Music

Usher Hopping on Jung Kook ‘Standing Next to You’ Remix

Usher has an early Christmas present for his fans and for ARMY. Bit Hit Music announced on Tuesday that Usher will hop on a remix of BTS member Jung Kook‘s “Standing Next to You,” which is due out on Friday (Dec. 1).

“We are pleased to announce the release of the remix version of ‘Standing Next to You,’ the main track of Jung Kook’s solo album, Golden,” read the statement from Big Hit. “Featuring the U.S.-based R&B artist Usher, this remix adds a velvety touch to the energetic vibe of the original version, showcasing the synergy between the two artists in full force. We ask for you enthusiastic love and support for ‘Standing Next to You – Usher Remix’ and Jung Kook’s future endeavors.”

The original song appeared on JK’s debut solo album, Golden, which was released earlier this month and at press time no additional information was available on the remix. Golden came pre-loaded with a number of other big-name collabs, opening with the hit Jack Harlow single, “3D,” followed by the Major Lazer-assisted “Closer to You.”

It also features “Seven” featuring Latto and “Please Don’t Change” with DJ Snake.

Earlier this month, Usher completed a R&B/Hip-Hop radio trifecta when his song “Good Good” featuring Summer Walker and 21 Savage rose to No. 1 on Billboard‘s Adult R&B Airplay chart after the single also topped the plays-based Mainstream R&B/Hip-Hop Airplay chart and the audience-based R&B/Hip-Hop Airplay charts for two weeks each.

Prior to announcing the Usher team-up, Jung Kook dropped another “3D” remix last week featuring Justin Timberlake over a slick track with a throwback mid-2000s dance vibe. “Jung and JT on the main now/ You can still find me in a drop top/ With the top down but I got so many lanes now,” Timberlake sings on his verse. “Come with me, I’ll just call up the plane now/ Now let me fly you out to Seoul, Korea/ I Just wanna get into your soul like Aretha. I got the volume when you wanna get the beat up.”

See the Big Hit announcement below.

Jimmy Barnes Leads Mushroom’s 50th Anniversary Celebrations With Star-Studded Concert

The music of Mushroom, its mighty roster, and the chutzpah, energy and x-factor of its late leader Michael Gudinski was on display Sunday, Nov. 26 for Mushroom 50 Live, an all-star concert celebrating the independent music company’s half century.

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Billed as a “once-in-a-lifetime event,” the show at Melbourne’s Rod Laver Arena was a conveyer belt through a musical time machine, taking the audience for a non-linear stroll through the history of Mushroom, glued together with interviews, tributes, vintage reels and footage of MG.

When Jimmy Barnes delivered a fiery performance at the top of the show, a statement was made — strap in.

Barnes, the rock legend who boasts more No. 1 albums on the ARIA Chart than any other artist, and who fronted Cold Chisel, the quintessential Aussie rock band, performed two of his signature songs, “No Second Prize” and “Working Class Man.”

“It is so nice to be here celebrating 50 years with Mushroom,” Barnes told the crowd. “I was singing with Mushroom for 40 of those years. The other 10 I was watching Mushroom and watching the bands they were developing. It’s such an honor to be here. We’ve got a lot of friends in this room, a lot of friends here I can feel them, even the ones who aren’t here, I can still feel them,” Barnes noted, a nod to his old mate MG. “They’re in my heart.”

The hits kept rolling. Vika & Linda performed “I’m Living in the ‘70s,” a classic from Skyhooks, the glam rock band that gave MG and Mushroom its breakthrough. Amy Shark spun a fresh interpretation of Kylie Minogue’s “Can’t Get You Out of My Head,” DMA’S turned their attention to “Silver” and “Lay Down,” Frente returned to “Ordinary Angels,” Paul Kelly hit “Before Too Long” and a cover of Sunnyboys’ “Alone With You,” Christine Anu sang “My Island Home.”

Anyone who has signed to Mushroom “will tell you that that it feels like a family, and tonight feels like an extension of that family” explained Missy Higgins, who made several trips to the stage.

Goanna’s Shane Howard, a late addition to the lineup, had the audience on its feet early with a rousing performance of “Solid Rock,” a statement song that sounds as relevant now as it did on its release in the early ‘80s.

Mushroom’s recognition of the great artistry of Australia’s Indigenous music community was in full view as Yothu Yindi got the room shaking with “Djäpana (Sunset Dreaming)” and “Treaty”, then Dan Sultan orchestrated a pin-drop moment with his rendition of the late, great Archie Roach’s “Took The Children Away.”

Both of MG’s kids, Kate and Matt, spoke on the night. “He created a family environment that extended to artists as well as his staff and the whole music industry,” Kate enthused. “Dad was incredibly proud that a song which was written in our family home at Mount Macedon by a Melbourne band became a global hit.” That song was The Temper Trap’s “Sweet Disposition,” and, naturally, Dougy Mandagi and Co. were on hand to deliver the goods.

On paper, and with 36 artists doing their part, Mushroom 50 Live looked like a logistical nightmare. No doubt it was, though the production team and the artists, the majority performing on a rotating main stage, with several others on a second stage in the round, pulled it off.

The evening reached its climax with Mark Seymour’s mini-set, which included Hunters & Collectors’ “Throw Your Arms Around Me.” Seymour performed the much-loved, often-covered song in a virtual duet with Ed Sheeran, whose own solo rendition of the song leads-off the recently-released Mushroom tribute album, 50 Years Of Making Noise. Gremlins did their sneaky work on Sheeran’s video link. No biggie. The audience lapped it up, both in the room and back home.

The free-to-air Seven Network hosted the marathon, four-hour special event and won the night. Mushroom 50 Live was the most-watched entertainment show of the evening, capturing 557,000 metro viewers, according to OzTAM data, with 490,000 tuning in for the late session and 350,000 caught the finale. Across the nation, some 830,000 people tuned in, according to Mushroom.

“We’re one of the great music countries of the world and Melbourne is the music capital of Australia,” Matt Gudinski, chairman and CEO of Mushroom Group, said as he looked down the barrel of the Seven Network’s cameras. It’s a business that was “created to nurture and promote Australian talent.” And today, “we’re passionate as ever about discovering new talent that can be embraced by the world.”

Mushroom 50 Live was part of the ALWAYS LIVE 2023 program, a 17-day statewide celebration of contemporary live music supported by the Victoria Government through Visit Victoria.

Troye Sivan Shortlisted For 2023 Australian Music Prize

Albums by Troye Sivan, Genesis Owusu, Gretta Ray and Jen Cloher are among the finalists for the 19th annual Australia Music Prize, announced Thursday, Nov. 29.

Sivan has a chance of extending his winning streak, which earlier this month saw the Aussie pop star clean up at the 2023 ARIA Awards with four wins, including song of the year and best solo artist. The Perth, Western Australia-raised singer and songwriter is one of nine artists nominated for the AMP, earning a nod for Something to Give Each Other, his ARIA Chart-topping third studio album.

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Meanwhile, Owusu can go a perfect two-from-two with Struggler, his sophomore effort. The Ghana-born, Canberra-raised hip-hop-meets-funk artist won the AMP in 2021 for Smiling with No Teeth.

Cloher, the singer, songwriter and guitarist, is recognized on the shortlist with I Am The River, The River is Me, her third AMP nomination after chances at the 2013 and 2017 editions.

Gretta Ray is no stranger to industry accolades, having triumphed in the Vanda & Young Global Songwriting Competition and Triple J Unearthed contest earlier in her career. Making Positive Spin, her second album, was “such a joyous, rewarding process,” she explains. The collection “heavily focuses on the theme of gratitude, and after touring it throughout Australia and the U.K. over these past few months, being shortlisted for this prize has me feeling more grateful than ever.”

Also in the running are longplays by Angie McMahon (Light, Dark, Light Again), Floodlights (Painting Of My Time), Mo’Ju (ORO,PLATA,MATA), Polaris (Fatalism), and RVG (Brain Worms).

One of the top honors in Australia’s music awards calendar, the AMP celebrates “the album as an art form,” regardless of commercial success.

Those eligible Australian artist albums were released during the period Jan. 1 to Oct. 27, 2023, with the winner snaring A$30,000 ($20,000), courtesy of headline sponsor SoundMerch. Almost 450 eligible albums were considered this time by a judging panel of industry experts.

“It’s always an honor to be shortlisted for the AMP, I know how rigorous a process goes into deciding on the final nine,” comments Cloher in a statement unveiling the shortlist. “To be honest, it’s the only music award that I take seriously on this continent.”

Spearheaded by founder and prize director Scott Murphy, previous AMP recipients include Sampa the Great (twice), the Avalanches, Courtney Barnett, the late Gurrumul, and the most recent champ, King Stingray.

The winner for 2023 will be announced during an event held next Wednesday, Dec. 6 at the APRA AMCOS offices in Sydney. Universal Music Australia labels EMI, Virgin and Island Records continue their support of the AMP by contributing funds which enable nominees to attend the finale.

2023 AMP shortlist:

Angie McMahon – Light, Dark, Light Again
Floodlights – Painting Of My Time
Genesis Owusu – Struggler
Gretta Ray – Positive Spin
Jen Cloher – I Am The River, The River is Me
Mo’Ju – ORO,PLATA,MATA
Polaris – Fatalism
RVG – Brain Worms
Troye Sivan – Something to Give Each Other

Yes, Ally Brooke Is ‘Trying to Reunite’ With Her Former Fifth Harmony Members

As a teaser for the new music that she has on the horizon, former Fifth Harmony member Ally Brooke dropped “Gone to Bed” this past September as a way to go back to her pop roots.

In a new interview with Billboard News, Brooke breaks down her latest single. “I love it so much, it’s basically about two lovers. You want to see your lover but you don’t and you end up seeing that person, and you’re like ‘Man, I really should’ve gone to bed,’” she explains.

The track comes years after Fifth Harmony — which was reduced to Normani, Lauren Jauregui and Dinah Jane after Camila Cabello left — disbanded in 2018. During her interview, Brooke says she hadn’t seen any of her former collaborators until recently, when she and Dinah Jane reconciled at a party for the first time in five years. The reunion was healing, she shares, especially since they’ve had time to grow separately.

“We’re women now and we have grown so much and we have done our own thing, gone our own ways and gone our own path. And now we’re together in a different light,” she explains, while hinting at more reunions with the other members in the future. “I’m trying to reunite with them, so I think some sort of reunion may happen.”

In the years since her work with Fifth Harmony, Brooke dabbled in Latin music, but revealed that she ultimately missed making the pop sounds of her earlier career. “I felt I really wanted to go back to who I truly was, the pop artist that I am,” she recalls. “I recently reconnected with my former A&R from my Fifth Harmony days … he’s amazing, he’s responsible for all the hits. We recently reconnected. He played ‘Gone to Bed’ and I completely fell in love. I was like, ‘That’s my record.’”

As for what’s next for Brooke’s solo endeavors, she promises that an album is on the horizon for 2024: “There is 100 percent an album, but that will be for next year,” she says. “Fingers crossed, but it’s really true. We’re just beginning to work on it and we have a lot that’s in store.”

Watch Brooke’s full Billboard News interview in the video above.

ENHYPEN Score Sixth Top 10 on Album Sales Chart With ‘Orange Blood’

ENHYPEN score their sixth top 10 on Billboard’s Top Album Sales chart (dated Dec. 2), as the Korean pop ensemble’s Orange Blood bows at No. 2. The set sold 87,000 copies in the U.S. in the week ending Nov. 23, according to Luminate.

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Also in the top 10 of the new Top Album Sales chart, Dolly Parton notches her first No. 1 on the 32-year-old list with the arrival of Rockstar; Taylor Swift has half of the top 10 thanks to sale pricing and promotions for Black Friday, and Cher’s Christmas vaults 23-10 after its release on vinyl.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of the 87,000 copies sold of Orange Blood, physical sales comprise 86,000 (all on CD) and digital download album sales comprise 1,000. Its sales were bolstered by its availability across a dozen collectible CD packages (including exclusive versions sold by Barnes & Noble, Target and Walmart; all with branded merchandise inside, some with randomized elements).

As previously reported, Parton’s Rockstar rules Top Album Sales with her biggest sales week of the modern era (since Luminate began electronically tracking sales in 1991), with 118,500 copies sold. Its sales were enhanced by a variety of iterations available on vinyl and CD.

Swift has half of the top 10 on Top Album Sales for a third time, thanks to sale pricing and promotions previewing the Black Friday shopping holiday on Nov. 24. (Swift previously had five of the top 10 on the Nov. 11-dated list, and six of the top 10 on the July 22-dated chart.) On the latest Top Album Sales ranking, Swift’s 1989 (Taylor’s Version) falls 2-3 (64,000; down 7%), Folklore jumps 14-6 (20,000; up 77%), Midnights rallies 11-7 (19,000; up 57%), Lover leaps 16-8 (18,000; up 80%) and Speak Now (Taylor’s Version) shoots 15-9 (17,000; up 72%). All are former No. 1s on the tally.

Stray Kids’ ROCK-STAR falls 1-4 in its second week on Top Album Sales, selling 46,000 copies (down 78%). Jung Kook’s chart-topping Golden dips 4-5 with 20,000 sold (down 42%).

Rounding out the top 10 is Cher’s Christmas, which returns to the region, zipping 23-10 with 14,000 sold (up 82%) following the set’s release on vinyl on Nov. 17. It sold a little over 6,000 copies on vinyl. Christmas debuted and peaked at No. 5 on the Nov. 4-dated chart.

In the week ending Nov. 23, there were 2.34 million albums sold in the U.S. (up 1.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.98 million (up 2.6%) and digital albums comprised 361,000 (down 3.1%).

There were 923,000 CD albums sold in the week ending Nov. 23 (down 3.4% week-over-week) and 1.046 million vinyl albums sold (up 8.6%). Year-to-date CD album sales stand at 31.921 million (up 2.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 41.441 million (up 17.1%).

Overall year-to-date album sales total 90.474 million (up 6.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 73.857 million (up 10.4%) and digital album sales total 16.617 million (down 9.4%).

Garth Brooks & Trisha Yearwood Perform ‘Imagine’ During First Lady Rosalynn Carter Memorial

Garth Brooks and Trisha Yearwood were among those who gathered in Atlanta on Tuesday (Nov. 28) to pay their respects and honor the life of former first lady Rosalynn Carter, who died Nov. 19 at age 96.

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The memorial service took place at Glenn Memorial United Methodist Church, on the campus of Atlanta’s Emory University, just over two hours away from the longtime home Rosalynn Carter shared with her husband, former U.S. President Jimmy Carter, who also attended the memorial service.

Brooks and Yearwood took part in the service, with Yearwood singing the John Lennon classic “Imagine,” and Brooks accompanying her on guitar. Following the performance, Yearwood briefly touched Carter’s coffin before the couple exited the stage.

Brooks and Yearwood came to know the Carters through volunteer work with Habitat for Humanity. During a press conference on Nov. 20 to celebrate his Friends in Low Places Bar & Honky-Tonk in downtown Nashville, Brooks noted that Georgia natives Yearwood and Rosalynn Carter had forged a close friendship over the years. Brooks told reporters that Yearwood called Carter a “quiet warrior.”

“What she says is very quiet, yet very powerful,” Brooks told reporters, “and what she taught Miss Yearwood — what she teaches us all — is the lion doesn’t have to roar, and the statement doesn’t have to be more than a few words to get your point across. She was great at that, and everyone loved her for that.”

In 2021, Brooks and Yearwood honored the Carters’ 75th wedding anniversary by gifting them with a fully restored red 1946 convertible, which was made the same year the Carters wed.

Watch Brooks and Yearwood’s “Imagine” cover at the memorial service below:



Nardo Wick Responds to Viral Video of Fan Being Assaulted by Security After His Show

A video showing two members of Nardo Wick‘s entourage knocking out a fan who was trying to ask for a photo made the rounds on social media earlier Tuesday (Nov. 28), and now Wick has released a statement.

The video, filmed after Wick’s performance at Club Skye in Tampa, Fla., on Monday night, shows a man approaching the “Who Want Smoke?” rapper before being stopped and then punched repeatedly by two men as he falls to the ground. As he’s being assaulted, a voice believed to be Wick’s can be heard in the background telling the men to “chill.” (You can watch the video here; warning that it’s violent.)

The Tampa Police Department said in a statement they are “interested in speaking to anyone who witnessed the incident or may have information that would assist in identifying the suspects.” The victim’s mother took to Facebook in an attempt to bring attention to the situation, posting, “My son wanted a stupid f—in picture with his favorite artist!!! And this is what he gets!!! I am sick to my stomach to think about how this could have turned out!!!!”

Wick, who initially refused to respond to TMZ‘s request for comment about the video, posted a statement to his Instagram page.

The Jacksonville, Fla., rapper wrote: “I don’t condone what happened to my fan George after my show in any type of way, I expressed to him and his mama how sorry and concerned I was that it happened to him, multiple times before anything was even posted or on the internet. I sent his mama my number instantly the night it happened. I was even gone make a post to try to find out who he was before his mama text me. I cant control another grown man actions, I ain’t know that was gone happen, and I was mad when it happened. I tried to stop it as u can see in the video, and if somebody got the longer video you can see how mad I was, I love and appreciate all my fans and don’t condone in what happened at all dat sh– ain’t gangsta or cool in no type of way.”

A spokesperson for the Tampa Police Department said they are currently investigating the situation and that the victim is in “critical, but stable condition.”

Brothers Osborne Set 2024 Might as Well Be Us Tour

Brothers Osborne, who picked up their sixth consecutive duo of the year win at the CMA Awards earlier this month, will launch their headlining, 35-date Might as Well Be Us tour in 2024, bringing their show to cities including Atlanta, New Orleans, Philadelphia, Las Vegas and Chicago.

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The tour will welcome openers Stephen Wilson Jr., The Cadillac Three, Zach Top, Jackson Dean, Madeline Edwards and Caylee Hammack.

Following the release of their genre-blurring self-titled fourth studio album, the duo earned a Grammy nomination for best country album, as well as a nomination for best country duo/group performance (for “Nobody’s Nobody”) at the 2024 Grammys. The duo earned their first Grammy win last year, earning best country duo/group performance for their song “Younger Me.” Since making their debut with “Let’s Go There” in 2013, the duo has earned two top 10 Country Airplay and Hot Country Songs hits, with “Stay a Little Longer” and the Dierks Bentley collaboration “Burning Man.”

The sibling duo’s John and TJ Osborne co-wrote every song on their 11-track self-titled project, including their radio single “Nobody’s Nobody,” which they wrote with Mike Elizondo and Kendell Marvel.

“We are always pushing ourselves, always evolving and not afraid to change,” John Osborne said in a statement. “But at the end of the day, we are also who we are.”

“This is a defining record at this point in our career, where we needed to put it all on our shoulders,” TJ added. “And we did. Like it was when we were growing up, it’s just John and me.”

Members of the band’s The Family Fan Club can unlock exclusive pre-sale access to shows by logging into the official website at brothersosborne.com. Brothers Osborne fan-club presale will begin on Wednesday, Nov. 29 at 10 a.m. local time, with select presales that week ahead of general on-sale which will begin on Friday, Dec. 1 10 a.m. local time here.

See the full list of Might as Well Be Us Tour dates (with openers noted) below:

March 28: Milwaukee, WI – The Rave – Eagles Ballroom*
March 29: Omaha, NE – Steelhouse Omaha*
March 30: Waukee, IA – Vibrant Music Hall*
April 3: Atlanta -Coca-Cola Roxy+
April 4: Spartanburg, SC – Spartanburg Memorial Auditorium+
April 5: Chattanooga, TN – Soldiers and Sailors Memorial Auditorium+
April 11 – Cincinnati, OH – The Andrew J Brady Music Center^
April 12 – Birmingham, AL – Avondale Brewing Company^
April 13: New Orleans, LA – Saenger Theatre^
April 18: Boston, MA – MGM Music Hall at Fenway$
April 19: Philadelphia, PA – The Metropolitan Opera House (“The Met”)$
April 20: Wallingford, CT – Toyota Presents Oakdale Theatre$
April 25: Saint Augustine, FL – The Saint Augustine Amphitheatre+
April 26: Orlando, FL – Hard Rock Live Orlando+
April 27: Hollywood, FL -Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood.+#
May 18: Idaho Falls, ID – Mountain America Center%
May 19: Sandy, UT – Sandy Amphitheater%
May 21: Portland, OR – Arlene Schnitzer Concert Hall%
May 22: Abbotsford, BC – Abbotsford Centre%
May 24: Modesto, CA – The Fruityard%
May 25: Oakland, CA – Fox Theater%
May 29: San Diego, CA – Cal Coast Credit Union Open Air Theatre%
May 31: Santa Barbara, CA – Santa Barbara Bowl%
June 2: Las Vegas, NV – The Chelsea at The Cosmopolitan of Las Vegas%
June 7: Charlotte, NC – Skyla Credit Union Amphitheatre@
June 8: Raleigh, NC – Red Hat Amphitheater@
June 13: Columbus, OH – KEMBA Live! Outdoor Amphitheatre*
June 14: Buffalo, NY – Terminal B at The Outer Harbor*
June 15: Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill*
June 20: Pittsburgh, PA – Stage AE – Outdoors+
June 21: Indianapolis, IN – Everwise Amphitheater at White River State Park+
June 22: Chicago, IL – The Salt Shed+
June 27: LaFayette, NY – Beak & Skiff Apple Orchards Summer Concert Series*
June 28: Newark, NJ – New Jersey Performing Arts Center – Prudential Hall*
June 29: Cleveland, OH – Jacobs Pavilion*

*Stephen Wilson Jr.
+ The Cadillac Three
^ Zach Top
$ Jackson Dean
% Madeline Edwards
@ Caylee Hammack
# on-sale Dec. 8 at 10am Local Time

Taylor Swift Is ‘Feeling So Proud & Moved’ After Final Eras Tour Shows of 2023 in Brazil

Taylor Swift is taking a moment for gratitude now that her 2023 Eras Tour concerts are complete.

The pop star took to X on Tuesday (Nov. 28) to express how thankful she was to have completed the tour in Brazil, as well as her love for the fans in attendance who have made the shows so special.

“Bringing a tour to Brazil has been something I’ve dreamt of for years, and those fans blew my expectations away,” she wrote. “We’ve officially wrapped up the 2023 Eras Tour and we got to end the year with 6 shows in Rio and São Paulo, with the most magical crowds.”

Swift continued: “I’m so grateful to my touring family, my band, crew and dancers for everything they put into this show all year. To the people who came to see it, you are what made those stadiums feel so alive and electric and unforgettable for me. Really just feeling so proud and moved by what I got to be a part of. See you in 2024.”

The Eras Tour will pick up next year in February, starting with four dates at the Tokyo Dome in Japan. After stops in Melbourne, Sydney and Singapore, the “Cruel Summer” singer will head to Europe starting in May, with the trek making stops in France, Germany, England, Spain and more before heading back to the United States in October. Sabrina Carpenter, Gracie Abrams and Paramore will serve as the Eras Tour openers for 2024.

See Swift’s new message below.

Bill Mayne, Longtime Nashville Executive and Former CRS/CRB Executive Director, Dies at 72

Longtime Nashville music and radio industry executive and former Country Radio Broadcasters/Country Radio Seminar executive director Bill Mayne died on Tuesday (Nov. 28) at age 72 following a battle with a long-term illness.

Mayne’s career spanned nearly five decades. He began performing in a band before transitioning into radio, with his career including on-air and programming roles at various radio formats including top 40, rock and country. His radio career began in 1970 in an on-air role at KRLY in Houston; he would go on to serve in roles at KASE in Austin, KZLA/KLAC in Los Angeles and KSCS/WBAP in Dallas.

Mayne then spent 15 years at Warner Bros./Nashville, where he held a variety of roles, rising through the ranks from a regional role to senior vp/GM and vp of promotion. He was also a member of the Country Radio Broadcasters board, eventually becoming board vp before taking on the role of executive director at Country Radio Broadcaster in 2010 — a role he held until his retirement in 2019.

Current Country Radio Broadcasters/Country Radio Seminar (CRB/CRS) executive director RJ Curtis said in a statement, “The passing of Bill Mayne marks a profound loss for the entire country music community. Bill was a true giant in every sense of the word. His fifty years of passionate work positively impacted everyone he met, in nearly every segment of our business, through his time in radio, the music industry, artist management, entrepreneurialism, and, of course, his decade of leadership as Executive Director for CRB. Bill Mayne navigated the organization through a period of great adversity, ultimately reestablishing CRS as the premier industry event that it is today.”

In 2019, Mayne received CRB/CRS’ President’s Award in recognition of the significant contributions he made to the radio industry.

Mayne also founded Mayne Entertainment, an artist management company, and Mayne Street Consulting, a private entertainment consulting firm that offered insight and guidance to clients in the entertainment field.

“Bill had great passion for Country Music going back to his days in radio,” Country Music Association CEO Sarah Trahern said in a statement. “I first worked with him in 1996 on a TV special when he was with Warner Bros. Nashville. I was struck by his enthusiasm for the format and ability to get things done. Years later, we were both officers of the ACMs, where his great knowledge of board governance and organization was a huge asset to our leadership team. Most recently, we got to work together when he joined the CMA Board of Directors, where he served from 2016 to 2018. My deepest condolences to Sallie and his sons.”

Beyond his professional accolades, Mayne previously served as a board member of the Country Music Association and spent over 35 years on the Academy of Country Music board of directors, including roles as chairman and chairman of the board at the ACM’s charitable arm, Lifting Lives. He also co-founded the St. Jude Country Cares for Kids Program, an initiative that has raised over $700 million for St. Jude since its inception in 1989. Additionally, he held the role of national vp for the Muscular Dystrophy Association and was a member of the Nashville non-profit Leadership Music as well as the mayor’s Nashville Music Council.

“On behalf of our membership and Board of Directors of the Academy and ACM Lifting Lives, I am deeply saddened by the loss today of Bill Mayne, a true giant of the country music industry, an invaluable champion of the Academy of Country Music, and one of our longest serving board members,” said Academy of Country Music CEO Damon Whiteside in a statement.

“Bill dedicated more than 35 years of service to the ACM Board, including serving as the Chairman for both the Academy and ACM Lifting Lives,” Whiteside continued. “I am comforted that we were able to celebrate his phenomenal legacy this summer by presenting him with our ACM Service Award at the 16th ACM Honors. Bill had a huge heart, as evidenced by his incredible philanthropic work, including his service to ACM Lifting Lives. His impact, passion, and devotion to the Country Music industry and community will live on forever. On behalf of all of us at the ACM, we send our love and prayers to his family, friends, and all who have been lucky enough to work with and know him.”

Mayne is survived by his wife of 46 years, Sallie Mayne; sons Bryant Mayne and Christopher Mayne; his grandchild, Everleigh Mayne; and mother-in-law Helen Wood. Plans for a public service honoring Mayne’s life have yet to be announced.