Music

Adele Pays Tribute to Matthew Perry at Las Vegas Residency: ‘He Was So Open With His Struggles’

Adele is honoring late Friends star Matthew Perry.

The British songstress paused her Las Vegas residency show to remember Perry, who was found dead in a hot tub at his Los Angeles home on Saturday (Oct. 28). He was 54.

“I’ll remember that character for the rest of my life,” Adele told the audience at Colosseum at Caesars Palace of Perry’s Friends character Chandler Bing. “He’s probably the best comedic character of all time.”

Adele, who was dressed up as Morticia Adams for Halloween, dedicated her song “When We Were Young” to Perry.

“It is always so shocking, especially someone that made you laugh and who brought so much joy to your life that you don’t know,” the singer-songwriter said. “This is what I find so strange, I never met him in my life. There is something, you feel so sad about it especially because you don’t necessarily know what was going on.”

She continued, “One of my favorite memories of when I was younger, with my friends, and one of my friends Andrew when I was 12 did the best Chandler impression, and he would do it all the time to make us laugh. And if anyone was having a bad day or feeling low, he would pretend to be Chandler. And I will remember that character for the rest of my life.”

Adele, who recently announced that she has quit drinking alcohol, also touched on Perry’s his problems with substance abuse.

“He was so open with his struggles with addiction and sobriety, which I think is incredibly, incredibly brave,” she said. “I just wanna say how much I love what he did for us, especially what he did for me… and hopefully now he can rest in peace.”

Perry was found dead of an apparent drowning at his home in L.A., according to the Los Angeles Times and TMZ, which was the first to report the news. Both outlets cited unnamed sources confirming Perry’s death, the Associated Press reports.

Watch Adele’s tribute to Perry here.

Foo Fighters Perform With H.E.R., Get Introduced by Christopher Walken on ‘SNL’: Watch

Foo Fighters joined Saturday Night Live for the ninth time, performing a pair of songs from their latest album.

During the Oct. 28 episode, hosted by comedian Nate Bargatze, the Dave Grohl-fronted band opened with the hard rocking “Rescued,” followed by the emotional track “The Glass,” with help from H.E.R. on vocals and guitar. Both tracks are from Foo Fighters’ 11th album, But Here We Are.

The new album crowned Top Alternative Albums and Top Hard Rock Albums upon its release in June, while the LP’s lead single “Rescued” commands Hot Hard Rock Songs.

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Prior to the Foos’ first performance, the group was introduced by legendary actor Christopher Walken. Grohl also lent his comedy skills during the show, appearing in sketches about a pregnant woman on a plane in search of a doctor and a pre-recorded musical sketch about a country trio singing about the lake. In a brief promo clip, the guys also embraced the Halloween spirit by dressing up as the characters from the classic film The Wizard of Oz, with Grohl taking on the role of Dorothy.

Foo Fighters last appeared on SNL in November 2020 during a post-election episode hosted by comedian Dave Chappelle. The band is currently gearing up for their Everything or Nothing at All tour, which is scheduled to visit 10 U.S. stadiums in summer 2024. Openers on select dates include the Pretenders, the Hives, Mammoth WVH, Alex G, Amyl and the Sniffers, and L7.

Watch Foo Fighters’ SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


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https://youtube.com/watch?v=oON5LswFU9A&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Shakira Surprises Carlos Vives at Miami Concert: Watch

More than halfway through Carlos Vives’ sold-out show at the Kaseya Center in Miami on Saturday (Oct. 28), the very loud audience — which had been on its feet for nearly an hour — suddenly got even louder during the Colombian singer’s rendition of “La Bicicleta,” his 2017 hit with fellow Colombian star Shakira.

Vives, clearly thinking it was in response to his urging crowd participation during a musical interlude, moved forward, waving his arms. With his back turned to the giant screen on the back of the stage, he missed the real cause of the commotion, as Shakira stepped on stage from the back entrance and started singing a part of the chorus. Still unaware, Vives turned toward his band, and did a visible double-take when he saw Shakira inches from him.

His first reaction was to run away from Shakira. Then he ran toward her. She pulled his arm. They hugged. They danced as a couple Colombian style. “He didn’t expect it!” a delighted Shakira told the crowd. “You didn’t expect it!” she told Vives.

He didn’t. The truly surprise appearance had been hatched just the night before between Shakira and tour promoter Loud and Live, and kept a total secret save for a handful of people in production. Shakira, now living in Miami, was approached to see if she might be interested in singing with Vives during his important Miami stop. Yes, but keeping it a secret. And so it was.

With no rehearsal or soundcheck, Shakira arrived to the Kaseya when Vives was already well into his set, posting live video on her Instagram feed where she delightedly told fans what she was going to do. Dressed in sparkly loose jeans and a crop top, she sang with Vives, then stayed on stage for an extra song as he serenaded her.

“Surprising my brother Carlos Vives onstage tonight,” Shakira wrote on her Instagram, to which Vives replied a few hours later: “Shak. I can retire. Now, chao. I leave happy. Nothing tops this. You made me the happiest man. I love you. WHAT A SURPRISE.

It was an exquisite moment for an exquisite night. Vives’ show in Miami, home to a huge Colombian diaspora and where he sometimes has spent months at a time, was as expected, a sell-out. The show, part of his El Tour de los 30, which celebrates the 30 years since the release of his turning-point album Clásicos de la Provincia, has included a free, massive show in Madrid’s Puerta de Alacalá and will culminate with a show in Colombia’s Estadio El Campín in December.

Watch the Shakira-Vives moment on Instagram below.

Imogen Heap Shares Photos From ‘Clean’ Recording Session to Celebrate ‘1989 (Taylor’s Version)’ Release

Imogen Heap, who co-wrote and co-produced the 1989 track “Clean” with Taylor Swift, penned a note about her experience recording the 13th song on the 2014 album and re-recording it for the just-released version, 1989 (Taylor’s Version).

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“Today marks the release of ‘Taylor’s version’ of 1989 …the album originally released in 2014. The latest in line towards @taylorswift’s endeavour to re-record every album she’s ever done as part of an old record deal,” Heap wrote Friday (Oct. 27) on Instagram, where she shared photos from the studio.

“This is Taylor playing a bada– card to stay in control of her work in a commercial music industry that largely works against musicians,” she said.

Heap captioned a picture in her post: “Here’s me in my studio re-recording my bits on Clean last year, almost a decade on from the day Taylor swooped in to visit me at my home the @theround.house for 10 hours between 2 sold out shows at the 02 arena!”

She also captioned a snapshot of the two when they first worked together, writing, “downstairs in the @thehideaway.studio…Two ladies, in a room. We wrote and produced 90% of the track and still managed to eat lunch and dinner!”

“Now you can have fun playing spot the difference,” joked Heap, who thanked Swift on Instagram “for inviting me into your world!”

In a 2014 interview with the writer of this article, Swift recalled that “meeting Imogen Heap was an amazing experience for me because she was all I listened to in high school. Getting to not only meet her, but work with her and watch to see what she does in the studio, was really inspiring.”

So what did Swift first say upon first meeting one of her musical idols? “Hi, I’m so happy to meet you?” she answered with a laugh. “I try to keep it in check. I try to act as, like, normal as humanly possible.”

“The song ‘Clean’ is one that I wrote about sort of coming out of a relationship or trying to move on from some struggle that you had in your life, and feeling kind of tarnished by it,” Swift said during our chat, which took place before the release of 2014’s 1989. “And it kind of talks about how if you really allow yourself to feel pain, I think maybe it’s easier to get past it. For most people that I’ve known who’ve fought through struggle, a lot of them who have really just faced the pain head on have come out OK a lot faster than the ones who just pretended to be in denial of it.”

“Almost every line in that song is one that I’m proud of,” she told me.

Meanwhile, when the original 1989 was released that year, Heap admitted on her blog that prior to actually working together, she’d wrongly assumed Swift didn’t really write her own music.

“I have to be honest here and say that I ever so slightly had not done my homework on Taylor Swift but had done what I HATE others do of me, which is to pre-judge a person based on assumptions,” Heap wrote. “I had assumed Taylor didn’t write too much of her own music (as is the case with many young, extremely successful artists these days who sell a shed load of records), and was likely puppeteered by an aging gang of music executives.”

At the time Heap wanted to make it known that she’d been “reading the odd report or tweet here and there that the reason the lyrics to ‘Clean’ are so good is because I wrote the song with her but FOR SURE they are all hers she deserves all the credit!”

See Imogen Heap’s full note about re-recording “Clean” for 1989 (Taylor’s Version) below and on Instagram. Swift’s 1989 (Taylor’s Version) sold over 250,000 copies in the U.S. on its first day of release, according to initial reports to data tracking firm Luminate. After just one day, the album has the third-largest sales week of 2023.

Taylor Swift’s ‘1989 (Taylor’s Version)’ Off to Big Start After First Day of Release

Taylor Swift’s fourth re-recorded album, 1989 (Taylor’s Version), sold over 250,000 copies in the U.S. on its first day of release, Oct. 27, according to initial reports to data tracking firm Luminate. After just one day, the album has the third-largest sales week of 2023; the only bigger weeks were registered by Swift’s own Speak Now (Taylor’s Version), with 507,000 in its opening week, and Travis Scott’s Utopia, with 252,000 in its first week.

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The sales of 1989 (Taylor’s Version) will increase in the coming days, with the current tracking week ending on Thursday, Nov. 2. The album’s final first-week sales number is expected to be announced on Sunday, Nov. 5, along with its assumed large debut on the multi-metric Billboard 200 albums chart (dated Nov. 11). If 1989 (Taylor’s Version) debuts atop the Billboard 200, it will mark Swift’s 13th No. 1 album, extending her record for the most among women.

All 12 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless, her second studio album, through 2023’s Speak Now (Taylor’s Version) have debuted at No. 1.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

In addition, the songs on 1989 (Taylor’s Version) collectively generated over 110 million on-demand official audio streams on the set’s release day in the U.S., according to initial reports to Luminate.

Further news of initial sales, streaming and track-equivalent activity for the album, as provided by Luminate, will be reported in the coming days.

The original 1989 album debuted atop the Billboard 200 chart dated Nov. 15, 2014, and spent 11 nonconsecutive weeks at No. 1. It is tied with Swift’s first No. 1, Fearless, for her most weeks at No. 1 with a single album. The 1989 album boasts three songs that hit No. 1 on the Billboard Hot 100 — the most No. 1s generated from any Swift album. She sent the tracks “Shake It Off,” “Blank Space” and “Bad Blood,” featuring Kendrick Lamar, to No. 1 in 2014-15.

1989 (Taylor’s Version) includes re-recordings of the original 1989 album’s standard 13 songs plus the three tracks on its deluxe edition. The new 1989 (Taylor’s Version) boasts five additional previously unreleased “From the Vault” songs, bringing the total number of songs on the standard version of 1989 (Taylor’s Version) to 21.

1989 (Taylor’s Version) is available to purchase in 15 collectible physical formats: five color vinyl variants, eight CD editions and two cassette editions. Of the five vinyl variants, Target carries a color variant that includes one bonus track (“Sweeter Than Fiction”). The album is also available to buy in two digital download editions: a standard 21-song version and a deluxe 22-song version (which adds a re-recorded version of the album’s “Bad Blood,” featuring Lamar).

Adele Wears Morticia Addams Halloween Costume at Las Vegas Show

“Hello from the other side,” Adele, wearing a Morticia Addams Halloween costume to kick off a spooky weekend at her Las Vegas residency, sang Friday night (Oct. 27).

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The pop star’s hair was as long, straight and dark as The Addams Family matriarch’s, and her makeup was dead-on at her performance at The Colosseum at Caesars Palace.

Short videos from the latest Weekends With Adele concert, filmed by fans, made their way to social media on Saturday. Clips of Adele as Morticia Addams singing “Hello,” “Rolling in the Deep” and “Love in the Dark” were among those that concertgoers captured.

In another fan-filmed video from Friday night’s concert, Adele recalls meeting a super fan who was thrilled to show her a tattoo inked in the singer’s artistic honor. The story has a bit of a dark twist.

The fan was “very excited to show me their tattoo,” Adele noted, adding that “this guy was in tears, he was so excited.”

“I’ve got to show you my tattoo that I got of your lyrics,” Adele remembered him saying.

“I was like, oh nice — no offense, I would never — I was like oh nice, let me see,” the superstar said.

Hopefully that fan has a sense of humor because it it turns out, he made an unfortunate error.

“It was the lyrics to ‘Make You Feel My Love.’ I didn’t write that f—ing song,” Adele said to laughter from the crowd. “It said, ‘To Make You Feel My Love – Adele.’ I was like, Bob Dylan wrote that song.”

Adele recorded her version of the Dylan standard for her debut studio album, 19, released back in 2008.

See clips from the show below. Check out more celebs’ Halloween costumes from 2023 here If you missed it, Adele recently announced a number of new dates for her Vegas residency. “This residency, these shows have changed my life,” she said.

Taylor Swift Breaks Spotify Record for Most-Streamed Album in a Single Day With ‘1989 (Taylor’s Version)’

Taylor Swift has done it again. The pop star’s re-recorded 1989 album has made Spotify history in its first 24 hours of release.

Spotify announced on Saturday (Oct. 28) that 1989 (Taylor’s Version), Swift’s 21-track album that arrived on Friday, is officially the most-streamed album in a single day in the streaming service’s history.

But that’s not all. Spotify also shared that Swift has become the most-streamed artist in a single day with the release of 1989 (Taylor’s Version). With this feat, the “Cruel Summer” singer replaces herself as the most-streamed artist record holder after capturing the title with her 10th studio album, Midnights, in October 2022.

The fresh release of 1989 features newly recorded editions of all 13 original songs, plus three bonus tracks (“Wonderland,” “New Romantics” and “You Are In Love”) and five cuts from the “Vault” (“Is It Over Now?,” “Now That We Don’t Talk,” “Say Don’t Go,” “Suburban Legends” and “Slut!”).

Swift has just two more “Taylor’s Version” re-records on the docket now that 1989 has dropped. Having released Fearless (Taylor’s Version) and Red (Taylor’s Version) in 2021, along with Speak Now (Taylor’s Version) earlier this year, all that’s left are her 2006 self-titled debut and 2017’s Reputation, the last album she made while with Big Machine Records.

Swift is this year’s leading Billboard Music Awards finalist. You can watch the BBMAs on Nov. 19 on Billboard and the BBMA’s social media channels, as well as here.

See Spotify’s post about Swift’s new streaming record X (formerly Twitter) below.

Travis Kelce Dances to Taylor Swift’s ‘Shake It Off’ at World Series Game 1

Travis Kelce was showing off his dance moves at Game 1 of the 2023 World Series.

The Kansas City Chiefs tight end was spotted doing a playful dance to Taylor Swift‘s 2014 hit “Shake It Off” while watching the Texas Rangers take on the Arizona Diamondbacks at Globe Life Field in Arlington, Texas, on Friday (Oct. 27).

In a TikTok video shared by an attendee at the baseball game, Kelce appeared on the stadium’s big screen as he held up his arm, shook his hand and cheerfully bounced while the popular track played in the background. “Shake It Off” spent four weeks atop the Billboard Hot 100 chart in 2014.

Swift wasn’t in attendance at the World Series game, but pop star and athlete have been photographed together numerous times in recent weeks.

After the game on Friday, Kelce was spotted dancing to another Swift song at a bar. In a separate TikTok clip, the tight end busted a move to Swift’s 2008 song “Love Story” at what appeared to be a post-game celebration with friends.

Rumors of a romance between Swift and Kelce have been swirling since the “Anti-Hero” singer was seen sitting next to Kelce’s mother during the Chiefs-Bears game on Sept. 24. Since then, Swift has attended two more Chief games with celebrity friends like Blake Lively and Ryan Reynolds.

Kelce’s ongoing courting of the Swift began in July, when he tried (and failed) to hand her a friendship bracelet with his phone number on it during her Eras tour stop in Kansas City.

Last weekend, Swift and Kelce seemingly confirmed their long-rumored romance by holding hands on their way to the Oct. 14 SNL afterparty, just after they each made surprise cameos on the show’s season 49 premiere. The next day, they had dinner at a restaurant in the West Village, hand-in-hand again. To date, neither Swift nor Kelce have confirmed their reported romance.

Watch Kelce dance to Swift’s “Shake It Off” on TikTok below.

Machine Gun Kelly & Megan Fox Wear Bloody ‘Kill Bill’-Inspired Costumes at Halloween Party in L.A.

Machine Gun Kelly and Megan Fox drew inspiration from a classic Quentin Tarantino film for their Halloween costumes this year.

The couple arrived to the annual Casamigos Halloween Party in Los Angels on Friday (Oct. 27) sporting a pair of bloody outfits from 2003’s Kill Bill: Volume 1.

MGK donned a blood-drenched yellow jumpsuit similar to the one worn by Uma Thurman’s Bride character and Fox rocked a costume based on the schoolgirl assassin Gogo Yubari, portrayed by actress Chiaki Kuriyama. Kelly also wielded a samurai sword while Fox wore a black wig with blood pouring from her eyes.

The star-studded Halloween bash also included guests Justin Bieber, Paris Hilton, Cindy Crawford, Austin Butler, Jessica Alba, Gavin Rossdale, and others.

Last year, the pop-punk star and actress — who got engaged in January 2022 — attended the same Halloween party wearing costumes based on legendary rock ‘n’ roll couple Tommy Lee and Pamela Anderson. The pair specifically created the Mötley Crüe dummer and actress’ look from the 1995 grand opening of the Hard Rock Hotel & Casino in Las Vegas.

 ‘It’s Like Going to Coachella and Not Coming Back’: Nova Massacre Survivors Share Their Experience at NYU

On Friday (Oct. 27), less than three weeks after Hamas terrorists killed more than 260 attendees at an electronic music festival in Re’im, Israel, two survivors spoke about their experiences to a crowd of mostly students at New York University.

The festival massacre was part of a wider Hamas attack on Israel on Oct. 7 that claimed approximately 1,400 lives, most of them civilians, and set off a war between Hamas and Israel that continues to escalate as Israel bombs Gaza and conducts limited sorties into the area. Officials in Hamas-controlled Gaza have listed the Palestinian death toll at more than 6,000, although President Biden has said he has “no confidence” in that number. As the festival survivors spoke Friday, hundreds of protesters gathered further uptown in New York’s Grand Central Terminal calling for a ceasefire. Around 200 people remain hostages of Hamas.

Maya Parizer, a 27-year-old Israeli American, and Jonathan Diller, a 28-year-old Israeli-Italian American, shared their stories to a room of less than 100 people on a Friday afternoon, with both staying around afterward to speak one-on-one to students. Pictures and descriptions of festival attendees who were kidnapped and remain hostages were laid out on chairs.

Parizer began to tear up almost immediately, sharing that she had attended the Nova Festival prior to 2023 and encouraged many of her friends to attend this year.

The attack began around 6:30 in the morning on Oct. 7, which Parizer said is a normal hour for Nova attendees to be up and dancing. “Sunrise is when the best dancing happens,” she said. “Instead of amazing DJs, I saw what looked like a thousand rockets within seconds… I didn’t imagine what happened next would be exponentially worse.”

“[I’m the] type of the person who tells everyone to wake up and start dancing,” Diller recalls of the morning of Oct. 7. “So we go to the stage and start dancing. At 6:30, we start seeing the rockets. And, uh, it’s kind of interesting. You see all these dozens of rockets in the air coming toward you, from the side, and the music keeps going. You can’t hear the alarm – it’s loud music…. Everyone didn’t panic because there was still music going on. People were drunk, didn’t know what’s going on.”

Not long after, the music was shut off and a police officer told attendees the situation was code red, referring to the Red Color early-warning system that warns Israeli towns around the Gaza Strip that missiles are incoming. “The missiles kept coming and coming,” Diller said between many heavy sighs. “I’m talking about a hundred missiles in the air and people just panicking.”

Despite the rocket attack, Parizer notes that no one seemed to understand the full gravity of the situation; many of the 3,000 attendees were preparing to leave but taking time to pack up their belongings, not aware that Hamas terrorists were headed their way.

Both Parizer and Diller, who attended the festival separately and left in separate vehicles around 7 a.m., said it was a decision to drive away via the road less traveled – a move based on luck as much as logic – that ultimately saved their lives. It was only as they attempted to drive away from the Re’im event amidst heavy traffic that the extent of the attack became apparent. Diller said he stopped to help a woman out of her bullet-riddled car: “We open the door and she slides out, just bleeding. We didn’t understand where this poor girl, 23…. got shot from,” he said. At that point he realized “something’s not right.”

At that point, Diller and his friends began to flee on foot, moving away from the sound of “heavy gunshots.” They walked for more than four hours before finding shelter in a distant town. “People were so tired, people were still drunk,” Diller says. “[It was] just keep your head down, don’t panic, keep going forward.”

Parizer became aware how serious the situation was after driving past a bloody body on the side of the road, calling the police and receiving no answer. After she and her fiancé drove past terrorists who shot at them (“by some miracle [we survived]” she said), an Israeli soldier stopped their car and instructed them to stop driving. “We were a minute or so from turning left and not being here to tell our story,” she said.

While squatting in a nearby shelter, Parizer said she decided to “call my parents and say my goodbyes.” Her mother didn’t pick up, and her father “didn’t comprehend the situation. He tried to reassure me and said IDF [Israel Defense Forces] would handle it and I should stay in the shelter.” But with no door on the shelter, Parizer and her fiancé decided to flee, a decision she believes saved their lives. They found a family who let them hide in a nearby kibbutz, and for the next 24 hours, they laid low, listening to the sound of automatic gunshots while clutching kitchen knives.

Parizer also shared the story of her friend, a woman who “didn’t have the luxury” of getting out physically unscathed. Terrorists found her friend and several others inside a shelter and began throwing grenades inside. “These are not people that are experienced,” Parizer said of those hiding in the shelter. “It’s drunk people with survival instincts who were brave. They decided to throw the grenades back…. In the beginning, they were successful, but they started losing their body parts. Hands, feet.”

Despite suffering extensive bruising and hearing loss in one ear, her friend survived, though she initially didn’t realize why. When footage of the attack was later reviewed and translated, her friend learned the reason she was set aside. “They said, ‘she is the one for rape, so let’s put her back inside for rape.’ My best friend,” Parizer said through tears. “By some miracle she survived because they had to leave. I don’t know why. Something happened and they left.”

Parizer said she’s still “traumatized” and “petrified”; when a building alarm went off in the distance during their NYU visit, she was visibly uncomfortable until it stopped.

“It’s just people that went to rave,” she said. “It’s like going to Coachella and not coming back. Most of us did not even comprehend what was going on when it started.”

“I would say it’s like Burning Man with Coachella – just people loving life,” Diller said. He recalled convincing his resistant friend to go with him to the festival in the first place. “I said, ‘Come on, it’s the Nova Peace Festival. It’s once a year, it’s 3000 nice people, beautiful people.’”

Diller summed up what the festival turned into: “[They were] coming with machine guns and spraying whoever they could see just because they’re Jewish. [The dead] didn’t do anything to anyone. Two of my friends were murdered and three of them got kidnapped.”

“I condemn all deaths. I don’t want to see any people hurt. I advocate peace – I always have,” Parizer said. “I know it’s not the entire nation [of Palestine]. I don’t want to talk politics – I just want the kidnapped back home. And I want the terrorists to stop. Thank you for listening.”