Music

Olivia Rodrigo Explains Why Writing ‘Can’t Catch Me Now’ for ‘Hunger Games’ Challenged Her As a Songwriter

Olivia Rodrigo is the Hunger Games: The Ballad of Songbirds & Snakes head songbird, but she says that writing “Can’t Catch Me Now” for the franchise’s new film wasn’t as easy as she made it look.

On the red carpet for the Hollywood premiere of the latest Hunger Games installment Monday (Nov. 13), Rodrigo revealed that penning the soundtrack centerpiece was actually more difficult than writing, say, the songs on her chart-topping albums Sour and Guts. “It was a really fun challenge for me as a songwriter, because lots of my songs are kind of about my personal life,” she told Entertainment Tonight. “[They are] very diaristic and confessional.”

“It was a wonderful experience to try to write something from the character of Lucy Gray,” continued the 20-year-old singer, referencing the film’s leading lady portrayed by Rachel Zegler. “[She] is a character that I feel very connected to.”

Rodrigo also said that the invitation to join the soundtrack was “such an honor,” noting that she’s “such a huge fan of The Hunger Games and such a huge fan of The Hunger Games soundtracks.” She added: “When they asked me to do this, I was so excited and so nervous.”

With “Can’t Catch Me Now,” Rodrigo follows in the footsteps of past Hunger Games soundtrack contributors such as Taylor Swift (“Safe & Sound,” “Eyes Open”) and Lorde (“Yellow Flicker Beat”). The haunting ballad entered the Billboard Hot 100 this week at No. 56, and on the day of Songbirds & Snakes‘ premiere, the “Drivers License” singer released an accompanying music video.

Rodrigo is nominated in the top female artist category at the upcoming 2023 Billboard Music Awards. You can watch the BBMAs here, via Billboard or the BBMA’s social media channels on Nov. 19.

Watch the “Can’t Catch Me Now” music video below:



David Bisbal, Lola Índigo, Pablo López & More Celebrate ‘El Flamenco Es Universal’ During 2023 Latin Grammys Week

The 24th Latin Grammy Week celebrations continue in Seville, Spain, with a unique tribute to Flamenco in The Plaza España on Monday (Nov. 13). Among the celebrities that assisted the gala were Anitta, Danna Paola, David Bisbal, Juanes, Lola Índigo, Pablo López and more.

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“Flamenco Is Universal” was held during the Santalucía Universal Music Week, where more than 130 artists gathered to perform and create an audiovisual work.

Jesús López, the Chairman and CEO of Universal Latin America and Iberian Peninsula, kicked off the evening with a powerful speech that resonated with the audience. He highlighted that Spanish music has traveled far and wide across the globe and stated unequivocally that flamenco, a proud national legacy, is indeed a universal art form.

Jesus Lopez

Jesus Lopez

“Flamenco is a way of living, it is a way of expressing yourself, it is a way of behaving in life, it has many connotations, UNESCO declares it an intangible heritage of humanity. It is a music that is highly discussed because the purists want it to be one way. Still, today, a young generation is fusing flamenco with hip-hop, with reggaeton, with electronic music, and that shows you that flamenco is more alive than ever,” López told Billboard during the red carpet.

At the red carpet event, David Bisbal, Vanessa Martin, Pablo López, and other emerging pop flamenco artists such as Lola Índigo, spoke to Billboard to express how significant it is for them to share their folkloric music traditions with the world and what it means to them.

The evening began with a performance by Rosario, the daughter of the iconic Lola Flores. The artists graced the stage for almost four hours, starting with a beautiful rendition of Granaínas by Doña Carmen Linares, who was awarded the Latin GRAMMY of Honor in 2023.

All the flamenco families were seated in the front row: Camarón’s sons and widow, Paco de Lucía’s daughters and his widow, La Farruca surrounded by her children, and the Morente family. All of them attended with admiration for the tributes to their sagas, brought to the stage by Tomatito, la Macanita, Niño Josele, Rancapino Chico, Pedro El Granaíno or Marina Heredia, among others. Vicente Soto with his daughter Lela took Jerez to the stage; Dorantes played the piano for Alba Molina to pay tribute to her parents; and Lole and Manuel, and the Morente family (Estrella and Kiki), backed by their usual lineup, paid a heartfelt tribute to Enrique, whose voice was heard in his immortal Omega.

At the halfway point of the gala, Sara Baras appeared with her tribute to Carmen Amaya, who left the audience stunned after the cante and toque that characterized the first part of the show. She was followed by Israel Fernández and Diego del Morao, who paid tribute to the Niña de los Peines.

The president of the Junta de la Andalucía, Juanma Moreno, the mayor of Seville, José Luis Sanz, Sebastián Yatra, Juanes, Anitta, David Bisbal, Manuel Carrasco, Danna Paola, Lola Indigo, Pablo López, Joaquina, Greeicy, Vanesa Martín, Pastora Soler, Los Morancos, Nati Abascal, Morat, Antonio Carmona, Timø, Boris Izaguirre and a long eclectic list of personalities of music, acting, journalism and culture enjoyed a special sound: the flamenco.

Held for the first time outside the United States, the annual Latin Grammys will be broadcast from the Conference and Exhibition Centre in Seville, Spain, on Nov. 16 on Univision starting at 8 p.m. ET, UniMás and Galavisión in the U.S., and at 10:30 p.m. CET on Radiotelevisión Española (RTVE) in Spain. Danna PaolaSebastián Yatra, Roselyn Sánchez and Paz Vega will serve as co-hosts.

RBD Has Their Own Barbie Dolls: Here’s Everything We Know

In the midst of their Soy Rebelde Tour, RBD is getting their own Barbie dolls. 

The news was shared on the Barbie instagram page on Monday (Nov. 13), where the dolls were officially unveiled. “¡Y soy Rebelde! Pop stardom meets pop culture icons with the special edition RBD x Barbie dolls,” read the caption. 

The collector’s Barbie dolls — which are available in a set of five or sold individually as Rebelde characters Mia (Anahí), Roberta (Dulce Maria) and Lupita (Maite Perroni) — commemorate the Mexican group’s triumph comeback after a 15-year hiatus. In true RBD fashion, the dolls are decked out in emblematic concert outfits or their signature Elite Way school uniform. Mia, for example, comes with a star sticker on the forehead and Roberta with her distinct cherry-red locks.

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Furthermore, the official Barbie website states “Barbie is celebrating RBD’s reunion with a set of five dolls ready to take the stage! Roberta, Mia, Lupita, Diego and Giovanni wear outfits that pop with their personality and style. The clothes are trendy, the accessories cool and the hair spot on! Fans of the popular pop-rock music group and Rebelde telenovela will love the instant collection of the beloved group. Dolls cannot stand alone. Colors and decorations may vary.” 

News of the Barbie dolls come just days after a wave of Música Mexicana acts — including Calibre 50, Chiquis, Banda Carnaval, Banda Los Sebastianes and Los Socios del Ritmo, among others — teamed up for Somos Rebeldes, a 15 track-set with reimagined versions of “Sólo Quédate en Silencio,” “Qué Hay Detrás” and “Sálvame.”

“I think that people connect with us because each one of us is so different, but we’re a family,” band member Christopher von Uckermann previously said at the 2023 Billboard Latin Music Week. “We know each other. We understand each other without having to speak. We are family and that is something you can feel.”

Fans can pre-order the RBD Barbie dolls here.

10 Chart Records The Beatles Still Hold on the Hot 100 or Billboard 200

The Beatles are, well, the Beatles. Perhaps the biggest and most successful act in music history, and, of course, on Billboard’s charts, as confirmed by their standing at No. 1 on Billboard’s Greatest of All Time Artists recap.

The Fab Four were only active for a brief period in the 1960s, but that short span left an indelible mark on the Billboard Hot 100 songs chart and Billboard 200 albums list. The group charted 64 total songs on the Hot 100 between 1964 and 1970, of which 20 hit No. 1 — a record for the most leaders that still stands.

The band also charted 26 albums on the Billboard 200 from 1964 to 1970 (14 of which topped the chart in that time frame), but have charted an additional 18, thanks to compilations, live recordings, special releases/anthologies and more. To date, The Beatles have earned 19 No. 1 albums, also the most in the chart’s history.



The group returns to the Hot 100 on the Nov. 18, 2023-dated chart thanks to its new single, “Now and Then.” The track, billed as the final Beatles song, was first recorded as a demo in 1977 by John Lennon and initially meant for the band’s three-edition Anthology series in the mid-‘90s before being shelved by the surviving members of the band. It was completed, and released Nov. 2 after new technology helped extract Lennon’s vocals from the original demo while also using guitar recordings from George Harrison from the initial attempt to finish the song.

The song debuts at No. 7 on the Hot 100, becoming the band’s 72nd career entry, and first since “Real Love” reached No. 11 in 1996. It’s The Beatles’ 35th top 10, extending their record for the most among groups. Plus, the band has now charted on the Hot 100 in five distinct decades: the ‘60s, ‘70s, ‘80s, ‘90s and now, the 2020s.

As the iconic group returns to Billboard’s charts, here’s a look at 10 records the band still holds on the Hot 100 or Billboard 200 (as of the charts dated Nov. 18, 2023).

Oliver Anthony Music on 2024 World Tour, If He’s Endorsing a Presidential Candidate & Why He’s ‘Never Going to be in Nashville Co-Writing’

A little more than three months ago, Christopher Anthony Lunsford, aka Oliver Anthony Music, was still working his day job in outside sales. In a little under three months from now, he’ll kick off his 40-date Out of the Woods world tour in Stockholm.

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It’s heady stuff for Lunsford, who’s never traveled much beyond the southeastern United States and is awaiting the arrival of his first passport. The tour, which begins on Feb. 1, comes on the heels of the breathtakingly rapid success of his raw, blue-collar anthem, “Rich Men North of Richmond,” which bowed at No. 1 on the Billboard Hot 100 in mid-August, a little more than 10 days after radiowv posted the video on YouTube of the six-foot-six, red-headed Virginian playing the song in his woodsy backyard. 

“The last 90 days have been a little crazy,” Lunsford, a 31-year-old father of three, declares in a major understatement, during his first non-podcast/TV interview. Calling from the DMV in, believe it or not, Richmond, Lunsford comes across as smart and forthcoming. Even though he’s had to quickly navigate fame and the music industry, he’s already media-savvy enough to know what not to say — including declining to name the prominent producer he is in discussions with to helm his first full album, coming early next year, since the deal isn’t yet done.

Lunsford, who is self-managed and has no plans to sign with a label, seems extraordinarily grounded for someone who transformed into a household name almost overnight, even becoming such a cultural touchstone that his song was referenced during the first Republican presidential debate. Despite the far right’s initial embrace of his music and the left’s early rejection of it, he has declared that “I sit pretty dead center down the aisle on politics, and always have.”

Booked by UTA, his tour will weave through Norway, the Netherlands, United Kingdom and Ireland before the U.S. portion begins with two shows at country music’s mother church, Nashville’s Ryman Auditorium, and then heads into amphitheaters and arenas, including Jupiter, Florida’s Abacoa Amphitheater and the Greensboro (N.C.) Coliseum. Venue capacities average around 1,900 seats in Europe and 7,000 seats in the U.S. For the vast majority of the shows, tickets will range between $25-$45, excluding Ticketmaster fees. Fans can register for first access to tickets in select North American markets at his website, and tickets go on sale to the general public on Friday (Nov. 17) at 10 a.m. local time.

Tackling the ceaseless struggles of hourly-wage workers, who are taxed “to no end” to pay for, among other things, “the obese milkin’ welfare,” while politicians keep getting richer, the controversial “Rich Men North of Richmond” has been viewed more than 93 million times on YouTube and received more than 111 million streams on Spotify. The song is up for Top Selling Song at the 2023 Billboard Music Awards on Sunday (Nov. 19), while Lunsford is also up for Top Song Sales Artist, competing with the likes of Miley Cyrus, Jason Aldean, Taylor Swift and Morgan Wallen. 

This interview has been edited for brevity and clarity.

How are you doing? 

The last 90 days have been a little crazy. It’s funny because the music side of it has been very calming and enjoyable. It’s all the stuff behind the scenes that’s unreasonably chaotic. My life is actually a lot simpler in some ways, because I’m not working a job and juggling 10 other things with the music. But when you become a full-time musician, you’re essentially a business owner and an entrepreneur and a lot of other things, too. And those are things I’m not quite used to yet.

How long had you been in outdoor sales? 

Pretty much the last decade. I dropped out of high school, had a GED, I was doing factory work and then I had a bad head injury in that factory. I was unable to work for a period of time, and then I moved into sales. I’ve spent the last 10 years having real, authentic conversations with hardworking Americans who are very transparent about the way they feel about things. It has, in a sense, given me the ability to maybe create music that’s so relatable to those type of people. Being on job sites and talking with so many people, I realized how similar everyone is as far as our personal struggles and our personal ambitions. We’re all dealing with a lot of setbacks and frustrations. … I hated the sales side of things. I just went out and did my thing every day. I’m not so much a big crowd person, but I do appreciate people individually.

You may say you’re not a big crowd person, but you’re about to perform before some big crowds come February, and you’ve already played some shows that drew thousands of people. 

My first paid gig ever was 12,000 people [on Aug. 13] at Johnson Morris Farm [in Barco, N.C.], where Jamey Johnson showed up. That was my first time on the stage [other than] some open mics. 

Many of your songs are topical. How do you educate yourself about issues? 

It’s a mix of things. If there’s any kind of books, I probably was consuming Audible versions of them while I was in the truck driving around. In the last five years, I’ve listened to quite a bit of podcasts and YouTube videos. We’re a commodity to big companies, and all these companies spend all their time trying to manipulate their systems to be as addictive as possible, so when you get on Facebook, you’re gonna fall into this trance where you’re gonna scroll for like two hours. I’ve done it before myself. I’ve just tried to do everything I can do to not fall into that bubble, and instead try to spend my time educating myself. 

Your first big interview was on Joe Rogan’s Spotify podcast. Are you a fan? Is that why you went on the show?

I guess I’d say I’m a Joe Rogan fan. I don’t watch every podcast episode. If I’m a fan of anything of Joe Rogan, it’s his style. He runs his whole podcast not around what’s culturally relevant, or what’s going to get the most views. He only talks to people he’s genuinely interested in. When you meet him in person, you’re seeing the guy that you watch online, there is no smoke and mirrors, versus a late-night TV guy. So that’s why I wanted to choose him first. I don’t agree with everything he has to say, of course. Nobody agrees with everything everybody says, but I like his style. 



Your first full album is coming next year. What can you reveal about it?  

I don’t know if I can say who I’m recording with or not, but he’s one of the best in the business. In my opinion, it’s probably going to blow away everything else I’ve done so far, because everything has been recorded with just the internal microphone off of an about broken-in-half Android phone with a cracked screen. Even the radiowv videos used very basic equipment, so I had never had anything recorded with studio-quality equipment. So even just the vocal quality should absolutely knock people’s socks off, compared to what they’re used to hearing.

I want everything to still be authentic, and I want it to be me playing the music and not like a whole group of people involved. Everything now is just so carefully refined and edited and so we won’t have any of that. If anything, some of the songs are going to be recorded on older equipment from the ‘40s, ‘50s, ‘60s.

That ties into the concept of your name, Oliver Anthony Music, right?  

I adopted the name because I didn’t want my real name associated with the music, because I’ve got a lot of songs about a lot of things that I wouldn’t necessarily want an employer to hear. In the very infancy stages of things, like a couple years ago, it was right after my grandpa passed away. He was the only other one in the family that’s 6’6” and redhead, and he’s like my second dad in a lot of ways. So, it’s an honor to him. But then the reason I stick Music on the end of the name is because it really is supposed to be a representation of music that would have existed in his era when he was alive, living up in the mountains. They had dirt floors, they were scrounging to survive, they didn’t have electricity. I’m trying to represent that type of music [and] maintain the simplicity that would have just been necessary at that time. It’s not going to sound like something that’s going to be on country radio, by any means. 

Are you going to record in Nashville? 

We’re actually going to be in a studio in Georgia. I’m never going to be in Nashville sitting with people co-writing, ever. Most anything I put out is going to be something I write just by myself and if I do co-write something with somebody, it’s going to be with another artist and we’re going to be singing the song together. I don’t ever want to sit in some writing circle somewhere and have somebody in khaki pants and a collared shirt figuring out what my words are from my song. There’s a million other people that can go do that. I’m not one of those guys. 



Is Jamey Johnson going to be on the album? 

I don’t know if he will be or not. He just came to one of the shows. … I’ve had just so many artists reach out, kind of trying to — I don’t know if “protect” is the right word — but just kind of mentor me early on, because I kind of got into this so quick, they didn’t want me making wrong choices. He was just trying to be supportive, and come and introduce himself, and be somebody I can lean on for guidance. 

John Rich also reached out and offered to work with you. 

John Rich and I talked a little bit early on. I haven’t done anything with John Rich, we’ve just had a few casual phone conversations.  See, this is kind of one of those gray areas where I don’t know if somebody wants me to mention their name or not in an interview, but I guess if I can make a statement about it at all, I would just say that there are a lot of really good people, not just in country music, that have been very supportive. We did the Blue Ridge Rock Festival and Louder Than Life, there were a lot of those rock bands that I met, they were super supportive and awesome. I’ve gotten to sing onstage with Shinedown and Papa Roach, and all those guys are just incredibly supportive. I’ve made contact with 20 or 30 different artists. A lot of them will reach out through Instagram. 

You’ve said you believe that divine intervention has put you in this position. In the last few months, have you gotten any clarity on why this happened to you, and what God wants from you? 

I mean, there’s no question that I don’t deserve any bit of any of this, so there’s no other explanation to be made of what happened the way it happened. There’s a gazillion, billion, trillion other people out there that are posting music that in my mind is better than mine. I’d had a decent online following before “Richmond” was ever written. I’d already started to have A&R people reach out from songs like “Doggonit” and “Ain’t Gotta Dollar.” I’d known for probably six months before “Rich Men North of Richmond” was even written or recorded that I’d probably end up full-time in music, but I would have never guessed it would have happened like this.

I think if there’s a message at all that needs to be spread, it’s probably that we just desperately need to connect on a personal level with each other. As a society, I think we rely too much on communicating with each other through the internet. The difference between talking in person and a text message is totally different — things get misunderstood and misrepresented, and when that’s done on such a large scale, like social media, and then there are things like bots and trolls, and probably the government influencing things and what gets said and what doesn’t get said, people form way too many opinions based off of internet-related content. Everyone’s looking at the top to fix a lot of what’s broken at the bottom, but we have to start at the bottom. It doesn’t matter who’s elected president, a lot of our problems are on the ground level.

You have been fearless when it comes to speaking truth to power, such as posting a video after the first Republican presidential debate declaring that those candidates are the very ones you’re singing about and distancing yourself from.

I don’t have anything against conservatives. I think there’s a big difference in today’s time between a conservative and a Republican. If you look at what conservative values are, by definition, I would say none of those candidates, maybe one of them, represents anything close to what a conservative is. When I knock those people, then the immediate attack that came back after me was like, “Oh, he’s against conservatives.” But most conservatives I know, at least in Virginia, would never vote for anybody that was up on that stage.

It’s funny, if I got any backlash at all from that statement, it was people misquoting me, trying to make it seem like I was against conservatives or somehow for, like, Joe Biden. What I’m against is corporate-owned politicians. The whole idea of us having a government and electing representatives is so they can represent us, because we obviously can’t all go to D.C. at one time and have our voice heard. And what’s happened is like, 90% of those quote-unquote “representatives” no longer represent us. They’re all bought out by whatever big corporation and they’re given stocks and given benefits, and they’re all filthy rich, and they do what they say, not what we say. It’s not a right or left issue. It’s more of a class versus corporate issue.

[Lunsford momentarily stops the interview, because a fan recognizes him at the DMV.]

You just got recognized. How are you adjusting to fame?

It’s been cool. I mean, everybody’s been super polite out in public and even at the shows everybody’s been very respectful. Everybody’s been just overwhelmingly well-behaved about everything. 

There was a photo of you with Robert F. Kennedy Jr. and his wife, Cheryl Hines, on social media. Are you going to endorse him for president?

No, I was very clear, even when I talked to Bobby, that I don’t want any affiliation with him politically.  Whether he becomes president or not, he’s very involved in this idea of a healing center, which is basically a way of combining regenerative agriculture and mental health together. We met specifically to talk about that project, because I’m looking to implement something very similar at my property. We were very clear upfront that there wasn’t any sort of political affiliation there with him. He’s been very respectful about that.

That’s kind of my long term ambition: getting people back in nature and teaching people how to grow their own food and raise animals and do all that stuff. We’ve become very disconnected from each other [and] we’ve also become very disconnected from nature. Everything’s fake and phony and plastic now, so getting away from that would really benefit, especially, our youth.

Yeah, as far as a candidate goes, I’m not really interested. I probably won’t vote for anybody. As a joke, I’ve made some Oliver Anthony 2024 signs, and I actually drive down the road and see quite a lot of them, which is pretty cool. But I’m not even old enough to run for president. 

How do you even wrap your head around some of this? A year ago, you would not have been saying, “I said to Bobby,” referring to RFK Jr.  

I’ve gotten open invitations from everybody, even the former president and all, and I’ve been careful about how I want to handle those because, I mean, if I wanted to go meet with Trump, no one should be upset about that. He was the president of the United States. Just historically, we’ve always respected anyone who was. People do just blow everything out of proportion. 

You are the first person to debut at No. 1 on the Hot 100 chart without ever appearing on any other Billboard chart. Did that mean anything to you? 

I think the most special thing about it being on the chart at all is that it made it to the chart without some big, corporate schmucky schmuck somewhere pumping a bunch of money into making it get there. It actually got to the top of the Billboard because people genuinely wanted to listen to it and support it. I think if people realized how much money record labels pumped into getting songs to become popular in the first place, they probably would never want to listen to the songs to start with. To just be a couple of dummies out in the woods with a laptop and a microphone and a guitar and [the song] ended getting there completely organically, that’s really saying something in and of itself. That’s what I proudest of. 

There’s a lot of exciting things to come, but the most important part of all of it is just gonna be the opportunity to travel the world and connect with a lot of people. If there’s any mission statement out of any of this or any purpose, going back to your question before about what I’ve been called to do, I really hope if I accomplish anything out of my career in music, it’s just to give the voiceless a voice. 

Out of the Woods tour dates

February 1 – Stockholm, SE – Cirkus

February 2 – Oslo, NO – Sentrum Scene

February 5 – Utrecht, NL – TivoliVredenburg

February 7 – Glasgow, UK – Barrowlands

February 8 – Manchester, UK – Albert Hall

February 10 – London, UK – O2 Shepherd’s Bush Empire

February 12 – Belfast, UK – Ulster Hall

February 13 – Dublin, IE – Vicar St.

February 21 – Nashville, TN – Ryman Auditorium

February 22 – Nashville, TN – Ryman Auditorium

February 29 – Plant City, FL – The Florida Strawberry Festival (on sale Dec 7 8AM ET) 

March 2 – Jupiter, FL – Abacoa Amphitheater

March 3 – Estero, FL – Hertz Arena

March 8 – Alexandria, LA – Rapides Parish Coliseum

March 9 – Brandon, MS – The Brandon Amphitheater

March 16 – Queensland, AUS – CMC Rocks QLD 2024 (on sale now)

April 4 – Ft. Worth, TX – Billy Bob’s Texas

April 5 – Round Rock, TX – Round Rock Amp

April 6 – Lubbock, TX – Cook’s Garage

April 12 – Tupelo, MS – Cadence Bank Arena

April 13 – Jonesboro, AR – First National Bank Arena

April 19 – Albany, GA – Albany Civic Center

April 20 – Savannah, GA – Bulls, Bands & Barrels

April 26 – Greensboro, NC – Greensboro Coliseum Complex

April 27 – Duluth, GA – Gas South Arena

May 3 – Huntington, WV – Mountain Health Arena

May 4 – Beaver Dam, KY – Beaver Dam Amphitheater

May 10 – Corbin, KY – The Corbin Arena

May 11 – Pikeville, KY – Appalachian Wireless Arena

May 17 – Doswell, VA – Atlantic Union Bank at the SERVPRO Pavilion

June 14 – Marion, IL – MTN Dew Park

June 15 – Camdenton, MO – Ozarks Amphitheater

June 16 – Council Bluffs, IA – Westfair Amphitheater

June 22 – Canandaigua, NY – CMAC

June 28 – Pittsburgh, PA – Stage AE Outdoors

July 19 – Cullman, AL – Rock The South (on sale now)

August 16 – Lewisburg, WV – State Fair of West Virginia

August 21 – Put-In-Bay, OH – Bash on the Bay (on sale now)

August 23 – Indianapolis, IN – Everwise Amphitheater at White River State Park

August 24 – Saginaw, MI – Dow Event Center

September 1 – Palmer, AK – Alaska State Fair

September 13 – Allegan, MI – Allegan County Fair

Nicki Minaj, Lil Uzi Vert & Post Malone to Headline Rolling Loud California 2024: Full Lineup

Calling all Barbz! Rolling Loud dropped the lineup for the festival’s forthcoming sixth visit to California on Tuesday (Nov. 14). Led by superstars Nicki Minaj, Lil Uzi Vert and Post Malone, the sprawling list of performers features more than 90 of the biggest and buzziest names across rap, R&B, pop and Latin music. Rolling Loud California 2024 will take over Hollywood Park Grounds in Inglewood, Calif., from March 15 to 17, 2024.

Minaj — a 2023 Billboard Music Awards finalist for top rap female artist — headlines a packed opening day for the festival. On Friday, March 15, Hollywood Park Grounds will be treated to performances from YG & Tyga, PARTYNEXTDOOR, Rae Sremmurd, Sexyy Red, Lil Tecca, Luh Tyler, Lay Bankz, Lil Gnar and JELEEL!

The Friday night performance is one of the first Minaj has confirmed for 2024. The two-time 2024 Grammy nominee is currently gearing up for the release of Pink Friday 2 — the sequel to her 2010 Billboard 200-topping debut studio album — and she’s teased an accompanying tour multiple times. Pink Friday 2 is set to arrive on Minaj’s birthday, Dec. 8.

On Saturday, March 16, “Circles” hitmaker Post Malone will lead an eye-popping lineup that includes appearances from Summer Walker, Big Sean, $uicideboy$, Larry June, Flo Milli, Pi’erre Bourne, Veeze, BigXthaPlug, Kaliii, Rob49, DC the Don, KenTheMan, 2Rare, Jordan Ward, Maiya the Don and Danny Towers. A mystery guest is listed in the second row of Saturday’s lineup between Big Sean and Larry June. Rolling Loud has yet to hint or reveal who the surprise act might be.

Finally, “Just Wanna Rock” rapper Lil Uzi Vert — who scored yet another Billboard Hot 100 hit with Minaj this year with their “Endless Fashion” (No. 20) duet — is set to close out the festival on Sunday, March 17, alongside a lineup that includes Bryson Tiller, Don Toliver, Ski Mask the Slump God, Chief Keef, NLE Choppa, That Mexican OT, 310babii, Chase Shakur, Sukihana, Ryan Trey, Cash Cobain, Wolfacejoeyy and Rich Amiri.

Billboard chart-topping regional Mexiacan singer-songwriter Junior H will serve as Friday’s special guest, with regional Mexican band Fuerza Regida acting as Saturday’s, and award-winning corridos tumbados trailblazer Natanael Cano as Sunday’s. DJ Scheme, DJ Five Venoms and DJ Stevie J will be tasked with keeping the vibes going and providing a soundtrack for three-day bonanza.

Earlier this year during Mar. 3-5, 2023, the most recent Rolling Loud California lineup — headed by Playboi Carti, Travis Scott and Future — electrified SoFi Stadium in Inglewood, CA.

Presale for Rolling Loud California 2024 begins Thursday, Nov. 16, at 10 a.m. PT, and general onsale begins the following day on Friday, Nov. 17, at 10 a.m. PT. Fans can click here to RSVP for first access to tickets — and a chance to win free tickets before they go on sale — right now.

Check out the full Rolling Loud California 2024 lineup below:

Taylor Swift Extends Artist 100 No. 1 Record, Jung Kook & Jimmy Buffett Make Moves in Top 10

Taylor Swift spends a record-extending 85th week at No. 1 on the Billboard Artist 100 chart (dated Nov. 18), thanks to the continued success of her latest rerecorded LP, 1989 (Taylor’s Version), as well as nine additional albums on the Billboard 200 and 16 songs on the Billboard Hot 100.

1989 (Taylor’s Version) spends a second week at No. 1 on the Billboard 200, with 245,000 equivalent album units earned in its second frame, according to Luminate. A week earlier, it debuted with 1.653 million equivalent album units — the largest one-week total since the debut of Adele’s 25 (3.482 million; Nov. 15, 2015).

Here’s a recap of Swift’s current Billboard 200-charting albums.

Rank, Title:

  • No. 1, 1989 (Taylor’s Version)
  • No. 9, Midnights
  • No. 11, Lover
  • No. 15, Folklore
  • No. 20, Speak Now (Taylor’s Version)
  • No. 24, Reputation
  • No. 25, Red (Taylor’s Version)
  • No. 27, Evermore
  • No. 51, Fearless (Taylor’s Version)
  • No. 53, 1989

On the Hot 100, Swift charts 16 total songs, including 15 from 1989 (Taylor’s Version). Her other charting song, “Cruel Summer” (from from 2019’s Lover), rebounds for a third week at No. 1.

Jung Kook jumps from No. 100 to No. 2 on the Artist 100, the 98-position vault marking the greatest leap in the chart’s nearly decade-long history. He reaches a new high thanks to the opening week of his first solo LP, Golden, which arrives at No. 2 on the Billboard 200 with 210,000 units. The set’s “Standing Next to You” concurrently debuts at No. 5 on the Hot 100, becoming his sixth solo entry outside BTS, and third top 10, after “Seven,” featuring Latto (No. 1), and “3D,” with Jack Harlow (No. 5).

Plus, the late Jimmy Buffett re-enters the Artist 100 at No. 7, sparked by his new album, Equal Strain on All Parts. The set opens at No. 6 on the Billboard 200 with 53,000 units, marking his 14th top 10.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Stray Kids Set to Perform on the 2023 Billboard Music Awards

Stray Kids will make their Billboard Music Awards debut with an action-packed performance featuring two of their hits, “S-Class” and “LALALALA.” This will mark the first time “LALALALA” has been performed on an awards show.

Stray Kids is one of two K-pop groups that will be featured on this year’s BBMAs, along with NewJeans. Other previously announced performers are David Guetta and Bebe Rexha, KAROL G, Peso Pluma and Morgan Wallen.

Stray Kids is up for two awards: top global K-pop artist and top K-pop album for 5-Star.

Stray Kids has had three No. 1 albums on the Billboard 200 – Stray Kids Mini Album: Oddinary (EP) in April 2022, Maxident in October 2022 and 5-Star in June 2023. Stray Kids was just the third K-pop act to top the all-genre tally, following BTS and SuperM.

The band has also had three No. 1 albums on the World Albums chart. The group has had five hits on the Billboard Global 200 chart, including “S-Class,” which spent five weeks on the charts.

The eight-member boy band consists of Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin and I.N.

Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).

The 2023 BBMAs will honor the year’s hottest names in music determined by year-end performance metrics on the Billboard charts. The program, which is produced by Dick Clark Productions, will deliver a reimagined award show concept that will entertain fans with music and exclusive content. Performances and award celebrations will take place in global locations, in the midst of sold-out tours, and in custom venues.

In a first-of-its-kind collaboration, the BBMAs and Spotify Fans First have teamed up to identify fans who have consumed the most hours of music over the past year and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket” granting them access to attend a performance curated by their favorite artists, expressly for the 2023 BBMAs.

The 2023 BBMAs is presented by Marriott Bonvoy, Marriott’s travel program and marketplace. One special BBMAs performance and two exclusive acceptance speeches will be hosted at hotel brands within the Marriott Bonvoy portfolio. Additionally, Marriott Bonvoy will provide a select group of fans access to attend five BBMAs performances via Marriott Bonvoy Moments. Other sponsors include Lexus, who will surprise one lucky fan with VIP treatment with a private ride in a luxury Lexus vehicle to the one-of-a-kind performance.

Gigi Hadid Shuts Down Rumors That She Doesn’t Support Taylor Swift & Travis Kelce’s Romance

Gigi Hadid is setting the record straight. After reports surfaced that she may not be the biggest fan of Taylor Swift‘s romance with Travis Kelce , the 28-year-old model spoke up on social media to clarify just where she stands when it comes to her friend’s new relationship.

On an Instagram post from Perez Hilton alleging that Hadid “doesn’t agree” with the way Swift is “handling” her relationship with Kelce, the model quickly and succinctly shut down the claims. “I’m a couple days late to this tag.. but didn’t the press try this last week w Selena?” she wrote Monday (Nov. 13), referring to a recent tabloid report that Gomez was concerned about the “Anti-Hero” singer moving too fast with Kelce.

“Let it be.. we are all over the moon for our girl,” added Hadid, suggesting that Gomez feels the same way. “Period.”

Her remarks come just a couple of days after Swift and the Chiefs tight end spent the weekend together in Argentina, where the 33-year-old pop star performed three Eras Tour shows. On Saturday, Kelce was spotted enjoying her concert from a VIP tent next to Swift’s father, blushing and smiling when the pop superstar changed up her “Karma” lyrics to give him a shoutout: “Karma is the guy on the Chiefs coming straight home to me.”

After the show, Swift was spotted in an adorable video running into Kelce’s arms, sharing a big kiss before disappearing together backstage.

Swift is the leading finalist with nods in 20 categories at the 2023 Billboard Music Awards. You can watch the BBMAs here, and via Billboard and the BBMA’s social media channels on Nov. 19.

PinkPantheress Announces 2024 North American Dates For Capable of Love Tour

British singer PinkPantheress announced the dates for the North American leg of her Capable of Love tour on Tuesday (Nov. 14). The Live Nation-produced 12-date run is slated to kick off on April 6 at Saint Andrews Hall in Detroit and feature gigs in Toronto, Montreal, Boston, New York, Chicago, Nashville, Dallas, Houston, Austin and San Diego before winding down with an April 30 show at the Hollywood Palladium in Los Angeles.

Bktherula and Kanii will open select North American shows that will take place after a string of February Capable of Love dates in Ireland, the UK, the Netherlands, France and Germany, marking the 22-year-old “Boy’s a Liar” singer’s biggest headlining gigs to date.

A Citi presale for the North American shows will kick off on Wednesday (Nov. 15) at 10 a.m. local time through Friday (Nov. 17) at 9:59 a.m.; click here for the Citi presale information. Additional presales will roll out throughout the week before the general on-sale, which will start at 10 a.m. local time on Friday here.

The singer just released her full-length debut album, Heaven Knows, features the hit single “Boy’s a Liar Pt. 1,” as well as the Ice Spice-blessed remix, “Boy’s a Liar, Pt. 2.”

Check out the dates for PinkPantheress’ Capable of Love North American tour dates below.

Apr. 6 – Detroit, MI @ Saint Andrew’s Hall ^

Apr. 7 – Toronto, ON @ The Danforth Music Hall ^

Apr. 10 – Montreal, QC @ Théâtre Beanfield ^

Apr. 12 – Boston, MA @ Royale *^

Apr. 14 – New York, NY @ Brooklyn Paramount ^

Apr. 17 – Chicago, IL @ Metro * ^

Apr. 20 – Nashville, TN @ Brooklyn Bowl Nashville +

Apr. 22 – Dallas, TX @ House of Blues Dallas +

Apr. 24 – Houston, TX @ White Oak Music Hall +

Apr. 25 – Austin, TX @ Emo’s Austin +

Apr. 28 – San Diego, CA @ The Observatory North Park +

Apr. 30 – Los Angeles, CA @ Hollywood Palladium +

* Non-Live Nation Date

^ With Bktherula

+ With Kanii