Music

Morgan Wallen Meets With Idaho Murder Victim’s Family During His San Diego Concert

Morgan Wallen is helping one family on their healing journey, after four University of Idaho students were found murdered last year in a home not far from the university’s campus. A suspect was ultimately arrested and charged in the incident.

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Stacy Chapin, the mother of one of the four slain students, 20-year-old Washington native Ethan Chapin, shared on Instagram how Wallen’s song “Thought You Should Know” was a special song for the mother and son.

“On Mother’s Day 2022, Ethan sent me the best text about how @morganwallen had written a song for his mom @lesliwallen and how that could be our song. It was a very touching moment between us. I listen to ‘I Thought You Should Know’ all the time,” Chapin wrote in an Instagram post. “Thought You Should Know” was written by Wallen with Miranda Lambert and Nicolle Galyon and included on Wallen’s current album One Thing at a Time.

The story made its way to Wallen’s team, who reached out to Chapin and her family to offer them tickets to Wallen’s show in San Diego on July 15, as well as a meet and greet with the singer. A dozen of the late Chapin’s family and friends attended the show and meet-and-greet, and according to a rep for Wallen, the singer-songwriter spent about half an hour with the family, listening as they shared stories of Ethan and taking photos with them. Wallen’s mother Lesli also flew in to meet with the family.

In the Instagram post, which features a photo of Wallen with the family, Chapin’s mother called the meeting “an incredibly bittersweet full-circle moment. Truthfully, the show would have been enough. We were all over the moon.”

Making the moment even more heartening, the Morgan Wallen Foundation made a donation to the Ethan’s Smile Foundation, which was set up to honor Ethan’s life and funds education scholarships for students.

“It was one of the kindest gestures in my life,” Chapin said in the Instagram post. “I still cannot believe it happened, and it isn’t easy to recognize it all came at a massive cost to our family. Morgan, thank you for everything.”

See Chapin’s Instagram post below.

Maybe He Ain’t That Young Anymore, But Bruce Springsteen Proves His Glory Days Aren’t Over in Hamburg

Bruce Springsteen was 34 in 1984 when he released “Glory Days,” a deceptively upbeat song about looking back at the high school years rock songs cast as the prime of our lives. He was almost 50 when he reunited the E Street Band in 1999 and gradually turned what seemed like it would be a celebration of his past into the second half of his career. Now, at 74, he’s taken some time to look back – in his memoir, during his one-man Broadway show, and on his album Letter to You – but his July 15 concert at the Volksparkstadion in Hamburg, Germany was a joyous celebration of the power of rock n’ roll.

Let’s get the obvious out of the way: Yes, Springsteen has slowed down a bit. Concerts on this tour clock in at less than three hours, with relatively stable set lists, and he doesn’t slide across the stage on his knees anymore. Who could? It’s inevitable. But he still delivers the greatest show on earth. He’s not playing the kind of concerts he did four decades ago, but — let’s face it – no one else is, either.

The band endures. Video segments during “Tenth Avenue Freeze-Out” honor late band members Clarence Clemons and Danny Federici, but the band tours on. That seems to be the point of these shows, many of which open with “No Surrender” and its vow of dedication, followed by “Ghosts” and its salute to a lost bandmate. It’s a look back, but in Hamburg, Springsteen leaned into its statement of purpose: “By the end of the set we leave no one alive.”

Springsteen played four songs from Letter to You during the show, which (along with his spoken introduction to “Last Man Standing”) were presented with German subtitles onscreen. The implication was clear: These are the important ones. (They’re probably easier for foreigners to understand than any of his lyrics about the New Jersey turnpike.) Really, though, they’re all important. Some went by fast (“Working on the Highway”), while Springsteen stretched others into extended jams, including “Out in the Street,” during which he showcased the horn section; “Kitty’s Back”; and “Backstreets.”

Springsteen is one of the only rock musicians – truly one of just a few figures in pop culture in general – to chronicle the arc of his life in an art form usually obsessed with teenage concerns. Over the years, he’s turned his creative attention from escaping the life he grew up with (Born to Run) to the difficulties of building his own (Darkness on the Edge of Town) to the challenges of sharing it with someone else (Tunnel of Love) – then, later, to the brotherhood he finds with his band. Over the last few years, his attention has turned to his own mortality, in a way that’s free of the hope-I-die-before-I-get-old mythology but still cast in his usual rock n’ roll terms.

The band endures – even, perhaps, beyond its members. Before he played “Last Man Standing,” from Letter to You, Springsteen told a story about his first rock band – the same way he might have on Broadway, only to about 70,000 people – and how he’s the last one of the members still alive. He compared the situation to standing on railroad tracks, looking at the headlight of an oncoming train and how it “brings a certain clarity of thought, of purpose.” Back then, he remembered, life was full of hellos and “later on there’s a lot more goodbyes.”

Any resignation was immediately followed by defiance in the form of “Backstreets,” which could be about the time he formed that first band, followed by “Because the Night” and soon “Badlands” – both of which are essentially about seizing the day. Springsteen is old enough to confront the idea of hanging up his rock n’ roll shoes, but he’s not ready to do it. It seemed the crowd could relate: Sounds of recognition greeted the line in “Thunder Road” about how “you’re scared and you’re thinking we ain’t that young anymore,” a line Springsteen wrote almost half a century ago.

The concert paused there, then continued with a six-song encore – “Born to Run,” a Born in the U.S.A. triple-header of “Bobby Jean,” “Glory Days” and “Dancing in the Dark,” and then that joyous, extended “Tenth Avenue Freeze-Out.” His final song was more subdued: “I’ll See You in my Dreams,” a goodbye about goodbyes, “For death is not the end.” At once stark and hopeful, it circled back to “No Surrender” and the start of the show. “Now young faces grow sad and old,” Springsteen sang just after he took the stage, “And hearts of fire grow cold / We swore blood brothers against the wind / Now I’m ready to grow young again.” Then he spent the next two hours and forty-five minutes doing exactly that.

DJ Khaled Hails Jay-Z’s Greatness at NYC Shawn Carter Foundation Gala: ‘Best Rapper That Ever Did It’

It was a celebratory weekend in the Big Apple for Jay-Z. Hours after launching the sprawling Book of HOV exhibit at the Brooklyn Public Library, the rap deity hosted the 20th anniversary Shawn Carter Foundation gala alongside his mother, Gloria Carter, on an overcast Friday night (July 14).

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Dignitaries across sports, music, Hollywood, and business crossed paths at the swanky Black-tie affair at Chelsea Piers on Manhattan’s West Side.

The star-studded guest list included Beyoncé, DJ Khaled, Lil Uzi Vert, Tinashe, A$AP Ferg, Meek Mill, Babyface, Regina Hall, Fanatics CEO Michael Rubin, Yo Gotti, Miguel, NFL Commissioner Roger Goodell, and many more.

Khaled was the last of the stars to hit the Pier 60 red carpet but his entrance was well worth the wait. The energy of the venue noticeably refilled when he and his partner Nicole Tuck stepped out of their mocha Mercedes-Maybach S680 designed by Virgil Abloh, and his array of Khaled-isms could be heard before even being seen.

When the lights are brightest and the cameras are rolling, DJ Khaled is at his best. Strutting down the carpet in a sleek black suit and matching designer shades, the We the Best mogul agrees with Billboard‘s ranking of having his “GOD DID” collaborator atop the greatest rappers list.

“Hov is the GOAT for a lot of reasons,” he begins while taking off his sunglasses. “It would take many books to write the reason why, but for me, it’s to let you know that it’s possible. When I say possible, anything he puts his mind to he makes it happen and takes it to the higher heights.”

Even outside of music, Khaled is impressed with how Jay-Z’s been able to bring his greatness to numerous endeavors and help others along the way. “What I love about him the most is that he’s always there to help somebody,” Khaled continues. “Come on, that’s Jay-Z – the best rapper to ever do it, entrepreneur, mogul, father, family man, friend, partner. It’s too many – that’s HOV did!”

Apple Music executives Zane Lowe and Ebro Darden have had a front-row seat to the Brooklyn legend’s decorated career as longtime radio veterans for over two decades.

“Quality and consistency and knowing the time to expand and when he expanded, he did it really thoughtfully,” Lowe testifies to Jay’s brilliance. “I saw an interview with Burna Boy the other day and someone said, ‘Did it feel like a good decision?’ And he said, ‘I only make good decisions.’ And I feel like that’s JAY-Z’s mantra.”

Ebro adds to give HOV his flowers: “I think his taste, intellect and appreciation of art and culture are the real drivers when you listen to his music. Not only the things that he talks about, but how he puts it together.”

The Shawn Carter Foundation ended up raising over $20 million by the end of the night, which will benefit individuals enduring socio-economic hardships that hope to continue their education. Amazon Founder Jeff Bezos and his fiancée Lauren Sanchez also made a notable $10 million legacy donation.

Inside the gala, Babyface delivered one of the night’s rare performances, with the Grammy-winning legend candidly raving about having the ultimate respect for Jay-Z.

“I’m honored to be here — and if you ask me to do anything, I will always do it, because you deserve that,” Babyface said to a round of applause. “You always deserved to be honored.”

Still recovering from his famous July 4 Hamptons white party, Michael Rubin is someone who has got to know Jay-Z in recent years, through the launch of the REFORM Alliance in 2019 advocating for criminal justice and partnering to purchase sports apparel brand Mitchell & Ness.

“What I’ve learned about Jay is that there is nobody who I know that steps up to do the right thing all the time,” Rubin says. “He cares as much about that as much as anything in his life. That’s what makes him an inspiration to me.”

On the flip side, Roc Nation athletes Dez Bryant and Rudy Gay have long idolized HOV while reaching the top of their respective crafts but now they’re inspired to chase their post-playing career dreams — thanks to seeing the diverse empire JAY-Z has been able to build into his 50s.

“For me, being at the end of my career, it’s something I could really look up to and try to emulate,” Gay says, while the former Dallas Cowboys wide receiver adds: “He makes me feel like I can touch anything I want by watching him be great.”

6 Must-Hear New Country Songs: Mickey Guyton, Kane Brown, Hailey Whitters & More

In this week’s column, collaborations abound again as Kane Brown and Mickey Guyton team for a sultry romantic ballad, while Caroline Jones welcomes bandmates Zac Brown Band for a jaunty, bluegrass-infused track, and Alana Springsteen offers up a unique take on a Chris Stapleton collaboration.

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Mickey Guyton and Kane Brown, “Nothing Compares to You”



On the heels of Brown’s recent Billboard Country Airplay chart-topping collaboration, “Thank God,” featuring his wife Katelyn, he teams with illustrious vocalist Mickey Guyton for another R&B-inflected romance ballad. Guyton’s passionate, octave-jumping vocals pair nicely with Brown’s cooly smooth vocal tones — a true duet, Guyton takes the lead on the first verse, while Brown helms the second and their voices meld into the chorus, atop fuzzy guitar lines and lush, pillowy production. Guyton recalls a time when she “never needed anyone,” until she finds the pulse-quickening kind of romance she couldn’t live without. Writers on the song are Tyler Hubbard, Bebe Rexha (known for the Rexha/Florida Georgia Line 2018 megahit “Meant to Be”) and Jordan Schmidt.

Dan + Shay, “Save Me The Trouble”



One of a trio of new songs Dan + Shay have released in advance of their upcoming Sept. 15 album Bigger Houses, “Save Me the Trouble” further substantiates their reputation as master purveyors of power balladry, fueled by Smyers’ country-pop production sensibilities and Mooney’s lithe tenor. This time around, the duo offers up a more live-concert feel to the production, but still keeps the focus on the the duo’s tight-knit harmonies.

Josh Ross, “Ain’t Doin’ Jack”



Canada native Ross broke through with “Trouble” earlier this year, and follows it with this brooking, guitar-driven track infused with explosive percussion capable of keeping up with Ross’s surly vocal. Here, he craves a higher-grade buzz than his current drink of choice can provide — the kind of liquid salvo that can fizzle the memories of his lover slamming the door and walking away.  Ross wrote the song with Mason Thornley, Ben Stoll and Sam Martinez.

Hailey Whitters, “I’m in Love”



Whitters is a longtime mainstay in Nashville’s songwriting circles, having made her debut album nearly a decade ago and followed with two more albums chock full of her top-shelf writing. Following her ACM new artist of the year win in May, she’s offering a taste of her upcoming EP with this title track. Though not a writer on the track (which comes courtesy of Cameron Bedell, Lee Thomas Miller and Nicolle Galyon), Whitters’ exuberant vocal is a perfect match for this slice of bubbly, delightful pop-country whisked along by strains of mandolin and handclaps, with each line revealing another vivid vignette, setting the scene (a Chevy ride soundtracked by a George Jones LP) of a giddy romantic infatuation.

Alana Springsteen with Chris Stapleton, “Ghost in My Guitar”



The best country music writers can always find a fresh way to bring life to an old topic. Whereas many country compositions wax poetic about the life-changing, sentimental properties of their favorite six-string, Springsteen takes a decidedly opposite approach; in her latest, she sings of aching to smash or even torch a trusty axe — any means to break the emotional ties to an ex-lover. Meanwhile, Chris Stapleton is one of music’s most sought-after collaborative vocalists, having teamed with everyone from Adele to Taylor Swift, but his bluesy guitar work remains both essential and underrated. Springsteen’s latest features Stapleton on Jazzmaster guitar, the instrument’s mournful, incisive tones crafting a second “vocal” on the track, weaving together with and apart from Springsteen’s breathy, anguished vocal.

Caroline Jones with Zac Brown, “Million Little Bandaids”



Jones has been on the road touring with Zac Brown Band for a few years, and officially became a member of the group last year. Now she teams with Brown and the ZBB cohorts on this jaunty, bluegrass-infused jamband track about replacing self-defensive mechanisms with self-acceptance. Flashes of mandolin, Fiddle, banjo and the band’s signature full harmonies wrap around Jones’ lilting, dynamic soprano and the song’s searching sentiments. “Million Little Bandaids” is included on Jones’ recent EP, Superpower.

Ariana Grande & Dalton Gomez Split After 2 Years of Marriage: Reports

Thank u, next? Ariana Grande and Dalton Gomez have separated after two years of marriage, according to multiple reports.

According to TMZ, who was first to report the news, the couple has been separated since January and are planning to legally end their marriage. People also reports that the pair went their separate ways earlier this year.

Billboard has reached out to Grande’s reps for comment.

The singer-actress has been in the U.K. filming the Wicked movies, and was spotted at Wimbledon on Sunday (July 16) in London without her wedding ring. In photos from the tennis championship, her fingers are bare as she sits next Andrew Garfield, Tom Hiddleston and her Wicked co-star Jonathan Bailey.

The singer and the 27-year-old luxury real estate broker wed in a private ceremony in May 2021 after getting engaged in December 2020, about 10 months after they were first spotted together in February that year. Gomez also appeared in the music video for “Stuck With U,” Grande’s lovey-dovey mid-pandemic collaboration with Justin Bieber.

The two kept their relationship mostly private, though Grande would occasionally share snaps of their life together on Instagram, including one Valentine’s Day post showing off their glamorous date night looks. The last time she posted a picture of Gomez was in November 2022.

Prior to their reported split, they attempted to reconcile without success. TMZ, People and Entertainment Tonight also report that Grande and Gomez remain friends, and talk regularly over the phone.

The R.E.M. Beauty founder was previously engaged to Pete Davidson, though she and the comic called it quits in 2018. She’s also been linked to Big Sean and Mac Miller, who passed away in September 2018.

Machine Gun Kelly Goes Wild Over Megan Fox’s Jungle Bikini Photo Shoot: ‘Maul Me’

Welcome to the jungle. Machine Gun Kelly went absolutely feral over Megan Fox’s recent bikini photo shoot, for which she posed like a wild animal perched in the trees.

In the images shared to Fox’s Instagram Saturday (July 15), the Jennifer’s Body actress models on all fours atop a thick tree branch, showing off an itty bitty bikini made sparingly out of leaves. “the forest is my oldest friend,” she captioned the post.

And of course, Fox’s animal magnetism attracted the approval of the rocker. “if this is what a wild animal looks like, i’d let it maul me,” commented MGK, born Colson Baker.

Based on the rapper-turned-punk rocker’s comment, it seems that the couple, who got engaged in January 2022, are back on solid footing. The two threw fans for a loop earlier this year, however, when Fox sparked breakup rumors by posting cryptic lyrics from Beyoncé’s Lemonade hinting that she’d been betrayed before deleting her Instagram entirely. Speculation that Baker had cheated on the Expendables 4 star with his guitarist, Sophie Lloyd swirled shortly after, but Fox later insisted that there had been “no third party interference in this relationship of any kind.”

The 37-year-old New Girl alum is on a roll with the swimwear shoots, having graced the cover of Sports Illustrated‘s swimsuit issue in May. In an interview with the magazine, Fox got real about her struggles with body dysmorphia, revealing, “There’s never a point in my life where I loved my body, never, ever.”

As for Baker, the 33-year-old Good Mourning star has been making headlines for a string of memorable performances on tour. Perhaps most notably, he fulfilled a fan’s wish to be punched in the face by the “Emo Girl” singer at Rock Werchter festival in Belgium. Prior to that, Baker made an appearance at Hellfest in France, where he was captured receiving a tattoo from his teenage daughter, Casie.

R&B/Hip-Hop Fresh Picks of the Week: J Hus, Maiya the Don, SwaVay & More

New week, new Fresh Picks! From drill love songs by J Hus and Maiya The Don to rap rhythms by Atlanta heads SwaVay and KEY!, we have a wide range of sounds to help you power through another steamy week.

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And of course, check out this month’s Fresh Picks (so far) in our Spotify playlist, linked below.

Freshest Find: J Hus feat. Jorja Smith, “Nice Body”



J Hus is the latest addition to the streak of U.K. rappers (following Dave and Central Cee) who have crossing over and dominating the scene as of late. Last Friday (July 14), the Gambian-British rapper released his long-awaited third album, Beautiful and Brutal Yard, with a handful of features including big names like Drake, Burna Boy and Jorja Smith. Hus and the lattermost teamed up for a slowed down heater, “Nice Body,” a track about being with your lover through thick and thin. Hus and Smith duet, finishing each other’s sentences — making for a rather steamy track.

Alex Mali, “DinnerTime”



Brooklyn native Alex Mali knows her self-worth and with “DinnerTime,” the singer is giving fans a taste of her upcoming debut album, Trust the Process (out August 16). With the hard-hitting new single, Mali explores the concept of women comparing themselves to “a snack” or “a meal,” delving into her own perspective and redefining what it means to be sexy. “Finding yourself is a journey and you should allow yourself the grace to find the beauty in every phase, every setback and every triumph,” she shared. “Go through those emotions with confidence in knowing that all will be as it’s meant to be because you have appreciated the evolution and trusted the process. Keep going.”

SwaVay, “UH”



“I don’t need no cosign, p—y, I’ll just get my own bag,” Swavay raps. The Atlanta rapper released the deluxe version of his 2022 album Almetha’s Son on which includes two new singles, “UH” and “DUBLIN” featuring Ben Reilly and NASAAN. SwaVay gravitates towards mid-song beat switches, with “UH” being a prime example. The song laces a thumping bass line and 808 claps with orchestral loops as SwaVay stomps all over the beat with fiery bars.

Maiya the Don feat. Shawny Binladen, “Luv U Better”



Maiya The Don recruits Shawny Binladen for a drill flip of Mary J. Blige and Lil Kim’s 1997 hit, “I Can Love You.” The Brooklyn rapper declared her song, “Luv U Better,” a track to post your man to — as she took to socials to hard launch her boyfriend, Wu-Tang: An American Saga actor Siddiq Saunderson, as part of the song’s promo.

Mack Keane, “Chances”



On “Chances,” Mack Keane is feeling all the feels. The L.A.-based singer learns to let go and take a chance on love with the sultry, conga-driven song that went through 12 iterations before Keane landed on the final product. “It’s a real story and a timestamp of that period of my life, which is always the intention of my music,” he shares in a press release. “The lyrics in the second verse are my favorite because it’s something that I’m still learning to do in my life today: letting go, accepting the things that I can’t control, and staying present and grounded in this reality. I’m really happy to finally get this one out in the world.”

KEY! & Redd Smash, “Crank Dat”



Like its title suggests, KEY! and Redd Smash pay homage to 2000s Atlanta hip-hop with their new single “Crank Dat.” Sporting vintage ATL sports team jerseys and fitteds, the song’s video sees the two and their crew cranking dat, hitting the folks and hitting the woah. “Crank Dat” will appear on KEY!’s upcoming project, Marquis.

10 Top Luke Bryan Billboard Hot Country Songs Hits

Since notching his first top five Billboard Hot Country Songs hit in 2007 with his debut single, the tongue-in-cheek ode to a strong hangover “All My Friends Say,” Luke Bryan has become a two-time entertainer of the year winner at the Country Music Association awards, and a three-time winner of the accolade at the Academy of Country Music Awards. In 2019, his project Crash My Party was named album of the decade by the Academy of Country Music.

Bryan has earned 12 chart-toppers on the Hot Country Songs chart, and has won five Billboard Music Awards, in addition to being named Billboard’s top country artist of the 2010s.

Since his debut, Bryan, along with several of his pop-country cohorts, ushered in an era of country music that increasingly infused elements of hip-hop, arena rock, R&B and EDM. In addition to his headlining tours, he launched his Farm Tour series to help give back to farmers across the nation, and launched his annual Crash My Playa festivals in Cancun, Mexico. He has also expanded his career into a successful run as a celebrity judge on American Idol and opened his Luke 32 Bridge Food + Drink in downtown Nashville in 2018.

Here are the 10 biggest Luke Bryan songs, based on actual performance on the weekly Billboard Hot Country Songs chart, through July 15, 2023. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower ranks earning less. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.

Dolly Parton Hopes She’ll ‘Drop Dead’ While Performing Her Own Song Instead of Retiring

Dolly Parton may not have a “9 to 5” schedule, but she plans on working until the end of her days. During an interview with Greatest Hits Radio‘s Ken Bruce that aired on July 13, the country icon shared her thoughts on retiring, and how she’d like to go out.

“I always believed that if you wanted your dreams to come true and you were lucky enough to have that happen, then you gotta be responsible … you gotta keep the dream alive,” she shared while promoting her upcoming rock album, Rockstar. “I’m not one to sit around doing nothing — I would never retire. I’ll hopefully drop dead in the middle of a song on stage some day, and hopefully one I’ve written.”

“But anyhow, that’s how I hope to go because we don’t have much of a choice in that,” continued the star, whose Mountain Magic Christmas special received an Emmy nomination for outstanding television movie on July 12. “As long as I’m able to work, as long as my health is good and my husband is good, the only way I would ever slow down or stop would be for that reason.”

While the the 10-time Grammy winner may not ever be hanging up her guitar, she has parked her tour bus for good. “I think those days are pretty much behind me because I have so many things I’m involved in,” she told Bruce, noting that she will do special performances here and there. “You have to stay gone so long on a tour to make it be productive and prosperous. That’s a lot of time at my age! I ain’t got no years to waste!”

Besides her upcoming rock album (which is due out Nov. 17), Parton has a book titled Behind the Seams: My Life in Rhinestones coming Oct. 17. The pink tome will explore not only her celebrated music career, but also her passion for fashion and her iconic style.

Watch her interview with Greatest Hits Radio above.

Nick Carter Is Ready to Explore ‘Creative Personal Expression’ on Upcoming Solo Tour: Exclusive

Nick Carter feels most himself when he’s making music. After touring the world with the Backstreet Boys for the past four years, one might think he’d step back and take a much deserved break — but, in fact, he’s just getting started.

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“When I got back home and was finally able to be with the family, it was so amazing, but I’m a musician, I’m a performer. I love music, and so I decided that I wanted to get back on the road and do what I love,” the 43-year-old superstar tells Billboard.

That’s why he’s heading out on the road for his first solo tour in seven years. The Who I Am tour, announced exclusively via Billboard, aims to capture the music, the stories and the journey that, fittingly, made Carter who he is. “I was born in 1980 and there was a lot of music that influenced me throughout the years to be one of the members of the Backstreet Boys. So, I’m going to perform a lot of songs that I love,” he says of what fans can expect from the 14-show run. “80s songs, 90s songs — songs that that we all grew up with, and then also some solo songs and a lot of the Backstreet Boys songs. It’s just going to be a real fun show.”

The tour kicks off on October 4 in Lexington, Ky., before making its way through cities like Nashville, Tempe and Orlando before wrapping up on October 25 in Las Vegas. While Carter will be honoring his Backstreet Boys pop roots, fans can also expect to see a new side of the singer.

“I’m going to go out with a band, and I play guitar. I’m going to be playing drums throughout the show. So, it has a bit more creative personal expression and is a little bit more organic, I guess you could say,” he says of how his tour differs from a BSB run, before sharing the “surprising” songs he hopes to add into the setlist. “There’s no walls for me when it comes to music,” Carter says with a laugh. “One of the songs I really want to do is Simple Mind’s ‘Don’t You (Forget About Me)’ from The Breakfast Club and another one I want to do is Bon Jovi’s ‘Wanted Dead or Alive.’ I’m actually going to do some rap because I grew up listening to rap music. I’m gonna tear up some rap and do my own East Coast versus West Coast!”

Don’t worry, Backstreet Boys fans. Just because Carter is embarking on a solo tour, doesn’t mean he’s not still close with the rest of the guys. “I’m probably going to write a song with AJ [McLean], and I just hung out with Kevin [Richardson] recently. We went to a yoga retreat together,” he says.

Carter’s Who I Am tour comes at a particularly poignant time in the superstar’s life. In November, his younger brother and fellow pop star Aaron Carter died at age 34 after he drowned in the bathtub at his home in Lancaster, Calif., after inhaling difluoroethane and taking alprazolam. His cause of death was deemed accidental.

“It’s been a very rough year for me and my family and losing my brother is still something that I’m processing,” Nick shares. Following Aaron’s death, Nick and his sister Angel launched a donation fund in their late brother’s memory to benefit On Our Sleeves, which advocates to break the stigma surrounding mental health and provides children’s mental health resources to families and teachers nationwide.

“You try to find ways to cope with the things that are being thrown at you in life. Leaning into anything philanthropic or charitable, it makes it about something bigger than yourself,” Nick says of his past few months. “When my sister and I [launched the donation fund], I think that was the only way we were able to process what we’ve been going through. It’s become about how can we turn what we’ve been feeling into something that can hopefully help somebody else, and then we can learn from it and then somebody else can learn from it.”

“I love my brother. He’s my baby brother and I love him. Losing him, it’s been really hard,” he adds, before taking time to offer some advice for those also going through the loss of a loved one. “You just have to take life as it comes and learn from it and, most importantly, just know that you’re not alone.”

Amid the grieving process, Nick has also been facing a new sexual abuse lawsuit from Melissa Schuman – a former member of teen-pop group Dream who has long claimed that she was assaulted by the singer. “I’m a really strong believer in the legal system,” the Backstreet Boys member tells Billboard, noting that he can’t share too many details about the ongoing lawsuit at this time. “I’m confident that justice will be served in the end, and I actually look forward to speaking about it more when it’s all over.”

As for now, Nick says that the Who I Am tour has provided a much welcomed beam of light in a particularly tumultuous year. “I’m a musician. I’m an artist. I’m a performer, but I’m also a human first,” he explains. “Music is therapeutic to me and we all find ways to manage the things that we’re going through in life. Getting out there and performing for fans and just being who I am — it’ll help me during this this time.”

Tickets and exclusive VIP packages for the Who I Am tour go on sale starting July 21 here. See below for the full list of tour dates.

Oct. 4 – Singletary Center for the Arts – Lexington, KY
Oct. 5 – The Family Arena – St. Charles, MO
Oct. 7 – Schermerhorn Symphony Center – Nashville, TN
Oct. 8 – The Classic Center Theatre – Athens, GA
Oct. 9 – Harbison Theatre – Irmo, SC
Oct. 11 – Shaftman Performance Hall Jefferson Center – Roanoke, VA
Oct. 13 – Wilson Center – Wilmington, NC
Oct. 15 – Walt Disney Theater at Dr. Phillips Center – Orlando, FL
Oct. 17 – Pompano Beach Amphitheater – Pompano Beach, FL
Oct. 19 – Curtis M. Phillips Center for the Performing Arts – Gainesville, FL
Oct. 20 – Van Wezel Performing Arts Hall – Sarasota, FL
Oct. 22 – Morsani Hall Straz Center for the Performing Arts – Tampa, FL
Oct. 24 – Mullett Arena – Tempe, AZ
Oct. 25 – The Theater at Virgin Hotel Las Vegas – Las Vegas, NV