Music

Stampede at Music Festival in Southern India Kills at Least 4 Students

A stampede during a music festival at a university in southern India on Saturday (Nov. 25) killed at least four students and injured 60 others, according to news agency Press Trust of India.

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The disaster happened at the Cochin University of Science and Technology in Kerala state where students were enjoying a live musical event that was interrupted by rain, leading the audience to scamper for shelter that resulted in a stampede.

At least two people among the injured are in critical condition, news website Indian Express reported.

Pinarayi Vijayan, the top elected official in Kerala, said he had ordered an investigation.

Sam Hunt and Wife Hannah Lee Fowler Welcome Second Baby

Congratulations are in order for Sam Hunt and his wife, Hannah Lee Fowler, who have welcomed their second child together.

The 38-year-old country musician took to Instagram on Friday (Nov. 24) to share the exciting news with his 3.3 million followers.

“Thank You Lord,” Hunt captioned a photo of his beautiful family.

In the snapshot, the “Body Like a Back Road” singer flashes a huge grin while holding the couple’s first child, 18-month-old daughter Lucy. He’s seen standing alongside Fowler, who cradles their newborn in her arms.

The new baby’s name, sex or birthdate have not yet been revealed.

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Earlier this year, Hunt revealed that he and Fowler were expecting their second child during a concert at Resorts World Theatre in Las Vegas. Baby No. 2 joins sibling Lucy, who was born in May 2022. The singer-songwriter also announced the birth of their first child during an appearance at Nashville’s Ryman Auditorium in June 2022.

Hunt and Fowler married in April 2017. The pair weathered tumultuous times, and Fowler had filed for divorce from Hunt in February 2022, reportedly citing “inappropriate marital conduct.” She withdrew the filing hours later and soon filed again in a different county, then called off the divorce.

See Hunt’s post on Instagram below.

Jung Kook Drops ‘3D’ Remix With Justin Timberlake: Stream It Here

Jung Kook has teamed up with Justin Timberlake for a surprise remix of the BTS star’s hit song “3D.”

The new remix, which arrived Friday (Nov. 24), finds the superstar singers showcasing their impressive harmonies over a slick production with a retro mid-2000s hip-hop/dance vibe.

“Jung and JT on the main now/ You can still find me in a drop top/ With the top down but I got so many lanes now,” Timberlake sings on his verse. “Come with me, I’ll just call up the plane now/ Now let me fly you out to Seoul, Korea/ I Just wanna get into your soul like Aretha. I got the volume when you wanna get the beat up.”

The original version of “3D” featured rapper Jack Harlow and served as the opening track of Jung Kook’s first solo album, Golden. The set debuted at No. 2 on the Billboard 200 albums chart, while the song peaked at No. 5 on the Billboard Hot 100 chart.

The new remix with Timberlake arrives as Jung Kook prepares to enlist in the South Korean military. On Wednesday (Nov. 22), the K-pop singer took to Weverse to share a sweet message with BTS ARMY.

“In December, I will start a new journey I’m leaving you for a while to serve in the military,” he wrote. “As I share this news, I feel heavy on one hand, and on the other hand, I’m reminded of precious memories with ARMY, so my heart warms up. Every moment I’ve spent with you has been the brightest time of my life. ARMY’s laughter, support, and love led me to this point. Thank you so much for supporting my dream and walking with me silently.”

South Korean requires an 18-month military service stint for all able-bodied men by the time they turn 28. BTS announced a pause in their group work in October 2022 to allow all the singers to enlist. The group is expected to reconvene in 2025 when all have completed their duty to country.

Listen to Jung Kook’s “3D” remix featuring Justin Timberlake below.

Young Thug and YSL’s Atlanta RICO Trial: Everything You Need to Know

At the end of 2021, Young Thug was one of hip-hop’s biggest rising stars: a critically-adored rapper with three chart-topping hits, three-chart topping albums, a Grammy award for song of the year and his own record label (YSL, short for Young Stoner Life) under Warner Music’s 300 Entertainment.

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Two years later, Thug (real name Jeffery Williams) is set to face a grueling trial starting Monday (Nov. 27) over allegations he ran a violent Atlanta street gang that committed murders, carjackings and many other crimes over the course of a decade — charges that, if proven, could send him to prison for decades.

Fulton County District Attorney Fani Willis, whose office is prosecuting the case, has said that YSL wrought “havoc” on the Atlanta area for nearly a decade: “It does not matter what your notoriety is, what your fame is,” Willis said hours after the superstar rapper was first arrested. Thug’s lawyer, Brian Steel, says he is innocent: “Mr. Williams committed no crime whatsoever.”

The YSL case pits prosecutors in America’s rap capital against one of the country’s biggest hip-hop artists, making it one of the music industry’s most closely-watched criminal cases in years. To get you up to speed before the trial, Billboard is explaining the YSL case: How did we get here? What exactly is this case about? And what comes next? Here’s everything you need to know.

What’s Young Thug accused of doing?

In May 2022, Willis unveiled a 56-count indictment against Thug and 27 other alleged members of YSL — an entity that she says is not really a record label called “Young Stoner Life,” but actually a violent Atlanta gang called “Young Slime Life” that’s affiliated with the national Bloods gang.

The case claims that since 2012, YSL members have committed a wide range of criminal wrongdoing centered on the Cleveland Avenue area of Atlanta, including murder, assault, robbery, theft, illegal gun possession, illegal drug possession and sales, and more. And prosecutors say that Thug was the clear leader of the organization — they’ve called him “King Slime — who “made YSL a well-known name” by “referring to it in his songs.”

In addition to Thug, the charges also targeted his star protégé Sergio “Gunna” Kitchens, as well as Deamonte “Yak Gotti” Kendrick, Arnold “Lil Duke” Martinez, Thug’s brother Quantavious “Unfoonk” Grier and many others.

The case is built on Georgia’s Racketeer Influenced and Corrupt Organizations Act, a law based on the more famous federal RICO statute that’s been used to target the mafia, drug cartels and other forms of organized crime. Such racketeering laws make it easier for prosecutors to sweep up members of an alleged criminal enterprise based on many individual actions.

Some of the most serious accusations in the indictment center on the 2015 killing of Donovan “Big Nut” Thomas Jr., who prosecutors say ran a rival gang in Atlanta. Five YSL members are directly charged with the murder, while Thug himself is accused of renting the car that was used to commit the killing.

Prosecutors also say other members looked to Thug for leadership on serious crimes. In one allegation, the indictment claims that two other YSL members discussed “how to obtain permission” from the rapper before attempting to murder rival rapper YFN Lucci (Rayshawn Bennett) while he was in jail.

After an updated, 65-count indictment was filed August 2022, the star himself is now facing eight counts, including one count of participating in the RICO conspiracy; one count of participating in a criminal street gang; three counts of violating the Georgia Controlled Substances Act; one count of possession of a firearm while committing a felony; and one count of possession of a machine gun.

Go read the full indictment here.

What happened to Gunna?

In the 18 months since the YSL indictment was first handed down, many of the original 28 defendants have either accepted plea deals or been separated from the case for procedural reasons, leaving only six defendants to face trial this week. Just weeks ago, for instance, Derontae “Bee” Bebee pleaded guilty and was sentenced to five years in prison.

The biggest plea came from Gunna, a critically-acclaimed YSL artist who has frequently been described as Young Thug’s protégé. Last December, he took a so-called Alford plea — a legal maneuver that allows a defendant to enter a formal admission of guilt while still maintaining their innocence. The deal made sense: Gunna had been charged in only one count of the indictment and faced far less serious accusations, mostly centered on his participation in music and social media that promoted YSL.

At the time, Gunna stressed that he had not agreed to work with prosecutors to convict Young Thug or any of the other defendants, and had “absolutely NO intention of being involved in the trial process in any way.” But at the court hearing where he entered the plea deal, Gunna publicly acknowledged that YSL was both “a music label and a gang,” and that he had “personal knowledge that members or associates of YSL have committed crimes and in furtherance of the gang.”

That has led to some backlash for the rapper, but true to his word, Gunna is not expected to testify at the upcoming trial. Citing an anonymous source, Rolling Stone reported in December that an understanding had been reached that “the state is not going to call him as a witness.” And if he were called, he would still be entitled to exercise his Fifth Amendment right to avoid answering questions.

Why are rap lyrics being cited in court?

The YSL case is one of the most prominent examples of prosecutors using lyrics as evidence against the artists who wrote them — a controversial practice that has drawn backlash from civil liberties activists, defense attorneys and, increasingly, the music industry.

Critics say the use of lyrics as evidence unfairly treats rap as a literal confession rather than a work of creative expression, potentially violating the First Amendment. Even worse, they say rap can have a prejudicial effect on jurors, tapping into existing biases toward young Black men and helping prosecutors win convictions where more concrete evidence is lacking.

California recently enacted first-of-its-kind legislation restricting the practice, and Democrats in Congress have proposed a bill that would do the same in federal cases — an effort supported by major music industry groups. But in the absence of such laws, courts around the country have mostly upheld the right of prosecutors to cite rap lyrics, particularly in gang-related cases.

For her part, the Fulton County District Attorney has offered no apologies: “If you decide to admit your crimes over a beat, I’m gonna use it,” Willis said last year. “I have some legal advice: don’t confess to crimes on rap lyrics if you do not want them used, or at least get out of my county.”

At a climactic pre-trial hearing earlier this month, Thug’s lawyer blasted prosecutors for attempting to use creative expression to convict his client. “They are targeting the right to free speech, and that’s wrong,” he said. “They are saying that just because he his singing about it, he is now part of a crime.”

Prosecutors argued back that lyrics were “proclamations of violence” by alleged gang members, making them “highly relevant” to proving that YSL was an illegal criminal enterprise. “The issue here is not rap,” one Fulton County attorney argued. “This is not randomly the state attempting to bring in Run DMC from the ’80s. This is specific. These are party admissions. They just happen come in the form of lyrics.”

In the end, Judge Ural Glanville sided with prosecutors and allowed the lyrics to be used in the case, repeatedly telling Thug’s lawyer that “the First Amendment is not on trial” in the case. “They’re not prosecuting your clients because of the songs they wrote,” Glanville said. “They’re using the songs to prove other things your clients may have been involved in. I don’t think it’s an attack on free speech.”

Go read the full list of lyrics that could be cited in the case here.

What took so long to get to trial?

The case against YSL is almost unfathomably complex — so much so that it has repeatedly strained the local legal system nearly to its breaking point.

With 28 men originally indicted, finding lawyers for all of them — a constitutional requirement — proved difficult. According to the Atlanta Journal Constitution, prosecutors secured millions in extra funding to bring huge gang cases, but Georgia’s public defense system did not receive equal funding to keep up. That forced the state to contract with numerous private defense attorneys to help cover the YSL case, but even that arrangement nearly fell apart this past spring over inadequate pay.

Jury selection was even harder. With the trial expected to last as long as a year, it proved nearly impossible to find a dozen people who could drop their financial commitments and halt their lives for that long. The selection process started in January with hopes that the trial could kick off in the spring, but it eventually took more than 10 months — by most accounts, the longest ever jury selection in Georgia state history.

Throughout all of that, Young Thug and the other defendants have been sitting in jail. Though Thug’s attorneys argued that he should be placed under house arrest, Judge Glanville repeatedly refused to grant him bond, swayed by arguments from prosecutors that doing so would increase the risk of witness intimidation.

How is Donald Trump involved?

If the words “Fani Willis” and “RICO” sound familiar, they should: She’s using the very same statute to bring an even-higher-profile case against Trump and others over alleged efforts to overturn the 2020 election in Georgia.

Back in August, a Fulton County grand jury in August indicted Trump and 18 others over accusations that they participated in a criminal scheme to try to keep the Republican in the White House after he lost the presidential election to Democrat Joe Biden. Several co-defendants in that case have recently pled guilty to lesser charges, including former Trump lawyers Sidney Powell and Jenna Ellis.

Willis recently proposed an August 2024 trial for the case — a timeline that could mean that both the YSL trial and the Trump trial would be happening simultaneously. Like the YSL case, the DA’s office expects the election trial to last many months.

Trump’s lead attorney, Steve Sadow, represented Gunna in the YSL case and negotiated his plea deal to end his involvement.

What do prosecutors need to prove?

As with all criminal cases, the burden is on prosecutors to prove “beyond a reasonable doubt” that Thug and others did what they’re accused of — meaning jurors must be virtually certain that they’re guilty before they vote to convict.

To prove the core RICO charges, the DA’s office will need to show a “pattern of racketeering activity” by the YSL members — meaning they conspired to run an illegal enterprise, or a “racket.”

Prosecutors will try to do so by detailing more than 150 “acts” that were allegedly carried out “in furtherance of the conspiracy.” Some of those will be what are called “predicates” — meaning actions that would crimes on their own, like the like Donovan murder. But others will merely be “overt acts,” meaning any concrete step that YSL members took to help the illegal enterprise, even if it isn’t a crime on its own. That’s where social media posts and song lyrics come into the case.

Importantly, prosecutors don’t need to show that every defendant knew about every element of YSL’s operations. They only need to prove that each YSL member knew about the conspiracy and agreed to be part of it, and took at least two actions to further it.

RICO is best known for the federal law that was created in the 1970s to target mob bosses who didn’t directly commit crimes themselves. But many states have passed their own versions, and Georgia’s, passed in 1981, is notably broader than the federal version. It has a longer list of crimes that can serve as “predicates,” and it covers shorter-term criminal conspiracies than the federal law.

Willis is very familiar with Georgia’s RICO statute. In addition to using it against YSL and former President Trump, she also recently brought a RICO case against a gang that allegedly robbed the Atlanta homes of celebrities like Mariah Carey.

And back in 2014, when she was an assistant DA, Willis served as lead prosecutor in a RICO case against a group of Atlanta educators over their role in widespread cheating on standardized tests. Following an eight month trial — the longest in Georgia history — Willis secured convictions against 11 of 12 of the teachers.

“The reason that I am a fan of RICO is, I think jurors are very, very intelligent,” Willis told reporters last year. “RICO is a tool that allows a prosecutor’s office and law enforcement to tell the whole story.”

How is the trial going to play out?

Starting first thing on Monday, the six remaining defendants — Thug, Marquavius Huey, Deamonte “Yak Gotti” Kendrick, Quamarvious Nichols, Rodalius Ryan and Shannon Stillwell — will go to trial.

The jury, composed of seven Black women, two white women, two Black men and one white man, will hear opening arguments from both sides, and then the DA’s office will begin calling witnesses. According to a report by Atlanta’s 11Alive, prosecutors said in court earlier this month that their list of potential witnesses includes a stunning 737 names, featuring 258 lay witnesses — regular people who can testify to what they saw — and 479 expert witnesses, who will explain complex issues to jurors.

Eventually, the defendants will get a chance to call their own witnesses. In a recent legal filing, Thug listed among his potential witnesses rappers T.I. (real name Clifford Harris) and Killer Mike (Michael Render), as well as music business executive Lyor Cohen, who co-founded 300 Entertainment. Thug’s attorneys will also call their own expert witnesses to counter the testimony from the government.

If convicted on the RICO charge, the defendants face prison sentences lasting anywhere from five to 20 years. But Thug and others also face separate charges over other specific crimes that, if proven, could add additional prison time to any eventual sentence.

Taylor Swift Debuts ‘Now That We Don’t Talk’ Live in Sao Paulo

Taylor Swift debuted “Now That We Don’t Talk” live at her first concert in São Paulo, Brazil, Friday night (Nov. 24).

Swift surprised fans at the city’s Allianz Parque stadium with the 1989 (Taylor’s Version) vault track on acoustic guitar.

“I’ve never performed this one live before,” she said. “Let’s see how I do with it.”

“I don’t have to pretend I like acid rock/ Or that I’d like to be on a mega yacht/ With important men who think important thoughts/ Guess maybe I am better off now that we don’t talk,” sang Swift in the punchy outro, while wearing a blue dress.

Following the live debut of “Now That We Don’t Talk,” Swift capped off Friday’s surprise song set with a rare performance of Speak Now‘s “Innocent” at the piano. She hasn’t played “Innocent” for an audience since the 2010 MTV VMAs.

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Over three nights in Rio de Janeiro last weekend, Swift performed a few other songs from her vast catalog live for the first time: 1989 (Taylor’s Version) vault tracks “Slut!” and “Surburban Legends,” and an emotional song from the Midnights (3AM Edition) collection, “Bigger Than the Whole Sky.”

Watch a fan-filmed clip from São Paulo below, and keep track of all the surprise songs from The Eras Tour with Billboard here.

Noah Kahan Covers Olivia Rodrigo’s ‘Lacy’ for BBC Radio 1 Live Lounge

Noah Kahan sprinkled some Guts into his debut performance at BBC Radio 1’s Live Lounge.

For his first-ever Live Lounge set, he of course performed “Stick Season,” and he also played an Olivia Rodrigo album track: the ballad “Lacy.”

“Lacy, oh Lacy, skin like puff pastry/ Aren’t you the sweetest thing on this side of hell?/ Dear angel Lacy, eyes white as daisies/ Did I ever tell you that I’m not doin’ well?” Kahan sweetly sang Thursday (Nov. 23), backed by his band and backup singers.

Kahan’s dreamy cover of “Lacy” comes soon after Rodrigo paid a compliment to him by performing one of his songs. In October, Rodrigo included a cover of Kahan’s breakthrough hit during her Live Lounge set.

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“Is this real,” tweeted a shocked Kahan had tweeted after seeing Rodrigo’s version of “Stick Season.”

The singer-songwriter will soon be making another debut, as the musical guest for Saturday Night Live on the Emma Stone-hosted Dec. 2 episode.

“Snl snl snl oh my god,” he wrote the day the SNL lineup was announced. Then he shared, “I’ll never forget taking a piss next to the man who was hosting the open mic that I’d just played. He said ‘it’s a real tough business and I’ve seen lots of talented people not make it’ I’d never felt so hopeless about my career. I wonder who I’ll piss next to at SNL??”

Watch Kahan make “Lacy” his own below, and check out his latest live performance of “Stick Season.”





Buffy Sainte-Marie Responds to Report About Her Indigenous Heritage: ‘I Have Never Lied About My Identity’

Buffy Sainte-Marie has released a response to the CBC investigation that called into question her Indigenous identity. The investigation was released by The Fifth Estate on Oct. 27 and is available to watch here.

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At the time, the singer-songwriter did not provide a direct response, but released a pre-emptive video affirming that she had told the truth as she knew it. This week, she released a longer statement touching more directly on CBC’s report — most specifically the discovery of her birth certificate that listed the Italian-American adoptive parents as her actual birth parents.

“This is my life,” she writes. “I am not a piece of paper. I am a product of both my families and all my experiences in this world.”

The response comes after a documentary about her life, Buffy Sainte-Marie: Carry It On, won an International Emmy award on Nov. 20. The documentary originally premiered at the Toronto International Film Festival in 2022, well before CBC’s investigation into her Indigenous heritage was released, and does not touch on any of the questions raised in that reporting.

In advance of the Emmys, White Pine Pictures — who co-produced the documentary along with Eagle Vision and Paquin Entertainment — released a statement on its website standing behind the documentary and Sainte-Marie. “We stand behind Buffy and believe it to be true that her mother told her she was adopted and of Canadian Indigenous descent,” they wrote.

A group called the Indigenous Women’s Collective called the Emmy win “a slap in the face to so many Indigenous people.” The group, which has also called for the Juno Awards to rescind her 2018 award for Indigenous Album of the Year, wrote on X that “documentaries are supposed to present factual information..Pretendianism is an act of colonial violence and should never be celebrated. We can not denounce it for one, and ignore it for another.”

Billboard Canada reached out to the team behind the film and has not yet received a response.

Yesterday (Nov. 23), through a publicist, Sainte-Marie sent out a statement to media and requested that it be printed in full. You can read the full statement below:

“I want to begin by thanking the International Academy of Television Arts & Sciences for the honour. As one of the most prestigious awards in the global entertainment industry, it is a true recognition of the outstanding team who worked on my story – the true story of my life.

I’ve always believed it takes rain and sunshine to bring a rainbow. This great honour does indeed come after the rain – as I continue to absorb and process the recent attack on my character, life and legacy. It’s a deep wound to my inner child, but as an 82-year-old now, I’m strong – and these allegations do not shake me.

Now it is time for me to shine a light on the truth, my truth.

I have never lied about my identity. The more I’ve known, the more I’ve pieced together a sense of self from what information has been available to me.

What I know about my Indigenous ancestry I learned from my growing up mother, who was of Mi’kmaq heritage, and my own research later in life. My mother told me that I was adopted and that I was Native, but there was no documentation as was common for Indigenous children at the time.

When I grew up, I was adopted into a Cree family by Emile Piapot (son of Chief Piapot, Treaty 4 Adhesion signatory), and Clara Starblanket Piapot (daughter of Chief Starblanket, Treaty 4 signatory), in accordance with Cree law and customs. They were kind, loving, and proud to claim me as their own. I love my Piapot family and am so lucky to have them in my life.

I have always struggled to answer questions about who I am. For decades, I tried to find my birth parents and information about my background. Through that research what became clear, and what I’ve always been honest about: I don’t know where I’m from or who my birth parents are, and I will never know. Which is why, to be questioned in this way is painful, both for me, and for my two families I love so dearly.

My Indigenous identity is rooted in a deep connection to a community which has had a profound role in shaping my life and my work. For my entire life, I have championed Indigenous, and Native American causes when nobody else would, or had the platform to do so. I am proud to have been able to travel the world, sharing Indigenous stories. I have always tried to bridge gaps between communities and educate people to live in love and kindness.

This is my truth. And while there are many things I do not know; I have been proud to share my story – as I know it – throughout my life.

The attack on my character is full of mistakes and omissions. While I will not stoop to respond to every false allegation, I feel it is important to clarify two things.

First, the central proof used to question my identity is a story fabricated by my abuser and repeated by two members of my estranged family I don’t even know. This has been incredibly re-traumatizing for me and unfair to all involved. It hurts me deeply to discover that my estranged family grew up scared of me and thinking these lies because of a letter I sent intended to protect me from further abuse from my brother. I want to be clear, I do not blame them. They, of course, want to believe their father. I have evidence I was sexually abused by my brother, but I can’t tolerate discomforting his children even more. I wish them only the best and hope they move forward from this and find peace, as I am trying to do.

The second is my “birth certificate”. As many Indigenous people know, and the National Sixties Scoop Healing Foundation of Canada has stated, it was common for birth certificates of Indian children to be “created” by western governments after they were adopted or taken away from their families. So it was quite shocking to me to hear a city clerk say she had 100% confidence in its authenticity. I have never known if my birth certificate was real. I have used it because it was the only document I’ve had my whole life. I’ve heard from countless people with similar stories – who do not know where they are from and feel victimized by these allegations and one-sided reporting as I do.

Most importantly, this is my life – I am not a piece of paper. I am a product of both my families and all my experiences in this world.

If you are a pure-blood documented something, I’m glad for you. It’s awesome and beautiful to hear you speak your lineage, history and genealogy. But even if your documentation says you’re racially pure, you might miss the point. Being an “Indian” has little to do with sperm tracking and colonial record keeping: It has to do with community, culture, knowledge, teachings, who claims you, who you love, who loves you, and who’s your family.

With respect and love.

Buffy Sainte-Marie”

Billy Joel Will Still Tour After His Last MSG Show: ‘We’re Going to Different Places’

Billy Joel’s residency at Madison Square Garden ends in July 2024, but he’s not mothballing the tour bus just yet.

At the Nov. 21 preview of the Long Island Music and Entertainment Hall of Fame’s career retrospective, Billy Joel: My Life — A Piano Man’s Journey, the veteran entertainer told the crowd, “I’m not leaving [touring]. We’ll still do the work — we’re just not going to keep working in the same place. We’re going to different places.”

My Life is a journey down the long, eventually illustrious career of Long Island’s favorite son, who was born in the Bronx, grew up in the Oyster Bay hamlet of Levittown and went on to score 42 Billboard Hot 100 hits — 13 in the top 10, and three of them No. 1s — and who holds the record for the most number of performances at New York’s Madison Square Garden: 136. The LIMEHoF exhibit, which is located at the Stony Brook Village Center, includes a program from Joel’s first piano recital, at the age of 12 in 1961; his personal book of lyrics; instruments from one of his first bands, The Hassles; a seat ripped from one of Joel’s 1987 concerts in the Soviet Union that is autographed by band members (Joel’s inscription reads, “Swimsuits!”); eight-track tapes and picture-sleeve 45s of his albums and singles; gold and platinum albums of his hits, and the nine-foot grand piano he played on his Face to Face Tour with Elton John.

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“Where is Elton, by the way?” Joel asked the crowd with a smile. “He’s retiring [from live performances], but I think he’ll show up somewhere again.”

Billy Joel

Billy Joel

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The exhibit’s designers said that approximately half of the exhibit’s memorabilia came from Joel and the rest from fans when they learned it was planned. During the preview, guests could be seen pointing out their donations to friends.

Joel, who was wearing a Deus Ex Machina Custom Motorcyles cap, said that though those gathered may have seen his Oyster Bay home for sale — not his childhood residence, a 26-acre estate listed at $49 million, although it reportedly is no longer on the market — he was not leaving Long Island. “This is my home; it will always be my home. We will always have this as our home — and we’ll come and visit this place a lot.”

“It’s a little overwhelming. Have you ever found yourself surrounded by you? It’s kind of a nightmare,” he told the crowd before concluding, “I guess I’ve lived.”

Billy Joel

Billy Joel

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Paris Hilton Welcomes Second Baby With Husband Carter Reum

Paris Hilton has one major reason to give thanks this year: a new baby girl.

The 42-year-old “Stars Are Blind” singer announced on Thanksgiving (Nov. 23) that she has welcomed a second child with husband Carter Reum.

“Thankful for my baby girl,” Hilton wrote on Instagram.

The heiress’ post featured a photo of an adorable pink baby outfit with the name London stitched on the front, alongside red heart-shaped sunglasses and a pint-sized knitted stuffed animal.

Hilton’s new daughter was welcomed via surrogate, a representative for the reality TV star confirmed to the Associated Press on Friday (Nov. 24).

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She also confirmed the news in a TikTok post where she’s heard telling her niece and nephew that she now has “two babies” and asks them, “You guys excited for your new cousin?”

Hilton’s friend Demi Lovato commented on the Instagram post, writing, “Omg congratulations!!!” Paris has been tapped to appear on the pop star’s upcoming Roku specialA Very Demi Holiday Special, which is set to air on Dec. 8.

Hilton and Reum also share son, Phoenix, who arrived earlier this year via surrogate. The couple was married in November 2021.

In a second Thanksgiving day post, the part-time DJ shared family photos with her husband and son amid a large feast. “So much to be grateful for this Thanksgiving,” she captioned the carousel.

See Hilton’s posts on Instagram below.

Dylan Scott Scores His Third Country Airplay No. 1 With ‘Can’t Have Mine’

Singer-songwriter Dylan Scott earns his third chart-topper on Billboard’s Country Airplay tally (dated Dec. 2) as “Can’t Have Mine” (Curb) hops from No. 4 to No. 1. In the Nov. 17-23 tracking week, the single gained by 16% to 32.5 million audience impressions, according to Luminate.

Scott co-wrote the song with Matt Alderman, Josh Melton and Dallas Wilson. It’s the second single from Scott’s second LP, the 16-track Livin’ My Best Life, released in August 2022. Lead single “New Truck” rolled to No. 1 for a week that month.

The 33-year-old Scott from Bastrop, La., notched his first Country Airplay No. 1 with “My Girl,” which dominated for one week in July 2017. He boasts two other top 10s, both of which reached No. 2: “Nobody,” in June 2021, and “Hooked,” in September 2018.



“Can’t Have Mine” reaches the Country Airplay penthouse in its 62nd week on the chart, completing the lengthiest trip to No. 1 this year and the fourth-longest since the survey launched in January 1990. Michael Ray’s “Whiskey and Rain” took 65 frames to lead the list in January 2022, matching Travis Denning’s 65-week trek to the top in June 2020, while, also in June 2020, Scotty McCreery’s “In Between” hit No. 1 in its 63rd week.

‘Horse’ Gallops

Chris Stapleton’s “White Horse” hits the Country Airplay top 10 (11-10; 17.4 million, up 16%). The song, which Stapleton wrote with Dan Wilson, becomes his fifth top 10. It’s from his LP Higher, which debuted at No. 1 on the Nov. 25-dated Top Country Albums chart with 90,000 equivalent album units, becoming his fifth leader.

“White Horse” is Stapleton’s first Country Airplay top 10 since “You Should Probably Leave,” which led for a week in February 2022, marking his second No. 1.