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Mexican singer-songwriter Codiciado has postponed six of the 14 dates initially announced for his Ando Enfocado U.S. tour, reducing it to eight for the time being, Live Nation confirmed to Billboard Español.
The tour is still scheduled to kick off on September 27 at the Brooklyn Paramount in New York. However, performances in Charlotte, N.C. (Oct. 3), Miami (Oct. 4), Atlanta (Oct. 6), and the Texas cities of San Antonio (Oct. 11), Hidalgo (Oct. 12) and El Paso (Oct. 18) have been suspended.

Representatives from Live Nation expressed their ongoing commitment to the artist via email, describing Codiciado as “a great partner and a super-talented artist.” Live Nation added, “We are still in the planning stages for 2025, so we do not have anything about the tour that we can share yet.”

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The Tijuana-born artist returns to the U.S. stage after more than five years, a hiatus due to visa issues. The Ando Enfocado U.S. tour kicked off with five dates, the first of which took place on April 26 at the Hard Rock Live in Sacramento, California, where he broke attendance records for the venue, according to a press release.

Recently, Codiciado (real name Erick de Jesus Aragon Alcantar) was honored with a special proclamation by Mayor John McCann of Chula Vista, Calif. The award, presented at City Hall last Wednesday (Sept. 4), recognized his “outstanding career and invaluable artistic contributions to the San Diego community and beyond,” said a press release.

Codiciado and Mayor John McCann

Pedro Torres

The musician, who was Billboard‘s Latin Artist on the Rise in June, continues to make waves on stage. Last weekend, he performed at the Arre Festival in Mexico City, and next weekend he is poised to appear at Rumbazo 2024, the two-day Mexican Independence Day weekend fiesta taking place Sept. 13-14 in Las Vegas, where he will be one of the main artists on the bill.

See below for the updated schedule of the second leg of his Ando Enfocado U.S. tour:

Sept. 27 – Brooklyn, N.Y. @ BK ParamountSept. 29 – Rosemont, Ill. @ Rosemont TheatreOct. 10 – Irving, Texas @ The Pavilion at Toyota Music Factory  Oct. 13 – Houston, Texas @ 713 Music Hall Oct. 20 – Palm Desert, Calif. @ Acrisure Arena Oct. 24 – San José, Calif. @ San Jose CivicOct. 25 – Inglewood, Calif. @ YouTube Theater Oct. 26 – Reno, Nev. @ Grand Sierra Resort*

*Not A Live Nation Date

After opening shows for Kenny Chesney this summer, Sony Music Nashville/Columbia Records artist Megan Moroney has revealed that 2025 will see her spearheading her upcoming Am I Okay? Tour, which will launch March 20 in Montreal.

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The 25-show tour, which will run throughout the spring and summer, will go through August. The tour will visit cities including Boston, Houston, Toronto and Washington, D.C., as well as two shows in her homebase of Nashville. Notably, the tour will highlight Moroney’s debut performance at New York City’s historic Radio City Music Hall on March 26.

In an Instagram post announcing the tour, Moroney told fans, “I’m so excited to announce the AM I OKAY? TOUR!!! 💙 i get to play some of my bucket list venues & it’s going to be a very ✨blue✨ very magical year on the road. i’m already counting down the days until i get to see your faces & all of your ‘homemade tshirts & homemade signs’ :,) i know i’ve said it a lot but thank you for making all of my dreams come true – just over the mooooooon that i get to do this.”

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The setlist for the tour is certain to include tracks from Moroney’s latest album, Am I Okay?, which includes songs such as “No Caller ID,” “Man on the Moon,” “Indifferent” and “Heaven by Noon.” Leading up to the Am I Okay Tour?, Moroney is currently on her 15-show Georgia Girl Tour in the U.K. and Europe.

Additionally, Moroney earned multiple nominations at the 58th annual CMA Awards, including female vocalist of the year, new artist of the year and music video of the year (for her video for “I’m Not Pretty”). The 58th annual CMA Awards are slated for Nov. 20 at Nashville’s Bridgestone Arena and will air on ABC.

General tickets for Moroney’s Am I Okay? Tour go on sale Friday, Sept. 13, at 10 a.m. local time on her website.

See the full dates for Moroney’s Am I Okay? Tour below:

Billboard launched its Bluegrass Albums chart in 2002, and for the past several years, Old Crow Medicine Show has held the record for the most No. 1 albums in the chart’s history. Explore Explore See latest videos, charts and news See latest videos, charts and news This week (on the Sept. 14-dated chart), the Steep […]

With the first quarter of the 21st century coming to a close, Billboard is spending the next few months counting down our staff picks for the 25 greatest pop stars of the last 25 years. We’ve already named our Honorable Mentions and our No. 25, No. 24, No. 23, No. 22, No. 21 and No. 20 stars, and now we remember the century in BTS — the septet that took K-pop to new global heights, and set the standard for high-level hitmaking and fan devotion over the past decade of pop music.

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When you think of what it takes for a group to become pop stars, imagine having seven individual talents who can each do it all well: sing, rap, dance, and amass a love and fandom that even some of the biggest pop stars could only dream of. That’s what you have with BTS, who crashed through every door of what it takes to be a successful pop act and expanded that with a scope never quite seen before. The group has broken through ceilings for boy bands, K-pop and South Korean artists in general, all while creating a meaningful community that is continually inspired by BTS’ message of positivity, love and connection. 

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The global senesations have amassed Beatles-sized success and have become the new blueprint for everything pop: When it comes to maintaining fan hysteria and consistent hitmaking, they are it. In the U.S. alone, the K-pop septet has notched six Billboard Hot 100 No. 1 hits and six Billboard 200 No. 1 albums. And as solo artists over the past few years, they’ve all individually created their own lane, and grabbed historic accolades of their own along the way. 

BTS

Axelle/Bauer-Griffin/FilmMagic

BTS

Steve Granitz/WireImage

It all started in 2013, when BTS (short for the Korean phrase Bangtan Sonyeondan, which translates to “Bulletproof Boy Scouts”) was created by Big Hit Entertainment. The group, comprised of RM, Jin, Suga, J-Hope, Jimin, V and Jung Kook, released the debut EP 2 Cool 4 Skool in June 2013. 

In Korea, BTS was not instantly welcomed. In the band’s biography Beyond the Story, the members speak on the highly competitive genre, and being shunned by peers in the industry, and even by some fans of K-pop. But through the style of vlogging, BTS was able to great a more unique relationship with their fans. Want to hang out and cook along with BTS? You could. That was something that was far from the extremely polished K-pop norms. 

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Though BTS was not the first K-pop group to find huge success at home and abroad — and won’t be the last — throughout the group’s journey to global superstardom, there were numerous things that made it special. 

The massive fan group ARMY (Adorable Representative M.C. for Youth) has been with the septet every step of the way. In the 2021 hit “Butter,” the group’s leader RM confidently says, “got ARMY right behind us when we say so.” BTS has over 75 million followers on Instagram and over 48 million followers on X (formerly Twitter). It has grown the group past what people normally see in boy band fandoms: ARMY boosts a diverse community of all ages, races, religions and beyond. 

BTS

Cindy Ord/WireImage

One of the top qualities that makes BTS stand out as pop stars is the members’ ability to bend and blend genres. This is largely due to the group being comprised of different members cast in different roles — K-pop groups will often split different members into a rap line, vocal line, and dance line — giving everybody the ability to shine. They all have their own styles and voices, yet they all blend well together. This individual uniqueness has even led fans to celebrate their “bias” as they connect with their favorite member of the OT7 (One True 7). 

Being trained in the K-pop methodology prepared all seven to be strong in all areas of performance. To get to know them as great singers, take note of V’s chilling vocals on “Spring Day,” Jimin’s sweet sensuality on “Serendipity,” Jin’s flawless belting on “Let Go,” or Jung Kook’s effortless falsetto on “Euphoria”. The group’s earliest music was also heavily influenced by hip-hop — and members Suga, RM, and J-Hope’s inspiration from the American hip-hop scene and the underground culture in Korea heavily shaped BTS’ sound. By 2018, Nicki Minaj was even joining the group for an iconic verse on the Love Yourself: Answer single “IDOL”. 

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Of course, you can’t be a great pop star without top-notch visuals. From music videos to merchandise, everything BTS is produced to the highest quality. Take for example their song “ON”: The music video alone is a spectacle of massive dance numbers and sprawling sets. The group took that same performance to The Tonight Show in Grand Central Station and inside a stadium for the 2020 MAMA Awards. Everything BTS does is BIG. (And yes, all the BTS members are good looking: Jin is famously nicknamed by their fans as Worldwide Handsome.) 

The group’s dance ability is also next-level. Choreography isn’t new to boy bands, as pop groups from the Jackson 5 to *NSYNC made it a key performance element. But look no further than BTS’ performance of “Black Swan” at the 2020 Melon Music Awards and you know what we are seeing is different here: Often members show off not just hip-hop dance skills, but aerial, ballet, and interpretive dancing. A quick dive into fan edits online and you will surely find several videos comparing the members to Michael Jackson and other greats. 

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It was these performances, and a new lean into a more pop-friendly sound, that really introduced them to a mainstream American audience in the late ‘10s. They brought “Fake Love” to the Billboard Music Awards in 2018, one of their first major US awards show performances, with huge (and clearly audible) ARMY support in the crowd. “Boy With Luv” featuring Halsey, released the next year off Map of the Soul: Persona, was another catchy banger and became one of their biggest hits at the time, reaching the Hot 100’s top 10. They performed that track at the BBMAs in 2019, also receiving a rapturous reception. 

Though there was no denying BTS’ massive success as the septet sold out stadiums across the world by 2019, there really was no preparation for what happened with “Dynamite” in 2020. The group’s first single released in all English can only be described as pop perfection. From the sticky-sweet lyrics to the colorfully choreographed music video, the song catapulted the already massively popular group to new levels of crossover American success. The song became BTS’ first No. 1 on the Billboard Hot 100 — and the first song ever by an all-South Korean musical act to reach that spot, with only Psy’s “Gangnam Style” (No. 2) getting close previously.  

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BTS followed that up with even more chart-toppers, several while linking up with English-language pop acts– lending an assist to Jason Derulo for “Savage Love” and getting recruited by Coldplay for “My Universe,” which became another No. 1 for both groups. BTS even had a No. 1 co-written by Ed Sheeran – with a personal favorite, “Permission to Dance.” Which isn’t to say the septet actually needed help from any other hitmakers, though  – as “Butter,” the delectable 10-week No. 1 that stands as the group’s longest-reigning Hot 100-topper to date, clearly demonstrated in summer 2021.  

Songs like “Dynamite,” “Butter” and “My Universe” have been able to secure BTS five Grammy nominations. They were also invited to the stage at both the 2021 and 2022 Grammys, with highly anticipated performances that brought the awards some of their buzziest and best-received moments. 

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The seven members have continued that success as solo artists while BTS has paused most group activity as its members participate in their mandatory South Korean military service. (Jin was the first member to enlist, doing so in Dec. 2022, and this June, also became the first to be discharged.) In 2022 J-Hope became the first South Korean artist to headline the main stage at a major U.S. music festival when he headlined Lollapalooza. In 2023 Suga took his solo show worldwide as he completed the Agust D Tour in support of his debut studio album D-Day. Jimin made history with the release of his first solo album, FACE, as the single “Like Crazy” became the first song by a Korean solo artist to top the Billboard Hot 100. Jung Kook performed at the World Cup and notched his own Hot 100 No. 1, with “Seven” featuring Latto. V, Jin and RM have also all released successful solo music. 

Meanwhile, even as they’ve become global pop crossover stars, the BTS members have continued to stay true to their hip-hop roots – as seen as recently as RM’s new feature on Megan Thee Stallion’s “Never Play” this September. He’s also worked with Erykah Badu, Wale and Anderson .Paak, while in 2023, J-Hope teamed up with a rap icon in J. Cole for the single “On the Street.” 

Jung Kook and Jimin

Courtesy of BIGHIT MUSIC

No K-pop group — or group in general — has been able to accomplish what Bangtan has this century. From creating a global community to expanding K-pop well outside of its genre and delivering seven successful pop star solo acts, BTS truly paved the way. 

Read more about the Greatest Pop Stars of the 21st Century here — and be sure to check back on Thursday when our No. 18 artist is revealed!

Up until this week, only five albums in the 68-year history of the Billboard 200 had spent 700 weeks or more on the chart. This week (on the chart dated Sept. 14), Eminem’s 2005 best-of compilation, Curtain Call: The Hits, joins the ranks as the sixth album to reach the milestone – and the first hip-hop set.

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Curtain Call: The Hits ranks at No. 198 with 8,000 equivalent album units earned in the United States Aug. 30-Sept. 5, according to Luminate.

Dating to when the chart became a regularly published weekly list in 1956, only five other albums have reached the 700-week milestone. Here’s a look at those five, along with the albums next in line:

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990 weeks, Pink Floyd, The Dark Side of the Moon

851, Bob Marley, Legend: The Best of Bob Marley & The Wailers

821, Journey, Journey’s Greatest Hits

758, Metallica, Metallica

710, Creedence Clearwater Revival, Chronicle: The 20 Greatest Hits

692, Guns N’ Roses, Greatest Hits

692, Bruno Mars, Doo-Wops & Hooligans

686, Nirvana, Nevermind

642, Michael Jackson, Thriller

622, AC/DC, Back In Black

619, Kendrick Lamar, good kid, m.A.A.d city

611, Queen, Greatest Hits

610, Adele, 21

601, Drake, Take Care

(All except for Dark Side of the Moon are still charting this week)

Curtain Call: The Hits is Eminem’s first greatest hits album and includes songs from four of his first five studio albums: The Slim Shady LP (1999), The Marshall Mathers LP (2000), The Eminem Show (2002), the 8 Mile soundtrack (2002) and Encore (2004). (The set doesn’t include any songs from his 1996 debut album Infinite, which he released before he signed to Interscope Records.)

After The Slim Shady LP peaked at No. 2 on the Billboard 200 in 1999, The Marshall Mathers LP debuted at No. 1 and became his first of 11 leaders, including his most recent project, The Death of Slim Shady (Coup de Grâce), in July. That run includes Curtain Call, which spent two weeks on top.

How come Curtain Call spent more weeks on the chart than any of Eminem’s classic studio projects? That’s due to a Billboard 200 chart rule that came into effect in 2009. In December of that year, Billboard allowed catalog albums back on the chart (after barring them since 1991).

When streaming began to impact the chart in 2014, Billboard instituted rules about where songs that appear on multiple albums should be assigned (say, a song that appears on both a studio album and a greatest hits album). Since then, songs are assigned to whichever album by that artist sells the most (by traditional album sales) in a given week. So, Curtain Call has been able to spend an historic amount of weeks on the chart because, A) catalog albums are now allowed to chart each week, and B) the album includes many of Eminem’s big early hits (“Lose Yourself,” “My Name Is,” “Without Me,” “Stan,” etc.) which, as a collection, are counting more towards this album week-to-week than to the original studio albums on which they appear.

It’s late Monday (Sept. 9) night at the UBS Arena in Elmont, New York, and Bruce Gillmer, who is executive producing the 2024 MTV Video Music Awards alongside Jesse Ignjatovic, is hustling from one rehearsal to another.

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“We’ve been going since Saturday,” says Gillmer of the preparations to throw what will be the 40th anniversary of MTV’s signature award show on Wednesday (Sept 11). On Monday, Gillmer and his team rehearsed with the rapper LL COOL J. “He’s a legendary MTV artist returning to the stage to celebrate a milestone of one of hip-hop’s most groundbreaking labels: Def Jam,” he reveals of the tribute to the label which also celebrates its 40th anniversary this year, before teasing: “He may even bring some friends along.”

In the past four decades, the VMAs have stayed steady as a culture-moving, irreverent event, frequently sending shockwaves around the music world. (Kanye West interrupts Taylor Swift! Miley Cyrus twerks! Britney Spears and Madonna kiss!) But while music videos used to be in heavy rotation on the network, these days the only time a video may air on MTV is during the annual show. Nevertheless, the ceremony has managed to soldier on despite changing consumption habits (certain award categories have dropped the keyword “video,” and some voting takes place over Instagram Stories) and societal norms (its signature trophy the Moon Man is now the Moon Person).

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“This might be the biggest scale production we’ve ever done,” says Gillmer of 2024’s iteration, which will acknowledge the four-decade milestone. “We’re going to be revisiting some of the show’s most iconic moments that made the VMAs the pop culture beast it is today,” he explains. That includes harkening back to its debut on Sept. 14th, 1984. (Hosts: Dan Aykroyd and Bette Midler; video of the year: “You Might Think” by The Cars). “One of the look backs will be at that first show from Radio City Music Hall,” says Gillmer. “It’s a homecoming of sorts, so we’ll celebrate turning 40 by flashing back to moments on stage and screen.”

The homecoming comes in the form of the production setting up shop at UBS Arena after a stint in New Jersey last year, which marks the seventh overall VMAs in the tri-state area. (For those counting, its last west coast production occurred in 2017 when Katy Perry hosted from The Forum in Inglewood, Calif.)

Straddling the border of New York City and Long Island, UBS opened in November 2021 (Harry Styles was its first musical performer). According to Gillmer, UBS was a natural choice. “It has top notch acoustics, world class tech capabilities and excellent sightlines,” he says of the arena which normally hosts NHL’s New York Islanders. “It really is built for music and allowed us to create one of our most ambitious set-ups yet.” In addition to the main stage, there will be four performance stages including what they’re dubbing a ‘fandom’ stage built into the audience. “Wait until you see how we used the Moon Person as part of our set design,” he teases. “It’s literally busting out of the screen, into the audience.” Ever the production aficionado, Gillmer can’t help but gush about the stage rigging. “I’m told we’re up to 400,000 lbs.,” he says. “The heaviest VMAs yet! I’m blown away every time I walk into the room and can’t wait for everyone to see all the ‘wow’ factors we packed into the live show.”

Much like an eclectic playlist meant to please everybody at the party, this year’s roster of performers zigzags between past and present names. In one corner, you have your MTV legends: the aforementioned LL COOL J, as well as Katy Perry who is set to take the stage to accept the Michael Jackson Video Vanguard Award (the show’s version of the lifetime achievement award). “We also just announced Eminem will be our show opener,” says Gillmer of the legendary rapper.

But it wouldn’t be the VMAs without tapping into buzzy newcomers for possible superstar-making performances. Luckily for the producers, the past year has minted a variety of fresh talent. “(Since) the show always spotlights artists with the biggest impact over the last 12 months, Chappell Roan and Sabrina Carpenter were two names we unquestionably had to have this year,” Gillmer says of snagging two of 2024’s biggest breakouts (the former had to shake up her schedule to facilitate her VMA debut). “Sabrina blew us all away with last year’s pre-show performance.”

Other first-time VMA performers this year include two artists riding breakout singles, Benson Boone (“Beautiful Things,” which peaked at No. 2 on the Billboard Hot 100) and Teddy Swims (“Lose Control,” which topped the Hot 100), as well as VMA stalwarts with new albums, including Shawn Mendes (his fifth album, Shawn, drops Oct. 18) and Camila Cabello (promoting C,XOXO which came out this summer). K-pop superstar Lisa, Brazil’s Anitta and Puerto Rico’s Rauw Alejandro will also perform.

There’s also Megan Thee Stallion, who this year serves as the ceremony’s host and continues the trend of recruiting an artist to host the ceremony (Nicki Minaj and Doja Cat have both enjoyed recent honors). According to Gillmer, the gig came after plans for a more traditional role for the star. “We actually started talking about her performance on 2024’s show first after her VMAs debut alongside Cardi B last year,” recalls Gillmer. “Our conversation evolved from there. It was easy to see she was a perfect fit: she’s quintessential MTV and is leading (her) genre. Megan is this rare artist who has an unmatched presence and dynamic personality that allows you to dominate a performance and then carry on an extraordinary event like this.”

For months, everything was booked, set and scheduled for the show to kick off Tuesday, Sept. 10. Then, a curveball: in August, the date of the first (and possibly only) Presidential Debate of the 2024 election cycle between Vice President Harris and former President Trump was announced to take place that same night. Gillmer and his team knew they wanted to steer clear.

“With our brand’s decades-long history of leading non-partisan civic engagement, it was important to encourage our fans to tune in to the debate to help make educated decisions ahead of a historic election,” he says. With that, the team went into overdrive shifting their plans by a full 24 hours, with this year’s show moving to Sept. 11. “With the date shift, it again gave us the opportunity to partner with our friends at 9/11 Day to amplify their September 11 National Day of Service and Remembrance with tickets to Tuesday’s Children,” says Gillmer of the long-standing association with the charity.

Aside from streaming on Paramount+, the VMAs air on BET, BET Her, CMT, Comedy Central, Logo, MTV, MTV2, Nick at Nite, Paramount Network, Pop, TV Land and VH1, with a rebroadcast to follow. “We’re also airing a live, hosted simulcast on Univision with entertainment reporter Alejandra Espinoza who is bringing audiences in on exclusive show access and rehearsal features from some of the top Latin talent,” Gillmer says.

In any case, Gillmer is bracing for the unexpected: “Anything can happen live on Wednesday.”

Ben Stiller has long been a rap fan, and he’s looking forward to seeing Kendrick Lamar headline the Super Bowl LIX Halftime Show in New Orleans in February. The star offered a simple response to seeing Kendrick announce his Super Bowl appearance on Sunday (Sept. 8). “Yes,” the Dodgeball actor wrote. Fans flooded Stiller’s replies […]

BTS‘ Suga has been fined without a trial for driving an electric scooter under the influence of alcohol in August, officials told South Korean news agency Yonhap on Tuesday (Sept. 10). He also previously had his license suspended over the same incident.
Used for minor offenses, a summary indictment requests that the court impose a fine or confiscation through an expedited process without a full trial.

The news comes more than a month after the 31-year-old K-pop star was questioned by police after falling from his electric scooter in the Hannam neighborhood of the Yongsan district Aug. 6. According to Yonhap, the star’s blood alcohol concentration was 0.227 percent, nearly three times the 0.08 percent threshold. The news agency also reports that according to the Road Traffic Act, violations in which the BAC is above 0.2 percent indicates two to five years behind bars, as well as a fine of 10 million won (approximately $7,442) and 20 million won (approximately $14,884).

Trending on Billboard

Billboard has reached out to BTS’ reps for comment.

Shortly after the incident, Suga — who is currently in the middle of serving out his mandatory service in the South Korean military — revealed that his license had been revoked. He also said sorry to fans in two heartfelt posts on Weverse, explaining in the first that he didn’t realize he couldn’t operate an electric scooter while under the influence, which he’d attempted after going out to dinner.

“In the process of setting up an electric kickboard at the front door of the house, I fell alone, and there was a police officer around me, so I took a breath test,” he continued in the Aug. 7 post, apologizing to “everyone who was hurt by [his] careless and wrong actions.”

BTS’ record label, BigHit, also issued a statement at the time, apologizing “for the disappointment caused by the artist’s inappropriate behavior.” “As a social service agent during his military service, he is prepared to accept any disciplinary actions from his place of work for causing a social disturbance,” the label added at the time. “We will take greater care to ensure that such incidents do not happen again in the future.”

Toward the end of August, Suga again took responsibility for his actions. “It’s all my fault,” he wrote in his second post about the incident on Weverse. “My carelessness is giving everyone who cares about me a hard time. I will try not to do anything wrong again and live with repentance. Due to this incident, I have greatly damaged the precious memories I made with the members and fans and put a lot of pressure on the name of the BTS.”

Since the incident, BTS fans have stood behind the musician, even issuing a statement in support of all members of the global group in recent days. “Global ARMY fan bases, both domestic and international, have gathered to affirm with one voice that we continue to support all seven members of BTS,” read part of the statement representing 127 ARMY divisions globally.

Keith Urban, Kelsea Ballerini, Lady A, Parker McCollum and The War and Treaty have been added as performers for the 2024 People’s Choice Country Awards, which will air Thursday, Sept. 26, at 8 p.m. ET/PT on NBC and Peacock. Kane Brown, who is set to receive the Country Champion Award, and Miranda Lambert, who is set to receive the Country Icon Award, had already been announced as performers.
The two-hour show, hosted by Shania Twain, will air live from the Grand Ole Opry House in Nashville. A two-hour red-carpet pre-show, Live From E!: People’s Choice Country Awards, will kick off the night at 6 p.m. ET/PT on E!.

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Ballerini, Lady A and The War and Treaty received CMA Awards nominations in key categories on Monday (Sept. 9). Ballerini is nominated for female vocalist of the year, Lady A for vocal group of the year, and The War and Treaty for vocal duo of the year. A strong performance on the People’s Choice Country Awards could conceivably help them in the CMA voting. (CMA final-round voting opens on Tuesday, Oct. 1, five days after the People’s Choice Country Awards, and extends for four weeks.)

Additionally, Carly Pearce, Dan + Shay, Little Big Town and comedian Nate Bargatze have been announced as presenters. Additional names will be announced.

A limited number of show tickets and VIP packages are available now at Opry.com.

People’s Choice Country Awards is produced by Den of Thieves. Jesse Ignjatovic, Evan Prager and Barb Bialkowski will executive produce along with RAC Clark as executive producer and showrunner. 

The pre-show is produced by Den of Thieves with executive producers Ignjatovic, Prager and Bialkowski.

Here are all the performers and presenters that have been announced. This will be updated when additional names are announced.

Performers

Kane Brown

Keith Urban

Kelsea Ballerini

Lady A

Miranda Lambert

Parker McCollum

The War and Treaty

Presenters

Carly Pearce

Dan + Shay

Little Big Town

Nat Bargatze

Yesterday, Kendrick Lamar revealed that he’ll be headlining the Super Bowl LIX Halftime Show in New Orleans next February. This won’t be his first time performing at the Big Game: Kendrick first popped out during the Dr. Dre & Friends set at the Super Bowl LVI Half Time Show in his hometown of L.A., where […]