Music

XG: Photos From the Billboard Cover Shoot

Earlier this year — on a warm day in May, Asian ­American and Pacific Islander Heritage Month — a septet of young women fought nerves backstage at Forest Hills Stadium in Queens. Just over a year after its official debut, the group XG was in town for Head in the Clouds, a music festival celebrating Asian and Pacific Islander culture, creativity and art organized by record label 88rising. But the gig held broader significance: It was the act’s first international performance outside of Japan, and in New York, no less.

Despite its early-afternoon billing, the stadium was packed — and chanting, “XG! XG! XG!” — when the group took the stage in glitter-emblazoned suits. The warm welcome made it difficult to believe that this was XG’s first time in New York, and after kicking off the set with its debut track, “Tippy Toes,” the crowd’s chants reached a fever pitch as the members segued into their viral hit, “Left Right.” Fans and casual festivalgoers alike danced freely to the beat, some even singing along to the song’s catchy chorus.

Reflecting today on that Head in the Clouds performance and XG’s subsequent appearance at the festival’s Los Angeles iteration, the group — whose members range in age from 17 to 21 — exudes gratitude. “New York was our first international performance, and the ‘XG! XG!’ chants were really touching,” XG’s Cocona says. In Los Angeles, she says, she even saw some fans wearing makeup inspired by the music video for “GRL GVNG,” XG’s prerelease single from its debut mini-album, NEW DNA. “And it was just really, really cool to see all of that!”

Read the full Billboard cover story here.

Inside Spirit of Life’s Star-Studded 50th Anniversary Gala Honoring Lyor Cohen

Lyor Cohen changed my life,” said rapper and Drink Champs host N.O.R.E., speaking to the packed open-air space at Pacific Design Center in Los Angeles on Wednesday night (Oct. 18). 

He was one of many to express appreciation for Cohen throughout the evening, during which industry titans (such as Lucian Grainge, Sylvia Rhone, Jon Platt, Julie Greenwald and more) mingled with hip-hop royalty (such as Jay-Z, Swizz Beatz, Ludacris, Diddy and others). After all, the genre’s 50th anniversary just to happens to coincide with the 50th anniversary of City of Hope‘s philanthropic partnership with the Music, Film and Entertainment Industry (MFEI) — making Cohen, considering his contributions to and impact on hip-hop, as well as his generous spirit and advocacy for accessible and affordable care for all, an ideal recipient of the City of Hope 2023 Spirit of Life Award. 

And though his honor was revealed back in March, the event itself came at an unexpectedly fitting time, as it seemed the entire music industry was waiting to hear from Cohen (the son of Israeli immigrants) on current events unfolding in Israel and Gaza. It seemed that he, too, had been waiting for this moment and platform to share them. 

“With all that’s going on in the world, Lyor, you powered though,” said Evan Lamberg, City of Hope’s MFEI board president. Lamberg also called Cohen – current global head of music at YouTube and Google – “indomitable,” noting his 93-year-old mother was in attendance, among many other members of Cohen’s family.

But before Cohen himself could speak, there was the business of fundraising. Diddy kicked things off, becoming the first to donate at the entry point of $100,000. Dozens followed, ultimately raising over $4.3 million. (Over the course of its 50-year partnership with City of Hope, the MFEI has raised a total of $150 million to cure and prevent cancer, diabetes, HIV/AIDS and other life-threatening diseases.)

Next up was the long-awaited performance, for which the crowd was spoiled with a never-ending parade of hip-hop and R&B greats as DJ Cassidy brought his Pass the Mic Live! franchise to the stage (much of which Jay-Z, seated at the Sony Music table next to Platt, bobbed along to). After Cassidy dedicated the set to Cohen (“an icon behind the scenes”), what followed was a 30-plus-minute jaw-dropping show during which the mic was passed nearly 20 times to artists and groups including: Slick Rick, Kurtis Blow, Big Daddy Kane, MC Serch, Nice ‘N Smooth, EPMD, Redman, Onyx, Warren G, Domino, Musiq Soulchild, Dru Hill, Ja Rule, T.I. with Swizz Beatz and Public Enemy, who ended with an all-star rendition of “Fight the Power.” 

Just before 9:45 (45 minutes after the event’s scheduled end time), Cohen’s congratulatory video started to play, featuring everyone from Busta Rhymes and Slim to Kevin Liles and Julie Greenwald. Chuck D then returned to the stage to introduce Cohen, delivering a particularly memorable opening line: “[Run-]D.M.C. says hip-hop succeeds where religions and governments fail – and that’s ironic at this particular time right now.”

It’s a sentiment that set the tone for Cohen to deliver his own anticipated speech, which began with the sound of a computer glitching as the lights switched off (“Lights!” exclaimed Chuck, to which Lyor motioned all was well… it was all part of the plan). Cohen opted to open with an excerpt of the famous “final speech” delivered by Charlie Chaplin in the 1940 film The Great Dictator, in which he ultimately calls for unity. 

“We came here to help eradicate cancer, but wouldn’t it be great if we could also eradicate hate?” said Cohen once the lights came back on. He spoke of the Oct. 7 Hamas terrorist attack at a music festival in Israel, saying it will never be forgotten and calling for the immediate return of those who were kidnapped and are still being held hostage. “I’m so sorry to hijack this special event to express my feelings as a human,” he said, “just as I express them when injustices happen to anyone targeted because of their race or religion or sexual identity… My heart goes out to all the Palestinian people in the region that have had to endure unnecessary loss of life. I pray for peace – won’t you join me?”

He proceeded to express gratitude for his family, many of whom were in attendance and many of whom, as he said, couldn’t make it “because they are burying Israeli children.” He then thanked the room for “a lifetime of tolerance and kindness and unwavering belief in the mission,” calling out Greenwald (“for always trying to make everyone better with love”), Liles (“you’re a selfless warrior”), Russell Simmons (“thank you for this wonderful life that I live”) and the “great music and great artists that I’ve had the honor of serving.” 

Lastly, Cohen addressed “the additional controversy,” saying “I’m so sick and tired of people thinking that celebrity and fame trumps great music and artistry. We’re in a funky monkey moment but don’t get it twisted, quality will always prevail.” 

LL Cool J then closed out the night (alongside DJ Jazzy Jeff and Adam Blackstone) with a medley of hits including “Mama Said Knock You Out.” Before stepping off stage, he addressed Cohen directly:  “We went through a lot… and it all ended up really great.”

And as the crowd started to shuffle out, he shared one final message – and it perfectly underscored the ethos of the entire night: “Erase the Hate.”

Ronnie Wood Talks New Rolling Stones Album, Paul McCartney Collaboration and Hints at Tour

The Rolling Stones, we’ve learned over the years, is a juggernaut that simply can’t be stopped.

On Friday (Oct. 20), the rock ‘n’ roll legends drop Hackney Diamonds, the British band’s first new studio album or original material in 18 years.

Collaborators include Lady Gaga, Stevie Wonder, Elton John, former bass player Bill Wyman, and, yes, Paul McCartney, creating a “supergroup” — a “dream team” — that unites arguably the two greatest bands of all time, the Beatles and the Stones.

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Ahead of release, guitarist Ronnie Wood stopped by The Tonight Show Starring Jimmy Kimmel on Thursday (Oct. 19) to give the low-down on the new record, the followup to 2005’s A Bigger Bang.

Wood’s verdict? It rocks.

“I can say it’s about time,” he tells Fallon. “It feels so exciting. Because I’m so excited about every track on it, every track has something to say and a different direction.”

That excitement should spill over to Stones fans, even more so with confirmation that the Stones are preparing for live performances.

“We’ve been doing a little rehearsing to see how these songs translate live,” Wood explains. “And they’re really cooking.”

Hackney Diamonds includes contributions from the band’s late drummer, Charlie Watts, who died August 2021, aged 80, a blow that had many fans wondering if we’d ever see or hear again from the Stones. Wood paused to remember his former bandmate. “Some things are beyond our control,” he recounts. “Losing Charlie was one of those things.”

As previously reported, Gaga and Wonder perform on the song “Sweet Sound of Heaven,” while Elton contributes piano to “Live By the Sword.” The late Watts contributes to two of the songs.

It’s McCartney’s bass work on “Bite My Head Off” that has everyone talking, including the two-time Rock And Roll Hall of Famer.

The song is a ball of energy, reckons Wood, and Paul was “so blown away. He was a bit like a school boy, a kid in a toy shop. He loved it. He said, ‘my dreams, a Beatle gets to play on a Rolling Stones album.’”

Hackney Diamonds is the Rolling Stones’ 24th studio album. “We didn’t want to make just any record and put it out,” frontman Mick Jagger said during a live stream in London last month to present the record. “Before we went in [the studio], we said we had to make a record that we really love ourselves. We must say that we are quite pleased with it. I’m not saying we are big-headed about it, but we’re pleased with it and we hope that you all like it.”

Watch Ronnie Wood’s late night interview below.



Taylor Swift Unveils Live Version of ‘Cruel Summer’ & New Remix ‘For Old Time’s Sake’

Summer isn’t over just yet. Taylor Swift announced Wednesday night (Oct. 18) that the live version of her resurgent Lover single “Cruel Summer” is here, in the same week that The Eras Tour concert film hit theaters.

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“What a truly mind blowing thing you’ve turned The Eras Tour Concert Film into,” Swift wrote on X. “I’ve been watching videos of you guys in the theaters dancing and prancing and recreating choreography, creating inside jokes, casting spells, getting engaged, and just generally creating the exact type of joyful chaos we’re known for [angel emoji] One of my favorite things you’ve done was when you supported Cruel Summer SO much, I ended up starting The Eras Tour show with it.”

She continued of her show opener, “For old times sake, I’m releasing the live audio from the tour so we can all shriek it in the comfort of our homes and cars PLUS a brand new remix by  @LPGiobbi.”

“Cruel Summer” was originally featured on Swift’s 2019 album, Lover, and while it was never an official single, it quickly became a fan-favorite and continues to make waves on TikTok even four years after its release.

Earlier this month, “Cruel Summer” became her sole longest-leading No. 1 on Billboard’s Pop Airplay chart, topping the survey (dated Oct. 7) for an eighth week, beating her seven-week reign with “I Knew You Were Trouble.” in 2013. It’s so far peaked at No. 3 on the Billboard Hot 100.

Listen to “Cruel Summer (Live From Taylor Swift | The Eras Tour)” and the LP Giobbi remix below.





Jharrel Jerome Explains Why He’s Releasing Music ‘Packs’: ‘Album Culture Is a Little Dead’

Jharrel Jerome has been making his way into hip-hop, releasing two EPs this year — Rap Pack and Trip Pack — after working on music for the better part of the past decade. The Moonlight actor sat down for the latest episode of Billboard News to talk about why he’s dropping music in this way, the deeper meaning behind his project and what his future in film looks like.

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“I’ve been writing music for a long time, and I want to prove that with what I release — I’m talking maybe six or seven years of me in the studio creating records I never released. The reason I’m releasing it in packs like this is because I believe album culture is a little dead right now,” he explained of his rollout process. “Instead, I want to dish it out in a way that’s digestible and understandable. For me, I want to make sure at the end of it all, I’m not just an actor-turned-rapper, but that I’m an artist. And I want people to not only see that I’ve been doing it for a long time, but to believe that I’ve been doing it for a long time.”

The EPs are part of a greater project that Jerome is working on titled Someone I’m Not. The actor explained that the title has multiple meanings, pertaining to his career on film, as well as how he’s perceived on the outside. “[The title]’s a play on the profession that I do in my career, embodying something that I’m not and transforming into a character that I have to create, but to me the irony is also how it correlated to my real life as well,” he stated. “My life changed dramatically in the last few years of my life. I’m still trying to adjust … I’m not all the way ready to be [a certain person] to somebody, so here he or she is viewing me as somebody I’m not.”

As for Jerome’s acting career, he is very much interested in keeping himself open to starring in more movies, but is choosing to be selective with what he invests his energy in. “I feel like I got spoiled early by being a part of projects that are culturally so impactful. I think when you receive a chance like that you don’t wanna go back,” he said of his past projects, which includes Full Circle, When They See Us and more. “You don’t wanna do anything less. I would never quit acting; I’m very selective and I want the role to challenge me and I want to be 45 and look at my credits and be like ‘Damn, I was patient and I was willing to do the harder things.’”

Watch Jerome’s full Billboard News interview in the video above.

Billie Eilish Shows Off Back Tattoo & NSFW Drake Lyric in Photo Dump

Billie Eilish showed off some new ink in a red-and-black themed photo dump — likely inspired by her current hair color.

The back tattoo, which was done by artist Matias Milan, features swirl and scratch patterns down her spine. The dump also featured a name drop from Drake in his “Another Late Night” lyrics, in which he raps, “She had big tits like Billie Eilish but she can’t sing.”

The superstar and her collaborator/brother Finneas were guests on Jimmy Kimmel Livewhere the pair talked about a range of topics. Billie talked songwriting (it helps to get “a prompt, a story to write about”); their latest single, “What Was I Made For” from the Barbie movie, which went to No. 1 in the U.K. and Australia, and has clocked 600 million streams (“It’s pretty nuts. That’s a lot of listens”); and she managed to poke fun at her biggest hit. “Objectively ‘Bad Guy’ is the stupidest song in the world,” she says, immediately clarifying “but it’s really good.” The song, a No. 1 hit on the Billboard Hot 100 in 2019, is “supposed to be goofy.” It’s an act of “trolling,” she quips.

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See her new tattoo in the post below.

ENHYPEN Light Up ‘The Kelly Clarkson Show’ With High-Energy ‘Bite Me’ Performance: Watch

ENHYPEN made their highly anticipated return to The Kelly Clarkson Show less than two weeks before Halloween, to fittingly perform their steamy track “Bite Me” for the Wednesday (Oct. 18) episode of the newly returned daytime show.

The K-pop group — which consists of members Heeseung, Jay, Jake, Sunghoon, Sunoo, Jungwon and Ni-ki — appeared on the stage in brooding, fitted black leather capes with crisp white shirts underneath, black trousers and matching shoes for their showcase of the track, which saw the boys bringing their high-energy performance style to the table.

“It’s you and me in this world/ Again, come to me, tie me/ If you are goin’ to save me/ Just come kiss me and bite me/ It’s you and me in this world/ In this darkness, light me/ If you’ll give me a chance/ Just come kiss me and bite me,” the K-pop stars sing on the track’s chorus, while expertly hitting its intricate choreography.

“Bite Me” was released as the lead single from ENHYPEN’s most recently released album, DARK BLOOD. The track peaked at No. 61 on the Billboard Global Excl. U.S. chart and spent a total of five weeks on the all-genre tally.

Speaking with Billboard about the track following the release of DARK BLOOD, Jake said, “‘Bite Me’ is a little different from our previous lead singles, but it does the perfect job of capturing the essence of DARK BLOOD. It reveals a fresh side of us, and lyrics like ‘Just come kiss me and bite me’ deliver the message of a fateful blood-bond in a straightforward way.”

Heeseung added, “I aimed to make the highlight of the song stand out so that ENGENEs would be completely captivated and focused on the members during that moment.”

Watch ENHYPEN perform “Bite Me” in the video above.

Luis Figueroa’s ‘Bandido’ Tops Tropical Airplay Chart: ‘It Has Become a Fan Favorite!’

Luis Figueroa adds his second No. 1 on Billboard’s Tropical Airplay chart as “Bandido” lifts to the top of the Oct. 21-dated ranking.

“I am so excited with the reaction from everyone with this song … it has become a fan favorite!” Figueroa tells Billboard. “I am also proud to represent this new salsa movement. Salsa es lo que hay!”

“Bandido” lands at the summit with a 23% gain to 5.7 million audience impressions on reporting radio stations during the Oct. 6-12 tracking week, according to Luminate. The song was released Aug. 17 via Magnus Media/Sony Music Latin, with Figueroa one of its six writers.

“It was amazing to work with so many talented musicians and lyricists on this song,” Figueroa adds. “I have been looking forward to putting this record out for a while, so for everyone to finally listen to it, and the reaction it has received, is so gratifying.”

Notably, “Bandido” becomes the first salsa track to crown Tropical Airplay among the five tropical tunes that have notched their first weeks at No. 1 in 2023. Let’s look at the winners, by core style:

Peak Date, Artist, Title (style)
Feb. 4, Romeo Santos & Rosalia, “El Pañuelo” (bachata)
April 8, Marshmello & Manuel Turizo, “El Merengue” (merengue)
July 8, Prince Royce, “Me EnRD” (bachata)
Aug. 5, Chayanne, “Bailando Bachata” (bachata)
Oct. 21, Luis Figueroa, “Bandido” (salsa)

“Bandido” is the first salsa No. 1 on Tropical Airplay since Marc Anthony’s “Mala” in March 2022.

“Bandido” concurrently translates into a new No. 1 for Magnus Media. The label last ruled Tropical Airplay through another Figueroa song, “Hasta El Sol de Hoy,” for one week in July 2021.

Beyond its Tropical Airplay coronation, “Bandido” rebounds to its No. 18 high on the overall Latin Airplay chart. It became Figueroa’s second top 20 entry there, following the No. 15-peaking “Todavía Te Espero” in 2022.

The Puerto Rican’s new achievement follows his first-time nomination for a Billboard Latin Music Award this year, for tropical artist of the year, solo.



Miguel, Eva Longoria & More to Be Honored at 2023 Impact Awards Gala

Miguel and Eva Longoria will be among the honorees at the annual Impact Awards Gala on Friday, Oct. 27, at the Vibiana in downtown Los Angeles. Hosted by Francia Raisa and MJ Acosta-Ruiz, the annual celebration honors the contributions of Latino individuals in creating a more inclusive society. The awards are presented by The National Hispanic Media Coalition.

Miguel will receive the Powerhouse Impact Award. Longoria will receive the Icon Impact Award.

Miguel has had three top 10 albums on the Billboard 200 — Kaleidoscope Dream, Wildheart and War & Leisure — as well as three top 20 hits on the Billboard Hot 100: “Sure Thing,” “Adorn” and J. Cole’s “Power Trip,” on which he was featured.

At the 2013 Grammy Awards, Miguel teamed with Wiz Khalifa to perform “Adorn,” which won best R&B song.

One of Variety’s 10 Directors to Watch of 2023, Longoria directed Flamin’ Hot, which told the story of the Mexican-American janitor who claims to have invented Flamin’ Hot Cheetos. Longoria was named by People as one of the “Women Changing the World.”

Longoria is also the co-founder of Latino Victory Fund, a movement that seeks to build power in the Latinx community, and Poderistas, a digital lifestyle community that inspires Latinas to leverage their power.

The Impact Awards Gala is just one part of the NHMC’s mission to spotlight the importance of accurate, fair, and positive representation in media.

Here’s the full list of honorees:

  • Aarón Sánchez – Master Creator Impact Award
  • Ángel Manuel Soto – Outstanding Film Director Impact Award
  • Eugenio Derbez – Social Impact Award
  • Eva Longoria – Icon Impact Award
  • Gina Torres – Our Voice Impact Award
  • Jharrel Jerome – Next Generation Impact Award
  • Jessica Sarowitz – Visionary Impact Award
  • Julissa Prado – For the People Impact Award
  • Miguel – Powerhouse Impact Award

Tragically Hip Frontman Gord Downie’s Daughter Remembers Late Father, 6 Years Later

On this day in 2017, Gord Downie died at the age of 53. The frontman for the iconic Canadian rock band The Tragically Hip left an undeniable mark on the country’s cultural landscape and its charts. In the years since, his legacy has been dissected and cemented, with tributes coming in from Drake to Justin Trudeau. He was a champion of Indigenous reconciliation, a rock and roll poet, one of the continent’s best performers. He was a lot of things at once.

For Gord Downie’s daughter Willo Downie, it’s been difficult to grapple with the public perception of her father — who he was to the country and who he was to her. Six years since we lost him, she feels ready to reflect on the lessons he taught her and how it squares with the man the world knew through his music and writing. Now that she’s establishing her own artistic career as a visual artist, Willo Downie feels grateful for the gift he gave her: a life of art, and of art as a way of life. — Billboard Canada digital editor Richard Trapunski

Here is Willo Downie’s remembrance of Gord Downie for Billboard Canada:

To live is to create, and what a gift that is.

The greatest gift we can give in thanks for our life is creation.

I know and feel this deeply. My dad taught me.

Six years after his death, I still grapple with the public’s perception of who my dad was. It often feels surreal and overwhelming to reconcile. To me, for so long, he was “just” my dad. King of my heart, as a young girl.

But Gord Downie threw himself earnestly into each of the roles he filled — and they were many, beyond that of being a truly amazing father.

I can recognize that more deeply as each year goes by and I grow older myself. My understanding of his legacy is a tapestry that will continue to weave itself into completion, forever.

For as long as I can remember, my dad kept his public life very separate from his private life. His family, of course, fell under the arm of “private.” I will endeavour to respect that boundary even now, while I dive into what I consider to be a celebration of the beautiful life he led, here, in this piece.

Dad had cultivated his creativity within and around him until it had become the very foundation of his being by the time he turned thirty. And then he became a father. It’s one of my greatest points of pride — to have come from and been raised by a man who embodied, fully, what it meant to create one’s own life as though it were a work of art.

Your frame of mind. Your inner world. Your surroundings. Your relationships. Your work. It was all art to him — to be molded and shaped with diligence and intention.

The notion that we, as humans, are inherently creative beings permeated most decisions made and the interests us kids pursued… Music, painting and sculpture, food, dance, sports. Everything had an inherent beauty to it, in our parents’ eyes. Art was a vessel that could hold history, the opportunity for activism, a way to process pain and a way to celebrate joy.

I’ll never forget my school’s grade 9 “Take Your Kid To Work Day.” Dad took me to the Art Gallery of Ontario. We spent the entire day there, absorbing each of the collections and exhibits, together. He taught me a lot about the Group of Seven that day. Emily Carr, too.

I try to retrieve the reasoning behind that choice of his sometimes… of why he’d choose the AGO, of all places. In hindsight, I think he was trying to relay the message that his “career” was so much more to him than just one discipline, one art form. It was a way of life — the choice to move through the world in pursuit of beauty and truth. He was setting that example for me, too.

Fast forward a few years, and I can remember a specific conversation with my dad. I was choosing what to do after high school.

“Willo, what makes you happy?”

“A lot of things, dad…”

“What can’t you live without?”

“I need to paint”

“Then do that”

Then the doubt set in, and he responded, “Willo, choose, and you’ll make a way.”

That last line always stuck with me. This guy never minced his words. His choice to say “you’ll make a way” could very well have been “you’ll find a way” or, “the way will make itself known to you.” But he had chosen to try to empower me instead, to create the life and career I so desperately wanted — needed — in order to feel complete.

He was a man who continually chose to try, try, and try again. His dedication and discipline in his work got him to a place from which he was able to create with such output and raw, undiluted honesty. It was awe-invoking. Truly. The guy didn’t have an “off-switch.” He wouldn’t dare tamp down his life force — his will to create or advocate for others — for anything.

And so, his legacy: He lived to create, and he created, in pursuit of a loving, full life.

What an example to have set.

Here is a painting by Willo Downie with Gord Downie’s handwriting superimposed on top:

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This article was originally published by Billboard Canada.