Music

Rosalía Brings Out Fiancé Rauw Alejandro During Coachella 2023 Set

Coachella quickly became Motochella when Rosalía set foot on the festival’s main stage on Saturday (April 15).

The Motomamis and Motopapis assembled when they heard motorcycle engines roar. It only meant one thing: Rosalía was close to arrival. Wearing a black and white helmet, black leather pants, and a flowy pink robe over a black bra, Rosalía took the spotlight for her highly-anticipated performance on day two of the three-day event.

Buenas noches, Coachella? I feel very happy to see you all here today,” said Rosalía, who was accompanied by a troupe of fierce dancers. “You fill my heart with your presence. I come from Barcelona, that’s why this stage is so special. It’s because of you that I’m here.”

For the special set, Rosalía brought her Motomami Tour concept to the desert, built upon a minimalistic white canvas with multiple cameras live feeding content from multiple angles. The tracklist spanned her albums El Mal Querer and Motomami, including hits like “Saoko,” “Bizcochito,” and “La Fama.” For the lattermost, she hopped off stage with a hand-held camera in selfie mode to capture the crowd taking turns on the mic.

“Are there many Motomamis here tonight? I see you all,” she declared soon after. She went on to sing “La Noche de Anoche,” “Despechá,” “Hentai,” “Motomami,” and “Candy” before unveiling her big surprise of the night.

“How many of you have already listened to RR,” the Spanish star asked the crowd. “Four years ago I came to Coachella — and I came alone. Not this time around.” Seconds later, her fiancé (and superstar in his own right) Rauw Alejandro joined Rosalía onstage where they oozed love. “Qué dice Coachella? Where’s my Latin people?” the Puerto Rican hitmaker asked the crowd.

The couple, who announced their engagement last month, performed “Beso” and “Vampiros” off RR, the joint EP they dropped March 24. After singing, kissing and a little perrero, they both stepped off the stage and shared a sweet kiss before going their separate ways. Rosalía made her way back to the white canvas for her last few songs., including an emotional cover of Enrique Iglesias’ “Héroe,” as well as “Chicken Teriyaki,” and “CUUUUuuuuuute.”

Coachella is part of Rosalía’s 20-date festival tour, which kicked off at Lollapalooza Argentina on March 17. It follows her Motomami world tour, which grossed $33.7 million and sold 443,000 tickets worldwide, landing her at No. 7 on the year-end Top Latin Tours list, according to Billboard Boxscore.

Get tickets to the first-ever #BBMujeresLatinas on May 6 in Miami: billboardmujeresenlamusica.com

BLACKPINK Make History With Celebratory Headlining Set at Coachella 2023

In 2016 BLACKPINK debuted. By 2019 the act — composed of Jennie, Jisoo, Rosé and Lisa —  became the first K-pop girl group to perform at Coachella — a set that also marked the foursome’s first full U.S. concert. And tonight, in 2023, the global superstars became the first Korean act to headline the festival

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“So… let me start off with, four years ago we were invited to perform here for you at Coachella at the Sahara tent and that made a mark in all of our hearts,” Rosé affectionately tells the crowd. ”I must say, this is a dream come true … the reason all four of us are here is because of you.”

“We are so so happy to be back here,” adds Jennie. “It’s crazy within the four years we made it from Sahara to main stage … we love you, Coachella.”

Despite an early technical issue that pushed the start time back, by 9:24 fans’ light-up bracelets started to glow pink, alerting them the show would in fact soon begin. By 9:28, a single “BLACKPINK” echoed throughout the speakers. And by 9:30, the stage went dark. It was finally time. 

“Taste that pink venom, get ‘em get ‘em get ‘em,” the girls demand as they opened with the biting “Pink Venom” as their loyal Blinks eat up every word. “Kill This Love” comes next, featuring heavy pyro and sparks followed by “How You Like That.” Each song feels like a grand finale in its own right — and that same energy carries throughout the entire historic set that snakes through BLACKPINK’s tight discography of an EP (Square Two – EP) and three full-lengths, BLACKPINK IN YOUR AREA, THE ALBUM and last year’s BORN PINK.

After a high-energy string of hits like “Pretty Savage” (for which the famous “prrr” was met with thunderous cheers) and “Kick It” during which the girls strutted down the runway, Rosé couldn’t help but make an observation: “It is getting… absolutely… hot. I think it’s because of the Blinks, it’s so hot because of you guys.” 

The foursome then dives into “Whistle” — its debut song and a No. 2 hit — while making their way back to the stage. They each subtly disappear during the dance break that follows, signaling both the end of the set’s intro and beginning of its next phase: highlighting each member’s burgeoning solo careers. 

Jennie performs first, rocking sky-high pigtails with a top draped in diamonds and pearls as she sings a remixed version of her single “You & Me” with a new rap verse. Next up: Jisoo, who’s wearing a red asymmetrical dress made of plastic flowers and matching elbow length red gloves — a fitting look to perform her debut single “Flower” in. As confetti finishes falling from the sky, the next performer’s name flashes across the screen: ROSÉ. Wearing a chain metal dress, she switches things up by performing from the middle stage, seated with her legs dangling down, swaying as she sings “Gone / On the Ground.” Her performance ends with an explosion of streamers, which touched ground as the fourth and final member gets ready to take the stage. For Lisa’s set (which is introduced using her birth name Lalisa) she sports a structured mirrored metal bodysuit with matching gloves to deliver an explicit version of “Money,” closing out this chapter of BLACKPINK’s set on an energetic high.

Another quick dance break allows the girls time to change back into relatively matching fits before stepping back out for “BOOMBAYAH,” their first No. 1, for which they request a sing-along — as if the crowd hadn’t already been doing just that all night long. And for “Lovesick Girls,” rainbow streamers color the night sky. 

What follows is a rapid fire session of hits including “Playing With Fire,” a Burlesque-inspired “Type Girl,” “Shut Down” and “Tally.” The second to last song of the night is one of BLACKPINK’s earliest sensations, “DDU-DU DDU-DU,” while the true finale is the sentimental and uplifting “Forever Young,” which the girls perform first from the middle stage on a platform, engaging with as many Blinks as they can one last time, before ultimately ending at their rightful place front and center on the main stage as fireworks explode behind them.

Throughout the historic and celebratory set, Jennie, Jisoo, Rosé and Lisa tapped into what they do best together as BLACKPINK: making Blinks feel seen. And by allowing each member a moment of their own to shine, they allowed their individuality to be seen, too — and on one of music’s biggest stages, no less.

New H.E.R. Music Featured on ESPN During 2023 NBA Playoffs

H.E.R. is teaming up with ESPN during the 2023 NBA Playoffs.

“The Journey,” a new, unreleased song by H.E.R. and songwriter Diane Warren, will be featured within various in-game ESPN production elements throughout the channel’s NBA Playoffs coverage, starting Saturday (April 15).

The artist will help to “tell the story of the 16 teams beginning ‘The Journey’ through the NBA Playoffs Presented by Google Pixel,” according to a press release from ESPN.

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Another unreleased H.E.R. song, “Glory,” will also be heard on ESPN, as well as “We Going Crazy,” DJ Khaled’s collab with the singer.

“As an NBA fan, I’m so grateful to be part of this year’s ‘Journey’ to the NBA Finals,” H.E.R. said in a statement.

“The NBA regular season is one long journey, and then you get to the NBA Playoffs, which is a journey of its own,” ESPN vp, production Tim Corrigan said. “All 16 teams have their own paths to accomplishing their goal of an NBA Championship. And, as the song says, ‘it’s a hell of a ride.’ We are honored that H.E.R chose to team up with ESPN to help introduce this song to the world. It’s another great example of what we can do at the intersection of sports and music.”

No official debut date for the song has been announced, but “The Journey” is set to be released “soon” by RCA Records.

Though they are now collaborators, H.E.R. and Warren competed in the Oscar race for best original song two years ago. H.E.R.’s “Fight for You” from Judas and the Black Messiah (which she co-wrote with Dernst Emile II and Tiara Thomas), won the award, beating Warren’s “Io Sì (Seen)” from The Life Ahead (which she co-wrote with Laura Pausini).

Sept. 23 Is Bruce Springsteen Day in New Jersey, Gov. Murphy Proclaims

Bruce Springsteen’s birthday, Sept. 23, will be formally recognized as Bruce Springsteen Day in New Jersey. Phil Murphy, governor of the Garden State, made the announcement on April 15 at the inaugural American Music Honors, which were held at the Bruce Springsteen Archives and Center for American Music on the campus of Monmouth University in West Long Branch, N.J. The event was hosted by another favorite son of New Jersey, comedian Jon Stewart.

“Bruce Springsteen is one of the most recognizable, iconic and influential musicians – and New Jerseyans – of all time,” said Governor Murphy. “It is important that we recognize Bruce for all he has done and will continue to do, from giving us the gift of his music to lending his time to the causes close to his heart, including making the Archives and Center for American Music a repository that will inspire tomorrow’s songwriters and singers. We thank him for showing the world what it means to live our New Jersey values. I am both honored and proud to declare his birthday Bruce Springsteen Day in New Jersey.”

The official proclamation was studded with Bruce Springsteen lore and a fair number of Springsteen puns. A long litany of whereases concluded:

“WHEREAS, Bruce Springsteen will forever be remembered as the voice of the Garden State, signaling to the world that New Jerseyans were born to run;

“NOW, THEREFORE, I, Philip D. Murphy, Governor of the State of New Jersey, do hereby proclaim: SEPTEMBER 23 AS BRUCE SPRINGSTEEN DAY for creating the soundtrack to our glory days.”

In his remarks at the event, Murphy had more to say about Springsteen.

“Truth be told, I know my place in the hierarchy of New Jersey. After all, I may be the 56th individual to be called ‘governor,’ but there will ever only be just one ‘Boss.’”

“…So, to you, Bruce, thank you for all you have done, and will continue to do – from giving us the gift of your music to lending your time to the causes close to your heard, including making the Archives and Center for American Music a repository that will inspire tomorrow’s songwriters and singers.”

“Thank you for showing the world what it makes to live our New Jersey values.”

Many artists are called “national treasures,” but Springsteen has the facts to back it up. In 2009, he performed at Barack Obama’s historic presidential inauguration. That same year, he was awarded the Kennedy Center Honors, along with co-honorees Mel Brooks, Robert DeNiro, jazz great Dave Brubeck and opera singer Grace Bumbry. 

In 2016, Springsteen received the Presidential Medal of Freedom, the nation’s highest civilian honor, from President Obama. In 2023, President Biden presented him the National Medal of Arts, the highest award given to artists and art patrons by the U.S. government.

Springsteen and Obama have had a long-lived friendship and partnership. In 2021, they collaborated on an eight-episode podcast series for Spotify, Renegades: Born in the USA, which was turned into a book.

Springsteen’s countless awards and honors include 20 Grammys, an Oscar for “Streets of Philadelphia,” a special, non-competitive Tony for Springsteen on Broadway and three Emmy nominations. He was inducted into the Rock and Roll Hall of Fame in 1999.

Stevie Van ZandtSam MooreDarlene Love and Steve Earle were the inaugural recipients of the American Music Honors.

Located within Monmouth University, the Bruce Springsteen Archives and Center for American Music preserves Springsteen’s legacy and celebrates the history of American music and its diversity of artists and genres.

To see a copy of the proclamation, click here.

Coco Palms Resort, Famous for Elvis’ ‘Blue Hawaii’ Movie, Will Be Rebuilt

Demolition will soon begin on a resort once favored by Elvis Presley and other Hollywood royalty before it was heavily damaged by a hurricane three decades ago.

The Coco Palms Resort on the island of Kauai will be torn down for a new 350-room hotel, the Honolulu Star-Advertiser reported.

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The resort is best known in movie lore as the location where Presley and Joan Blackman’s characters married in the 1961 movie Blue Hawaii.

It’s also the site of other key scenes in the movie, including the last where Presley sings the “Hawaiian Wedding Song” and holds Blackman’s hand while they board a raft to cross a lagoon.

In its heyday, it was famed for being frequented by other Hollywood stars like Frank Sinatra, Rita Hayworth and Bing Crosby.

The 46-acre grounds were also once home to Kauai’s last queen, Deborah Kapule, who died in 1853.

The resort opened in 1953 next to a historic coconut grove and an ancient Hawaiian fishpond. The property fell into disrepair after being damaged when the powerful Hurricane Iniki hit the island in 1992.

Several attempts to restore the property have failed over the years.

The $250 million project will take three years to complete, said Patrick Manning, a managing partner of Reef Capital Partners from Utah.

Reef Capital served as the lender to a previous developer and took over the property in 2018 when they defaulted on a loan. Manning said the plan was to sell the property, but that changed after he investigated its history.

“I called my partners, and I said, ‘This property is too important to sell,’” Manning said.

The new hotel and a cultural center to honor the property’s history will be built on about 10 acres of the property.

At one time, the community wanted the resort rebuilt, but those sentiments have changed, said Kauai Council Chairman Mel Rapozo. “They don’t want to see a resort built,” he added.

At a state Board of Land and Natural Resources meeting Friday, some spoke in opposition to the development, citing a number of ancestral bones buried on the property.

Cultural practitioner Joseph Kekaulike Kamai said his great-grandmother is buried there, and others are buried under the hotel, driveway and tennis courts.

“I really don’t want them to be digging anymore. I don’t want them grubbing our land,” Kamai said.

Manning said something needs to be done or the site will be an eyesore for another 30 years.

“Even though we know there are many that don’t want it rebuilt, we intend to be viewed and earn a reputation for doing everything we can to honor its past and respect the people of Kauai and guests of Kauai and how we manage its future,” Manning said.

Offset Honors Takeoff With Full Back Tattoo

Offset is paying tribute to his cousin Takeoff with a prominent tattoo of the late rapper on his back.

The tattoo is an artistic representation of a photo of Takeoff, Offset’s family member and Migos bandmate who died on Nov. 1 of gunshot wounds in Houston.

Takeoff showed off the new ink in a pair of Instagram photos on Saturday (April 15).

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“Love you 4L & after,” Offset captioned the post.

After the 28-year-old’s untimely death, Offset wrote on Instagram, “The pain you have left me with is unbearable. My heart is shattered and I have so many things to say, but I can’t find the words. I’ve been going to sleep and waking up hoping that all of this is a dream, but it’s reality and reality feels like a nightmare.”

He lovingly referred to his cousin as “Take.”

Last month, Offset previewed a new song featuring a posthumous Takeoff verse on Instagram Stories.

The 56-second snippet had Icewear Vezzo and Takeoff exchanging bars before Offset burst through with fiery lines of his own.

See snapshots of Offset’s tattoo in honor of Takeoff below.

Halsey and Capitol Records Part Ways

Halsey and Capitol Records have parted ways, a representative for the singer confirmed to Billboard.

“After eight great years the decision to leave Capitol is bittersweet, but we are excited about exploring a new partnership and sharing new music with fans,” Halsey’s managers, Anti-Pop’s Jason Aron and Anthony Li, said in a statement provided on Saturday (April 15).

Capitol had not yet responded to Billboard‘s request for comment at press time.

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Variety published a statement from the label on the split, which was first reported by Hits: “Everyone at Capitol poured their hearts and souls into helping Halsey achieve their dreams and present their music to the world. We are incredibly proud of all we accomplished together and wish Halsey the very best in all their future endeavors.”

Halsey publicly spoke out against Capitol in May 2022, alleging that the label refused to release their next single, “So Good,” without a viral TikTok campaign attached to it. When her TikTok explaining the situation actually went viral, the artist grew more frustrated that the song wasn’t immediately given a firm release date.

The pop star had said, “My record company is saying that I can’t release it unless they can fake a viral moment on TikTok … Everything is marketing and they are doing this to basically every artist these days. I just wanna release music, man. And I deserve better tbh.”

A Capitol Music Group spokesperson responded to Halsey’s posts at the time in a statement sent to Billboard: “Our belief in Halsey as a singular and important artist is total and unwavering. We can’t wait for the world to hear their brilliant new music.”

After the rocky road to release, “So Good” officially debuted in June 2022.

Most recently, in February, Halsey released a solo version of the Post Malone collab “Die 4 Me.”

Halsey’s latest full-length studio album, 2021’s If I Can’t Have Love, I Want Power, peaked at No. 2 on the Billboard 200 albums chart. Her previous efforts all reached No. 1 or 2 on the chart: 2015’s Badlands (No. 2), 2017’s Hopeless Fountain Kingdom (No. 1) and 2020’s Manic (No. 2)

Taylor Swift Is Changing the Surprise Songs Rule on Her Eras Tour

Taylor Swift is making a caveat to her previous rule about the surprise songs portion of her Eras Tour concerts.

The 33-year-old pop superstar announced to concert-goers in Tampa, Fla., on Friday (April 14) that she will now allow herself to perform certain songs as many times as she likes during the mini acoustic set of her upcoming stadium shows.

“Basically when I started the tour, I was like, ‘In the acoustic section, I am never repeating a song. I’m never doing songs more than once.’ But now I’m like, ‘There are so many songs I want to do more than once,’” Swift said in a fan-captured clip from Tampa’s Raymond James Stadium.

She added, “So, I’m making a little caveat to the rule, which is that if [a song] is on Midnights, I can do it however many times I want, because Midnights is the most accurate picture of my life to date.”

During the surprise songs segment of her Tampa concert on Friday, Swift delivered the live debuts of the Midnights (3am Edition) track “The Great War,” alongside frequent collaborator Aaron Dessner, and the Midnights song “You’re on Your Own, Kid.” The songs peaked at No. 26 and No. 8, respectively, on the Billboard Hot 100 in November 2022.

Swift first revealed her intentions for the acoustic section of her long-awaited live show at the March 17 launch of her Eras Tour in Glendale, Ariz.

“The plan, the goal, would be to play different songs every single night and never repeat one. Right? So that when you heard one on this tour, you would know it’s the only time that I was going to play it in the acoustic set, unless — caveat — unless I mess it up so badly,” the star said with a small laugh, “that I have to do it over again in some other city. Send your best wishes towards me that I don’t do that.”

See the full list of surprise songs Swift has performed so far on her Eras Tour here.

Depeche Mode Bristles With Vitality While Facing Mortality on ‘Memento Mori’ NYC Tour Stop

Memento Mori, the name of Depeche Mode’s latest album and current world tour, means “remember you must die” in Latin — a fitting enough title considering that the long-running band has been reduced to a duo following last year’s death of co-founder Andy Fletcher.

But Dave Gahan and Martin Gore, whose sublime synth-pop has been fueled by pessimism and darkness for decades, bristled with vitality while facing mortality head-on during a Friday night (April 14) show at New York City’s Madison Square Garden.

From a bedazzled skull spinning on a video screen during classic Violator cut “Enjoy the Silence” to Gore’s harrowing lead vocal on “Soul With Me” (a quiet ballad on the new album which finds him gently preparing for the hereafter), the Reaper might as well be the silent third member of the band; even so, there’s nothing grim about what Depeche Mode delivers in 2023.

Gahan seemed tapped into a supernatural energy throughout the evening, twirling and prowling about the stage like a sensual, vampiric Elvis, wiggling his hips one moment and spreading his arms like the demon perched atop Bald Mountain in Fantasia the next. Vocally, there was no faulting him — from the high notes he trotted out on “Precious” to the grit he brought to “John the Revelator,” Gahan’s voice remains an inexhaustible treasure. And on “World in My Eyes,” the evening’s explicit tribute to Fletcher, Gahan’s delivery felt especially resonant.

Depeche Mode is hardly the first band to solider on following the death of a core member. But while most bands in a similar position tend to isolate their onstage mourning, performing one poignant tribute song before pivoting back to a high-octane set, DM’s entire Memento Mori concert felt like a meditation on the inevitable end that awaits us all. Which isn’t to say the concert was in any way depressing — if anything, the band’s brush with the undiscovered country has left it focused and present. “Remember you must die” is a phrase that might lead some to despair, but for Depeche Mode, it’s seemingly a catalyst to make every moment count.

Metro Boomin Enlists The Weeknd, Diddy & More All-Star Avengers in Superhero (and Villain) Coachella Performance

Super-producer Metro Boomin embarked on a star-studded hero’s (and villain’s) journey during his Coachella performance Friday night (April 14).

Metro feels like he naturally sits at the intersection of Marvel and music, inviting his interconnected web of friends (who are chart-topping rappers) into a comic book world of his own design. “In this life, we all must make a choice, to be a hero or a villain. But let this be a warning: When Metro appears, you better know damn well which side you’re on,” narrated Morgan Freeman, with comic illustrations of Coachella and Metro’s thrilling arrival projected on the screens before plumes of smoke cleared them and descended on the stage.

It’s no wonder he was tapped to work on the soundtrack for the forthcoming film Spider-Man: Across the Spider-Verse. But across festival grounds at the Sahara Tent, Metro assembled his own Avengers for his self-proclaimed “Trochella,” and even saluted the ones who couldn’t physically be there like A$AP Rocky, whose pre-recorded audio of him officially introducing Metro boomed from the speakers. He emerged from a black cloak at the top of the stage, a full orchestra accentuating his sinister presence. But Metro’s not the villain in this story, as he brought out Future for a haunting yet victorious rendition of “Superhero (Heroes & Villains).” 

Future zoomed through his hits — including “Wicked” and “Mask Off” — before Metro sent Young Thug a remote moment of hope in the midst of his RICO trial in Atlanta by playing “Metro Spider.” Don Toliver then graced the stage while donning sunglasses that resembled a mask, playing into the motif of Metro’s latest Billboard 200-topping album, Heroes & Villains, and playing “I Can’t Save You (Interlude),” “Too Many Nights” and “Around Me” off the project. 

Thick clouds of smoke covered the stage once more, creating even more mystique around Metro’s set. “Legendary s— only!” he bellowed while praising fellow producer Mike Dean on the synths. He rolled out the red carpet for his beloved collaborator 21 Savage as they ran through fan favorites from their Savage Mode days and other beloved 21 tracks, such as “Bank Account” and “Knife Talk.” But there was one person who received a special dedication from him. 

“Long live my mom Leslie Wayne… She with me right now, Lord Jesus, she with me right now,” he bellowed before leading the rowdy crowd in a sobering moment of silence in honor of his late mother, who died last June. 

Suddenly, Dean cued the chaos back up with a dizzying array of green strobe lights before a faint, yet very famous falsetto caused an uproar for none other than The Weeknd. He performed “Faith,” “Escape from LA” and “Heartless,” which were all produced by Metro from The Weeknd’s fourth album, After Hours. With help from his close collaborator Dean, The Weeknd executed the same genius transition from “Heartless” to “Low Life” he debuted at Coachella just last year, when he co-headlined with Swedish House Mafia. Now, he comfortably assisted a billed act and shared the spotlight with other A-listers like Future, who joined him for “Low Life.” But when he got a moment to himself again, The Weeknd treated fans by performing a brand new song. 

“Temperature rising, bodies united, now that I tried you in my arms. No need to fight it, no need to hide it, now that I’ve seen what’s in your heart,” he sang before letting his vocal runs synch up with the electrifying synths and Dean’s sexy saxophone.

21 Savage eventually returned for the first live performance of “Creepin,” which is No. 4 on the April 15-dated Billboard Hot 100. The remix’s guest Diddy made for another major surprise guest on the already star-filled night, which could very well have been just an average day in the studio for Metro Boomin.