Music

29 May 2025

Jack Black’s ‘Steve’s Lava Chicken’ Jockeys to No. 1 on Top Movie Songs Chart

Jack Black’s “Steve’s Lava Chicken” — the shortest song ever to make the Billboard Hot 100 — adds another chart feat as the A Minecraft Movie song debuts at No. 1 on Billboard’s Top Movie Songs chart, powered by Tunefind (a Songtradr company), for April.

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Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of April. The ranking includes newly released films from the preceding three months.

“Steve’s Lava Chicken” reaches No. 1 following its first month of tracking for Top Movie Songs; A Minecraft Movie debuted in theaters on April 4.

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The song earned 20.1 million official on-demand U.S. streams and sold 3,000 downloads in April, according to Luminate. That led “Steve’s Lava Chicken” to debut at No. 78 on the Hot 100 dated May 3, making it the ranking’s shortest song ever at 34 seconds (a longer, albeit less popular version is one minute and 15 seconds).

“Steve’s Lava Chicken” reigns over a trio of holdovers from the chart’s previous iteration, paced by Tom Petty and the Heartbreakers’ “Mary Jane’s Last Dance” from The Electric State (No. 2; 14.6 million streams, 1,000 downloads) and followed by Chappell Roan’s “Casual” from Novocaine (No. 3; 13.8 million streams) and Yeah Yeah Yeahs’ “Spitting Off the Edge of the World” from The Gorge (No. 4; 2.4 million streams, 1,000 downloads).

The next highest debut is courtesy of Rod Wave’s “Sinners,” from the movie of the same name, released April 18. Wave’s track bows at No. 5 via 14.3 million streams and 1,000 downloads.

More Sinners activity is possible upon the May chart, the movie’s first full month of tracking for the survey. The soundtrack debuted at No. 133 on the Billboard 200 dated May 10.

Eric Prydz‘s 2004 hit “Call On Me” also starts at No. 7 via a synch in Warfare, garnering 2.6 million streams and 1,000 downloads in April. Prydz’s track concurrently returned to Billboard charts via the Dance/Electronic Digital Song Sales list in late April, bowing at No. 5. It peaked at the same position on Dance/Mix Show Airplay in 2004.

See the full top 10, which also features music from Snow White and Holland, below.

Rank, Song, Artist, Movie

  1. “Steve’s Lava Chicken,” Jack Black, A Minecraft Movie
  2. “Mary Jane’s Last Dance,” Tom Petty and the Heartbreakers, The Electric State
  3. “Casual,” Chappell Roan, Novocaine
  4. “Spitting Off the Edge of the World,” Yeah Yeah Yeahs feat. Perfume Genius, The Gorge
  5. “Sinners,” Rod Wave, Sinners
  6. “Good Things Grow,” Snow White Cast, Snow White
  7. “Call On Me,” Eric Prydz, Warfare
  8. “Mother,” Danzig, The Electric State
  9. “Party Up,” DMX, Holland
  10. “(All Along the) Watchtower,” Devlin, The Gorge

29 May 2025

Stephen Schwartz to Receive ASCAP Foundation Champion Award

In a perfect world, major career honors would be nicely spaced out. But sometimes, they bunch up. Case in point: On June 10, just two days before he receives the Johnny Mercer Award at the annual Songwriters Hall of Fame (SHOF) gala, legendary Broadway composer Stephen Schwartz will receive the ASCAP Foundation Champion Award, recognizing his humanitarian efforts and contributions.

There will also be a second honoree at the ASCAP Foundation event: artist and music education advocate Chandrika Tandon, who won her first Grammy in February for best new age, ambient, or chant album for Triveni.

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While the close proximity of the two events may be less than ideal, the ASCAP Foundation event appears to be a very different kind of evening — namely, smaller and more intimate. Where the SHOF dinner and gala will be held at the Marriott Marquis Hotel, the ASCAP Foundation “cocktail celebration” will take place at the New York home of Tony-winning composer Adam Guettel (Floyd Collins, The Light in the Piazza, To Kill a Mockingbird, Days of Wine and Roses).

Composers and lyricists (and EGOT recipients) Benj Pasek and Justin Paul (Dear Evan Hansen, La La Land) will perform a tribute to Schwartz. Composer, pianist and singer-songwriter Emily Bear (Moana 2, The Unofficial Bridgerton Musical) will perform and talk about her creative journey and The ASCAP Foundation.

The ASCAP Foundation Champion Award recognizes ASCAP members who have made a significant impact through social action and humanitarian efforts. Previous recipients include Billy Joel, Natalie Merchant, Judy Collins, Arlo Guthrie and Ne-Yo.

Founded in 1975, The ASCAP Foundation has supported American music creators through music education, talent development and humanitarian programs for five decades.

ASCAP Foundation president Paul Williams said in a statement, “As we celebrate 50 years of The ASCAP Foundation’s work empowering music creators and uplifting communities, it is an honor to recognize Stephen and Chandrika — two extraordinary individuals whose artistry and humanitarianism have inspired countless creatives. Their passion reflects the very spirit of our mission, and we are proud to honor them as Champions.”

Williams is on the board of directors of the SHOF and is a past recipient of the Johnny Mercer Award. (The ASCAP Foundation news announcement doesn’t mention Schwartz’s SHOF honor.)

These aren’t Schwartz’s only awards this year. In February, he received the Icon Award at the 15th Guild of Music Supervisors Awards in Los Angeles, where he was honored alongside veteran music supervisor Bonnie Greenberg.

Tickets to the ASCAP Foundation’s 50th Anniversary Gala run $2,000 and can be purchased here.

29 May 2025

Shakira’s Style Evolution: From Rocker to Iconic Belly Dancing Looks

The Colombian star has made notable fashion statements throughout her career.

Shakira performs at the Palais Omnisports de Bercy on June 13, 2011 in Paris.

Shakira performs at the Palais Omnisports de Bercy on June 13, 2011 in Paris.

Stephane Cardinale/Corbis/Getty Images

Shakira’s onstage and street style couldn’t be more different. When she’s not performing, the Colombian star’s fashion choices are casual, as she’s often strutting in jeans and a T-shirt.

But when she takes that stage, it’s a complete transformation. The “Te Felicito” singer’s outfits are dramatic, bold and fierce. From hip-hugging belly-dancing wraps and belts to shimmery dresses and flowy skirts, Shakira embraces a style that allows her to move and create her iconic dance moves with ease on stage, sometimes even barefoot.

One thing is consistent on and off the stage: Her signature loose, cascading curls always seem camera ready.

“Hair has always been such a big part of who I am on stage and in my everyday life,” Shakira wrote on social media in May 2025, teasing a new hair care line. “Looking back, I can see how much the way I chose to wear my hair defined the era I was in and the way I felt.” Shakira’s hair evolution has seen her go from long, straight black hair that was later dyed red (defining her ’90s rockera stage) to wavy blonde hair and bouncy long curls.

On the red carpet, Shakira is not one to make many risky choices, always opting for a classic look. Over the past years, she has stunned on the Met Gala red carpet wearing long trains that trail behind her that make her seem almost like she’s flowing across the carpet.

Check out Shakira’s style evolution from 1999 to now, below.

29 May 2025

Jamix xx’s ‘In Colour’ Was Released 10 Years Ago Today: Read Our 2015 Review

Ten years ago today, on May 29, 2015, Jamie xx released his debut solo album, In Colour.

The 11-song project reached No. 21 on the Billboard 200 and No. 3 on the Official U.K. Albums Chart, generating hits including “Gosh,” “I Know There’s Gonna Be (Good Times)” and “Loud Places” and becoming a beloved LP of the era.

Billboard also celebrated the album upon its release, publishing a glowing review that identified the British producer’s ability to create a collage of ’90s U.K. rave culture that simultaneously acknowledged the rich history of this era while also sounding entirely fresh.

“Jamie xx is 26 years old, which means he was barely out of diapers during the heyday of ’90s U.K. rave culture, which provides the heart, soul and inspiration for his jaw-dropping solo debut, In Colour,” wrote Billboard contributor Garrett Kamps.

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The review continues to say that “The xx member (real name: Jamie Smith) reportedly combed through videos from the era on YouTube, experiencing it in a way that generations before him could not: all at once, chopped up, voyeuristically and set to the best music. This, conveniently, describes the rush of hearing In Colour, an ambitious collage of dance music’s most artistically exciting decade, assembled with maximum TLC by a visionary who inherited its legacy.

“Pockmarked by bits of dialogue from the era’s radio shows and documentaries,” Kamps continues, “the record leaves no doubt as to its source material, and Jamie xx is among other U.K. electronic-dance acts, such as Disclosure and Four Tet, that are tapping the genre’s past to forge its future. But no one has nailed it quite like this.”

Read the complete 2015 review here.  

Speaking with Billboard last year upon the release of In Colour‘s long-awaited follow-up, In Waves, the artist said his country’s esteemed history with electronic music, combined with some good old fashioned homesickness, inspired the album’s tone.

“When I was making Colour, I was on tour [with The xx], and had been for seven or eight years nonstop,” he said. “I was really homesick, and I was dreaming up ideas about the U.K. and music in the U.K. and the dance scene there and everything that has happened since the ’80s in dance music in the U.K., which is a lot. It was sort of my fantasy version of U.K. dance music history. Because I was missing home, it made me feel more like I was at home, I guess.”

He also reflected on the differences within himself as he made two connected projects nine years apart, saying that while listening to In Colour while making In Waves, “I remember being really surprised by a lot of decisions I had made as a younger person, and remembering who the hell I was when I made those decisions.

“I guess I was drunk quite a lot of the time, having a lot of fun in my mid-20s,” he continued with a laugh while reflecting on the production process for In Colour. “It’s very painstaking, all these decisions you feel are so important. Then listening to them 10 years later or five years later, you can’t believe you made any of the decisions. And you think they’re wrong, or I would have made completely different decisions now, but I guess that’s a part of it.”

29 May 2025

Nova Festival Memorial Site Honors Victims of Oct. 7 Hamas Attacks With Portraits of Vibrant Lives Cut Short

The dull, distant thud of munitions falling in Gaza is the only sound you hear in the parking lot in Re’im in southern Israel. It’s a world away from the thumping, joyous EDM beats that filled this same site more than two years ago as 3,000 ravers gathered under the stars for an all-night Nova Music Festival.

The site is now a memorial to the 364 people killed by Hamas militants on Oct 7, 2023, eerily silent on a recent mid-May morning as friends, family and visitors quietly wandered among the hundreds of tributes to the slain attendees of the music festival. In addition to the scores killed and assaulted that day, 44 others were taken hostage in what became the deadliest attack in modern Israeli history.

The joyous rave kicked off the night before the shocking early morning raid by the al-Qassam Brigades that resulted in the killing of nearly 1,200 Israelis and foreign nationals and kidnapping of more than 250. What was meant to be a celebration of the Jewish holiday of Shemini Atzeret — a time to stop and reflect, pray for rain and gather with friends and family — is now a heart-wrenching shrine to vibrant lives cut short.

“Daniel Goffman, 24 years old when he passed away. A child with a huge heart, endless generosity, and optimism, always willing to help and sacrifice himself for a friend,” reads one tribute featuring the image of a smiling young man giving a thumbs up. “He went to the Nova music festival with his partner, Daniela Petrenko, may she rest in peace, to celebrate the start of a new life, but they never returned.”

Among those attending the festival was Israel’s 2025 Eurovision Song Contest runner-up Yuval Raphael, who still bears shrapnel in her body from the attack. She has recalled hiding in a bomb shelter packed with 50 other people as Hamas gunmen repeatedly shot into the shelter and lobbed grenades. She survived after making a panicked call to her father, who counseled her to play dead and be quiet, a tactic that allowed her to be among the 11 people in the shelter who survived the onslaught.

In the middle of the sea of stories of lives cut short featuring tokens of memorial ranging from a charred DJ deck to a ghostly white statue mirrored on the ground by a hollow dirt reflection, is a massive star made up vibrant reproductions of the nation’s official flower, the red anemone (Kalanit). The flowers bloom at the festival site every February and the deeply symbolic gesture is a nod to the spilled blood of the victims, as well as a sign of resilience and hope. The official memorial funded by the non-profit Jewish National Fund has quickly become the JNF’s most-visited site, attracting nearly 7,000 visitors a day.

Visiting family for a wedding in Tel Aviv, I admittedly was not able to get a perspective on the dire situation in the Gaza Strip as Israel’s government continues to hammer the area with daily assaults in a conflict that has killed more than 53,000 people in the territory to date, according to Palestinian health authorities.

But what I did observe that day was a sea of moving tributes to dance music fans who gathered in the desert for an all-night celebration of renewal that turned into an early morning nightmare of automatic weapons fire and brutal assaults by Hamas militants who crashed through the border during the shocking surprise attack.

Just down the road was a kind of car graveyard, framed by five-story piles of charred, rusted vehicles attendees attempted to flee in that were destroyed in the attack. Scattered among the trashed cars with memorials to the victims were shot-up trucks driven by the marauders, some with large gun mounts in the bed.

Like the Nova memorial, the eerie site full of crushed and burnt cars and piles of mangled motorcycles features placards with QR codes that lead to the fuller stories of the victims. At the center is a destroyed car spilling over with a long trail of the red anemone sculptures. Atop the vehicle is a metal sculpture with the Hebrew word “V Ahavat,” which translates into “and love,” a common expression of affection.

The entire nation is laser-focused on returning the remaining hostages in Gaza — believed to number 58 men and women, half of whom are believed to be alive — with the two Nova memorials similarly plastered with stickers and banners honoring the captured and demanding their return. From the Ben Gurion airport arrival area to restaurant walls and roadside memorials, the stickers and posters bearing the faces of the captives are inescapable in the country now, along with massive banners reading “Bring Them Home.”

Just like the Nova site, the stickers and banners are daily testimonies to a grievous wound that feels impossible to ever heal from. But they are also a reminder of the vibrant stories of the lives that were lost and, hopefully, of those hostages who may yet return.

Check out a gallery of photos from the Nova site below.

29 May 2025

Bunnie XO Bonds With Jessie Murph Over Taking Shrooms: ‘I Thought I Was Michael Jackson’

Bunnie XO and Jessie Murph just had a far-out conversation about their first times taking shrooms, with the former revealing she once tripped so hard, she thought she was Michael Jackson.

In a clip from a recent episode Dumb Blonde, the podcaster asked the 20-year-old singer-songwriter to recount giving the psychedelics a try just a few weeks prior at Coachella. “I took them right before y’all’s party, actually,” Murph said, referring to Bunnie and her famous husband, Jelly Roll.

“It was so great,” the “High Road” singer recalled. “I was always apprehensive to try them … because they say it can mentally get you in a weird place.”

“But I had the time of my life,” Murph added. “I just was smiling, it made me really happy. But I’m gonna try not to do them a lot.”

One of Bunnie’s experiences with the drug, however, was a lot less serene. “I thought I was Michael Jackson one time,” she told Murph as both of them laughed. “I was in the snow making snow angels and then I cooked, like, a five-course meal … I did a big dose and it was phenomenal — that’s when I thought I was Michael Jackson.”

“And then I did a microdose and s–t got weird,” Bunnie added. “I started thinking about my childhood.”

According to the Alcohol and Drug Foundation, shrooms — aka magic mushrooms — are consumed for their hallucinogenic effects caused by key ingredient psilocybin. The psychedelics can alter “a person’s thinking, sense of time and emotions,” an ideally pleasant experience that can sometimes lead to anxiety or paranoia instead.

Bunnie and Murph — who recently earned her highest peak to date on the Billboard Hot 100 with “Blue Strips” reaching No. 15 earlier in May — have been friends for a while. In 2023, the Alabama native teamed up with Jelly for a duet titled “Wild Ones,” reaching No. 7 on the Hot Country Songs chart, and all three of the stars recently walked the red carpet together at the Academy of Country Music Awards — where Murph’s piglet, Wilbur, stole the show.

In June 2024, Bunnie defended Murph against social media trolls who took issue with the latter being featured on Koe Wetzel’s “High Road,” which would reach No. 22 on the Hot 100. “All you grown ADULTS being mean to a beautiful 19-year-old girl who’s pursuing her dreams & has already accomplished so much in her career, more than some of y’all,” the social media star wrote at the time, sharing a video of herself hugging Murph on Instagram. “Don’t play w me or baby girl.”

Watch Bunnie and Murph discuss shrooms below.

29 May 2025

How Beéle’s Caribbean Aura Turned Him Into Colombia’s Breakout Star

Beéle was 12 years old when he discovered “Aye” by Nigerian-American artist Davido — a song he says immediately connected him with the Afrobeat genre.  

“I felt the vibe and started writing notes and poems,” he tells Billboard. “It was my way of disconnecting from the world. I preferred doing that and practicing my guitar to going out and playing with my friends.”

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His native Barranquilla — located on the Caribbean Coast of Colombia, and which is also home to Shakira and Joe Arroyo — has also influenced the Latin Afrobeat and pop-dancehall sound he’s known for today.

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“I grew up in a family where salsa, champeta, and African music from the 80s and 90s were heavily influenced,” he explains. “I grew up surrounded by that culture and by a working-class neighborhood in Barranquilla, where I found my place over time. I understood that everything that made me proud of where I come from and the freedom to express myself perfectly reflects my personality and who I truly am.” 

At 16, the artist born Brandon de Jesús López Orozco (Beéle is the pronunciation of his initials BL), released his debut single “Loco” under Hear This Music — a feel-good, suave Afrobeats groove backed by his deep, melodic vocals. Its remix, featuring Farruko, Natti Natasha, and Manuel Turizo — and released in the midst of the 2020 pandemic — earned the emerging act his first Billboard chart entry, reaching No. 18 on the Latin Digital Song Sales chart. 

Since then, the Colombian artist has carved his sound path in the industry by teaming up with artists such as Feid, Rauw Alejandro, Myke Towers, Maluma and Piso 21. His 2023 collaboration with Sebastian Yatra and Manuel Turizo, “Vagabundo,” marked his first No. 1 hit on both the Latin Airplay and Latin Pop Airplay charts. This year, “Mi Refe” with Ovy on the Drums peaked at No. 8 on the Latin Rhythm Airplay chart and “La Plena (W Sound 05)” with W Sound and Ovy on the Drums gave him his first No. 1 on the Billboard Argentina Hot 100 chart. 

“One day in the studio, I stopped, looked in the mirror to see who I was, and from there I said, I love this,” he expresses. “What I wanted to show the world is that beyond being an artist, I want them to feel what I feel. From then on, my career has been created by that musical and diverse explosion that defines me. All along, I’ve tried not to look like anyone else.”

Earlier this month, Beéle released his debut studio album Borondo (5020 Records), home to 26 tracks, including “Dios Me Oyó” with Marc Anthony. The set marked the artist’s debut on the Billboard album charts, bowing at No. 10 on Top Latin Albums and No. 4 on Top Latin Rhythm Albums on the lists dated May 31. 

“My encounter with music has always been unexpected,” he says. “For me, music is a connection to my everyday life. I’ve had to live the way I live to be able to make the songs I’m making. I express myself. My heart speaks, my emotions speak, and they connect with the audience. I don’t just make music, I make art.” 

Below, learn more about May’s Billboard Latin Artist on the Rise:

Name: Brandon de Jesús López Orozco

Age: 22

Recommended Song: “Mi Refe”

Biggest Accomplishment: “Since I started making music, I’ve achieved everything I’ve wanted, in my own way. My greatest achievement, truly, professionally speaking, has been making my first album, because I’ve always prayed for it and asked God that my music would connect with hearts the way his words connect with mine. I’ve been able to achieve something in this life that would make my children proud.”

What’s Next: “People think that after making this album, I’m going to stop for a while, but there are some really beautiful collaborations coming this summer. That way people can continue enjoying Beéle.”

29 May 2025

Reneé Rapp, D’Mile, Renée Elise Goldsberry & More to Serve as Guest Artists for 2025 Grammy Camp

The Grammy Museum announced the guest artists who will participate in this year’s Grammy Camp, which is expanding to Miami and New York, in addition to its flagship Los Angeles program.

Cimafunk, DARUMAS and GALE will be this year’s guest artists in Miami; Alexander Stewart, Aly & AJ, Daniel Seavey, D’Mile, India Shawn and Reneé Rapp will be guest artists in Los Angeles; and Braxton Cook, Chloe Flower, and Renée Elise Goldsberry will be guest artists in New York.

They will discuss their career paths and help students prepare for the music industry. The signature music industry camp for U.S. high school students will take place at the following locations:

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  •     Art House Studios, Miami – June 8–14
  •     Evergreen Enterprise Experience, Los Angeles – July 13–19
  •     Engine Room Audio, New York – July 27–Aug. 2

“For more than 20 years, Grammy Camp has been a vital launching pad for high-school students chasing their dreams in music, providing a real-world glimpse into the industry and the journey that comes with it,” said Michael Sticka, president and CEO of the Grammy Museum, in a statement. “This summer, we’re thrilled to expand that mission even further, welcoming rising talent to our Grammy Camp community in Los Angeles, Miami and New York.”

Several of this year’s guest artists have won major awards. D’Mile is the only songwriter in Grammy history to win back-to-back awards for song of the year, for co-writing H.E.R.’s “I Can’t Breathe” and Silk Sonic’s “Leave the Door Open.” He also won an Oscar for co-writing “I Can’t Breathe” from Judas and the Black Messiah. Renée Elise Goldsberry won both a Grammy and a Tony for Hamilton. Darumas was nominated for at Latin Grammy for best new artist. Alexander Stewart was nominated for two Juno Awards this year.

The Grammy Museum also announced that 172 talented high-school students from 126 U.S. cities across 25 states have been selected as participants in this year’s program.

Now in its 21st year, Grammy Camp focuses on all aspects of commercial music and will feature various career tracks in all three locations: music business, instrumental performance, electronic music audio production, songwriting and vocal performance will be at each location. Each location will incorporate a curriculum tailored to its unique musical heritage, offering specialized tracks such as musical theater, screen scoring, music production with a DJ emphasis, and instrumental performance surrounding jazz music. Each track is taught by Grammy-winning and -nominated professionals, Recording Academy members, industry experts and notable guest artists, offering participants an exclusive glimpse into real-world music career pathways. Students are selected for one career track but have the opportunity to collaborate with all students.

Applications for Grammy Camp 2026 will be available online in September on its website.

29 May 2025

Clipse Announces ‘Let God Sort Em Out’ Release Date With Cinematic Trailer, Reveals Album Cover Art

The Clipse is back. Pusha T and No Malice officially announced the first Clipse album in more than 15 years on Thursday (May 29) with Let God Sort Em Out. The project is set to make it snow in the summertime with a July 11 release date.

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Fellow Virginia native and close collaborator Pharrell will be handling production on the entire album, which was recorded at the Louis Vuitton headquarters in Paris. Let God Sort Em Out will be marketed and distributed in partnership with Roc Nation.

A new single will set the tone for the project with “Ace Trumpets” slated to hit streaming services on Friday (May 30). The album is currently available for pre-sale with bundles of vinyl and merch collections on sale on the Clipse’s website.

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American artist-designer KAWS helms the cover art, which includes his signature white cartoon hands as well as the bones of a skeleton topped with a Mickey Mouse skull.

KAWS handled the artwork duties for Clipse’s last album, Til the Casket Drops, and famously did the cover for Ye’s 808s & Heartbreak album a year earlier in 2008.

Pharrell, John Legend, A$AP Ferg and plenty of fans have flooded the Clipse’s IG comments expressing their excitement about LGSEO.

A cinematic trailer also for the album arrived on Thursday (May 29). “This is culturally inappropriate,” a woman’s voice repeats to start the clip.

There’s plenty of religious artwork and cameos from Slick Rick, DJ Clue, Mike Tyson and more. No Malice and King Push are seen at the LV HQ working on the project. “Shoot em all and let God sort em out,” Marge Simpson says to close out the trailer.

Watch the trailer below.

29 May 2025

Here’s Chris Stapleton’s Hattie B’s Hot Chicken Order

Chris Stapleton‘s signature bluesy-rock guitar licks might be fiery, but his hot chicken order? Perhaps not so much.

As part of a cover story for Billboard‘s Country Power Players issue, Stapleton and actor Josh Brolin spent time at the musician’s studio in Nashville, but also took time to eat at Hattie B’s Hot Chicken, one of Music City’s most beloved restaurants. The eatery offers its signature chicken in an array of spicy sauce levels, but it seems the 11-time Grammy winner can’t take the heat when it comes to spicy poultry.

During their visit, Brolin asked Stapleton, “What’d you get? Medium?”

Stapleton replied, “No, mild. I don’t mess with that medium stuff. It’s not real medium anyway. Somebody’s temperature gauge must have broke.”

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“What about the hot?” Brolin asked.

Stapleton then offered a rundown of the chicken’s various heat levels. “There’s mild, medium, hot, ‘damn hot’ and ‘shut the cluck up!’” he shared. “I stick with mild.”

Hattie B’s was launched by father-son duo Nick Bishop Sr. and Nick Bishop Jr. in August 2012 just off Broadway in downtown Nashville. Now, the business has more than a dozen locations across cities including Memphis, Dallas and Birmingham, with more locations in Austin and Chicago set to open.

In the Billboard cover story, Brolin spent time with Chris and Morgane Stapleton, blending conversation and jam sessions to dig deep into the inspirations and spaces that propel Stapleton’s music.

In addition to continuing with his headlining shows, Stapleton also recently picked up his fifth male artist of the year win at the ACM Awards and contributed the song “Bad As I Used to Be” to F1 The Album, the soundtrack to the film F1. Meanwhile, his 2015 album Traveller leads Billboard’s list of the Top Country Albums of the 21st Century retrospective.