boy band’s most recent full-length SECTOR 17. According to the tracklist released earlier this month on Twitter, the mini-album will contain six tracks including “F*ck My Life,” “Fire,” “I Don’t Understand But I Luv U,” “Dust” and “April shower.”

Sub-unit BSS, made up of Seungkwan, DK & Hoshi, also dropped their new single album Second Wind back in February with guest appearances by Korean hip-hop star Lee Youngji (lead single “Fighting”) and Norwegian singer-songwriter Peder Elias (“7PM”).

Watch SEVENTEEN chase happiness in the trailer for FML below.

Morgan Wallen Scores His Ninth Country Airplay Top 10 — And Makes Chart History

Morgan Wallen notches his ninth top 10 on Billboard’s Country Airplay chart, as “One Thing at a Time” rises to No. 10 on the list dated April 22.

In the week ending April 13, the song gained by 9% to 17.3 million impressions, according to Luminate.

The track is the title cut to Wallen’s latest LP, which has spent its first five weeks at No. 1 on the Top Country Albums chart, as well as the all-genre Billboard 200. It drew 173,000 equivalent album units in the week ending April 6.

Meanwhile, Wallen becomes the first artist to post three solely-billed songs simultaneously in the top 15 since Country Airplay began in January 1990. “Thought You Should Know,” which ruled for three weeks in February-March, ranks at No. 5 (22.8 million, down 4%) and “Last Night” leaps 17-13 (16.1 million, up 28%, good for Greatest Gainer honors).

Two other artists have charted three songs at once in the Country Airplay top 15 but with other credited acts: Tim McGraw, for two weeks in 2016 (thanks to collaborations with Big & Rich and Florida Georgia Line), and Kenny Chesney, for two frames in 2004 (Jimmy Buffett, Uncle Kracker).

The No. 1 song on the April 15-dated Billboard Hot 100, for a second nonconsecutive week, “Last Night” also pushes to No. 20 on Pop Airplay and No. 21 on Adult Pop Airplay and debuts at No. 27 on Adult Contemporary (all dated April 22).

‘Rock’ Steady

Meanwhile, Bailey Zimmerman’s “Rock and a Hard Place” becomes the first song to lead Country Airplay for four weeks in 2023 (34.2 million, down 1%).

The track is Zimmerman’s second straight career-opening Country Airplay No. 1, after “Fall in Love” led for one week in December. Plus, his new single, “Religiously,” ranks at No. 56 (980,000, up 3%).

Katy Perry Says She’s ‘Due’ for a Tour

While Katy Perry spent a good portion of 2022 dazzling The Theatre at Resorts World for her Las Vegas residency, it’s been six years since her last world tour in support of her fifth studio album, Witness.

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In a new interview with Out, Perry said that it’s about time she hits the road again. “I still love making music. I still love spreading light and love,” she told the publication. “I know there’s a lot of people who couldn’t make it to Vegas. The last time I was on tour was in 2018. I’m… due. How about that? I’m due to go out and see the kids that couldn’t make it to Vegas.”

As for her extravagant Vegas residency, titled Play, the 38-year-old superstar looks back on the experience fondly and with empowerment. “I’m just so proud of the show that we created and we put on. It is such a spectacular show that we love so much,” she shared. “It’s almost like the greatest hits show! I call it all thriller, no filler. I wish I could bring it to the rest of the world, but it’s just not technically possible to cart around OTT toilets and bathtubs. Closing a chapter on Play allows me to start a new chapter. I’m so excited for the potential of my story to continue.”

The power-packed set list kicked off with “ET,” “Chained to the Rhythm,” “Dark Horse” and “It’s Not the End of the World,” and included hits like “California Gurls,” “Hot N’ Cold/Last Friday Night,” “Waking up in Vegas,” “Bon Appetit,” “Daisies,” “I Kissed a Girl,” “Lost/Part of Me/Wide Awake,” “Swish Swish,” “When I’m Gone/Walking on Air!,” “Never Really Over,” “Teenage Dream,” “Smile” and Roar.”

Japan’s Fujii Kaze Announces First International Tour

J-pop singer-songwriter Fujii Kaze announced his first world tour, entitled “Fujii Kaze and the piano Asia Tour,” set to hit six cities in the region starting in Seoul, South Korea June 24.

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Fujii suddenly went viral in Thailand last July with his song “I’d Rather Die” (“Shinunoga E-Wa”) from his first album HELP EVER HURT NEVER from May 2020. This song has since gone global, spreading from Asian countries to Europe, Latin and North Americas, reaching No. 1 on Spotify’s viral charts in each region.

As the tour title suggests, the 25-year-old artist’s first international trek will feature an intimate set with just the star and a piano. After kicking off in Seoul, the singer will travel to Bangkok, Jakarta, Kuala Lumpur, Taipei, and Hong Kong for a total of eight shows. 

The official tour image, teaser and new artist photo also dropped, featuring the young star with a new look. Vinyl editions of Fujii’s first album and sophomore set LOVE ALL SERVE ALL will be released in the touring markets and rereleased in Japan in conjunction with the tour.

See the tour dates and teaser below:

June 24 – Seoul, South Korea Kwangwoon University Donghae Culture & Arts Center
July 1 & 2 – Bangkok, Thailand KBank Siam Pic-Ganesha Theatre
July 7 – Jakarta, Indonesia Kasablanka Hall
July 9 – Kuala Lumpur, Malaysia Zepp Kuala Lumpur
July 22 – Taipei, Taiwan Taipei International Convention Center (TICC)
July 29 & 30 – Hong Kong Academic Community Hall, HKBU

JO1’s ‘Tiger’ Rises to No. 1 on Japan Hot 100

JO1’s “Tiger” hits No. 1 on this week’s Billboard Japan Hot 100, rocketing from No. 84 on the chart dated April 12.

On the chart tallying the week from April 3 to 9, “Tiger” launched with 416,473 CDs and ruled sales while also dominating radio airplay and downloads. The 11-member boy band’s seventh single also came in at No. 31 for streaming and No. 61 for video views.

Veteran rock band BUMP OF CHICKEN’s new single “SOUVENIR” rises to No. 2 on the Japan Hot 100, powered by sales (58,799 singles sold in its first week, No. 2) and downloads (No. 19). The track is currently at No. 91 for radio and not yet charting in the top 100 for streaming and video, so how these metrics with room for improvement fare in the coming weeks is something to keep an eye on.

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Kenshi Yonezu’s “LADY” has been steadily improving in streaming, rising 23-18 for the metric with 4,222,153 weekly streams. The music video dropped this week and racked up 807,887 views to come in at No. 16 for the metric, so combined with strong radio and downloads, the track moves 7-5 on the Japan Hot 100 this week.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

For the full Billboard Japan Hot 100 chart, tallying the week from to Apr. 3 to 9, see here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Rich Paul Had an Adorable Moment With Adele While Livestreaming

Rich Paul was streaming on Twitch on Thursday (April 13), when he got a quick phone call from his girlfriend Adele.

The sports agent’s phone began ringing while he was live with content creator Kai Cenat, and when he answered the FaceTime, the “Easy on Me” singer is heard saying on the other end, “Hey baby!”

“I’m streaming, I’ll call you right back,” he told the superstar.

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The Grammy-winning superstar and the Klutch Sports Group founder took their relationship public in the summer of 2021, when they were seen watching a basketball game between the Milwaukee Bucks and Phoenix Suns. In September, Adele shared a series of photos from another wedding — NBA star Anthony Davis and Marlen P’s — including a sweet photo booth snap of the couple.

During her One Night Only special with Oprah Winfrey, Adele opened about how happy Paul makes her. “He’s just hilarious. And very smart. It’s quite incredible watching him do what he does,” she told Winfrey also sharing that she’s experiencing the first time she’s ever “loved myself and been open to loving and being loved by someone else.”

Sara Bareilles, Vanessa Williams, Ledisi & More in ‘Great Performances: Celebrating 50 Years of Broadway’s Best’

Sara Bareilles, Vanessa Williams and Ledisi are among the artists who will be featured on Great Performances: Celebrating 50 Years of Broadway’s Best, which premieres Friday, May 12, at 9 p.m. ET on PBS and the PBS app.

The program, which marks Great Performances’ golden anniversary, is a revue of milestone Broadway shows from 1973 to 2023. The special will feature a mix of original stars and up-and-coming talent. Hosted by two-time Tony winner Sutton Foster, the program was taped on March 23 at Lincoln Center’s David H. Koch Theater in New York.

Bareilles sings “She Used to Be Mine” from Waitress (for which she received a 2016 Tony nomination for original music score). Williams, who earned a 2002 Tony nod her performance in Into the Woods, performs a song from Kiss of the Spider Woman, which brought Broadway legend Chita Rivera her second Tony.

Other highlights of the special include Rivera performing her signature song “All That Jazz” from Chicago; André De Shields performing “So You Wanted to See the Wizard” from The Wiz; a tribute to A Chorus Line featuring Tony-winning original cast member Donna McKechnie joined by Robyn Hurder; and a tap number from Jelly’s Last Jam performed by Corbin Bleu.

Other performers on the show include Brian Stokes Mitchell, Jessie Mueller, Raúl Esparza, Shoshana Bean, Norm Lewis, Rob McClure, Patina Miller, Mamie Parris, Solea Pfeiffer, Britton Smith and Jessica Vosk.

The show features songs by such composers as Stephen Schwartz, John Kander & Fred Ebb, Fats Waller, Stephen Sondheim, Duke Ellington and Andrew Lloyd Webber.

Great Performances: Celebrating 50 Years of Broadway’s Best is directed and choreographed by Tony winner Warren Carlyle with Patrick Vaccariallo as music director. The program was directed for television by David Horn, produced by Mitch Owgang and co-produced and written by Dave Boone.

One week later, on Friday, May 19, at 9 p.m. ET, Great Performances will air the Public Theater’s Free Shakespeare in the Park production of Richard III starring Danai Gurira (Black Panther: Wakanda Forever, The Walking Dead) with Tony winner Ali Stroker (Oklahoma!) as Lady Anne. Tony nominee Robert O’Hara (Broadway’s Slave Play) directs this Shakespearean tragedy.

One week after that, on Friday, May 26, at 9 p.m. ET, there will be an encore presentation of Cole Porter’s classic 1934 musical Anything Goes, starring Foster (who won her second Tony for the 2011 Broadway production) as well as Tony winner Robert Lindsay. The show, restaged in London’s West End, was directed and choreographed by Kathleen Marshall. Featuring such classic songs as “I Get a Kick Out of You,” “You’re the Top” and the title song, the show first aired on PBS last year.

This is the season for Broadway programming. The 76th annual Tony Awards, hosted by Ariana DeBose, are set for Sunday, June 11. The show will be held at the United Palace in New York’s Washington Heights neighborhood.

Throughout its 50-year history on PBS, Great Performances has amassed 67 Emmy Awards and six Peabody Awards. The series is produced by The WNET Group. For Great Performances, Bill O’Donnell is series producer and David Horn is executive producer.

Lil Durk Launches the Durk Banks Endowment Fund With Amazon Music & Howard University: Exclusive

Being the Voice of the Streets, Lil Durk makes it a point to give back to the community through various endeavors while leveling up in his own career.

Durkio is looking to provide aid in the education department as Billboard learned on Friday (April 14) that the Chicago native has launched his Durk Banks Endowment Fund with Amazon Music’s Rotation, his Neighborhood Heroes foundation, and Howard University.

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The scholarship fund will provide a pair of Chicago-bred students with $50,000 checks toward their freshman tuition enrollment at the decorated HBCU.

“Change the narrative,” Lil Durk repeats in conversation with Billboard over the phone. “It’s stuff we never got a chance to do or somebody never did for us. A lot of people don’t do it as far as the music era that we’re in. In my age range, it’s more toward, ‘Let’s go feed them turkeys, let’s go feed them meals.’ My team came together where we turned it up a notch. I wanted to come up with something that was different and impactful.”

The 30-year-old OTF frontman went a step further and is also donating $250,000 to specifically help students hailing from Chicago eligible for Howard’s Graduation Retention Access to Continued Excellence (GRACE) Grant, which supports students financially in staying on course to graduate.

“For me to boost them up and get them to the next level, it was like a no-brainer,” he adds. “And this scholarship was a super-no-brainer for me. For me and my team, having my own scholarship is like a Grammy.”

Separate from the scholarship fund, Durk spent $100,000 on an all-expenses-paid trip for a group of 20 high schoolers to visit Howard University this week. The kids received the full college experience staying on-campus where they were paired with a Howard student mentor.

The recipients of the Durk Banks Endowment Fund will be presented with their scholarship on Friday when Durkio will be returning to campus and performing as the headliner for Howard University’s Springfest 2023.

Find the rest of our interview with Lil Durk below, which finds him touching on his own college aspirations, his anticipated The Voice 2.0 album, and more.

Billboard: Did you ever want to go to college or think about what life could look like if you went to college?

Lil Durk: Yeah, I always thought about it. It ain’t never too late. For me, it’s like, “Damn, they still going to school.” I got my G.E.D. books shipped in like two days ago. I just want to get my knowledge right … I just want to get smart all around the board. I was doing it last year but I wasn’t really focused.

I’m definitely taking G.E.D. classes, but of course, I’ma do my G.E.D. In my mind, it’s like keeping going on the knowledge. I wanna be super-smart and on point with everything from technology, music, streaming and any subject. 

We just rebooted with a smarter Durk, a better decision-making Durk, and we just got off the ground. Me understanding the business and understanding the importance of life. Like, back then, I’d hear [about] a scholarship [and go], “Oh cool, a college scholarship. Great.” Now, I’m like, “Damn, we’re helping these kids out who I’m seeing ride on the bus going to school.” It’s important for the growth on my end, and just seeing it for myself. 

How does the selection process for the scholarship go?

So we chose two people from my foundation and the rest gon’ be from Chicago kids who [are] struggling. So we made it where it’s all around the board helping out instead of sticking to different cities. They came from our struggle. 

We always see it on TV or on the internet, “Oh, he gave out a scholarship.” But at the time, I didn’t understand. Now it’s gonna be bigger than life when we do it. 

When are we getting The Voice 2.0 — what can fans expect?

It’s coming. I promise you when it drop, I’ma give y’all therapy. All the things going on and the world wondering, and then I give them the truth and the facts on the album — it’s gonna be mindblowing. You gonna do a U-turn. This is like our breakthrough. 

There ain’t no pressure. The talent and the growth always been there. It just the things around it making it more bigger, like doing the scholarships, being more in tune with the foundation, sitting down with the mayor, and really giving back. That’s the part I was lacking on. I already had the music, now executing the plan is gonna make everything big. The biggest album ever. 

I saw you post something about wanting to work with Doja Cat on her rap album. What’s the deal there?

She say she want to work on the rap album and I tried to tell her I wanted to be a part of it. You know, I’m all for that. Just like anytime somebody doubt somebody about anything, I just be like, “Send me a banger! I’ma smoke it and we gonna change the whole narrative.” 

If I need help on a situation, and a SZA or a Doja Cat or an Adele could change the perspective on the female side, I know who to go to. Everybody could help everybody. 

Swizz Beatz says you made his top 10 greatest rappers list of this generation. What’s it like to hear that from an OG?

Swizz Beatz is one of my mentors. He found me a therapy coach and [showed me] ways to flip my money. He put me in contact with Hov. He’s just a great dude overall. It’s never a favor thing. I might wake up tomorrow and he’ll be like, “I want you to buy this motorcycle. I want you a part of this Ferrari experiment.” That’s like my brother. I don’t want to say “unc” yet, that sound too old. 

SZA & Doja Cat, Post Malone & More: What’s Your Favorite Music Release of the Week? Vote!

Collaborations and potential summer smashes are afoot this new music Friday, with SZA and Doja Cat teaming up for a song, and Post Malone releasing a new track that’s primed for pop radio.

As if SZA’s “Kill Bill” wasn’t already a chart smash — the track is currently sitting at No. 2 on the Billboard Hot 100, where it has spent a 17 weeks — the R&B singer’s past collaborator Doja Cat has hopped onto the song to give it another breath of fresh air. Doja, who has hinted at wanting to make a hip-hop album, opens up the track with a scintillating verse that details a run-in with her ex and his new girlfriend that turned violent, a perfect complement to SZA’s airy chorus in which she fantasizes about killing her own ex (and then actually doing it).

Post Malone’s “Circles” gives a glimpse at just how pop the rapper could go, but “Chemical” firmly proves that his pop hitmaking skills won’t end at his 2019 smash. Malone sings in his upper register for the track and laments the end of a relationship, but don’t let the song’s lyrical content content fool you — the driving beat and sunny guitar strums gives it a firm place on pop radio this coming summer.

Metallica‘s 72 Seasons arrives six and a half years after 2016’s Hardwired… to Self-Destruct, but the set is more than worth the wait. Kirk Hammett’s guitar skills are tight as ever, particularly on tracks “Lux Æterna” and “Shadows Follow,” while James Hetfield’s vocals rip through 77 minutes worth of tracks like it’s nothing, showing he hasn’t missed a step across a four-decade career.

There are also new tunes from Ice Spice with Nicki Minaj, as well music from Kelly Clarkson, Dominic Fike and Marshmello (with Farruko). Which new release this week is your favorite? Vote in our poll below.