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We had all met up for dinner in Santa Fe a couple of years ago. It was Chris, Morgane, me, my wife Kathryn and several band and crew members very close to Clan Stapleton. It was a humbling night in that no matter the status of our perceived successes, we all seemed to resort to naked-in-a-dream, […]

Guns N’ Roses busted out the live debut of an old favorite during their Tuesday (May 27) show in Abu Dhabi, seemingly pay tribute to late New York Dolls singer David Johansen two months after the pioneering punk icon died at 75 following a long battle with cancer. Explore See latest videos, charts and news […]

Linkin Park’s 2024 album From Zero returns to a bevy of Billboard’s album charts (dated May 31) following its deluxe reissue with additional tracks on May 16. The set reenters Top Album Sales (at No. 5), Top Hard Rock Albums (No. 4), Vinyl Albums (No. 8), Top Alternative Albums (No. 9), Top Rock Albums (No. 15), Top Rock & Alternative Albums (No. 17), Indie Store Album Sales (No. 17) and the Billboard 200 (No. 71).
From Zero debuted at No. 1 on all of the above charts last November, save for the Billboard 200 and Top Album Sales, where it arrived at No. 2.

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The album was bolstered with three new studio recordings (“Up From the Bottom,” “Unshatter” and “Let You Fade”) on its digital and streaming editions, while physical formats (two double-CD sets and two double-vinyls) also added in five live tracks. The same week From Zero’s deluxe impacted the album charts, one of the new songs added to the project, “Up From the Bottom,” hit No. 1 on both the Alternative Airplay and Mainstream Rock Airplay charts.

In the tracking week ending May 22, From Zero earned 14,000 equivalent album units (up 173%), with traditional album sales comprising 7,500 of that sum (up 531%). The latter figure pushes the album’s reentry on Top Album Sales at No. 5.

Elsewhere in the top 10 of the all-genre Top Album Sales chart, five albums debut in the region from Morgan Wallen, Jin, BOYNEXTDOOR, Sleep Theory and MEOVV.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

Wallen’s I’m the Problem launches at No. 1 on Top Album Sales with a career-best 133,000 sold, marking his fourth top 10-charting effort (all have reached the top three). Jin’s Echo enters at No. 2 with 35,000 sold, garnering the singer his second effort to reach the top three. BOYNEXTDOOR’s 4th EP: No Genre starts at a career-high No. 3 with nearly 14,000 sold; it’s the fourth top 10 for the act.

Sleep Token’s Even in Arcadia falls 1-4 in its second week on the chart (nearly 8,000; down 90%), while the aforementioned From Zero reenters the list at No. 5.

Kali Uchis’ Sincerely. retreats 2-6 in its second week (just over 7,000; down 81%), Kendrick Lamar’s chart-topping GNX climbs 8-7 (7,000; up 6%) and P1Harmony’s DUH! dips 3-6 in its second week (nearly 7,000; down 69%).

Rounding out the latest top 10 is Sleep Theory’s first full-length set Afterglow, which scores the band its first top 10 (and chart entry) with its No. 9 debut (6,500) and MEOVV, who sees their debut EP My Eyes Open VVIDE start at No. 10 (6,000).

Ozzy Osbourne is going to make it to the stage for Black Sabbath’s final show no matter what it takes. As the metal icon gears up for his first full concert since 2018, he sat down with Billy Morrison on the latest episode of their SiriusXM “Ozzy Speaks” show to break down what he’s doing to gear up for the July 5 Back to the Beginning show in his hometown of Birmingham, England.
“I haven’t done any physical work for the last seven, six and a half, seven years,” Ozzy said, promising that “by hook or by crook, I’m gonna make it [to the stage at Villa Park],” where Black Sabbath’s final gig will find them joined by an all-star roster that will also include Metallica, Mastodon, Anthrax, Pantera, Alice in Chains, Gojira, Slayer and a supergroup featuring members of Guns N’ Roses, the Smashing Pumpkins, Limp Bizkit, Judas Priest, Rage Against the Machine and many more.

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“I’ve got this trainer guy who helps people get back to normal,” he said of the intense training he’s undergoing following a rough several years that included spinal surgery and a Parkinson’s disease diagnosis. “It’s hard going, but he’s convinced that he can pull it off for me. I’m giving it everything I’ve got.”

Ozzy, 76, said he’s definitely waking up and stressing about the show at times, but he knows that getting worked up is not what will get him through his first show with Sabbath bandmates guitarist Tony Iommi, bassist Geezer Butler and drummer Bill Ward in more than 20 years. “Sometimes [I stress], but what I do, if I start obsessing all the time, I’ll be insane by Friday, you know?” he said. “So, I’m just taking it one day at a time and when I do it one day at a time. You know, when we were talking about this [obsessive-compulsive disorder], whatever. I have that badly. All I can say is I’m giving 120%. If my God wants me to do the show, I’ll do it.”

Speaking to the Guardian recently, Ozzy said “I’ll be there, and I’ll do the best I can. So all I can do is turn up,” a hedge that was in keeping with comments from Tool singer Maynard James Keenan, who said it will take need “modern miracles” for the rocker to perform one of his legendary high-energy shows given his health struggles.

Though he hasn’t played a full show since Dec. 31, 2018 — two months before revealing his Parkinson’s diagnosis — Ozzy has set a reasonable bar for the July show, saying in February that he isn’t “planning on doing a set with Black Sabbath,” but rather “little bits and pieces” with the group. “I am doing what I can, where I feel comfortable,” he promised.

Listen to Ozzy talk about his training for the show below.

Lorde has never been afraid of catharsis. The singer, literally, strips it down in the new video for her entrancing single “Man of the Year,” offering an unadorned version of herself as revealing as the song’s lyrics. In the striking visual directed by Grant Singer that dropped on Thursday morning (May 29), the 28-year-old vocalist is caught in close up, before the camera pans out to show her sitting on a stool in an empty loft while wearing jeans and a white T-shirt.
“Glidin’ through on my bike, glidin’ through/ Like new from my recent ego death/ Sirens sing overnight, violent, sweet music/ You met me at a really strange time in my life/ Take my knife and I cut the cord,” she sings in a loud whisper over a gently plucked bass guitar. As she describes becoming “someone else,” someone she says is “more like myself,” Lorde strips off her shirt and covers her breasts with electrical tape in the prelude to a thrashing dance routine on a pile of sand spread out in a corner of the loft.

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The song co-produced by Lorde and Jim-E Stack — her main collaborator on the upcoming Virgin album due out on June 27 — builds from the alluring, subtle bass accompaniment to a noisy rumble as burbling keyboards and distant drums bubble up alongside cello from Blood Orange’s Dev Hynes.

“Who’s gon’ love me like this?/ Oh-oh, oh, who could give me lightness?/ Way he flow down through me/ Love me like this/ Now I’m broken open/ Let’s hear it for the man of the year,” she sings on the chorus of second song released so far from the LP. “Man of the Year” follows April’s “What Was That,” which debuted at No. 36 on the Billboard Hot 100. In an Instagram post previewing the second single last week, Lorde wrote that it was an “offering from really deep inside me,” calling it the “song I’m proudest of on Virgin.”

In a recent Rolling Stone cover story, Lorde discussed writing “Man of the Year” after stopping her birth control for the first time since she was a teenager and realizing that her gender felt more fluid than she’d previously realized. Just before writing the song, she said she taped her own chest with duct tape — as in the video — in an effort to reach a vision of herself “that was fully representative of how [her] gender felt in that moment,” she told RS.

“I felt like stopping taking my birth control, I had cut some sort of cord between myself and this regulated femininity,” she added. “It sounds crazy, but I felt that all of a sudden, I was off the map of femininity. And I totally believed that that allowed things to open up.” The unadorned “Man of the Year” look was previewed at this year’s Met Gala, where Lorde wore a strapless, slate-colored strip of fabric across her chest that she told Vogue was an “Easter egg” that “really represents where I’m at gender-wise. I feel like a man and a woman kind of vibe.”

In addition to the song and video, Lorde also revealed the track list for her anticipated follow-up to 2021’s Solar Power. Among the songs on the album are: “Hammer,” “Shapeshifter,” “Favourite Daughter,” “Current Affairs,” “Clearblue,” “GRWM,” “Broken Glass,” “If She Could See Me Now” and “David.”

Lorce will launch the Ultrasound world tour on September 17 at the Moody Center in Austin, TX on an outing that will feature special guests Blood Orange, The Japanese House, Nilüfer Yanya, Chanel Beads, Empress Of, co-producer Jim-E Stack and Oklou on select dates.

Watch the “Man of the Year” video and check out the Virgin tracklist reveal below.

The saga around Zak Starkey’s departure from The Who continues to rumble on. In a new Instagram post on Wednesday (May 28), the band’s former drummer called reports that he “retired” from his position in iconic group as “f-kin total bollox” while insisting that he was, indeed, “fired” from the group.

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Starkey’s position as the band’s drummer has been uncertain since a show at London’s Royal Albert Hall in March. Reports suggested that Daltrey was unhappy with Starkey’s playing on the night, and a number of songs were cut short. Starkey – Ringo Starr’s son and a prolific session drummer – has been a part of the live lineup since 1996. In a statement, the band said, “The band made a collective decision to part ways with Zak after this round of shows at the Royal Albert Hall. They have nothing but admiration for him and wish him the very best for his future.”

His position was reinstated briefly after “communication issues” were resolved, but following the announcement of The Who’s farewell tour dates in North America, guitarist Pete Townshend confirmed that time had “come for a change” in relation to their drummer, and that Scott Devours would be taking on the role.

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On Monday (May 26) the drummer shared an Instagram post stating that Daltrey had said that Starkey had not been “fired,” but “retired” to work on his project with supergroup Mantra Of The Cosmos, which includes Starkey and members of Happy Mondays. The group’s upcoming debut LP features a song written by Oasis’ Noel Gallagher; Starkey was Oasis’ drummer from 2004-2008.

Two days later, on Wednesday (May 28), Starkey shared a new update with a screengrab of a news story that again indicated that he “retired” from the group. He called the report “f-kin total bollox,” insisted that “I was fired” and that Daltrey’s “new word for it is ‘retired’ to complete my other musical projects.”

He continued, “I called Roger last week and told him in person I had spent nearly 2 months at my studio in Jamaica completing my studio projects. That I had a mantra of the cosmos single out next week and then I was completely available for the foreseeable future… he was a little surprised but understood. It’s true – I have no plan’s whatsoever for the fall as I thought I was touring with The Who and my mantra band mates are v busy in oasis and happy Mondays until the new year . So this is simply a load of bollox … Am I fired , retired, deffo not tired as I’m 20 years younger than these guys as they keep saying.

Starkey added, “Dropping two beats on our second show is not a firing offence – I’ve watched the show on tv I can’t see where I dropped them – I looked everywhere- it’s the who ffs if it was perfect it would be so f–king boring …”

A spokesperson for The Who offered no comment on the latest update when approached by Billboard U.K.

The Who will kick off the U.S. leg of their farewell tour on August 16 at the Amerant Bank Arena in Sunrise, FL.

Lorde returned to the spotlight in New Zealand this week, appearing at the 2025 Aotearoa Music Awards in Auckland on Thursday night (May 29), just hours after hosting an intimate, invite-only performance inside a YMCA bathroom.

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The rare public appearance comes as Lorde ramps up promo for her upcoming album Virgin, due out June 27. Her attendance at the AMAs — New Zealand’s biggest night in music — marks her first red carpet appearance in the country in several years.

The day prior, Lorde teased a cryptic Instagram post showing a cracked iPhone tucked into the waistband of a pair of jeans, tagged “Auckland.” The post included a link to a WhatsApp group, where she invited fans to meet her in the city that night.

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“Auckland I wanna play you something .. Meet me in the city tonight? Message me if you’re keen,” she wrote.

More than 300 fans gathered outside the YMCA venue, with small groups of 30 admitted every 15 minutes to witness the pop-up performance.

The performance came one day before the release of Lorde’s new single “Man of the Year,” which follows previous track “What Was That.” Both songs will appear on Virgin, her first album since 2021’s Solar Power.

Lorde’s innovative approach to album promotion has included surprise concerts, fan text blasts, and spontaneous performances in public spaces. In April, she debuted “What Was That” in New York City’s Washington Square Park, drawing such a large crowd that the police shut it down. She performed again in the same location just a few hours later.

Several early winners were announced at the 2025 Aotearoa Music Awards ahead of the main ceremony, including MOKOTRON (Best Electronic Artist), Cassie Henderson (Best Pop Artist), and Holly Arrowsmith (Best Folk Artist).

Lorde’s debut album Pure Heroine peaked at No. 3 on the Billboard 200, with lead single “Royals” spending nine weeks at No. 1 on the Billboard Hot 100. Her 2017 LP Melodrama debuted at No. 1 on the Billboard 200 and earned a Grammy nomination for album of the year. Solar Power, released in 2021, debuted at No. 5 on the Billboard 200.

Virgin arrives June 27 via Universal Music New Zealand.

Bone Thugs-N-Harmony made an unexpected return to late-night television this week, appearing on Netflix’s Everybody’s Live With John Mulaney for a surprise performance of their 1996 hit “Tha Crossroads.” Explore Explore See latest videos, charts and news See latest videos, charts and news The group’s appearance came months after Mulaney revealed on-air that he had […]

John Fogerty has announced a new album titled Legacy: The Creedence Clearwater Revival Years, due out Aug. 22 via Concord.
To celebrate, Fogerty has released three newly recorded versions of CCR classics: “Up Around the Bend,” “Have You Ever Seen the Rain,” and “Porterville,” the latter originally released in 1967 under the band’s earlier name, The Golliwogs.

The new recordings are labeled “John’s Version,” a nod to Taylor Swift’s “Taylor’s Version” project, though Fogerty now owns his masters. He won control over his publishing rights in early 2023, ending a legal battle that spanned five decades.

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“For most of my life I did not own the songs I had written,” Fogerty said in a statement. “Getting them back changes everything. Legacy is my way of celebrating that — of playing these songs on my terms, with the people I love.”

The sessions feature Fogerty’s sons Shane and Tyler on guitars, with Matt Chamberlain on drums, Bob Malone on keys, Bob Glaub on bass, and Rob Stone on saxophone. Shane Fogerty also co-produced the album with his father, while Julie Fogerty, John’s wife, served as executive producer.

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“I knew firsthand how much it meant for John to get his publishing back,” said Julie. “It has been so joyful and beautiful since this happened for him. This is a celebration of his life’s work. It is the biggest party for the good guy/artist winning.”

Legacy features 20 tracks, including CCR staples like “Proud Mary,” “Bad Moon Rising,” “Fortunate Son,” and “Down on the Corner.” The project arrives as Fogerty celebrates his 80th birthday with a pair of shows at New York’s Beacon Theatre, ahead of a European summer tour and a performance at Glastonbury Festival.

Fogerty co-founded Creedence Clearwater Revival in the late 1960s and went on to write and perform some of the most enduring hits of the era. The band scored nine Top 10 hits on the Billboard Hot 100 between 1969 and 1971, including “Proud Mary,” “Bad Moon Rising,” “Green River,” and “Lookin’ Out My Back Door.”

Legacy: The Creedence Clearwater Revival Years is available for pre-order now.

CISAC, the international trade organization for copyright collecting societies, has a new Chair, with APRA AMCOS CEO Dean Ormston elected into the role.
Announced on Thursday (May 29), Ormston is only the second Australian to hold the title in CISAC’s 99-year history, with his APRA AMCOS predecessor Brett Cottle having previously served in the role from 2006 until 2010.

Ormston brings more than two decades of experience in the fields of music rights management, policy and advocacy to his new appointment. Since 2018, he’s served as the CEO of Australia and New Zealand’s music rights management organization APRA AMCOS, which represents more than 124,000 songwriters, composers and publishers.

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“Being elected Chair of the CISAC Board at such a pivotal moment for creators worldwide is an honour,” Ormston said in a statement. “As the creative economy enters a new era shaped by AI and global digitalisation, the opportunity to secure a fair and thriving future for creators has never been greater.

“Creators are central to the cultural, social and economic fabric of every nation. Each country has a responsibility to nurture its own cultural voices by ensuring a strong copyright framework and enabling creators to share in the value generated by innovations such as Generative AI.”

Ormston’s noted focus on ensuring a fairer future for creatives in the current AI-focused climate comes just over a year after he was named as one of the 20 leaders from the creative industries and academia invited to join the Steering Committee of the Attorney-General’s Copyright and Artificial Intelligence Reference Group (CAIRG).

APRA AMCOS have themselves been noted voices in the Generative AI debate, releasing their AI and Music report in August 2024 which focused on the benefits and concerns facing creators in Australia and New Zealand. Meanwhile, CISAC performed their own global study in December which re-iterated international calls for credit, consent and fair remuneration for songwriters and composers.

As newly-elected Chair of CISAC, Ormston takes over from Marcelo Castello Branco, the CEO of Brazil’s UBC, who has occupied the role for six years. Ormston is joined by Jennifer Brown, CEO of Canada’s SOCAN, who has been re-elected for a second term as Vice-Chair, and VG Bild-Kunst director general Urban Pappi, who has been elected as Vice-Chair for the first time. 

Founded in France in 1926, CISAC has been presided over by Swedish singer, songwriter, and ABBA co-founder Björn Ulvaeus since 2020, taking over from French composer Jean Michel Jarre after he had spent a seven-year stint in the top job.

“CISAC’s global network is uniquely positioned to amplify the voice of these creators to decision-makers across the world,” Ormston added. “I look forward to working with the new Board and the entire CISAC community to champion creators’ rights, further develop our services, and empower societies and their members to lead in this rapidly changing global market.”