Music
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Ariana Grande has been in the spotlight for more than half of her life. In an interview with YouTube personality Sally this week, the Wicked star got very candid about what that has felt like, specifically how it feels to constantly have strangers evaluating and judging her body. And, in a super honest moment, she had a simple message for people who do that.
“There’s a comfortability people have with commenting on that [my body] that I think is really dangerous. And I think it’s dangerous for all parties involved,” she said, as her Wicked co-star, Cynthia Erivo, held the singer’s hand and comforted her as she appeared on the verge of tears while answering a question about the struggle for women to live up to society’s exacting, often unreasonable, beauty standards
“I’ve been kind of doing this in front of the public and kind of been a specimen in a petri dish since I was 16 or 17, so I have heard it all,” Grande said. “I’ve heard every version of it… of what’s wrong with me. And then you fix it, and then it’s wrong for different reasons. But that’s everything from – even just the simplest thing – your appearance, you know?”
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Grande, 31, said it’s hard to protect yourself from that noise and it’s uncomfortable no matter where you experience such pressures. “Even if you go to Thanksgiving dinner, and someone’s granny says, ‘Oh my God, you look skinnier! What happened?’ or ‘You look heavier! What happened?’” she said. “That is something that’s uncomfortable and horrible no matter where it’s happening… and I think in today’s society there’s a comfortability that we shouldn’t have, at all, commenting on other’s looks, appearance, what they think is going on behind the scenes, or health, or how they present themselves.”
Getting animated, Grande said those kinds of judgements about what women are wearing and how their bodies and faces look are “dangerous.” She counted herself lucky to have a good support system that allows her to “know and trust that I am beautiful… but I do know what the pressure of that noise feels like… I just don’t invite it in anymore. It’s not welcome. I have work to do. I have a life to live. I have friends to love on, I have so much love and it’s not invited.”
She added that however you have to block that noise out, whether it’s deleting a toxic social app or blocking trolls online, “you keep yourself safe. Because no one has the right to say s–t!”
The latter comment drew a clap from host Sally, as well as an “amen” seconded by Erivo. “Can you tell I needed that today?” Grande said with a smile as Erivo grabbed her arm and displayed yet another example of the way the two women have openly supported and big-upped each other during the exhaustive press tour in support of the hit movie musical which has already rolled up $372.9 million in ticket sales so far.
Grande has spoken before about fans’ concerns over her appearance, including in a TikTok video last year in which she had similar thoughts about people’s concerns about her body.
“I think we should be gentler and less comfortable commenting on people’s bodies — no matter what. If you think you’re saying something good or well-intentioned, whatever it is. Healthy, unhealthy, big, small, this, that, sexy, not sexy, I don’t… We just shouldn’t. We should really work towards not doing that as much,” she said at the time.
“But I also just wanted to say one, there are many different kinds of beautiful,” she added. “There are many different ways to look healthy and beautiful. I know personally for me, the body that you’ve been comparing my current body to was the unhealthiest version of my body. I was on a lot of anti-depressants, and drinking on them and eating poorly, and at the lowest point of my life when I looked the way you consider my ‘healthy.’ But that, in fact, wasn’t my healthy. I know I shouldn’t have to explain that, but I do feel like maybe having an openness and some sort of vulnerability here, something good might come from it.”
Check out Grande and Erivo’s interview with Sally below.
Sabrina Carpenter is set to headline BST Hyde Park in 2025, marking another milestone in her meteoric rise to pop stardom.
The “Espresso” singer will take center stage in London on Saturday, July 5, with special guests Clairo and beabadoobee joining her on the iconic Great Oak Stage.
Additional acts are expected to be announced in the coming weeks. Fans can grab tickets starting Wednesday, Dec. 11, at 10 a.m. GMT. Tickets can be purchased here. For those with an American Express card, an exclusive presale began on Dec. 6 and runs until 9 a.m. on Dec. 11.
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This announcement comes on the heels of Carpenter’s landmark year, during which she earned six Grammy nominations and garnered praise from peers like Miley Cyrus and Taylor Swift. Notably, Swift recently called her “the pop princess of our dreams” after the two collaborated on an acoustic mash-up of their songs during Swift’s 1989 (Taylor’s Version) release event.
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BST Hyde Park has become synonymous with iconic performances, and Sabrina’s inclusion solidifies her status as one of pop music’s brightest stars. She joins an already stellar lineup of headliners, including Olivia Rodrigo, Noah Kahan, Jeff Lynne’s ELO, Zach Bryan, and Hugh Jackman.
Carpenter’s appearance at BST Hyde Park will be part of a busy year for the singer-songwriter. She is also set to headline Primavera Sound alongside Charli XCX and Chappell Roan and will embark on the U.K. and European leg of her tour, featuring Rachel Chinouriri as a special guest.
The tour begins at Dublin’s 3Arena on March 3 and includes stops in Birmingham, London, and Manchester. Adding to the excitement, Carpenter recently announced her upcoming Netflix holiday special, A Nonsense Christmas, premiering Dec. 6. The special boasts a star-studded guest list, including Chappell Roan, Tyla, Quinta Brunson, and Cara Delevingne.
Sabrina Carpenter has been rewriting chart history in 2024. She became the first solo artist, and only the second act after The Beatles, to achieve two simultaneous top-three hits on the Billboard Hot 100.
Her singles “Please Please Please” debuted at No. 2, and “Espresso” peaked at No. 3. Additionally, she became the first woman in Billboard Hot 100 history to have three songs (“Espresso,” “Please Please Please,” and “Taste”) in the Top 10 for five consecutive weeks, surpassing Cardi B’s previous record of four weeks.
Carpenter also achieved a Billboard 200 milestone with her sixth studio album, Short n’ Sweet, debuting at No. 1. The album sold 362,000 equivalent album units in its first week, marking her first album to top the chart.
Taylor Swift has wrapped up an early Christmas gift for fans, reclaiming the No. 1 spot on the ARIA Albums Chart with The Tortured Poets Department: The Anthology.
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The festive season begins in earnest as the chart’s Christmas edition sees Swift’s dominance coinciding with the return of holiday classics like Michael Bublé’s Christmas and Mariah Carey’s Merry Christmas, adding a seasonal sparkle to the final stretch of 2024.
Swift’s album, buoyed by the release of vinyl and CD versions, jumps from No. 14 to reclaim its throne for a sixth non-consecutive week. This marks Swift’s 16th week at No. 1 on the ARIA Albums Chart this year, thanks to the success of 1989 (Taylor’s Version), Midnights, Lover, and The Tortured Poets Department.
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Meanwhile, Michael Bublé’s Christmas makes its annual return, landing at No. 15, continuing its streak as a perennial festive favorite. First released in 2011, the album has spent a total of 15 weeks at No. 1 and remains a yuletide staple.
Mariah Carey’s Merry Christmas also re-enters the chart at No. 100, with her holiday anthem “All I Want for Christmas Is You” making its yearly resurgence on the ARIA Singles Chart, re-entering at No. 7.
Rosé and Bruno Mars hold steady at the top of the ARIA Singles Chart with “APT,” which notches its fifth non-consecutive week at No. 1. The track continues its reign as Bruno Mars enjoys a record-breaking run on Spotify, where he became the platform’s most-streamed artist last month with over 126 million monthly listeners, surpassing The Weeknd’s previous record of 120.7 million.
Other holiday hits are also making their move. Wham!’s “Last Christmas” returns at No. 11, with additional classics from Brenda Lee, Ariana Grande, and Kelly Clarkson climbing the charts as the festive season heats up.
Juice WRLD makes a splash on the Albums Chart with The Party Never Ends, debuting at No. 17. The posthumous release features collaborations with The Kid LAROI, Fall Out Boy, Nicki Minaj, and Eminem, marking the rapper’s fourth Top 10 ARIA album since his untimely passing in 2019.
For the full list of chart-toppers, visit ARIA.com.au.
It’s been nearly three years since Jane “Nightbirde” Marczewski, a fan-favorite contestant on season 16 of America’s Got Talent, died of cancer at age 31. However, her legacy lives on through her family, who have been releasing her powerful songs posthumously.
Her latest single, “Still Got Dreams,” arrived first thing Friday (Dec. 6) and features the Mzansi Youth Choir of South Africa, who got the Golden Buzzer on season 18 of AGT by paying tribute to Nightbirde with a cover of “It’s Okay” during their emotional 2023 audition.
The Geoff Duncan-produced track, which also serves as the title track from Nightbirde’s upcoming posthumous album, was written at a particularly devastating and difficult time of her life, as she dealt with a divorce and a cancer re-diagnosis with a very slight chance of survival. She was determined to fight in the compelling, hopeful lyrics, singing in the chorus: “I still’ve got some magic in me/ I can’t see it but I still believe/ The music stopped but I can still sing/ Pretty beat up but I still got dreams.”
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The Mzansi Youth Choir adds to the heartwarming, inspiring nature of the track by singing in isiZulu, “We ngoma ngiyakholwa Kuwe usisibonelo,” which translates to, “I believe music is a wonderful gift.”
“One of the ways Jane inspired the world was through her bravery in facing insurmountable odds,” the late star’s older brother, Mitch Marczewski Jr., shares with Billboard. “The message of ‘Still Got Dreams’ reinforces the fact that even though people may be beat up by their circumstances, they can still pursue their dreams. If there’s ever a time to remind people to pursue their dreams, it’s now.”
All proceeds from Nightbirde’s music, art, books, merchandise and licensing benefit the Nightbirde Foundation, which aims to uplift and support women battling breast cancer. “In addition to spreading hope, we distributed tens of thousands of dollars in grants to help women with breast cancer get the treatments they need to live fulfilling lives,” Mitch says. “The Nightbirde Foundation has been able to inspire women to dream.”
As for what he wants people to remember about his sister, Mitch says Nightbirde’s “faith in Jesus was the ultimate hope that enabled her to be the woman she was,” adding, “We are still amazed at her ability to hold joy and grief simultaneously, even when she was pretty beat up. We miss her dearly and wish she was here to continue to show the world her wit, wisdom, grit and faith.”
Listen to Nightbirde’s “Still Got Dreams,” featuring the Mzansi Youth Choir, below.
Fans have known ROSÉ of BLACKPINK for years. But now, they finally get to meet Rosie. The 27-year-old pop star’s debut solo album rosie arrived Friday (Dec. 6), bringing with it 12 new tracks written during a break from full-band obligations with JISOO, JENNIE and LISA. The dozen of songs include hit single “APT.” with […]
Smino released his fourth studio album Maybe in Nirvana on Friday (Dec. 6) via his independent label Zero Fatigue. “I actually just said ‘maybe in nirvana’ in one of the songs — but honestly, it was an album I was being indecisive about putting out. And I was just like … when I’m in a […]
The holiday season is in full swing, and BTS’ V is getting into the festive spirit by teaming up with the late Bing Crosby to release a duet version of “White Christmas” on Friday (Dec. 6). Explore See latest videos, charts and news See latest videos, charts and news In the new rendition of the […]
Prolific Australian collective King Gizzard & the Lizard Wizard have shared a new performance of some of their recnt material, collaborating with the Songs for Kids Band in the process.
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The performance was recorded ahead of the band’s concert at the Fox Theatre in Atlanta, GA, on Nov. 19, and was made as part of the Songs for Kids Band’s YOUNG series.
As per the Songs for Kids Foundation’s website, the organization “provides music mentorship and interactive programs for kids and young adults with illnesses, injuries, and disabilities”, with a goal in focusing on “creative expression [and] encourage exploration in a safe space”. Meanwhile, the Songs for Kids Band aims to emphasize “the power of teamwork and support for each other, bringing together kids that would otherwise be on a more solitary journey”.
So far, the Songs for Kids Band’s YOUNG series has seen them perform renditions of songs by names such as Weezer, Tiny Habits, Noah Kahan, and Waxahatchee to name a few. Occasionally, some of these performances see the Songs for Kids Band joined by the original artists themselves, with the likes of the Backstreet Boys and My Morning Jacket having collaborated previously.
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The latest addition to the series sees King Gizzard & the Lizard Wizard and members of the Songs for Kids Band sharing a rendition of “Flight b741”, the title track from the Australian band’s 26th studio album, released in August.
King Gizzard’s Flight b741 was recently nominated for Best Rock Album at the 2024 ARIA Awards (ultimately losing to Royel Otis’ Pratts & Pain), having previously charted at No. 8 on the Australian ARIA charts, and peaking at No. 118 on the Billboard 200.
With only one studio album released in the past year, King Gizzard are currently celebrating their least-prolific period since 2020. In 2022 alone, the band released a total of five albums, having achieved a similar milestone back in 2017. Of their last 14 records, only one has charted outside of the Australian top 50, and only one other has charted outside of the top ten.
One day after the 44th anniversary of their split, the trailer for the first-ever authorized documentary on Led Zeppelin has arrived.
Titled Becoming Led Zeppelin, the documentary has been in the works for some years, with director Bernard MacMahon helming the project following the success of his 2017 exploration into U.S. roots music, American Epic.
Featuring the participation of the three surviving members – singer Robert Plant, guitarist Jimmy Page, and bassist John Paul Jones – the project was taken to Cannes in 2019, at which point it was noted as being in the post-production phase.
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“When I saw everything Bernard had done both visually and sonically on the remarkable achievement that is American Epic, I knew he would be qualified to tell our story,” Page said at the time.
“The time was right for us to tell our own story for the first time in our own words, and I think that this film will really bring this story to life,” added Jones.
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Hype for the project first gathered steam when a work-in-progress version was screened at the Venice Film Festival, receiving a 10-minute standing ovation. MacMahon later noted that the team behind the film has spent “years designing this film to be experienced on the big screen with the best possible sound.”
Such meticulous attention to sound detail is vital for a project of this caliber, which follows the group – including late drummer John Bonham – as they rise up through the British music scene in the 1960s playing in small clubs. It follows them to a fateful rehearsal in 1968 that changed the course of their careers and culminates in their first tour of America in 1970 as they ascended to rock superstardom.
Led Zeppelin ultimately split on Dec. 4, 1980 following the unexpected death of Bonham just months earlier. Now, almost 44 years to the day since their dissolution, the official trailer for the upcoming documentary has arrived, complete with previously-unheard archival interviews with Bonham himself.
Soundtracked by 1969’s “Whole Lotta Love”, the trailer features visuals of the band’s kaleidoscopic career, interspersed with recent interviews with surviving band members. “The first time we played together, it was stunning,” Bonham says at the end of the trailer. “It was like a gift from heaven, wasn’t it?”
“We spent five years flying back and forth across the Atlantic scouring attics and basements in pursuit of rare and unseen film footage, photographs and music recordings,” writer-producer Allison McGourty said of the film’s production in a press release. “Then we transferred each piece of media with custom techniques, so that in IMAX, these 55-year-old clips and music would look and sound like they came out of the lab yesterday.”
Becoming Led Zeppelin is set for release in IMAX cinemas on Feb. 7.
Members of Soundgarden are set to take to the stage next week as part of a benefit concert in their Seattle hometown.
The performance, which takes place at Seattle’s Showbox on December 14th, will see guitarist Kim Thayil, drummer Matt Cameron, and bassist Ben Shepherd adopting the name Nudedragons for the affair. That moniker – an anagram of the band’s more famous name – is the same used by Soundgarden in 2010 when they performed at the same venue for their first live date since 1997.
Shaina Shepherd will take on vocal duties with the band in what is being described as a “brief encore performance”.
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The upcoming live show takes place as part of SMooCH, an annual campaign to raise funds for the Seattle Children’s Hospital’s Uncompensated Care Fund. Previous SMooCH events have featured acts such as Modest Mouse, The Afghan Whigs, Jason, Isbell, Angel Olsen, and more.
Alongside Nudedragons, this year’s SMooCH lineup will also include Sebadoh, Doug Martsch of Built To Spill, and Duff McKagan of Guns N’ Roses.
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Originally forming in 1984, Soundgarden intially remained active until 1997, becoming icons of the Seattle grunge scene in the process thanks to albums such as Superunknown, which topped the Billboard 200 upon its release in 1994.
Following various side projects for its members during the interim, Soundgarden reconvened in 2010, and remained active until the passing of frontman Chris Cornell in 2017. The following year, Thayil noted an uncertainty of what Soundgarden’s future could look like, before announcing the retirement of the band name.
Since then, members of the group have reunited for a handful of performances, including a 2019 tribute performance for Cornell dubbed I Am The Highway, which featured guest vocalists such as The Pretty Reckless’ Taylor Momsen and the Foo Fighters’ Taylor Hawkins.
Upon Hawkins’ passing in 2022, Thayil and Cameron were joined by Momsen and members of Nirvana the Foo Fighters for another tribute performance.