Music

JC Chasez Talks Joining a Cat Boy Band for Meow Mix & Reveals Why He’s the Least Active in the *NSYNC Group Chat

Besides being a beloved pop icon, JC Chasez is also a lifelong animal lover.

That’s why teaming up with Meow Mix was a natural fit for the *NSYNC superstar. In a new advertisement for the cat food brand, Chasez joined a different kind of boy band — full of cats. The group brings back all the 90s nostalgia by transforming Meow Mix’s original 1980 jingle into a perfectly harmonized, quintessential boy band pop hit.

In the commercial clip, the five-piece furry group (a.k.a. The Catty Five) performs sleek choreography while dressed in coordinating denim and all-white outfits. Chasez comes in halfway through the jingle to belt out some serious “meow, meow, meow” ad libs.

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“I was made to host The Catty Five,” Chasez tells Billboard with a laugh. “I grew up with cats — and dogs to be fair. I’m an animal lover in general. So, I loved the Meow Mix idea. Of course, there’s a lot of 90s Nostalgia going on right now, so putting a 90s spin on the longtime jingle was so fun.”

The star also gushed over how “cute” the final product is. “It’s so good. It’s the sound, right? You automatically go back to that era. They they nailed the sound of the era.”

“Thanks to the brilliant Meow ReMix creative from incredible agency and brand partners in Publicis, BBH, and JMS, BCL Entertainment knew that the talent had to be legendary,” Bettie Levy, talent producer of the campaign and founder and CEO of BCL Entertainment, said of the new collaboration in a press statement.  “Beyond JC being part of one of the most iconic boy bands of all time, his interest in engaging in and contributing to unique campaigns made this partnership so natural and authentic.”

“We couldn’t be more excited to release the latest installment of our Meow ReMix campaign” added Peter Defries, GCD of BBH USA. “When we were tasked with launching the wet-food range, there was only one genre that could really bring it to life – the rain-soaked boybands of the 90s. And when JC Chasez came on board, we knew we were sitting on another hit.”

“Our latest campaign honors Meow Mix’s storied heritage while also bringing new cultural relevancy to the brand,” said Gail Hollander, chief marketing officer of JM Smucker’s. 

The Meox Mix boy band-themed spot comes amid a particularly fun renaissance for boy bands in the music industry, with K-pop groups like BTS and SEVENTEEN dominating the pop landscape. “I want more!” Chasez says.

Besides the emergence of new boy bands, classic groups like Chasez’s own *NSYNC have been getting a second life on TikTok. In particular, a page called @justice4jc has been going viral on the platform, spotlighting the 46-year-old’s impressive vocal range and giving him the “credit & recognition he deserves,” per the user’s bio.

When asked if he’s seen the Justice for JC movement, Chasez admits that he hasn’t personally been following it, but has been told about it by some of his friends. In fact, he hasn’t had much time to scroll on TikTok, as he’s been immersing himself in writing musical theater. “There are similarities [between writing a pop hit and musical theater songs] and there are some some very big differences,” he explains. “When you’re writing a single for something, you’re just looking to write about what you’re feeling in the moment. When you’re working on a musical, there’s alwaysa bigger picture and the story is always the driving force. I would say, in pop music, you can live in the moment and not be worried about what you’re singing about in terms of it not working with another piece.”

He continued, “What really attracted me to it lately is that there’s such a human experience in live theater. There’s no hiding. There’s no AI up there. There’s no dirty tricks. It’s people up there giving you everything in that moment. So that’s what’s really been fun about.”

So far, Chasez has written two plays — a coming-of-age-story and one that’s a “bit more serious” and “beautiful” look at humanity. “It’s kind of like the last thing that I haven’t really dabbled in,” he says of theater. “I started in television, then I moved into music and I made a couple of films. Now it feels like this is the last untapped thing. It’s nice to experience all sides of it.”

Lastly, the singer gave his official response to fellow *NSYNC member Chris Kirkpatrick’s claim that he’s the least active in the boy band’s group chat. “I don’t have an official response, because it’s true!” Chasez says. “They go off on tangents, man. It happens in waves, like, the chat will be quiet for a couple of weeks and then somebody chimes in with something and then everyone’s riffing on that. I get my piece in there, but they get they get chatty.”

Watch the new Meow Mix commercial here.

Chayanne, Luis Figueroa, Ricardo Montaner & More Set for iHeartRadio Fiesta Latina

iHeartMedia announced Monday (July 18) that the 2023 iHeartRadio Fiesta Latina will return to Miami at Kaseya Center (formerly FTX Arena) on Saturday, Oct. 21.

The one-night event will feature a slate of performances featuring Chayanne, Ricardo Montaner, Fonseca, Servando y Florentino, Luis Figueroa, GALE and Menudo. Enrique Santos, president and chief creative officer of iHeartLatino and on-air talent for iHeartRadio, will host the 10th annual edition. “We’re honored to once again bring together incredible artists, electrifying music and a vibrant community,” Santos said in a statement. “Here’s to a decade of unforgettable moments, unity and the power of Latin music!”

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Besides performing, Chayanne will also receive the iHeartRadio Corazón Latino Award which, according to iHeartMedia, honors an individual who “exemplifies their big heart through their selfless work enhancing the lives of the Latin community and beyond.” The Puerto Rican icon — known for hits such as “Dejaría Todo” and “Torero” — has teamed up with and supported organizations such as Make-A-Wish Foundation, United Nations Human Rights for Climate Change, Women Refugees Commission and Heroes Por la Vida.

iHeartRadio Fiesta Latina will be broadcasted across iHeartRadio digital stations. Additionally, Hulu will serve as the official streaming destination of the iHeartRadio Fiesta Latina with performances live-streamed exclusively to Hulu subscribers.

The event launched in 2014 in Los Angeles but has since been taking place in Miami. Throughout the years, iHeartRadio Fiesta latina has featured headliners such as Jennifer Lopez, Daddy Yankee, Enrique Iglesias, Pitbull, Ricky Martin and Ozuna.

Tickets go on sale to the general public on Friday (July 21) at 10 a.m. ET via Ticketmaster.com.

Wiz Khalifa Threw Out First Pitch at Pirates Game While ‘High AF’ on Mushrooms

For a huge stoner, Wiz Khalifa is a model of consistency. Morning? High. Afternoon? High. Evening? High. On stage? High. Tossing out the first pitch at a game by his hometown MLB team the Pittsburgh Pirates on Monday?

“Stoned AF.”

That’s what Khalifa, 35, promised before landing one over the plate to kick off the game between the Pirates and the Cleveland Guardians at PNC Park. You were warned. He previewed his self-proclaimed high-balling in a tweet that read, “Finna get stoned AF and throw this first pitch at the Pirates game.”

A minute before that the “Love to Smoke” rapper posted a pic of what appeared to be his pre-game prep program, which consisted of two mason jars full of weed and a package of magic mushrooms. The MLB posted a video of the first pitch, in which the lanky MC waved to the crowd and casually tossed some heat with his right hand.

The MC who launched his aptly named High School Reunion Tour on July 7, later shared a snap of his work space for the day: a private box at PNC, as well as his perfect stoner snack break for the day, a bag of Cracker Jack.

And while only Khalifa knows exactly how high he was, he certainly isn’t the first pitcher to take the mound in an altered state. In fact, he’s not even the first Pittsburgh hurler to do it. Legendarily lysergic Pirates pitcher Dock Ellis famously threw a no-hitter while high on acid in 1970.

Khalifa later summed up his trippy experience by writing, “Shroomed out throwin’ a baseball is crazy.”

See the pitch and Khalifa’s tweets below.

Jennifer Lopez Teases Another Romantic Ode to Ben Affleck With Anniversary-Themed ‘Midnight Trip to Vegas’

She loves him, she really loves him. Jennifer Lopez teased her latest homage to husband Ben Affleck on Monday (July 17) when the singer/actress dropped a 20-second preview of her ode to the couple’s Sin City wedding, “Midnight in Vegas.” The first listen to the sweet ballad came a day after the first anniversary of their wedding at the Little White Chapel in Las Vegas.

“Then you whispered in my ear/ Said, ‘let’s get out of here’/ We can disappear tonight/ What about a midnight trip to Vegas?/ Just me and you, baby/ Throw the kids in the back of the pink Cadillac/ And us in the bathroom changing,” she sang in a selfie lip synch video posted to her On the JLo page.

The song opens with the lines, “I always dreamed that I’d find somebody like you/ We’re drowning/ In orchid arrangements/ Dresses and pastries/ What if it’s raining, yeah?/ Is this what we’ve been dreaming of?/ It’s crowded with families and agents/ Room reservations/ Which destination/ Paps helicopters/ Event of the ages/ Caught in the matrix.”

“One year since our Midnight Trip To Vegas … ?♠️❤️ Go to On The JLo for a special surprise… #ThisIsMeNow,” she wrote on Instagram along with two glam shots of herself in a glittery dress. The preview of the song is the first listen we’ve had so far of This Is Me… Now, JLo’s sequel to her 2002 Affleck-inspired album This Is Me… Then. It is also at least the third song she’s written to honor Affleck, following up on the earlier album’s “Dear Ben”; “Dear Ben Pt. II” is slated to appear on Now, whose release date has not yet been announced.

Lopez and Affleck first began dating in July 2002 and were engaged in November of that year. The couple postponed their wedding in Sept. 2003 just a few days before the wedding was slated to take place and broke up before reuniting in 2021.

Ghetto House Pioneer DJ Deeon Has Died

Chicago-based ghetto house pioneer DJ Deeon has died.

An update posted to the artist’s Facebook page on Tuesday (July 18) by an administrator states that “I am sorry to announce the legendary Artist, Producer, DJ, Label owner, and my friend Deeon ‘DJ Deeon’ Boyd gained his wings today. The family thanks you for your support and will announce arrangements in the coming days. Thank you for your understanding.”

No cause of death was provided, although the producer has suffered myriad health issues including cancer, multiple strokes, diabetes, quadruple bypass surgery and a leg amputation. The producer recapped his list of health challenges in a 2020 fundraiser to cover his medical bills. Last week, he posted a photo of himself in the hospital with the caption “pray for me.”

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DJ Deeon was a pioneer of ghetto house, a house subgenre developed in Chicago in the early 1990s that was driven by 808 and 909 drum machines and sexually explicit lyrics. The producer was namechecked in Daft Punk’s 1997 track “Teachers” for his contributions to the genre, including the classics “Bomb 96,” “Wicked,” “Back 2 Skool” and “House-o-matic.”

The producer is being mourned by the dance music community, with Defected Records — who released the Lee Walker and DJ Deeon collab “Freak Like Me” in 2016 — writing that “his music and productions transcended genres and were loved by the whole dance music community. His impact on our scene is huge. Sending our thoughts and love to his family and friends.”

Fellow Chicagoan The Blessed Madonna posted a tribute noting that “It would be hard to overstate his importance to Chicago and all of dance music. He was also an extremely sweet guy who will be missed terribly. Damn.”

Listen to “Freak Like Me” below.



J Hus, Taylor Swift and Rita Ora Battle For U.K. Albums Chart Title

It’s tight at the top of the midweek U.K. albums chart, as J Hus’s Beautiful and Brutal Yard (Black Butter) takes the lead.

Beautiful and Brutal Yard leads Official Chart Update and, if it holds its spot, would give the Stratford, England rapper his second leader following 2020’s Big Conspiracy. J Hus enjoyed a critical and commercial breakthrough with his 2017 debut Common Sense, which peaked at No. 6 on the national survey and was shortlisted for the Mercury Prize.

Close behind is Taylor Swift’s Speak Now (Taylor’s Version) (via EMI), last week’s leader which dips to No. 2 on the chart blast.

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Coming in at No. 3 on the midweek survey is Rita Ora’s long-awaited third studio album You & I (BMG), which could give the British pop star a second top 10, after her debut Ora from 2012 which went all the way to No. 1. You & I is the followup to 2018’s Phoenix, which peaked at No. 11 on the weekly list.

According to the Official Charts Company, fewer than 2,000 chart units currently separate the top three albums.

Meanwhile, Glasgow, Scotland singer-songwriter Gerry Cinnamon is set to arrive at No. 4 with Live At Hampden Park (Little Runaway); American alt-pop artist Pvris who could bag a second top 10 with Evergreen (Hopeless), poised to debut at No. 5; Lauren Spencer Smith’s debut full-length album Mirror (Island) could bow at No. 6; and Mahalia’s second record IRL (Atlantic) is on course for No. 9, for what would be the British R&B artist’s first top 10 entry.

Finally, U.S. rapper Lil Tjay could snag a third top 40 with 222 (Columbia), new at No. 24 on the chart blast, while Joel Corry’s singles collection Another Friday Night (Atlantic) is at No. 28, and could give the British DJ and producer his first appearance on the Official Albums Chart.

All will be revealed when the national survey is published this Friday, July 22.

BTS’s Jung Kook Is Challenging For U.K. Crown With ‘Seven’

BTS‘s Jung Kook is enjoying a healthy start to his solo career in the U.K., where “Seven” (via BigHit Entertainment) is challenging for the chart title.

Featuring U.S. rapper Latto, “Seven” is just 2,000 chart sales behind the leader on the midweek chart, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood).

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“Seven” could go where no member of BTS has gone before – to the summit of the U.K. singles survey.

All seven members of the K-pop phenomenon – Jin, Jimin, Suga, Jung Kook, RM, V and J-Hope – have shared solo material, with Jimin setting the bar with a top 10 for “Like Crazy” (peaking at No. 8); he separately landed a top 40 hit with “Set Me Free Pt. 2,” hitting No. 30. Bandmate j-hope was the first member of BTS to secure a U.K. top 40 single, with his J. Cole collaboration “On The Street” peaking at No. 37.

All told, BTS has accumulated nine U.K. top 40 singles, including four top 10s (with a No. 3 best for 2020’s “Dynamite,” plus “Butter” and “My Universe” with Coldplay, both from 2021). Two BTS titles have led the national albums chart.

Dave and Central Cee’s hip-hop hit “Sprinter” has proven hard to beat. It’s reigned over the Official U.K. Singles Chart for six consecutive weeks.

Meanwhile, Billie Eilish is making a play for the top 10 with “What Was I Made For?” (Interscope), lifted from the Barbie movie soundtrack. If it holds its position, “What Was I Made For?” will give the U.S. pop star her ninth top tier appearance.

Finally, J Hus is poised to make a noise on the U.K. chart, thanks to the release of his third and latest album, Beautiful and Brutal Yard.

His current single “Who Told You” (Black Butter/OVO/Republic) with Drake is unmoved at No. 4, while album cuts “Militerian” with Naira Marley (No. 21) and “Masculine” with Burna Boy (No. 22), both via Black Butter, are set for top 40 debuts.

All will be revealed when the Official Chart is published late Friday, July 22.

Tones And I, Jessica Mauboy Among Finalists For 2023 AWMAs

Toni Watson, the chart-busting Australian singer and songwriter who, as her alias Tones And I, set records around the globe with “Dance Monkey,” is one of the finalists for the 2023 Australian Women In Music Awards (AWMAs).

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Watson is up against Tanya Batt and The Superjesus leader Sarah McLeod for the songwriter award, which recognizes an outstanding female songwriter or composer.

Other high-profile artists nominated for this year’s event include Kate Ceberano, the one-time ARIA Award winner for best female artist, who is a finalist for the AWMAs lifetime achievement award, a category that also includes Jeannie Lewis and Clare Moore.

Meanwhile, chart-topping pop artist Jessica Mauboy will face-off with Beccy Cole, and Vika & Linda for the artistic excellence award, which celebrates “exceptional creative achievement from a female artist/musician across any genre.”

Established in 2018, the AWMAs acknowledges the contributions and shines a light on the accomplishments of women across all areas of industry from on stage, including those behind the scenes, technicians, leaders, elders, performers, songwriters, producers, engineers, filmmakers and photographers, music journalists and more.

One of those awards is the inaugural ARIA executive leader game changer, which rewards the “exceptional leadership” of an executive leader who “creates significant and positive change to bring about equality for women in the Australian music industry,” and is open to a CEO, CFO, COO, CMO, MD or GM.

“I have seen the industry of music in this country change so much and the education and delivery of music through the eyes and hearts of Australian women, my peers Renée, Chrissie, Olivia, Colleen, Kylie and more,” says Ceberano in a statement.

“It has been an education and at times a baptism by fire. But we are hardy and the Australian singers that are striking notes globally, not only with their music but with their minds, is outstanding.” She continues, “I’m glad to be a part of this modern community of likeminded artists who wish to share their wisdom and prevail despite all provocation to do otherwise.”

Twenty AWMAs will be handed out at a ceremony Sept. 27 in Meanjin/Brisbane, the designated 2032 Olympic city, and broadcast later on the Australian Broadcasting Corporation.

Each category is assessed by a 37-seat jury, with representation across a diverse range of music disciplines and cultures.

The 2023 AWMAs and conference program is supported by the Queensland government together with corporate, industry and community partners.

The event “not only celebrates the most innovative, committed, and visionary singers and songwriters in Australian music, it provides an opportunity to further promote gender equality and diversity including the voices of First Nations women,” comments Queensland Premier Annastacia Palaszczuk. “The future looks bright for the music industry as our government invests in a 10-year roadmap to promote arts, culture, and creativity.’’

AWMA is an initiative of the not-for-profit Charity Cicada International Ltd, and is spearheaded by AWMA founding executive producer and program director Vicki Gordon.

“AWMA has raised the collective voice – demanding equitable access, safety and recognition for women in the Australian music industry. We support and promote women as vital, essential contributors to the future business growth of the sector and are calling on the industry to adopt gender equality as a core music industry value,” explains Gordon. “Gender equity is still a long way in the future and we all need to remain vigilant.”

For the full list of nominations visit womeninmusicawards.com.au.

Nearly 1 in 4 Albums Sold Last Week Were Taylor Swift’s Re-Recorded ‘Speak Now’

Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), was a hot seller in its first week of a release in the U.S., according to the data tracking firm Luminate. In the week ending July 13, the set sold 507,000 copies across all of its physical and digital retail formats (CD, vinyl, cassette and digital download album). That sum represents nearly a quarter of all album sales in the U.S. that week (2.131 million).

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Speak Now (Taylor’s Version)’s share of the album sales market is similar to when she dominated the landscape during the debut week of Midnights in 2022. That album sold 1.14 million copies in the week ending Oct. 27, 2022 – accounting for 41% of all albums sold in the U.S. that week (2.79 million).

Swift can capture a large chunk of the album sales market in a given week because she remains a solid seller at a time when yearly album sales have declined in 10 of the last 11 years, as more music fan adopt streaming services as their primary means of consuming music. Thus, Swift’s outsized album sales dwarf the rest of the industry.

In 2022, Swift was the top-selling act for the year in terms of total album sales, with 2.93 million copies sold across her entire catalog – about 3% of total album sales across all albums from all artists (100.09 million). She also had the year’s top-selling album, with Midnights selling 1.818 million copies (more than twice the sum of the year’s second biggest seller, Harry Styles’ Harry’s House, with 757,000).

In 2023 so far, through July 13, Swift’s total album sales across all of her releases stands at 2.096 million – 3.8% of all album sales this year, by all artists (54.519 million).

Swift’s selling power is further evidenced on Billboard’s latest 100-position Top Album Sales chart (dated July 22, reflecting the sales week ending July 13), where Speak Now (Taylor’s Version) debuts at No. 1 with 507,000 copies sold, the Nos. 2-100 titles – combined – sold just 381,000.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 22, 2023-dated chart will be posted in full on Billboard‘s website on July 18. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Speak Now (Taylor’s Version) is a re-recorded version of Swift’s 2010 studio album Speak Now, which topped both the Billboard 200 and Top Album Sales chart. The 22-track re-recorded edition includes new recordings of the original album’s 14 standard tracks, along with bonus cuts and previously unreleased “From the Vault” recordings. Speak Now (Taylor’s Version) follows Swift’s re-recorded Red and Fearless albums, released in 2021.

Of Speak Now (Taylor’s Version)’s 507,000 copies sold, physical sales comprise 410,000 (268,000 on vinyl; 134,000 on CD and 8,000 on cassette) while digital album download purchases comprise 97,000. The album’s vinyl sales mark the second-largest week for a vinyl album since Luminate began tracking data in 1991 – only the debut week of Midnights posted a bigger vinyl week (575,000).

Swift announced the release of Speak Now (Taylor’s Version) on May 5, the same day she began taking pre-orders for the album via her official webstore. The set sold as a digital download album, double-CD, double-cassette and in three color vinyl LP variants (orchid marbled, violet marbled and a Target-exclusive lilac marbled color). The iTunes Store also carried an exclusive edition of the album with a short video clip as a bonus feature. On the final day (July 13) of the album’s debut tracking week, Swift released a deluxe digital album download of the set exclusively sold through her official webstore, which added two bonus live tracks recorded during her ongoing The Eras Tour (“Dear John” and “Last Kiss,” both of which were originally released in their studio form on the Speak Now album in 2010).

All told, Speak Now (Taylor’s Version) is the 12th No. 1 on Top Album Sales for Swift.

Elsewhere on the latest Top Album Sales chart, Swift has five more titles in the top 10, as her former No. 1s Midnights (a non-mover at No. 3 with 18,000; up 49%), Folklore (8-6 with 13,000; up 45%), Lover (10-7 with 12,000; up 50%), Fearless (Taylor’s Version) (14-9 with 11,000; up 81%) and Red (Taylor’s Version) (19-10 with 10,000; up 89%). It’s the second time Swift has placed at least six titles in the top 10 concurrently. She did it previously on the July 22-dated list. No other act has charted six or more albums in the top 10 at the same time.  

As for the non-Swift titles in the top 10: Stray Kids’ former No. 1 5-STAR is a non-mover at No. 2 (27,000; up 70% after the release of a new CD edition), aespa’s MY WORLD falls 1-4 in its second week (14,000; down 65%), Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. jumps 33-5 (13,000; up 265% after a new vinyl edition of the album was released) and King Gizzard and the Lizard Wizard’s PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation debuts at No. 8 (11,000).

In the week ending July 13, there were 2.131 million albums sold in the U.S. (up 22% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.729 million (up 21.8%) and digital albums comprised 402,000 (up 23.2%).

There were 705,000 CD albums sold in the week ending July 13 (up 8% week-over-week) and 1.008 million vinyl albums sold (up 33.4%). Year-to-date CD album sales stand at 18.893 million (up 4.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 25.371 million (up 21.7%).

Overall year-to-date album sales total 54.519 million (up 8.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 44.556 million (up 13.4%) and digital album sales total 9.962 million (down 10.5%).

Will.i.am Teases New Britney Spears Collaboration ‘Mind Your Business’

We’re now rocking with Will.i.am and Britney, b—-!

The Grammy-winning producer took to social media on Monday (July 17) to tease his new collaboration with Britney Spears, the electro-tinged “Mind Your Business.” The 16-second clip features Spears proclaiming over the track, “Mind your business, b—-!”

According to the post, the song is set to arrive on Tuesday (July 18). The duo previously teamed up on 2013’s “Scream & Shout.”

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The track’s title is fitting, as Spears has previously expressed frustration with documentaries about her life and 13-year conservatorship that hit streaming services without her permission. To take back her own story, the pop superstar is unveiling her long-awaited tell-all memoir, The Woman in Me, on Oct. 24. People magazine was first to report the news on the title that’s described as a “brave and astonishingly moving story about freedom, fame, motherhood, survival, faith and hope.”

Spears teased the memoir last April in a lengthy Instagram post in which she wrote, “Well I’m writing a book at the moment and as it’s actually healing and therapeutic … it’s also hard bringing up past events in my life … I’ve never been able to express openly !!! I can only imagine that I do sound childish but I was extremely young when those events took place … and addressing it now … I’m sure it seems irrelevant to most and I’m completely aware of that !!!”

See the “Mind Your Business” teaser and announcement below.