Music

Foo Fighters Team With H.E.R. on Double A-Side Single ‘The Glass’

Foo Fighters had so much fun jamming with H.E.R. on Saturday Night Live last month that they’re releasing a quick-turnaround joint single. The band announced on Tuesday (Nov. 14) that they’re each releasing their versions of the song they performed on the show, “The Glass,” on Friday (Nov. 17).

The double A-side single of the song from the Foos’ most recent album, But Here We Are, will featuring the original studio version and H.E.R.’s newly recorded solo reinterpretation of the track. According to a release, the H.E.R. take is “nothing short of a revelation — a stunning and singular vocal/guitar performance that wrings new sonic and emotional dimensions from the original.”

“The Glass” appears on the band 11th studio album, which was just nominated for three Grammy awards (best rock album and best rock song and best rock performance for “Rescued”). The single “Glass” single will be available to stream and download on Friday, with pre-orders available now for the limited-edition vinyl 7-inch single out on Dec. 29.

The Foos performed on SNL for the ninth time on the Oct. 28 episode hosted by comedian Nate Bargatze, where they performed “Rescued,” followed by “The Glass” with special surprise guest H.E.R. The first performance was introduced by another surprise performer, legendary actor Christopher Walken. Foos singer Dave Grohl also pitched in on a couple of sketches during the show, flexing his comedy muscles in a bit about pregnant woman on a plane in search of a doctor and a pre-recorded parody song about a country trio singing about the pleasures of partying on a lake beach.

Clint Black Sets Killin’ Time – The 35th Anniversary World Tour: ‘I Think I’m Singing These Songs Better Now’

In February 1989, the New Jersey-born, Texas-raised guitar picker, singer and harmonica ace Clint Black released his debut single, “A Better Man.” By mid-June, the song had become his first No. 1 on Billboard’s Hot Country Songs chart, ushering in the release of his debut album Killin’ Time.

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Black’s debut single established him as part of what would be called country music’s heralded “Class of ’89,” a group of artists who each had their first major hits that year–the cowboy-hatted triumvirate of Black, Garth Brooks and Alan Jackson, but also Travis Tritt and Mary Chapin Carpenter. This group led the way in an era that would usher country music into an unprecedented era of sales and influence.

In addition to “A Better Man,” Killin’ Time spurred Hot Country Songs chart leaders “Nobody’s Home” and “Walkin’ Away” and the title track, as well as a top 5 hit “Nothing’s News.” The album ultimately attained triple platinum status, while Black earned Billboard’s country song of the year in both 1989 (with “A Better Man”) and 1990 (“Nobody’s Home”). “A Better Man” garnered a Grammy nomination for best country song and Killin’ Time, for best country vocal performance, male.

In 2024, Black’s Killin’ Time – The 35th Anniversary World Tour will honor the album’s more than three decades of influence in shaping country music’s sonic landscape. Initiating with two already sold-out shows at Nashville’s vaunted Ryman Auditorium on Feb. 16 and 17 (and having just added a third and final night at the Ryman on Feb. 18) Black’s tour will feature the Grammy winner playing his debut album live from start to finish, heightened by some of his more than a dozen Hot Country Songs No. 1s, such as “When My Ship Comes In,” “A Good Run of Bad Luck,” and “Nothin’ But the Taillights.”

“We’ve played some songs that we haven’t played in 35 years during some shows recently,” Billboard tells Billboard. “We’ll play some songs at soundcheck and put in stuff like ‘Winding Down’ and ‘Straight From the Factory.’ Two of the guys in my band played on that album, so it’s fun to go back and remember it. Sometimes we had to think, ‘Who played that part?’ and things drift over time, they migrate. We’ve pulled some back to their origins. I think I’m singing these songs better now than I did, but pretty much it’s going to be like the record.”

Earlier this year, Black was honored with the Academy of Country Music Awards’ ACM Poet’s Award, an accolade that recognizes a songwriter or artist-writer’s significant writing contributions to country music. Even on his debut album, Black was already constructing his case as an artist whose vocal and instrumental capabilities were paralleled by his songwriting caliber. Black has written or co-written nearly all of his hit songs, with several of them, including his Grammy-nominated collaboration with Wynonna, “A Bad Goodbye,” and his duet with his wife Lisa Hartman Black, “When I Said I Do,” being solo writes.

“I set out to do that,” Black says. “I grew up reading liner notes and I wanted to know who was writing something I loved. I wasn’t trying to make any kind of statement, but I thought I could do it. And I saw an interview with Reba where she said she listened to about a thousand songs every time she wanted to make an album of 10 songs. That was terrifying to me. I thought, ‘Man, that’s a hard job. I’d rather do this other hard job and not have to go looking for songs.’ And I knew if I was successful in writing my own songs, I was going to need a lot of songs, if I was putting out an album every 18 months or so. I started writing a lot of songs, so that every time I had to make an album, I had at least 30 songs written that I wanted to record.”

One such solo write on the record, “Nothing’s News,” was born of that desire to prove his talent as a song crafter to his father. Black recalls his father “believed in me as a singer, but as a songwriter? Not so much. He told me I hadn’t done enough living to write real country songs, really, so I ran home and wrote ‘Nothing’s News’ to prove him wrong.”

Beginning with the songs that proliferate Killin’ Time, Black also forged what would become a decades-long association with fellow musician-writer Hayden Nicholas, whose contributions to Black’s music have been essential, from guitar work to co-writing hits including “No Time to Kill,” “Like the Rain,” “When My Ship Comes In” and “Summer’s Comin’.” Killin’ Time’s title track was born of a discussion with Nicholas.

“We were on our way to a gig and talking about how long it was taking the first single to come out,” he recalls. “He said, ‘The big wheel’s turning slowly,’ and I said, ‘Well I hope it starts turning soon, because this killing time is killing me.’ And we looked at each other and knew we had a song.”

Black recalls recording Killin’ Time in Houston, though he and Nicholas later traveled to Nashville to record overdubs—a trip that led to one of Black’s fondest “Nashville stories” from that early era.

“I was in Nashville for an extended time for the first time ever, and one of my producers, James Stroud, had loaned me his car. It was a Porsche,” Black recalls. “One day, he told me, ‘If you get me a gold record for this album, I’ll give you that car.’ He ended up having to sell the Porsche and then he bought himself a newer Porsche after that. The album was double platinum by then, and word got out that he had promised me a Porsche. So he did, in front of ASCAP, we have a photo of him handing me the keys and standing in front of that car. We would go on to give that car back and forth over the years — he has it now,” Black recalls.

Like many artists who launched in the late 1980s and through the 1990s, Black has felt the impact of the resurgent popularity of ‘90s country sounds. He points to the genre-spanning web of influences among the era’s artists, producers and label execs as a key factor.

“I think that the fidelity of music in Nashville all really rose to state of the art,” Black says. “You had all these budding engineers and rising producers and artists who loved all the country stuff, but were also influenced by the great classic rock, blues and jazz. For me, it was Bob Seger, and all that great James Taylor and Jimmy Buffett music. You had all these people coming up in country music that had this huge wealth of great standards to rise to. As the lyricists and melodies came into their own, and the A&R and the record companies, all of it combined. It was a perfect storm on every front in country music that made it as good or better than anything else out there.”

In tandem with the tour, Black will release a vinyl reissue of Killin’ Time in partnership with Sony Music and Vinyl Me Please. The special reissue will be on 180g Brown Galaxy vinyl with new lacquers cut by AIR Mastering’s Barry Grint and will ship in May 2024.

See below for the initial slate of tour dates for the tour.

Feb. 16, 2024 – Nashville, TN – Ryman Auditorium

Feb. 17, 2024 – Nashville, TN – Ryman Auditorium

Feb. 18, 2024 – Nashville, TN – Ryman Auditorium

Feb. 23, 2024 – Durant, OK – Choctaw Casino

Feb. 24, 2024 – San Antonio, TX – San Antonio Stock Show & Rodeo

Feb. 29, 2024 – Roanoke, VA – Berglund Performing Arts Center

March 1, 2024 – Roanoke Rapids, NC – Weldon Mills Theater

March 2, 2024 – Cherokee, NC – Harrah’s Cherokee Event Center

March 23, 2024 – Lancaster, PA – American Music Theatre

March 24, 2024 – Nashville, IN – Brown County Performing Arts Center

April 6, 2024 – Carlton, MN – Black Bear Casino Resort

April 21, 2024 – Georgetown, TX – Two Step Inn Fest

April 26, 2024 – Chandler, AZ – Wild Horse Pass Hotel & Casino

April 28, 2024 – Indio, CA – Stagecoach

June 13, 2024 – Abbotsford, BC – Abbotsford Arena

June 14, 2024 – Penticton, BC – South Okanagan Arena

June 15, 2024 – Prince George, BC – CN Arena

June 16, 2024 – Dawson Creek, BC – Ovintiv Arena

June 19, 2024 – Lethbridge, AB – ENMAX Arena

June 21, 2024 – Edmonton, AB – Winspear Centre

June 22, 2024 – Strathmore, AB – Strathmore Stampede

June 25, 2024 – Saskatoon, SK – SaskTel Arena

June 27, 2024 – Moose Jaw, SK – Moose Jaw Arena

July 11, 2024 – New Salem, ND – ND Country Fe

P!nk Fighting Right-Wing Bans By Giving Away Books About Race, Sexuality on Florida Dates

P!nk has teamed up with non-profit PEN America to fight censorship and book bans in Florida. The organization announced on Monday (Nov. 13) that the “Trustfall” singer will be giving away thousands of banned books at upcoming shows in the state where conservative authorities have taken aim at books that include themes of racial and sexual identity.

“The following are some titles of books that have been banned from schools in Florida…. Lmk which book is pornography…. To Kill A Mockingbird, The Hate You Give, Forrest Gump, A Catcher In The Rye, The Hill We Climb, Girls Who Code, Atlas Shrugged, 1984, The Kite Runner, The Bluest Eye, A Wrinkle In Time, The Diary of Anne Frank, The Fault In Our Stars, etc etc.,” P!nk tweeted about a number of literary classics after announcing the effort.

The plan is for P!nk to give away 2,000 banned books at her TRUSTFALL tour shows in Miami on Tuesday (Nov. 14) and Wednesday (Nov. 15) in Sunrise. The mother of two and fierce advocate for the rights of the LGBTQ community and marginalized voices said in a statement that, “Books have held a special joy for me from the time I was a child, and that’s why I am unwilling to stand by and watch while books are banned by schools. It’s especially hateful to see authorities take aim at books about race and racism and against LGBTQ authors and those of color. We have made so many strides toward equality in this country and no one should want to see this progress reversed. This is why I am supporting PEN America in its work and why I agree with them: no more banned books.”

Among the books P!nk will give away are four that have appeared in PEN America’s Index of Banned Books: The Family Book, by Todd Parr, The Hill We Climb, by Biden inaugural poet Amanda Gorman, Beloved, by Toni Morrison and a book from Girls Who Code, founded by Reshma Saujani. The effort was announced in an Instagram Live with PEN America CEO Suzanne Nossel and Gorman; click here for more information on the giveaway and how to fight book bans.

According to PEN, Florida — whose Republican governor, Ron DeSantis, is running for president — has overtaken Texas over the past school year as the leader in banning books in public schools and libraries. The organization said that in the midst of a 33% rise in book bans nationally, Florida ranks first, accounting for more than 40% of all documented bans, predominantly affecting books by Black and LGBTQ+ authors.

The singer was happy to mix it up with haters on Twitter following the announcement, explaining of her Instagram announcement, “I think I talk about reading. Books. Classics. Not porn. Porn isn’t my thing. Supporting freedom of speech is. Allowing hateful, narrow minded bigots to decide what all children can read is not my thing either. FREEDOM! MERICA!” DeSantis signed legislation publicly dubbed the “Don’t Say Gay” bill last year, which puts strict limits on the discussion of LGBTQ+ topics and bans instruction about sexual orientation or gender identity in grades K-3, while banning instruction about sexual orientation or gender identity in grades 4-12 that is deemed “not age-appropriate or developmentally appropriate for students.”

In addition, P!nk responded to a commenter who claimed that the effort might be against the “very strict” laws passed by the DeSantis administration regarding the content of books — including the July 2022 Individual Freedom Act limiting how systemic racism and discrimination can be taught in schools — that could land her in jail. “You know where I’ll be!” she answered.

Check out P!nk’s tweets about her anti-book banning effort below.

Taylor Swift Adds Two More Summer 2024 London Eras Tour Dates With Paramore

Taylor Swift is giving her UK fans two more chances to get in on the Eras Tour action. The singer announced on Monday (Nov. 13) that she will be adding a pair of gigs in London to her stint at London’s Wembley Arena next summer.

The UK/European leg of the massive stadium outing is slated to kick off on May 9 at the LA Defense Arena in Paris before winding its way to the UK for a June 7 show at Edinburgh’s BT Murrayfield Stadium, followed by six shows at Wembley (June 21, 22, 23 and August 15, 16 and 17.)

The two additional Wembley gigs — also featuring support from Paramore — are slated for August 19 and 20. According to Ticketmaster, a limited number of Swifties who already registered for the London shows will be given access to the new on-sale dates and get email notifications on Tuesday (Nov. 14). The general on-sale will go life for the August 19 show this afternoon, with the August 20 show going on sale on Wednesday (Nov. 15).

It’s been a great week already for Swifties, who just got news about some festive merch in time for the holidays, as well as the launch of the South American leg of the Eras Tour, which also included a Buenos Aires show shout-out to purported boyfriend KC Chiefs tight end Travis Kelce.

Swift is the leading finalist with nods in 20 categories at the 2023 Billboard Music Awards. You can watch the BBMAs here, and via Billboard and the BBMA’s social media channels on Nov. 19.

OutKast’s André 3000 Warns First Album in 17 Years, ‘New Blue Sun,’ Has ‘No Bars,’ But Tons of Flute

Good news first: after decades in the musical wilderness, OutKast‘s André 3000 is releasing his first solo album, New Blue Sun, this Friday (Nov. 17). The eagerly anticipated collection from the reclusive rapper — whose last full album was the 2003 OutKast double LP, Speakerboxxx/The Love Below — however, features “no bars” according to the 48-year-old MC who, aside from the occasional feature, has been mostly off the rap radar for nearly 20 years.

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In an interview with NPR’s Rodney Carmichael, André confessed that his obsession with the main instrument on the instrumental jazz album, the flute, has long caused some concern among his friends in Atlanta. “I laugh at it because my homies in Atlanta, we’ll talk and they’ll be like, ‘Man, you know n—as think you crazy to f–k around with this flute,” he said, confessing to being “in on the joke” about his curious musical tendencies.

The album, described as a “stunning 87-minute mind-bender, minimalist and experimental, tribal and transcendent,” will likely confuse many fans of such iconic hits as André’s “Hey Ya!” and Grammy-winning OutKast’s “Ms. Jackson,” “Roses,” So Fresh, So Clean” and “Player’s Ball,” which were cooked up with 3000’s former rap partner, Big Boi.

In a statement about the album, André assured frustrated fans wishing to hear his one-of-a-kind vocals that, sorry, there is no Prince-like vault of unheard music waiting to be released. There’s this misconception that I just won’t do it,” André said of releasing a rap record. “I think people feel like I’m sitting around on rap albums, or sitting around and I’m just not putting them out in that way. And no it’s not like that… In my mind, I really would like to make a rap album. So maybe that happens one day, but I got to find a way to say what I want to say in an interesting way that’s appealing to me at this age.”

New Blue Sun, then, features none of André’s intricate, river-flowing rhymes, or as NPR put it, “no bars, no beats, no sub-bass.” In fact, 3000 doesn’t sing on the record at all, but he does tear it up on his trusty flutes. In fact, he plays a number of flutes as well as digital wind instruments, and instead of his signature motor-mouthed poetry the album’s first track kind of apologizes for the lack of language with the me culpa title, “I swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me This Time.”

The origin story of the album begins with André bumping into experimental jazz great Carlos Niño at the hip L.A. grocery store Erewhon, followed by the rapper showing up at Niño’s place with is flute and jamming in the basement. The jam sessions introduced 3000 to the group of performers who appear on the album, including keyboardist Surya Botofasina and guitarist Nate Mercereau, as well as musicians Deantoni Parks, Diego Gaeta, Matthewdavid, V.C.R, Diego Gaeta, Jesse Peterson, and Mia Doi Todd.

Not planning to make an album, they started the sessions a year ago, with all the songs improvised in real time, and though it is not what fans expected after all this time, the project is described as an album that “exposes his unrefined soul — and the delicate nature of his creative process — in ways the Gemini wordsmith’s fine-tuned verses tend to conceal.”

“Even in our height of what people know of what I’ve done before, I was always like a slow writer. I’m not a freestyler. I don’t be freestyling. I just wasn’t blessed with that,” André said. “Even during the earlier times, Big Boi, he just kind of got down, like, he’s so fast and efficient with what he does. And it’ll take me a minute to throw them down. So I’ve always kind of been analyzing it or figuring out how I wanted to approach it.”

For some reason at this time writing those kind of verses are just harder for André and there’s just nothing he’s written that he feels comfortable sharing. “That’s why New Blue Sun was something that I realized, whoa, I really want people to hear it,” said 3000, who estimates that he owns 30-40 flutes. “I really want to share it. That’s my only gauge. I have to like it as a person, as an artist myself, because if I don’t like it I can’t expect nobody else to like it.”

If you’ve been paying attention over the past decade, you probably spotted André in random Instagram videos wandering through the world with his trusty flue, which turned into a kind of Where’s Waldo? game for his fans. “I didn’t like that because they just kept getting little nicks of me, just kind of messing around, you know,” he said of the surreptitious videos. “So I just felt like I’d really like to play but it was really for me. I would just walk for hours and I’m a walker. I love to walk. So I would just walk and play for hours. I did that for years and it got to a point where, okay, I want to share. And so going into New Blue Sun, it was kind of like trying to figure out, well, how do I share it?”

He did, however, run the new tracks by some of his younger contemporaries, with Tyler, the Creator and Frank Ocean getting an early listen to the album, with Tyler opining about one song, “It sounds like you’re chasing a butterfly through a garden and I figured it out. It helped me to figure out how to do this,” in reference to the Odd Future founder’s collection of travel suitcases he could not figure out how to properly display on a wall in his home until hearing André’s new music.

And to be clear, André didn’t know this was where his life would take him, either. So if his fans look sideways at the album — whose song titles include references to everything from the Dalai Lama, John Wayne Gace, Beyoncé and that time 3000 turned into a panther in Hawaii while on an ayahusaca trip — he gets it.

“If I was on the outside, I would feel the same way. So, for me, I don’t know what I’m going to do,” he said of the album that will have a “no bars” warning on the packaging, which inspired the former MC to go long on the song titles in order to give “as much information” as possible to the instrumentals. “But that’s the cool and scary thing about it. And I think as an artist, you kind of got to put yourself out there to be prepared to respond. I’m a responding person. That’s what I am. I’m responding to what’s given to me. It’s responding to my contemporaries. It’s responding to what I love. It’s responding to what I don’t like. It’s responding to all of that.”

Check out the New Blue Sun tracklist below:

  1. “I swear, I Really Wanted To Make A “Rap” Album But This Is Literally The Way The Wind Blew Me This Time”
  2. “The Slang Word P(*)ssy Rolls Off The Tongue With Far Better Ease Than The Proper Word Vagina . Do You Agree?”
  3. “That Night In Hawaii When I Turned Into A Panther And Started Making These Low Register Purring Tones That I Couldn’t Control … Sh¥t Was Wild”
  4. “BuyPoloDisorder’s Daughter Wears A 3000™ Button Down Embroidered”
  5. “Ninety Three ‘Til Infinity And Beyoncé”
  6. “Ghandi, Dalai Lama, Your Lord & Savior J.C. / Bundy, Jeffrey Dahmer, And John Wayne Gacy”
  7. “Ants To You, Gods To Who ?”
  8. “Dreams Once Buried Beneath The Dungeon Floor Slowly Sprout Into Undying Gardens”

The Kid Laroi Set to Play Stadiums In Australia

The Kid Laroi will follow in the footsteps of AC/DC and Sia early next year when he embarks on his first-ever stadium tour on home soil.

Presented by TEG Live, Laroi’s The First Time Tour kicks off Down Under with a concert Feb. 2, 2024 at AAMI Park in Melbourne, before heading west for a show at Auckland’s Spark Arena on Feb. 5, the day before Waitangi Day, New Zealand’s national day.

Then, the 20-year-old heads home for open-air shows in Perth, Adelaide, Sydney and the Gold Coast, about 50 miles south of Brisbane.

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Raised in inner-city Sydney, now based in Los Angeles, the Kid enjoys an upgrade from his homecoming headline tour of May and June 2022, when the singer, songwriter and rapper played arenas across Australia. That End of the World Tour was produced by Handsome Tours and TEG Live.

“I’m so excited to be coming back home in February,” Laroi comments in a statement. “I felt so much love from the fans on last year’s tour – it’s something I’ll never forget. I can’t wait for you to all see this new show – we’ve taken things to a whole new level. I love you and I’ll see you all really soon.”

Announced Tuesday (Nov. 14), The First Time Tour will support Laroi’s debut full-length LP of the same name, which dropped last Friday, Nov. 10 through Columbia/Sony Music.

Despite his tender years, the Kid busted records around globe on the way to the top. His debut mixtape F*ck Love from 2020 went to No. 1 on the Billboard 200 a full year after its release. Aged 17 at the time Laroi (born Charlton Kenneth Jeffrey Howard) was the first solo male Australian to hit the top since Keith Urban, when his Fuse debuted at No. 1 on the Sept. 28, 2013, chart. When F*ck Love (Savage) ruled over the ARIA Albums Chart in February, 2021, the Kid was anointed as the youngest Australian solo artist to do so, at 17 years, 5 months and 22 days.

The Gadigal-born artist with Kamilaroi roots has won a string of APRA Awards, including the coveted song of the year for his Justin Bieber collaboration from 2021 “Stay,” which led the Billboard Hot 100 and ended the year as the No. 2 digital single worldwide, according to the IFPI. Along the way, he’s built a collection of awards includes ARIAs and NIMAs, several Billboard Music Awards and a Grammy Award nomination for best newcomer.

Tickets for the Australian tour go on sale next Monday, Nov. 20.

The Kid Laroi The First Time ANZ Tour 2024
Feb. 2 — AAMI Park, Melbourne
Feb. 5 – Spark Arena, Auckland
Feb. 9 – HBF Park, Perth
Feb. 13 — Coopers Stadium, Adelaide
Feb. 16 — Commbank Stadium, Sydney
Feb. 18 — CBUS Super Stadium, Gold Coast

The Beatles on Brink of U.K. Chart Double

It’s official: Beatlemania is back in the U.K.

After the Beatles landed their first No. 1 in 60 years with “Now And Then” (via Apple Corps), the Fab Four is on the brink of converting a rare chart double.

Based on sales and streaming data published by the Official Charts Company, reissues of the Beatles’ greatest hits compilations, 1967-1970 (also known as The Blue Album) and 1962-1966 (or The Red Album), are respectively leading the midweek albums chart.

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The Blue Album, which is on track to eclipse its No. 2 peak, following its initial release back in May 1973, gathers remastered tracks and rarities, and includes the iconic band’s final single, “Now And Then,” which leads the current U.K. singles chart and is heading for a second week at No. 1.

According to the OCC, just 1,000 chart units separate the two Beatles albums (The Red Album peaked at No. 3 back in 1973). If either of those titles are crowned when the Official U.K. Albums Chart is published this Friday, Nov. 17, it would give the Beatles a 16th leader, extending their leadership in the all-time list of acts with No. 1 LPs (Robbie Williams is in second place with 14).

Despite calling it a day in 1970, the Beatles could dominate the top 10 with a third title. To coincide with the release of “Now And Then,” a composite boxed set of the two LPs is predicted to crack the top 10 for the first time, at No. 9.

In non-Beatles activity, drum ‘n’ bass act Chase & Status could snag a fifth UK top 10 with 2 RUFF, Vol. 1 (EMI), new at No. 3 on the Official Albums Chart Update, while a 10th anniversary edition of Passenger’s All the Little Lights (Cooking Vinyl) is set to arrive at No. 5. The British singer and songwriter’s fourth studio album originally peaked at No. 3 back in 2013 and is one of his six U.K. top 10s, including a No. 1 for 2016’s Young As The Morning Old As The Sea.

New Order’s Substance (Rhino) compilation from 1987 is targeting a No. 6 reentry, following a multi-format reissue, while South Africa-born, London-based alt-pop artist Baby Queen (Quarter Life Crisis at No. 7 via Polydor), and U.S. country star Chris Stapleton (Higher at No. 10 via EMI) are eyeing their first top 10 slots.

The Beatles’ ‘Now And Then’ Set to Extend Its U.K. Chart Reign

The Beatles are set to prove once again why they’re the champions of the U.K., as “Now And Then” (via Apple Corps) takes pole position in the current chart race.

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Based on sales and streaming data published by the Official Charts Company, “Now And Then” is the leader at the halfway point, and is forecast to snag a second week at No. 1.

The Fab Four has some work to do. “Now And Then” has the edge over new releases from Jack Harlow (“Lovin’ On Me” at No. 2 via Atlantic) and Dua Lipa (“Kinetic Houdini” at No. 3 via Warner Records) on the Official Chart Update, with roughly 2,000 chart units splitting the top three.

The Fab Four’s “last” song,” “Now And Then” took the elevator to No. 1 on the Official U.K. Singles Chart, published Friday, Nov. 10, having opened the previous week at No. 42 based on just 10 hours of sales and streams.

On its way to the top, the Beatles busted a string of records. Among them, the track leads the chart some 60 years and six months after the Beatles’ first No. 1, “From Me To You,” marking the longest span between an act’s first and last chart-topping hit, the OCC reports.

Also, “Now and Then” is the Beatles’ 18th U.K. No. 1, extending their record as the British act with the most leaders, and it’s the longest-ever gap between No. 1 singles for any act (54 years).

From tape to the top of the charts, “Now And Then” is the stuff of legend. Originally a demo recorded by the late John Lennon in the 1970s, the project was brought to the studio by the surviving Beatles, then shelved in the mid-1990s due to technical limitations. Led by Paul McCartney and Ringo Starr, the surviving members of the Beatles, the project was recently revived and completed with the help of computer learning software created by Peter Jackson’s team at WingNut Films.

Beatlemania doesn’t end at the singles survey. The legendary band is on track for a U.K. chart double, as the Red and Blue collections dominate the top two spots on the midweek albums tally.

All will be revealed when the Official Charts are published late Friday, Nov. 17.

BTS’s Jung Kook Sets ‘Golden’ U.K. Chart Record

Though he missed out on top spot, thanks to the juggernauts that are Taylor Swift and Oasis, Jung Kook stakes a claim to U.K. chart history with Golden (via BigHit Entertainment).

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The BTS star’s solo debut album bowed at No. 3 on the Official U.K. Albums Chart last Friday, Nov. 10, behind Taylor Swift’s 1989 (Taylor’s Version) (via EMI) and Oasis’ The Masterplan (Big Brother), respectively.

With that solid start, Golden becomes the highest-charting album by a Korean solo artist, including the cuts by his BTS bandmates, the Official Charts Company confirms.

Golden shines with four U.K. top 10 singles – “Seven” featuring Latto (No. 3 peak), “3D” with Jack Harlow (No. 5), “Too Much” with The Kid Laroi and Central Cee (No. 10) and the latest release, “Standing Next to You,” which opens its account at No. 6 on the national singles chart, also published Friday.

That’s four U.K. top tier tracks in just four months, extending Jung Kook’s record as the Korean solo artist with the most U.K. top 10 singles.

As a member of the all-conquering BTS, Jung Kook has five U.K. top 10 albums, including two leaders (2019’s Map of the Soul: Persona and 2020’s Map of the Soul: 7), and four top 10 singles (2020’s “Dynamite” and “Life Goes On”; and 2021’s “Butter” and Coldplay collaboration “My Universe”).

Jung Kook goes one better on Australia’s albums chart, where Golden (via ING/Universal) drops in at No. 2, behind Swift’s latest release. That result matches the record for the highest solo debut LP from a Korean artist in the land Down Under, matching the effort from his BTS bandmate Suga (aka Agust D), who entered at No. 2 on the ARIA Chart with his 2000 D-2 mixtape.

As previously reported, “Standing Next to You” flies in at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. songs charts.

Olivia Rodrigo Unveils Pensive ‘Can’t Catch Me Now’ Music Video

Olivia Rodrigo is here, she’s there, she’s everywhere — and now has a music video to go along with her powerful The Hunger Games: The Ballad of Songbirds & Snakes track, “Can’t Catch Me Now.”

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The clip, which was released on Monday (Nov. 13), finds the singer leaving a cottage and wandering through a field as she sings about her omnipresence in someone else’s life. “But I’m in the trees, I’m in the breeze / My footsteps on the ground / You’ll see my face in every place / But you can’t catch me now,” she muses in the chorus.

“Can’t Catch Me Now,” which dropped earlier this month, serves as the opening track to the 17-song film soundtrack due out November 17 via Geffen Records, which is also the date the Hunger Games film hits theaters. The soundtrack includes songs performed in the film by The Hunger Games star Rachel Zegler, as well as tracks by young artists in the folk/Americana genre.

The upcoming movie stars Zegler alongside Tom Blyth, Peter Dinklage, Hunter Schafer, Josh Andrés Rivera, Jason Schwartzman and Viola Davis, and follows the story of Coriolanus (Blyth), who is the last hope for his failing lineage, the Snow family that has fallen from grace in a post-war Capitol.

Watch Rodrigo’s “Can’t Catch Me Now” music video below.