Music

Adele Tells Las Vegas Crowd She Stopped Drinking ‘3 & A Half Months Ago’

Adele is embracing sobriety these days, but she’s missing a casual drink every now and then. During the singer/songwriter’s Las Vegas residency this past weekend, she spotted a fan in the crowd enjoying an alcoholic beverage, which resulted in her revealing that she has given up liquor in recent months.

“I stopped drinking quite a long time ago…I stopped drinking, when did I stop drinking? It feels like forever. Maybe like three and a half months ago,” she’s seen telling audience members in a video shared on X. “It’s boring. I mean, oh my God, it’s boring. I was literally borderline alcoholic for quite a lot of my 20s, but I miss it so much. I cut out caffeine, so enjoy your whiskey sour. I’m very, very jealous,” she told the audience member enjoying a drink.

The 16-time Grammy winner has been vocal about drinking in the past, telling Vogue in a November 2021 feature that she was “fascinated by alcohol” because it’s what took away her absentee father, Mark Evans (he died of bowel cancer May 2021 and, according to People, was gone for most of Adele’s life after her parents’ divorce when she was 3 years old). “I’ve always had a very close relationship with alcohol. I was always very fascinated by alcohol. It’s what kept my dad from me. So I always wanted to know what was so great about it,” she told the magazine.

Adele also spoke with Oprah in the same month about abstaining from alcohol, noting that quitting it is an incredible tool for self-reflection: “That’s one great way of really sort of getting to know yourself, is just drinking water and being sober as anything.”

Watch Adele talk about her current relationship with alcohol below.

Hear Exclusive CRSSD Fall 2023 Sets From Basement Jaxx, Interplanetary Criminal & Nikki Nair

CRSDD Music Festival has been a fixture of the Southern California electronic circuit for more than a decade, having become so, and stayed so, on the power of lineups featuring a smart blend of legends, rising stars, reliable genres and experimental sounds.

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The fall 2023 edition of the festival, which happened this past September 23-24, demonstrated this same balance. Headliners included Flume, Underworld, Amelie Lens and Charlotte de Witte, with a loaded undercard including Salute, DJ Minx, Weval, TSHA, HAAI, SG Lewis and many others.

This electronic melange was set against the extremely picturesque San Diego waterfront, with the festival again drawing thousands of fans to its longtime base at the city’s Bayfront Park.

Were you there? Did you miss it? Either way, take some time to transport yourself back to the event with these three exclusive CRSSD Fall 2023 sets from Basement Jaxx, Interplanetary Criminal and Nikki Nair.

Basement Jaxx

The English legends brought the heat during their headlining set, loading up their 90 minute performance with loads of funk, disco strings, Latin rhythms, edits of their own hits, classic Donna Summer and lots of other mega high-energy house music.

Interplanetary Criminal

The rising Manchester native played a 75-minutes set made of ultra fast-paced house music, spatial experimental sounds, drum ‘n’ bass and loads of hard house by U.K. and Irish artists including Knuckleheadz, Camrisa and Ryan Donaghy.

Nikki Nair

The Atlanta-born producer loaded his set with experimental sounds, with the vibe ranging from spare to elastic to crunchy to spacey to pummeling. Listen for his 2023 Hudson Mohwake collab “Demuro.”

Sexyy Red Gets First Top 10 on Hot R&B/Hip-Hop Songs Chart by Assisting Drake

Sexyy Red, one of rap’s biggest breakout stars of 2023, lands her first top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart through a guest spot on Drake’s “Rich Baby Daddy,” which also features SZA. The track is one of 21 Drake arrivals as his For All the Dogs album cuts flood the list.

“Rich Baby Daddy” debuts at No. 10 on the Hot R&B/Hip-Hop Songs list dated Oct. 21. The premiere gives Sexyy Red her first top 10 in her fifth visit, following her breakthrough viral hit “Pound Town” with Tay Keith, which, after a remix release with Nicki Minaj, peaked at No. 21; “SkeeYee” (No. 17); “Looking for the Hoes (Ain’t My Fault)” (No. 49); and “Hellcats Srts 2,” with Lil Durk (No. 40).



Fellow featured act SZA nabs her 16th career top 10 on Hot R&B/Hip-Hop Songs, while, between “Rich Baby Daddy” and six further top 10 debuts this week, Drake ups his total to a record-extending 128 top 10s on the tally. The triple-digit total pushes him further into his own stratosphere, now 71 ahead of the second-place act, James Brown, who boasts 57 top 10s (dating to October 1958, when the chart became the first all-encompassing songs survey for the genre).

In the Oct. 6-12 tracking week, “Rich Baby Daddy” registered 24.3 million official U.S. streams and 1,000 downloads sold. The former allows for a No. 8 start on the R&B/Hip-Hop Streaming Songs chart, while the latter sparks a No. 12 bow on R&B/Hip-Hop Digital Song Sales. In addition, the track opens at No. 28 on R&B/Hip-Hop Airplay thanks to 3 million audience impressions at the format.

As mentioned above, “Rich Baby Daddy” appears on Drake’s new album, For All the Dogs, released Oct. 6. The set’s tracks storm the Hot R&B/Hip-Hop Songs chart, with 21 debuts from the project and the previously released, former one-week champ “Slime You Out,” featuring SZA, at No. 6 in its fourth week on the list. The domination includes a second Dogs No. 1, “First Person Shooter,” featuring J. Cole, which grants Drake a record-extending 30th No. 1 on Hot R&B/Hip-Hop Songs. With his latest champ, he moves 10 ahead of the nearest competitors, Aretha Franklin and Stevie Wonder, each with 20 leaders.

Madonna, Lauren Jauregui & More Weigh in on Israel-Hamas Conflict as Violence Continues

The century-long conflict between Israel and Palestine reached a new level of conflict earlier this month after the horrific Oct. 7 terror attack on the Supernova Music Festival at Kibbutz Re’im by Hamas militants.

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The assault by air and land by the militant arm of the terrorist organization that governs the more than two million Palestinians who live in the Gaza Strip included the killing of more than 260 revelers and many more kidnapped at the Paralello Universo Supernova Sukkot Gathering electronic dance music festival celebrating the Jewish holiday Simchat Torah.

Since then, Hamas fighters have killed more than 800 Israelis in various attacked throughout southern Israel, and Israel retaliated by launching bombs in the Gaza Strip, killing more than 500 Palestinians. Israel has also placed troops along the Gaza border and announced a “total blockade” of the Gaza Strip, stopping food, fuel and more commodities to the area.

While Hamas is just a small sector of the Palestinian population, the broader conflict between Israel and Palestine stems back to the 1917 Balfour Declaration, which committed the British government to “the establishment in Palestine of a national home for the Jewish people.”

On Thursday (Oct. 19), President Joe Biden took to X to reveal that he’ll be addressing the ongoing Israel-Hamas war from the Oval Office at 8 p.m. ET. “Hamas’s terrorist attacks against Israel. The need for humanitarian assistance in Gaza. Russia’s ongoing brutal war against Ukraine. We are at a global inflection point that is bigger than party or politics,” he wrote.

As the violence continues, celebrities have taken to social media to send love to the families of victims whose lives were lost, and pray for peace at last between Israel and Palestine. See below for thoughts from Madonna, Lauren Jauregui, P!nk and more.

10 Top Jelly Roll Collaborations

Former Billboard cover star Jelly Roll has become one of country music’s biggest breakthrough success stories over the past year, notching hits on Billboard charts in multiple genres. His 2021 song “Dead Man Walking” topped the Mainstream Rock chart. He followed with “Son of a Sinner,” which topped the Country Airplay chart and “Need a Favor,” which vaulted to the premier position of not only the Country Airplay chart, but also the Mainstream Rock and Hot Rock & Alternative Songs chart.

In his first year of CMA Awards nominations, Jelly Roll has earned five nods, including new artist of the year, male vocalist of the year and single of the year (“Need a Favor”), leading up to November’s ceremony. Earlier this year, he took home the most CMT Music Awards wins of the evening during the Austin, Texas-held ceremony, cinching three trophy wins.

His musical amalgam of rap, country and rock, paired with his unfiltered, megawatt personality and inspiring story of rising from an incarcerated youth to a musical hitmaker and arena headliner, has become Jelly Roll’s calling card.

Embedded in the music and his persona is a through line of connection–connection to his fans, and connection with fellow artists. Outside of his solo material, Jelly Roll has been featured on many artists’ songs, and as of late, has become one of country music’s go-to collaborator. But looking back at his previous hip-hop projects, which include work with Struggle Jennings, Lil Wyte, it’s clear that his penchant for collaborations has been steadfast.

Here, we look at 10 Jelly Roll collaborations.

BNYX Hits No. 1 on Hot 100 Producers Chart for the First Time Thanks to Drake Hits

BNYX re-enters Billboard’s Hot 100 Producers chart (dated Oct. 21) at No. 1, becoming the top producer in the U.S. for the first time, thanks to his work on Drake’s new No. 1 album on the Billboard 200, For All the Dogs.

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BNYX (known off-stage as Benjamin Saint Ford) is credited as a producer on six songs on the latest Billboard Hot 100: five from For All the Dogs and one from Travis Scott’s Utopia. Leading the pack is the Dogs track “IDGAF,” featuring Yeat, at No. 2. BNYX solely produced the song, helping boost his chart points on Hot 100 Producers.

Here’s a look at all of BNYX’s production credits on the current Hot 100, all of which contribute to his points total on Hot 100 Producers.

Hot 100 Rank, Artist Billing, Title (co-producers in addition to BNYX):
No. 2, Drake feat. Yeat, “IDGAF”
No. 11, Drake feat. Sexyy Red & SZA, “Rich Baby Daddy” (Gordo, Johannes Klahr, LIOHN, The Loud Pack, UV Killin Em, Dougie F)
No. 18, Drake, “What Would Pluto Do” (Lil Yachty, GENT!, Bangs)
No. 26, Drake feat. Chief Keef, “All the Parties” (Maneesh Bidaye, Harley Arsenault, Boi-1da, Jdolla, Fierce, Coleman)
No. 32, Drake, “Away From Home” (Lil Yachty, Sad Pony, Justin Raisen, Lukas Levine)
No. 59, Travis Scott feat. Drake, “Meltdown” (Boi-1da, Vinylz, Tay Keith, Coleman)



BNYX also re-enters at No. 1 on the R&B/Hip-Hop Producers and Rap Producers charts, leading the former for the first time and the latter for a second time.

BNYX has produced seven additional Hot 100-charting songs in his career, including his first two top 10s. Here’s a recap, listed chronologically by peak date:

Artist Billing, Title (Peak Position, Peak Date):
Yeat, “Talk” (No. 42, Sept. 17, 2022)
Yeat feat. Lil Uzi Vert, “Flawless” (No. 77, Sept. 24, 2022)
Yeat, “No More Talk” (No. 77, March 11, 2023)
Drake, “Search & Rescue” (No. 2, April 22, 2023)
Lil Uzi Vert feat. Travis Scott, “Aye” (No. 31, July 15, 2023)
Travis Scott, Bad Bunny & The Weeknd, “K-Pop” (No. 7, Aug. 5, 2023)
Lil Tecca & Kodak Black, “Hvn on Earth” (No. 88, Oct. 7, 2023)

BNYX concurrently debuts at No. 3 on Hot 100 Songwriters, as he’s also credited as a co-writer on all six of the charted songs that he produced. Drake returns to No. 1 on the chart for a 12th week.

Looking at other Drake collaborators on this week’s Hot 100 Producers chart, 40 re-enters at No. 4, OZ at No. 6, Lil Yachty at No. 7, Harley Arsenault at No. 9 and Jahaan Sweet at No. 10.

Billboard’s weekly Hot 100 Songwriters and Hot 100 Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings). Billboard launched its Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic in June 2019. Alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022.

Brakence to Donate Proceeds From North American Tour to Palestinian Charities

Brakence is taking a stand amid the ongoing conflict between Hamas and Israel. On Wednesday (Oct. 18), the hyperpop musician announced on social media that he will be helping Palestinians affected by Israel’s attacks on the Palestinian enclave of Gaza by donating proceeds from the North American leg of his The Hypochondriac (Is Still On) Tour to humanitarian aid organizations that will benefit refugees.

“I am aware of the imperialistic, oppressive and violent nature of Israel’s government and the disproportionate death and suffering Palestinians are currently facing and have been experiencing for decades 100% of the new proceeds (ticket sales and merchandise) that I make from the North American leg of this tour will be donated and split between: the Palestine Appeal of Ummah Welfare Trust, providing humanitarian aid for Palestinians in Gaza, and Anera, providing humanitarian aid for Palestinians in Gaza and Palestinian refugees in Lebanon and Jordan,” he wrote.

The 21-year-old explained that he chose the charities due to their low or nonexistent administrative costs, and will start the donations process ahead of his tour — which kicks off Oct. 24 in Columbus, Ohio — “due to the time sensitive nature of this conflict and donating any further profits after collection.”

Brakence concluded his announcement by saying that he is “having challenging conversations” regarding the matter and believes “ending any of my personal or professional relationships over disagreements on this is counterproductive.”

The musician’s decision comes less than two weeks after the Oct. 7 airstrike by militant group Hamas, who launched a surprise attack on Israel. Hamas — which has been designated a terrorist group by numerous countries including the United States and European Union — fired thousands of rockets and sent combatants into Israeli towns, which resulted in the deaths of more than a thousand in Israel, CNN reported. During Hamas’ attack on Israel, the militant group also kidnapped about 200 Israelis and is holding them captive, according to The Associated Press.

Israel has fought back by attacking targets in Gaza, with Palestinian authorities reporting that thousands have been killed, and many more in need of aid. The conflict has led to a war between Israel and Hamas, who controls the Gaza Strip, a narrow piece of land between Israel and Egypt.

See Brakence’s statement below.

The Mayan Warrior Team Announces New Art Car for Burning Man 2024: Fewer DJs, More Live Acts

The Mayan Warrior team is rising from the ashes of its destroyed art car, announcing Thursday (Oct. 19), that they’re building a new car to debut at Burning Man 2024.

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This vehicle will have a new design and theme from the original Mayan Warrior (pictured above), and be roughly the same size as this previous model, but reconfigured to function more as a mobile stage for live, multi-disciplinary musical and cultural performances.

“We will slowly transition into a more diverse spectrum of musical and cultural performances,” Mayan Warrior founder Pablo González Vargas tells Billboard. “The goal over time is to have more live acts with real instruments that can provide new experiences.” The new car will host gradually fewer DJs and feature a stage large enough to accommodate bands or a small orchestra.

“This will be an ongoing process of learning and iterating what is best for the community and the culture of Burning Man,” says González Vargas. “We will always be open to suggestions and feedback to make something beautiful that we can all enjoy.”

The original Mayan Warrior art car, one of Burning Man’s biggest and flashiest art cars which hosted sets from artists including DJ Tennis, Damian Lazarus and more, was destroyed in a fire last April while en route to a fundraiser in Punta de Mita, Mexico. This fire resulted in millions of dollars worth of losses.

It also provided the Mexico City-based team the opportunity to reimagine their project, with González Vargas telling Billboard in August that the car’s destruction made him feel “liberated” from a physically and financially-intensive endeavor that over time had grown to be a magnet for melodic techno and massive crowds.

Beyond the evolution in programming, the new project will also mark a shift in how the Mayan Warrior crew raises the money necessary to bring the car to Burning Man, located in northern Nevada’s remote Black Rock Desert.

The number of annual fundraising events the team produces across the U.S. with this new car will shrink from 12 to four, ” to ensure we can put our soul in to it and focus on the health and sleep of our crew,” says González Vargas. (Many Burning Man art cars and camps hold annual fundraisers to raise the money necessary to do a project at the event, with Mayan Warrior’s among the last few years arguably among the largest and most highly produced.)

The group is also considering making information regarding events, camp and foundation finances public, “so everyone can see what’s going on and what it takes to pull this off,” says González Vargas.

Tal Ohana and his Los Angeles-based events company Stranger Than, which has co-produced Mayan Warrior’s North American fundraising events for the last six years, are also now official Mayan Warrior collaborators.

“We’re glad to be a part of the next art car and assist with our resources throughout the rebuilding process,” Ohana tells Billboard. “Stranger Than and I will also continue to implement the values of Burning Man to our ‘outside fundraiser events’ as an eight-year burner, while curating unique experiences for our community in a safe environment.” 

The first fundraising events officially for this new car are happening Oct. 28 at Grand Park in Los Angeles and at on Oct. 27-28 at Industry City in Brooklyn.

In August, González Vargas told Billboard that before he and the team could decide on a new design, he first needed to go to Burning Man 2023 to see what inspired him. That inspiration came, he says, when watching a drone show that was designed around a Burning Man art car with a dancer suspended from a crane, all synchronized with light and music.

“It struck me that there is nothing more beautiful than having projects collaborate in the moment to create something that will never exist again,” he says. now. “And at that moment, I decided to continue the project and be part of those special moments. We want to do as many collaborations in the future with this new vehicle.”

What’s Your Favorite of Billboard’s Best Pop Songs? Vote!

Billboard is celebrating the 65th anniversary of the Billboard Hot 100 by compiling the 500 best pop songs since the chart’s debut in 1958.

The full list spans artists from Lesley Gore to Carly Rae Jepsen, from Sam Cooke to SZA, from The Kinks to The Chainsmokers, from Chubby Checker to Rae Sremmurd.

The top 10 brought together a range of song from The Beatles, Dr. Dre, Carly Rae Jepsen, Kelly Clarkson, Michael Jackson, Madonna and more, with the number one song going to Whitney Houston’s classic, “I Want to Dance With Somebody (Who Loves Me).”

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Check out our full list here, and vote for your favorite from our top 10 in the poll below.

How Kenya Grace’s ‘Strangers’ Came After She ‘Seriously Considered Giving Up Music’

This week, Kenya Grace’s global smash “Strangers” ascended to No. 1 on Hot Dance/Electronic Songs, marking the first time in the chart’s 10-year history that it’s been led by a track solely written, produced and sung by a woman.

Not bad for a song the 25-year-old artist wrote three months ago in her bedroom in Chandler’s Ford, England. A dreamy, sort of ominous ode to meeting people on dating apps who then ghost, “Strangers” marks a sort of belated pop breakthrough moment for drum’n’bass, the longstanding electronic genre that’s currently one of dance music’s backbone sounds, particularly in Grace’s native U.K.

“It’s really a huge part of young people’s lives here,” Grace tells Billboard over Zoom.

The song is also a milestone moment for Major Recordings, the flagship dance label from Warner Records that launched earlier this year. “I wrote ‘Strangers’ a week after I signed with them,” Grace says with a laugh.

“Strangers” is currently sitting at No. 71 on the Billboard Hot 100 (dated Oct. 21) and is also in the top position on the Dance/Electronic Streaming Songs and Dance/Electronic Digital Song Sales charts for a fifth and third week, respectively.

Below, Grace tells Billboard how she created her breakthrough hit.

How did “Strangers” come together?

I wrote it about two months ago in my room. I didn’t think too much into the full song, but I made a video of just the chorus. Nothing else existed at that point. I posted it on Instagram and TikTok and people seemed to really like it. I always find that I can write the chorus quickly, and then, like a week after, I get back into the head space and write the rest of the song. I finished writing, and then we worked on the production for a bit and got it mixed and mastered. We released it soon after that. It has been really fast.

How long did it take you to finish it?

It was pretty fast. I always find I can write the chorus really quickly. Then, like a week after, I get back into the headspace and write the rest of the song. Probably a week later, I finished writing [“Strangers”], and then we worked on the production for a bit and then got it mixed and mastered.

And it’s all happening in your bedroom. Paint a picture of that space.

It’s just a tiny room; I live in the countryside, in a tiny town an hour outside of London. My room is a really average room. The amazing thing about my house, though, is my window overlooks the woods. So I think that’s helpful with the deep thoughts or whatever.

The track has been hugely successful on TikTok. What’s your relationship with social media?

My favorite thing to do is make beat videos. I love writing a mini song and then making all the drum loops and everything, so TikTok and Instagram are like my perfect places. It has been a crazy year because last year, I seriously considered giving up music. Then, I posted a video on TikTok, and it changed my whole life. My socials are really different now — I think that’s the biggest thing, just the amount of people, the amount of love. It has blown my mind.

How do you feel about bringing drum’n’bass further into the mainstream?

It wasn’t a goal, [but] I really love dance music in general. Drum’n’bass is the first thing I went out to; it’s what all my friends go out to. It’s really a huge part of young people’s lives in the U.K. Liquid drum’n’bass I especially love — it’s basically a more emotional version of drum’n’bass. Like dance music, but a very soft version. I love that so much. I feel like it goes well with my voice. 

Are the lyrics based on actual events?

It’s a mixture of stuff that’s happened to me, stuff that’s happened to my friends and things I’ve noticed around me. It’s so common, in this day and age, that you’ll see someone for a bit, and you’ll speak all the time and then randomly one day, you just never speak again. It happens so much with Tinder and Hinge and things like that. It’s so easy to just give up and swipe on to the next person. It’s basically about that. It’s happened to me. It’s happened to all my friends.

What do your friends and family think about everything that’s going on for you?

My family is still in shock, to be honest. It’s just crazy. None of us have ever experienced anything like this, on this level. One of my friends said there was an article in the U.K. [Official Charts] — it was like, me versus Doja Cat. My friends were like, “Kenya Grace challenging Doja Cat? This sentence should not exist!” I was just like, “Yeah, I don’t know how it exists.” It’s so crazy.

A version of this story originally appeared in the Oct. 7, 2023, issue of Billboard.