Music

As K-Pop Artists & Fans Mourn Moon Bin, Inaugural We Bridge Music Festival & Expo Brought Flexibility, Fun & A Tribute

Despite the reliably sunny Las Vegas weather, a dark cloud loomed over Mandalay Bay as organizers prepared for its inaugural We Bridge Music Festival and Expo. Slated as a K-pop concert-meets-celebration of all things spotlighting Asian creatives, the three-day event from April 21-23 took a day to respond to the April 19 news that beloved Korean singer Moon Bin of ASTRO had died in Seoul the night prior.

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While some parts of the K-pop industry continued as usual (like live TV broadcasts, including the April 20 finale of popular boy-band survival competition Boys Planet on Mnet, or the April 21 episode of KBS’ Music Bank), some plans did shift (a single by K-pop veteran Kangta was postponed from its original April 20 release day to the 22nd with SM Entertainment citing wanting to pay respects to the recently deceased). As some fans called to cancel the event, particularly worried that artists wouldn’t be able to pay their respects in Korea properly, We Bridge shared how they would honor the fallen star.

“On behalf of the We Bridge team, it is with a heavy heart that I am addressing the tragic and sudden loss of K-Pop icon Moon Bin of ASTRO, who recently passed away,” wrote Alex Kang, the event producer for We Bridge under Infinite Prospects Entertainment. “Our heart goes out to his family and loved ones, and the fans and community worldwide who are mourning his loss. It’s our united goal to honor his memory and legacy with a special “Light up Tribute” and moment of silence for the fans to all come together as one and shine a light in his memory. This light up tribute will take place on Friday evening, inside the theatre ahead of our first concert performance.”

Day 1 of the festival opened with business-oriented panels, on-site activities like choreography lessons and art galleries, and Grammy Museum interviews performers. Despite the anticipation for the first night of concerts that included headliner Monsta X, the evening opened on a meditative note with the tribute to Moon Bin opening the show.

As MC for the two nights of We Bridge concerts, actor Yuri Park told audiences, “I want you all to raise up your phones with the lights on, and can we please have a moment of silence.” A soft piano track played throughout a quiet Michelob Ultra Arena as a montage of Moon Bin photos, most featuring his unforgettable smile, played on the stage’s massive LED screens—all quickly put together by a team with the festival’s publicity reps, Miller PR, Billboard learned. 

While most support was for the night’s performers, there were a few posters in remembrance of Moon Bin spotted in the crowd too. Boy bands CIX and ONEUS, girl group Dreamcatcher, and solo star Kang Daniel all delivered the on-point, intense choreography. Rapper Jessi was the highlight with her un-K-pop candor as she made jokes about back aches and nip slips while roaring through viral hits like “Zoom” and “Nuna Nana.” Multiple times throughout her set, Jessi would pop into the crowd to hug a fan or sign a T-shirt as a refreshing display of intimacy between K-pop artists and fans not typically seen.

Even as Monsta X wore all black when departing the Seoul airport in honor of Moon Bin, members Kihyun, Joohoney, Hyungwon and I.M also brought a more relaxed performance, focusing less on their athletic dance moves and more on connecting through their recent English crossover releases like “You Problem” and the R3HAB-assisted “Burning Up.”

Despite We Bridge’s successful launch, there was extra concern around Day 2 as female trio VIVIZ had members SinB and Umji who counted Moon Bin as a close friend—all three were the same age and SinB counted Moon Bin as her best friend for more than a decade. Fans were calling on We Bridge and VIVIZ label Big Planet Made Entertainment to entirely excuse them from the event while mourning.

Early in the morning hours before the Saturday programming began, VIVIZ’s social media accounts shared that the group would be pulling out of their Grammy Museum interview and the festival’s red-carpet “due to the artists’ conditions” but would still perform at the concert “out of love and respect to the fans.” Hours later, Big Planet Made Entertainment added that SinB and Umji would not participate in the trio’s “hi-touch” fan-meeting event that day “due to poor condition.” Still, the remaining member Eunha met VIVIZ supporters with a bright smile and connected with each individual in line for the hi-touch (i.e., a high five).

That same accommodating atmosphere extended into the concert when SinB shuffled off stage after the group’s opening number “Pull Up.” Eunha took the lead in speaking to the audience as Umji appeared visibly concerned, checking behind the stage for SinB, amid waving and smiling at fans. When SinB wasn’t back after a minute of stage remarks, Umji spoke up and said, “Would it be okay if you guys just gave us a little of time before our next song?” with the audience screaming in encouraging recognition of the group balancing performing and mourning.

Rising singer-rapper BE’O joined VIVIZ for Day 2 concert, as did Thailand-born GOT7 member BamBam, ONEUS, plus headliners ENHYPEN. As the cheers grew throughout the evening until ENHYPEN performed the final chorus of their encore song “Polaroid Love,” one could easily catch host Yuri Park saying the goodbyes on behalf of the festival before adding that he’d see fans next year.

Even as We Bridge Day 3 was less elaborate when it came to programming with a panel that included Crazy Rich Asians actor Chris Pang and former Marvel designer Anthony Francisco, plus fan meetings with Jessi and BE’O, attendees were still out in droves for the final day of Vegas festivities even without a concert that night.

We Bridge Music Festival and Expo faced a significant, unexpected difficulty hours before its official kickoff. Still, its ability to be flexible and rise to the moment instead of shying away or pushing ruthlessly forward gave a noted human element among all the K-pop superstars. Ideally, 2024 will be kinder to We Bridge, with the festival-expo able to prove itself even further in the increasingly competitive K-pop event space after such a test run.

P!NK & Kelly Clarkson Soundwaves Art Raised $60,000 for a Good Cause

Back in February, P!nk stopped by The Kelly Clarkson Show, where she and Kelly Clarkson signed a one-of-a-kind soundwave artwork of their song “Broken & Beautiful” to benefit No Kind Hungry.

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The piece, made by artist Tim Wakefield, was auctioned for $50,000 to benefit No Kid Hungry, which works to end child hunger in the United States. Wakefield video called into The Kelly Clarkson show on Monday (April 24), where he revealed that he met the women who generously bought the piece. “To say it was emotional would be an understatement,” he recalled. “One of the best moments of my career.”

Wakefield added that in total, the piece has raised more than $60,000 for the nonprofit. P!nk has been a longtime advocate for the organization, taking part in a number of their projects and events throughout the years. The star is set to be honored as a No Kid Hungry Champion at the Los Angeles No Kid Hungry Dinner on Thursday (April 27). The event, according to a press release, “celebrates the commitment of local leaders who make an impact for kids in need.”

Watch Wakefield announce the exciting news, plus reveal the other charitable projects he has in store, below.

What’s Your Favorite Song on SEVENTEEN’s ‘FML’? Vote!

SEVENTEEN introduced fans to a new era with the release of their mini-album FML on Monday (April 24). The project marks the most pre-ordered album in K-pop history with more than 4.64 million pre-orders, according to a release.

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Six tracks appear on FML: “F*ck My Life,” “Super,” “Fire,” “I Don’t Understand But I Luv U,” “Dust” and “April Shower.” Each song gives a new aspect of the 13-member band that their fanbase, affectionately called CARAT, can enjoy.

With the mini-album officially released, we at Billboard want to know which track you’ve been loving the most. Let us know by voting in our poll below.

20 Times Barbra Streisand Made Awards Show History

Barbra Streisand, a GOAT, an icon and a legend, turns 81 on Monday (April 24). She has packed a lot into those eight-plus decades. While she isn’t officially an EGOT – she has yet to win a Tony in competition – she has won just about every other award an entertainer can win.

She was nominated for a Tony for her first Broadway show, I Can Get It for You Wholesale, but lost to Phyllis Newman in Subways Are for Sleeping. Streisand won the other three EGOT awards with her first major projects. She won two Grammys for her first album, an Emmy for her first TV special and an Oscar for her first film.

Streisand set a high bar for all who followed. Many of today’s top stars seem well aware of that fact. Beyoncé said, “It’s an honor to sing for you, Miss Streisand,” after singing “The Way We Were” when Streisand received the Kennedy Center Honors in 2008. Ariana Grande said “I love you so much, thank you so much,” following a duet performance of “No More Tears (Enough Is Enough)” at a Streisand concert in Chicago in 2019. Madonna did a playful “we’re not worthy” gesture of respect when Streisand surprised her, Mike Myers and Roseanne Barr at the end of a Saturday Night Live sketch in 1992.

Here are 20 times Streisand made awards show history.

May 12, 1964: Won two Grammys, including album of the year (other than classical), for her debut, The Barbra Streisand Album. Streisand was just 22 at the time, making her the youngest album of the year winner to that point. She held that distinction for more than 30 years, until Alanis Morissette won in 1996 at age 21. Billie Eilish, who was just 18 when she won in 2020, is the current record-holder.

Sept. 12, 1965: Won an Emmy for outstanding individual achievement in entertainment for her CBS special My Name Is Barbra.  This was back when successfully headlining your own special was a key signifier of stardom.

April 14, 1969: Won an Oscar for best actress for Funny Girl in a historic tie with Katharine Hepburn. It is, to this day, the only time there has been a tie in that category. Streisand couldn’t possibly have foreseen a tie, but she paid Hepburn a gracious compliment: “And I’m very honored to be in such magnificent company as Katharine Hepburn,” she said.

April 19, 1970: Received an honorary Tony Award as star of the decade. With Streisand having won four Grammys, an Emmy and an Oscar by this point, the Tonys sought to make up for her 0-2 track record at that show.

December 1976: Received a Grammy nomination for best classical vocal soloist performance for Classical Barbra. She lost to Beverly Sills’ Music of Victor Herbert, but just to be nominated for such a bold departure was its own reward.

March 28, 1977: Won an Oscar for best original song for “Evergreen (Love Theme From A Star Is Born).” She was the first woman to win for composing a song (as opposed to writing the lyrics). She is, to this day, the only person to win Oscars for both acting and songwriting over the course of a career. “In my wildest dreams I never, never could ever imagine winning an Academy Award for writing a song,” Streisand said on winning the award, which she shared with lyricist Paul Williams. Streisand also performed the song on the telecast – her first performance on the Oscars.

Feb. 23, 1978: Won two Grammys for “Evergreen” – best pop female vocal performance and song of the year. The song won in a tie with “You Light Up My Life.” It is, to this day, the only tie in a Big Four category in Grammy history. But few remember the outcome. Turns out tying Joe Brooks just doesn’t have the same mystique as tying a legendary star like Katharine Hepburn.

Feb. 27, 1980: Streisand and Neil Diamond performed “You Don’t Bring Me Flowers” – a record of the year nominee — on the 22nd annual Grammy Awards. There were no special effects, no gimmicks, no flash at all – just two stars coming together on stage. When you have real stars, that’s all you need. The segment was so strong it launched a long series of “Grammy Moments.” Few have had the impact of the original.

Jan. 28, 1984: Became the first woman to win best director at the Golden Globes for her passion project, Yentl. “This award is very meaningful to me,” Streisand said in her acceptance speech. “I’m very proud, because it also represents, I hope, new opportunities for so many talented women to try to make their dreams become realities, as I did.” Streisand has won eight Golden Globes, including their top career-spanning honor, the Cecil B. DeMille Award, in 2000.

December 1986: The Broadway Album was nominated for album of the year. It was Streisand’s sixth nomination in that category. That’s still the record among female artists. (Taylor Swift is up to five.)

Feb. 24, 1987: Won a Grammy for best female pop vocal performance for The Broadway Album. It was her record fifth win in that category. Her competition included such contemporary stars as Madonna and Cyndi Lauper. Her competition when she first won in that category 23 years previously included such stars of that era as Peggy Lee and Eydie Gorme.

Jan. 28, 1992: Received a Directors Guild of America nomination for outstanding directing – feature film for The Prince of Tides. She was just the third female director to be nominated in this category, following Lina Wertmüller (Seven Beauties) and Randa Haines (Children of a Lesser God).

Feb. 19, 1992: Received an Oscar nomination for best picture as a co-producer of The Prince of Tides. Two of her earlier films, Funny Girl and Hello, Dolly!, were also nominated for best picture, but Streisand didn’t produce those films.

Sept. 10, 1995: Won two Emmys for her HBO special Barbra Streisand the Concert — outstanding individual performance in a variety or music program and outstanding variety, music or comedy special. She shared the latter award with her co-producers Martin Erlichman, Dwight Hemion and Gary Smith.

1998: “People” was voted into the Grammy Hall of Fame. It was her first of four inductions, followed by the Funny Girl Broadway cast album (2004), The Barbra Streisand Album (2006) and “The Way We Were” (2008).

Feb. 22, 2001: Received the AFI Life Achievement Award. Streisand was the fifth woman to receive the award, following Bette Davis, Lillian Gish, Barbara Stanwyck and Elizabeth Taylor.

Nov. 4, 2001: Sang “You’ll Never Walk Alone” in a surprise appearance at the close of the Emmy Awards, to honor the victims of the 9/11 terror attacks less than two months earlier. She also won her fourth Emmy (outstanding individual performance in a variety or music program) for her Fox special Barbra Streisand: Timeless. Streisand has won more Grammys than Emmys (eight to four), but has a longer span of wins at the Emmys (36 years, vs. 23 years at the Grammys).

Dec. 6, 2008: Received the Kennedy Center Honors. Queen Latifah, Beyoncé, Ne-Yo, Kelli O’Hara and Nathan Gunn sang songs associated with her in tribute. Streisand has received two other top American honors. In 2000, President Clinton presented her with the National Medal of Arts, the highest honor given for achievement in the arts. In 2015, President Obama presented her with the Presidential Medal of Freedom, the U.S.’ highest civilian award.

Feb. 11, 2011: Received the MusiCares person of the year award. She had received a Grammy Legend Award from the Recording Academy in 1992 and a lifetime achievement award in 1995. Aretha Franklin is the only other female artist to receive all three of these honors. Two nights later, Streisand sang “Evergreen” on the Grammys – her first solo performance on that show.

March 29, 2017: Her album People was inducted into the National Recording Registry of the Library of Congress. The album topped the Billboard 200 for five weeks in October and November 1964. It was her first of 11 No. 1 albums.

Madonna Revisits Her Iconic Cone Bra During ‘Trip Down Memory Lane’

Madonna is going into the archives! The Queen of Pop took to Instagram on Monday (April 24) to share photos of some of her most beloved career looks that she recently rediscovered in her extensive storage space.

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“A trip to my archives is always a nostalgic trip down memory lane,” she wrote alongside a series of photos with some of her most iconic throwback pieces of clothing. “If I think about my journey through music over the last 4 decades— how could I not think about all the incredible clothes I got to wear and all the amazing designers I was lucky enough to work with!!”

The slideshow features a number of Jean Paul Gaultier-designed cone bras that Madge famously wore throughout her 1990 Blonde Ambition tour. “When I was a little girl I remember my mother was always cold. Partly because she was sick but also because she never had a coat,” Madonna continued her message. “She always spent what little money we had on our coats and I remember standing outside waiting for the schoolbus With my mother shivering in the cold in the middle of winter!! Years later when I became successful my mother’s sister said to me, ‘Now You can buy all the coats your mother couldn’t buy for herself!’”

The “Vogue” singer continued, “The journey from the memory of my shivering mother in Winter to me shivering in the over air-conditioned storage space where all my costumes are stored is quite remarkable! I am overwhelmed with gratitude. Every time I put on an incredible coat I think of my Mother. I hope she likes my taste in costumes but most of all i hope she’s warm!”

Madonna is less than three months away from kicking of her Celebration Tour, honoring her four decades of hits, on July 15 at the Rogers Arena in Vancouver.

See her post below, and check out the full list of Celebration Tour dates here.

Herbie Hancock to Captain ‘A Jazz Journey Around the World’ for International Jazz Day

Dianne Reeves, Marcus Miller, Dee Dee Bridgewater and Christian McBride will be among the artists performing in celebration of International Jazz Day on April 30. This year’s annual flagship event, the All-Star Global Concert, will be livestreamed from 13 global cities and is being billed as “A Jazz Journey Around the World.”

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The concert lineup also includes Sergio Mendes (Brazil), Cyrille Aimée (France), Somi (Rwanda) and Antonio Sánchez (Mexico). Further showcasing jazz’s diversity will be acts performing from Beirut, Lebanon; Casablanca, Morocco; Marondera, Zimbabwe; Beijing, China; and Vienna, Austria, as well as Honolulu, New York, San Francisco and Washington, D.C.  

In announcing International Jazz Day’s 2023 program, UNESCO Director-General Audrey Azoulay stated, “On this International Jazz Day, musicians around the world are once again answering, in great numbers, the resounding call for peace through music. Born out of struggles for justice, jazz inspires us to build a future that reflects its spirit – united in the celebration of diversity. Join us on this ‘Jazz Journey around the World’ and witness the power of music.”

UNESCO Goodwill Ambassador and concert host Herbie Hancock added, “As the world’s largest, most inclusive celebration of jazz music, International Jazz Day unites people across the globe. Jazz has always been about expanding boundaries – inspiring musicians toward the future and its infinite possibilities. This year, we are thrilled that the All-Star Global Concert will reflect this expansive identity in a new way, by sharing with our audience a rich palette of sounds on more than a dozen stages in every corner of the planet.”

The All-Star Global Concert will be webcast worldwide on April 30 (4 p.m. ET/1 p.m. PT) on jazzday.com, unesco.org, hancockinstitute.org and the International Jazz Day YouTube and Facebook pages. Prior to the concert, free educational programs and other offerings will be presented via the same outlets. For more information, visit jazzday.com/events.

In the walkup to International Jazz Day weekend, PBS will present International Jazz Day From the United Nations. Highlighting performances from the 2022 All-Star Global Concert by Hancock, David Sanborn, Shemekia Copeland, Gregory Porter, Terri Lyne Carringinton and more, the special will air on April 28 (10 p.m. ET; check local listings).

Ice Spice & PinkPantheress Are Feeling ‘Extra Snatched’ in SKIMS’ New Shapewear Ad: See the Pics

SKIMS has just debuted several new shapewear styles for spring, and has tapped several Gen Z musicians to do it. “Boy’s a Liar, Pt. 2” collaborators PinkPantheress and Ice Spice star in the new ad campaign alongside fellow musicians Nessa Barrett and RAYE for Kim Kardashian’s fashion brand, which arrived on Monday (April 24).

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“I’m excited to launch this next generation of SKIMS shapewear with a campaign that celebrates these incredible musical artists,” Kardashian said in a statement regarding the release. “Ice Spice, Nessa Barrett, PinkPantheress, and RAYE are super talented women and truly reflect our SKIMS community.”

In the new brand images and videos, Ice Spice wears the Seamless Sculpt High Neck Thong Bodysuit in the color bronze and PinkPantheress wears the Seamless Sculpt High Waist Catsuit in the color jasper (charcoal gray). Elsewhere in the campaign images, Barrett is seen in the Seamless Sculpt Slip Dress in the color sienna (tan) while RAYE appears in the Seamless Sculpt Strapless Thong Bodysuit in the color clay (light gray).

“SKIMS just gets it and makes me feel extra snatched,” said Ice Spice. “I’m happy to be a part of the latest campaign.” PinkPantheress echoed her collaborator’s sentiment, adding, “These styles empower me to try clothes I wouldn’t have tried before and make me feel so comfortable and secure.”

On the charts, PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” sits at No. 10 on the Billboard Hot 100, while Ice’s “Princess Diana” remix with Nicki Minaj debuts at No. 4 on the chart.

See the photos and videos from the new SKIMS campaign below.

Mario Bautista & Adriel Favela Join Forces on Optimistic ‘Mejor Asi’: Exclusive Premiere

Mario Bautista reeled in Adriel Favela for his new single and music video “Mejor Así,” premiering exclusively on Billboard below. 

Backed by strong ranchera melodies with hints of urban-pop sounds produced by Yera, Bautista and Favela’s potent vocals beautifully harmonize on a song about finding oneself after a failed relationship. “As mom used to say, time heals all wounds, sometimes saying goodbye, welcomes new beginnings,” says part of the optimistic lyrics.

A melancholic black-and-white music video, directed by Antonio Roma for La Catrina Films, features Bautista and Favela performing the song in an intimate theater setting.

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“It was wonderful to work with Adriel, his energy was always top,” Bautista tells Billboard. “We met the day of the video shoot and we vibed incredibly and from there started a friendship. I know this song also represents him. I really enjoyed working with someone like him, someone who values [the song] and works as a team. I’m pretty sure we’re going to make more music without a doubt.” 

“Mejor Así” marks yet another Regional Mexican effort by the Mexican pop star following his hit “Brindo.” Its Banda El Recodo de Cruz de Lizárrga-assisted remix earned Bautista his first No. 1 on the Regional Mexican Airplay Chart in 2022. Both tracks are charged with feel-good and positive lyrics.  

“What I really like to capture in my songs is a message that will add to people,” he notes. “They are messages that have helped me and that I have applied to my life. That’s why I love to translate them into my lyrics that later connect with millions of souls and can multiply the good vibes. That’s the purpose of life.”

Watch the music video for “Mejor Así” below: 

Watch Liam Payne Hum Along to This Taylor Swift ‘Red’ Hit

Looks like Liam Payne is a Swiftie!

The former One Direction star went up against Love Island alum Tommy Fury in a Soccer Aid game featuring Payne humming a song and Fury having to guess what it is. The charitable soccer organization shared a clip from the game on Twitter, in which the “Strip That Down” singer is seen humming along to Taylor Swift‘s Red hit, “We Are Never Ever Getting Back Together.”

Fury guesses the track almost immediately, playfully admitting, “I shouldn’t know these songs.”

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Payne then replied, “We’re getting a little secret look into you playlist, aren’t we?” After it was posted, the crooner retweeted the video, adding a hand heart emoji.

The pair are set to face off on the pitch at Soccer Aid 2023 on June 11. The UNICEF event advertises itself as “the world’s biggest charity football match,” and raises money for children in need.

In other Payne news, the singer supported his One Direction bandmate Louis Tomlinson last month at the premiere of the latter’s new documentary All of Those Voices.

“Seeing the world through your eyes last night was the most beautiful thing to experience,” he captioned an Instagram post from the event. “My neck hurts from how much Im looking up to you right now you were already my friend and brother but getting to look through that window into your world and mind I just extends that respect I have for you.”

R&B/Hip-Hop Fresh Picks of the Week: Roy Woods, DRAM, TiaCorine & More

Happy Monday! We’ve got 10 new songs to help you power through the week. From the soulful sounds of Jon Vinyl, Q and Baby Rose, and Ckay to hard-hitting cuts by TiaCorine and Peezy, there’s a song to cater to all of this week’s ups and downs.

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And of course, don’t forget to share the wealth with our Spotify playlist, linked below.

Freshest Find: Q feat. Baby Rose, “Understand”

Q and Baby Rose are not from this decade. The singers are taking R&B and soul rhythms to a new level by modernizing old-school sounds. “Understand” marks their first collab and the fifth single from Q’s upcoming debut album Soul,PRESENT, due May 5. Baby Rose is also releasing her new album Through and Through this Friday (April 28). You can also catch them on their Through the Soul Tour this summer.

Roy Woods, “Young Boy Problems”

On “Young Boy Problems,” Roy Woods comes face-to-face with his vices. Co-produced by Mike Hector, the song sees the OVO singer droning about “girls and drugs/ sex and money” and all of his young boy problems.

Jon Vinyl, “No Feelings”

Jon Vinyl is living out his 1970s R&B fantasy. With “No Feelings,” the Canadian singer is “on the edge” with his lover, calling her love “a cancer.” The music video gives us a glimpse into the makeshift recording sessions for what he fantasizes as being his “1976 hit record.”

redveil, “pwf”

After learn(ing) 2 swim, redveil is playing with fire. The 19-year-old continued his streak of releasing new music on or around his birthday, this time exploring the element of fire as he enters his final year as a teenager. Earning co-signs from Denzel Curry, JPEGMAFIA and JID, the DMV musician is barred up on the six-song EP, especially on its title track “pwf.”

TiaCorine feat. Latto, “FreakyT (Remix)”

TiaCorine tapped Latto for her “FreakyT” remix. The two debuted the track during Latto’s Coachella performance during weekend 1. Mimicking Tia’s flow, the Atlanta rapper slides in midway through the song saying, “Freaky girl, I like freaky things, what’s up FreakyT?” She then switches it up, going back and forth between flows over the Honorable C.N.O.T.E.-produced beat.

DRAM feat. Daniel Hex, “Brandy Joint”

On the deluxe version of his 2022 album What Had Happened Was…, DRAM is leaning into his sensual side. Alongside burgeoning Detroit R&B singer Daniel Hex, the smooth-talking duo deliver a late-night anthem sure to remain in rotation throughout the summer and beyond.

Olamide & CKay, “Trumpet”

Song of the summer? Olamide and CKay have entered the chat. Posted up in a sprawling Hollywood mansion, CKay brings romance to the table while rapper Olamide drops brow-raising bar after bar, showering his love interest with sexual innuendos, balanced by CKay’s sweet melodies.

Peezy, “Heart in It”

Detroit rapper Peezy’s latest album Ghetto showed the former Team Eastside artist’s versatility. On “Heart In It,” the “2 Million Up” lyricist gets deep, reflecting on his childhood, romance and come-up. The beat feels more reminiscent of early Drake in Toronto than Detroit, proving Peezy’s multifaceted approach and potential.

PGF Nuk, “The Next”

On “The Next,” Chicago rapper PGF Nuk unleashes a volley of threats in under two minutes, warning his opps that he’s not the one. Over a bouncy and sinister beat, PGF Nuk warns, “Pop ’em like a tire, I can make the toughest n—a cry.”

Oblé Reed, “SK [I] NCARE.”

Thank you Oblé, for this ode to self-love. The 21-year-old artist delivers loads of wisdom beyond his years how he knows best: through heartfelt lyricism and groovy instrumentals. “Mental health is so neglected in our communities, and even more so in the music industry,” he says. “It’s time that we build a culture of taking care of and understanding ourselves before we try to project anything into the world.”