Music

The Beatles Hit No. 1 on an Airplay Chart for the First Time in Over 50 Years

It’s been more than half a century, but The Beatles are back at No. 1 on a Billboard airplay chart. “Now and Then” rises 2-1 on the Adult Alternative Airplay tally dated Dec. 9.

It’s The Beatles’ first No. 1 on the survey, which began in 1996. The band previously peaked at No. 11 with “Free as a Bird” that year.

The last time the group notched a No. 1 on a Billboard radio chart was 1970, when “Let It Be” (the Fab Four’s sole other airplay leader) ruled Adult Contemporary for four weeks beginning that April.

Of course, The Beatles boast their share of chart-toppers elsewhere, including a record 20 No. 1s on the Billboard Hot 100. Their final ruler to date also came in 1970 with two-week leader “The Long and Winding Road”/“For You Blue” that June. They have also earned a record 19 No. 1s on the Billboard 200 albums chart and rank at No. 1 on Billboard’s Greatest of All Time Artists chart.

The Beatles break the record for the most time between a first appearance on Adult Alternative Airplay and a first No. 1, as “Free as a Bird” ranked on the inaugural chart, dated Jan. 20, 1996.

Concurrently, “Now and Then” jumps 29-25 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 1.4 million audience impressions, up 5%, according to Luminate.

On the most recently published Hot Rock & Alternative Songs list (dated Dec. 2), “Now and Then” placed at No. 14, after reaching No. 2. In addition to its radio airplay, the song earned 2.4 million official streams and sold 18,000 downloads and physical singles combined in the U.S. Nov. 17-23.



“Now and Then” is billed as The Beatles’ final song. It was recorded as a demo in 1977 by John Lennon and finished at last by surviving Beatles Paul McCartney and Ringo Starr, among others, after multiple attempts via new technology to extract Lennon’s vocals from the original demo, along with guitar parts from George Harrison. It’s included on the reissues of the group’s 1962-1966 and 1967-1970 compilations, initially released in 1973 and re-released Nov. 10.

As previously reported, “Now and Then” debuted at No. 7 on the Nov. 18-dated multimetric Hot 100, becoming The Beatles’ 35th top 10 – extending their record for the most among groups. It also expanded their span of Hot 100 top 10s to 59 years, nine months and three weeks – the longest excluding holiday fare, dating to their first week in the top 10 with their iconic U.S. breakthrough single “I Want To Hold Your Hand” in 1964.

All Billboard charts dated Dec. 9 will update on Billboard.com on Tuesday, Dec. 5.

Lana Del Rey Puts Her Own Spin on John Denver’s ‘Take Me Home, Country Roads’: Stream It Now

Lana Del Rey is once again paying tribute to John Denver, this time surprise-dropping a cover of the late folk singer’s classic 1971 hit “Take Me Home, Country Roads.” 

Released without notice on Friday (Dec. 1), the cover finds the singer-songwriter fully embracing her Americana musical influences. She and producer Zachary Dawes keep the instrumentation simple, swapping out Denver’s original acoustic guitar for piano and adding lots of reverb to the 38-year-old star’s sultry voice. Only at the end does a choir of background singers join in for a final chorus. 

Lana has previously included nods to Denver in her own music, most prominently on Did You Know That There’s a Tunnel Under Ocean Blvd opener “The Grants.” “My pastor told me, ‘When you leave, all you take is your memories’ … I’m gonna take mine of you with me/ Like ‘Rocky Mountain High’ the way John Denver sings,” she croons on the 2023 track, referencing Denver’s 1972 smash. 

“Take Me Home, Country Roads” peaked at No. 2 on the Billboard Hot 100 in 1971. The legendary songwriter, who passed away in 1997, went on to top the chart four times: in 1974 for “Sunshine on My Shoulders” and “Annie’s Song” and in 1975 for “Thank God I’m a Country Boy” and “I’m Sorry.” 

Del Rey has been on a roll this week with her covers of classic hits. Wednesday night (Nov. 29), she joined John Legend, Alanis Morrissette, Kacey Musgraves and more artists in paying tribute to Elvis for the inaugural Christmas at Graceland live NBC special. Almost every musician performed one of the King’s hits in different spots around his famous Memphis estate, with Del Rey singing “Unchained Melody.”  

The “Summertime Sadness” singer is in the running for five Grammys at next year’s awards, with Ocean Blvd picking up nods for album of the year and best alternative music album. She’s also up for song of the year with “A&W.” 

Listen to Lana Del Rey’s take on John Denver’s “Country Roads” below: 

Afrobeats Fresh Picks: Teni, Oxlade, Minz, Victony, Young Jonn & More

As the year winds down to a close, the hits keep coming, as big singles from Victony, Oxlade and P Prime, Minz and Young Jonn have kept the worlds of Afrobeats, Afropop, Afrofusion and genres beyond moving through November. And that’s before even mentioning the new album from Teni, Tears of the Sun, which might just be one of the best albums of the entire year, from any genre.

In short, the month of November has produced some of the best songs yet. (And yes, we know, it’s the first of December — but hey, things get busy at the end of the year.) Here, we’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.

Teni feat. ODUMODUBLVCK, “Devil Dance”



Teni’s sophomore album Tears of the Sun is stuffed full of great songs, and as a whole is a confident statement from a performer, artist and person who knows exactly who she is and isn’t going to apologize for it. On “Devil Dance” she delivers one of the best tracks on the project, with a catchy guitar line, sassy melody and confident, swaggering hook, complete with a trademark ODUMODUBLVCK verse, which demands repeat plays, and is a thesis statement that stands out on an album that’s overflowing with them. A landmark song for the year for sure.

Teni, “Jalingo”  



Following reports that she had been kidnapped during a performance gone wrong last year, the Nigerian singer-songwriter set the record straight and recorded “Jalingo” from her sophomore album, Tears of the Sun. “I was actually at a show where a fight broke out. A lot was happening and everybody was fighting,” she told Apple Music. “It was deep inside one place in Port Harcourt and, for us to leave there, our security officers were shooting. It was chaos in the middle of the night….” Teni touches on a heavy subject but gets right back on her feet (and gets everyone on theirs, too) for a lighthearted club banger. 

Boj & Ajebutter22, “42”  



The feel-good duo dropped the third installment of their Make E No Cause Fight EP series – off Boj’s own label Action Boyz under Moves Recordings – and the sumptuous blend of jazz, R&B, highlife, palm wine and alté is filled with tropical vibes and laid-back flows. The first track, “42,” isn’t a typical party anthem about getting f–ked up on Don Julio, but a reflective, toast-worthy ode to how far the two have come (and how much money they now have), which instantly draws in listeners with its cascading guitar licks.  

Oxlade & P.Priime, “PIANO”  



The “KU LO SA” star teams up with fellow Nigerian hitmaker P.Priime on the scintillating “PIANO” track from Oxlade’s KATIGORI/PIANO two-pack, which he said in a statement is meant to show off his two sides: “the cautious Oxlade and the party Oxlade.” The pitter-patter of the log drums mimics his heartbeat when he’s with that special someone, but his falsettos scattered throughout the love song could woo just about anyone. “‘PIANO’ is the strongest song I’ve dropped this year MUSICALLY,” Oxlade added.  

Minz, “BLESSING$” 



The “WO WO” artist soulfully reflects on his “BLESSING$” and encourages others to count theirs in his latest uplifting track. The soothing piano melodies and introspective percussion strike a chord with listeners, but his “I’m out of your league so you can’t touch, MC Hammer” lyric adds a nice sprinkle of braggadocio.  

Ratii Rsa, Tyler ICU & Catzico feat. Katarina, “Mnandini” 



At 17 years old, Ratii Rsa is demanding the world’s attention with her ultra-bubbly amapiano single “Mnandini.” She taps fellow South African DJ/producers Tyler ICU and Catzico to transport listeners on a tranquil eight-minute journey, where they can easily lose themselves in the sweet-sounding arpeggios, while Katarina’s breathy vocals build tension for the song’s most exhilarating moments.  

Victony feat. Crayon & Bella Shmurda, “Ohema”



The song may be credited to these three artists, but more than a dozen appear on the track — OkayAfrica called the all-star cast “The Avengers of Afrobeats” — including Rema, Ayra Starr, ODUMODUBLVCK, Blaqbonez, Lojay, Oxlade, YKB, Bloody Civilian and more. All together the crew create a layered tapestry that pulses with energy, an anthem for this generation of established and budding stars of the genre.

Young Jonn, “Disconnect”



Young Jonn hasn’t missed this year with a string of excellent singles, from “Currency” with Olamide, “Stamina” with Tiwa Savage and Ayra Starr, to “Aquafina” and “Sharpally.” “Disconnect” is the next entry into that lineage, as the superproducer continues to establish himself as one of the best hitmaking artists out there right now. And, as he promises on this track, this string of singles portends plenty of “better days ahead.”

YKB & King Promise, “This Must Be Love”


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Both YKB and King Promise have enjoyed breakout years in 2023, with the former’s “komplete riddim” a standout hit and the latter’s “Terminator” making waves around the world. So their collaboration on this sweetly catchy single is a welcome joining of forces, as the two go back and forth in both English and Yoruba opining about a girl changing their minds about love and affection, with production that absolutely pops.

Qing Madi, “Vision”



Young Alté singer Qing Madi may be relatively new to the scene, but she’s burst out with a string of singles that clearly articulate her artistry and showcase her arresting, effortless vocals. “Vision” is just the latest, with an understated R&B groove over which she sings about the distraction of someone she can’t get out of her mind. Still just 17, her range is impressive.

BTS’ Jung Kook and Usher in Perfect Harmony on Silky Smooth ‘Standing Next to You’ Remix

We already knew that BTS held Usher in high regard thanks to their famous shout-out to the R&B legend (“Don’t need no Usher to remind me you got it bad”) on their 2021 Billboard Hot 100 No. 1 hit “Butter.” But on BTS member Jung Kook‘s new remix of his solo track “Standing Next to You” — which dropped on Friday (Dec. 1) — JK teams up with Usher for real to supercharge the soul pop ditty.

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The track from Jung Kook’s solo album Golden retains the original’s disco lite groove, with JK gliding through his verses and the song’s yearning chorus, before Usher pops up about halfway through to spread some of his satiny love magic. “Stop, can you feel that?/ It’s like heaven and earth moves whenever we touch/ No, for real, I know you feel that/ The universe approves when you and I dance,” Usher sings in his silky falsetto over the song’s bass snap.

“So elegant and heaven sent these vibes, yeah/ It’s way, way too early to leave, we go away,” Usher adds, before slipping into the steamy pre-chorus: “You know that, all night long, we rock to this/ Screamin’, I’ll testify this lovin’/ All night long, we flock to this/ Screamin’, I’ll testify that/ We’ll survive the test of time.”

The collab with Usher follows on the heels of Jung Kook’s other A-list team up’s on Golden, which include the hit Jack Harlow single, “3D,’ the Major Lazer-assisted “Closer to You,” as well as “Seven” with Latto and “Please Don’t Change” featuring DJ Snake; earlier this month JK released another remix of “3D” featuring vocals form Justin Timberlake.

Listen to the “Standing Next to You” remix below.

RVSHVD on New Song ‘Small Town Talk’ and How Keith Urban’s Music Was Pivotal for His Career

Singer-songwriter and small-town Georgia native RVSHVD didn’t initially set out to make country music. Then he heard Keith Urban’s 2009 hit “Sweet Thing.”

“I was like, ‘Okay, that ain’t bad.’ My dad would listen to all kinds of music — Marvin Gaye, Luther Vandross, gospel. He did all kinds of jobs, and had me out working with him, washing cars and hauling scraps. He would listen to country while he worked,” RVSHVD (born Clint Rashad Johnson) recalls to Billboard. “He tried to get me to listen to country and I didn’t like it at first.”

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Additionally, RVSHVD’s mother worked in a school cafeteria, and he and his sister would watch television there in the mornings. One day, the television was tuned to CMT and he was introduced to artists like Florida Georgia Line, Luke Bryan and Darius Rucker. The combo had him hooked.

Fast forward just over a decade, and RVSHVD (pronounced Ra-shad) has carefully curated his own genre-melding sound, one he describes in his song “Dirt Road” as “a little country and a little street,” and in “Hit Different” as “Alpines bumping dirty south hip hop/ Mix in some country boy Rick Ross, throw in a little Lil Wayne with a little bit of Travis Tritt.” His sound is consequential, given ever-growing presence of hip-hop’s influence on the music of Colt Ford, Jason Aldean, Sam Hunt, Kane Brown and Florida Georgia Line over the past 15 years, as well as the genre barrier-breaking success of Lil Nas X’s “Old Town Road” and David Morris’s viral country/hip-hop hybrid “Carrying Your Love,” which incorporates George Strait’s 1997 classic “Carrying Your Love With Me.”

RVSHVD enrolled in the music program at Abraham Baldwin Agricultural College in Tifton, Georgia, before switching his major to music journalism. In 2019, the same year “Old Town Road” became a massive hit, RVSHVD self-released the EP Memories, weaving country lyrics with hip-hop beats. In 2020, he broke through with his country version of Roddy Ricch’s “Ballin’,” which married his rich, Southern drawl vocal with acoustic guitars and bass and has accumulated more than 21 million streams on Spotify alone. The following year, he collaborated with Cooper Alan on “Colt 45 (Country Remix),” which earned over 34 million Spotify streams, and teamed with Trey Lewis on a version of Lewis’ viral hit “D–ked Down in Dallas.

Last year, he partnered with Ice Nine Kills’ Spencer Charnas on “Cottonmouth” — but this year, he’s been largely focused on releasing solo music, including “Hit Different,” “For the Streets,” and his latest, the more traditionally country-leaning “Small Town Talk.”

Written by RVSHVD, Jason Afable, Josh Tangney, Willie Jones and Matty S. Gibbons at a writers camp at The Penthouse LA, the song’s uplifting lyrics about valuing family and hard work reflect his rural upbringing in Willacoochee, Georgia (population: 1,200).

“They came up with the concept of the song and showed it to me. I loved it and tweaked a couple of lines,” he says. “I remember cutting the demo and my wife Angel was there with me. While I’m making the demo, I’m sitting there tearing up. I loved the song as soon as I heard it.”

RVSHVD, who is managed by Jonnie Forster and Empire Publishing, Nashville’s vp, A&R Eric Hurt, is signed to The Penthouse South/Sumerian Records, with an upstreaming deal with Virgin Records for marketing and radio. He also has deals with Empire Publishing and CAA for booking. He also made his Grand Ole Opry debut in September.

RVSHVD, Billboard’s December Country Rookie of the Month, talks about creating his new song “Small Town Talk,” his career journey and his musical aspirations.


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You performed during CMA Fest earlier this year, at Nissan Stadium. What do you recall about that?

When they told me I was going to be playing CMA Fest, I thought it would be a little stage outside in the front of the stadium, and my wife Angel kept telling me, “No, it’s in the stadium.” I couldn’t believe it, and when we started walking out there, I was like, “Oh, man, this is playing in the stadium.” To be playing in front of that amount of people and have that kind of exposure was crazy.

What was the first music you heard that you loved?

The first artist to get me into music was Lil’ Bow Wow. I had the Like Mike VHS tape and I would play the music video for his song “Basketball.” I was like, ‘That’s cool. I think I can do that.” I initially started rapping for a while. But then, when I switched to country, I wrote a whole EP [2019’s Memories] in the first week, because it just flowed out of me. I didn’t feel like I had to put on any persona.

When did you first start making your own music?

My first entry point was probably around middle school. I wanted to record myself, but there weren’t many people where I lived that do music like that. We didn’t even have internet, so I would take a blank CD, go to the library, download some instrumentals and beats and stuff, put it on the CD, come back home and put the CD in the player. [I would] take my earphones and sit in front of one speaker and rap into the other one.

How did the country version of “Ballin’” come together?

I had done covers of country songs and R&B songs, but I had never done a country version of a rap song. I shot a video for Rascal Flatts’ “Bless the Broken Road.” While I was filming the video, I was like, I might as well record this one for “Balling.” I went to post ‘Broken Road’ and [got] copyright blocked… So I was like, “Well, I’m glad I have this other one filmed.” And I posted it, and then that was the one that took off.

How did you connect with Spencer for the rock version of “Cottonmouth”?

I met with Michael Whitworth [Jelly Roll’s “Dead Man Walkin’”] and Michael Lotten [Morgan Wallen’s “Last Drive Down Main,” Willie Jones’ “Back Porch”], and wrote the song. Spencer got on it because for my first CMA Fest, I wore some Air Johns, because David Morris had that shoe out. I had an Ice Nine Kills shirt that matched it. We got the cover art [for “Hit Different”] made and Eric [Hurt] was in the group chat and he was like, ‘Oh, we might run into issues having another band’s name on the shirt.” But we reached out to Spencer and he was cool with it.

Then Jonnie asked, “What do you think about getting Ice Nine Kills on the feature on the remix?” I was already listening to their stuff, so they got on the song and killed it.



You filmed the video for “Small Town Talk” in your hometown in Georgia. How did it feel going back to film the video there?

It was dope. When we went back, what’s crazy is, it didn’t feel different. It just felt like I was back home and I got to go see all my old teachers and got to see the new band students.

You are working on an album. How is it shaping up at this point?

I have a couple of collabs I’m working on, but the album is basically my life story, what I’ve been through and stuff I feel like people can relate to. That’s one thing I always loved about rap albums, especially an artist’s debut album, was it was always their story. I wanted to do that with my first album, too. We might have about 15 songs on it, but we’re still kind of deciding at this point.

“Small Town Talk” tells part of your story, but what other parts of your story will fans be able to hear for the first time?

I got some of that on the album talking about dealing with depression, anxiety, not really having a lot growing up and stuff like that, things I haven’t said yet.

What do you remember about your first-ever performance?

I remember being super-nervous. My first performance was in a bar in Pearson, [Georgia] called Poole’s Pub. I remember there weren’t many people there, but one guy was like, ‘You sound real good. You should try doing some Conway Twitty.” I did a cover of “Tennessee Whiskey” and “Drinking ‘Bout You.”

What is your dream collaboration?

Probably J. Cole. I listened to him a lot growing up and still do. I always like how just real and honest his music was — and I always related to it, the way he talks about coming up and stuff.

JOP Reacts to Fuerza Regida Being No. 1 on 2023 Top Artists – Duo/Group Chart: ‘I’m Speechless’

Since Fuerza Regida graced the cover of Billboard Español in June, their ascent has been consistent.

For starters, the quintet made Billboard history by becoming the first Latin band to be No. 1 on the Top Artists – Duo/Group list of Billboard‘s year-end charts, followed by Grupo Frontera and Fleetwood Mac. (Previous No. 1 artists on the list have included Destiny’s Child, Green Day, The Black Eyed Peas, One Direction, Jonas Brothers and BTS.) 

“We’ve been working a lot with the whole team, con toda la mafia de la calle, with Mob Street Records to get where we’re at right now,” Jesús Ortiz Paz (aka JOP) tells Billboard Español during an Instagram Live. The frontman was driving in Culiacán, México, accompanied by a few of his label artists and songwriters such as Calle 24 and Miguel Armenta, after performing several shows with Fuerza. “We just sold out a show right now, and we’re happier than ever.” 

As for claiming the No. 1 spot on the Top Artists – Duo/Group chart, JOP said, “I’m speechless, really. Coming from where we come from, not many people get out [of the hood], whether they get out alive, are dead, or go to jail. I just have to say that I am grateful to God, and to all my family, my mom, my dad, and all my friends. If it wasn’t for everyone’s help, and also the fans, we wouldn’t be here. Fuerza Regida and I are in charge of continuing to give [fans] great music and, God willing, I will continue to give until the last straw.”

Amid the group’s Otra Peda Tour — which commenced at the BMO Stadium in Los Angeles and made stops in Atlanta, Chicago and Dallas before concluding last week in Anaheim at the Honda Center — the band released its most successful album to date, Pa Las Babys y la Belikeada in October. With said release, Fuerza Regida secured a career-high debut on the Top Latin Albums chart. The group also snagged a fiery polka-driven banda collaboration with Shakira with “El Jefe.”

During the IG Live, fans also asked the San Bernardino native questions, such as what is the group’s favorite taco spot in SB, who’s the grumpiest, what’s their favorite song they’ve created and more. Check it out below. 

Cher’s ‘DJ Play a Christmas Song’ Dashes to No. 1 on Adult Contemporary Chart

Cher makes a merry move to No. 1 on Billboard’s Adult Contemporary radio airplay chart (dated Dec. 9) with “DJ Play a Christmas Song.”

The single surged by 31% in plays in the Nov. 24-30 tracking week, according to Luminate.

The carol is the 29th holiday No. 1 on the AC chart since 2000, around the time that most stations in the format began playing seasonal songs heavily, or 24/7, between Thanksgiving and Christmas each year. NewSong’s “The Christmas Shoes” became the first such leader, while Backstreet Boys’ cover of Wham!’s “Last Christmas” reigned for five weeks last holiday season.

“DJ Play a Christmas Song” also makes history for Cher, as it’s her first AC No. 1 since “If I Could Turn Back Time,” which led for a week in September 1989. She ends the longest break between No. 1s in the chart’s 62-year history: 34 years and two weeks. She surpasses Elton John, who went 23 years, 11 months and one week between “Something About the Way You Look Tonight” in 1997-98 and his own latest holiday hit, “Merry Christmas” with Ed Sheeran two Yuletide seasons ago.



A week earlier, “DJ Play a Christmas Song” topped the Dance/Electronic Digital Song Sales chart, granting Cher visits to No. 1 on Billboard song surveys in every decade since the 1960s, including her run as half of Sonny & Cher.

Cher adds her third AC No. 1 as a soloist, as she first led in April-May 1989 with “After All,” with Peter Cetera. Sonny & Cher notched one No. 1 on the chart: “All I Ever Need Is You,” for five weeks in 1971.

Cher’s new leader is from first holiday LP, Christmas, which jingled in at No. 1 on the Nov. 4-dated Top Holiday Albums chart.

All charts dated Dec. 9, including AC, Top Holiday Albums and the Holiday 100, will update on Billboard.com Tuesday (Dec. 5).

‘Glee’ Cast Shares Unreleased Naya Rivera Song in Honor of Late Actress: Stream It Now 

The cast of Glee has the best early Christmas gift for fans this year: a previously unreleased song sung by the late Naya Rivera, out now on streaming services. 

Titled “Prayer for the Broken,” the posthumous record – which Rivera recorded in 2012 – arrived Friday (Dec. 1) as a special bonus for this year’s Snixxmas, an annual charity event hosted by Rivera’s friends and former co-stars Kevin McHale and Jenna Ushkowitz. The fundraiser, which has been held every year since the Sorry Not Sorry author died in 2020, benefits Alexandria House in L.A., an organization Rivera supported that provides shelter and vital services to women and children in need. 

Produced by Isaac Hasson, who co-wrote the ballad with Lindy Robbins, “Prayer for the Broken” finds Rivera’s striking voice soaring over piano and ethereal background vocals provided by her Glee castmates McHale, Ushkowitz, Amber Riley, Heather Morris, Vanessa Lengies and Ashley Fink, according to Variety. The cover art is a simple but stunning headshot of the “Sorry” singer.  

McHale and Ushkowitz unveiled this year’s Snixxmas surprise with help from E!’s Keltie Knight, who interviewed the And That’s What You REALLY Missed podcast co-hosts for E! News. “We wanted to do something to honor her, [and] put out something positive from such a horrible, horrible event,” McHale said of their annual fundraiser.  

The pair went on to explain that they got special permission to release “Prayer for the Broken” in Rivera’s honor. “It’s just a really special song now that we’ll have, and that more importantly the fans will have, to be able to hear her voice again,” added Ushkowitz. 

Rivera, who was best known for playing Santana Lopez on Ryan Murphy’s famed high-school musical dramedy series, died at 33 in June 2020 in an accidental drowning at Lake Piru, Calif. She was first reported missing after staff found her then 4-year-old son Josey sleeping alone on a boat she’d rented but never returned. After a days-long search, her body was found and recovered from the lake. 

Stream “Prayer for the Broken” by Naya Rivera featuring her friends from Glee below: 

Taylor Swift’s Rep Blasts Gossip Site for ‘Insane’ Post Suggesting Star Secretly Married Joe Alwyn

In a rare public rebuke aimed at what she deemed an “insane” rumor, Taylor Swift‘s longtime publicist Tree Paine slammed the anonymous gossip account DeuxMoi on Thursday night (Nov. 30) for what she said was a hurtful, false allegation about the singer.

“Enough is enough with these fabricated lies about Taylor from DeuxMoi,” Paine posted on X in response an Instagram Story shared Thursday from the blind account claiming that Swift had a non-legal ceremony described as a marriage to then-romantic partner actor Joe Alwyn “in either 2020 or 2021 in the UK” that the anonymous writer swore was a fact. “I will die on this hill!” DeuxMoi added. “Put it on my tombstone!”

“There was NEVER a marriage or ceremony of ANY kind,” Paine responded in a tweet verified by Billboard as coming from the publicist. “This is an insane thing to post. It’s time for you to be held accountable for the pain and trauma you cause with posts like these.”

Billboard reached out to DeuxMoi for a response, but had not received one at press time.

The post about the alleged wedding was accompanied by a since-deleted message from DeuxMoi seemingly hitting back at Paine, writing, “Well I make zero dollars from lying… can publicists say the same.” The unidentified person behind DeuxMoi released a novel, Anon Pls., last year — which is slated to become a TV series on Max — and hosts the Deux U podcast. “Also, to relate something that is in reference to something that happened years ago to ‘pain & trauma’ after what just happened seems like a poor choice of words,” the gossip blogger added.

“Either way, I apologize to Taylor,” DeuxMoi wrote in the response to Paine in the since-deleted post confirmed by Billboard.

The anonymous Instagram account posts unverified celebrity gossip it says are sourced from users. “This account does not claim information published is based in fact,” reads a disclaimer on the DeuxMoi feed.

Swift and Alwyn’s breakup made headlines in April; they were together for six years, during which they were frequently the subject of what the singer referred to as “weird rumors.” The singer-songwriter appeared to take on those whispers on “Lavender Haze,” the opening track of her Midnights album, singing, “I’m d–ned if I do give a d–n what people say/ the 1950s s— they want from me/ I just wanna stay in that lavender haze.”

“All they keep asking me is if I’m gonna be your bride/ the only kinda girl they see is a one night or a wife,” she continues on the track. Swift — who is currently dating Kansas City Chiefs tight end Travis Kelce — also dove into the whispers in an Instagram post before the album’s release, writing that “Haze” was inspired by her relationship with Alwyn, saying, “We’ve had to dodge weird rumors, tabloid stuff, and we just ignore it. And so this song is sort of about the act of ignoring that stuff to protect the real stuff.” She later deleted the video following the couple’s split.

Yoga Lin Has a Whole New Mind-Set Heading Into First Album in 7 Years

One afternoon, Yoga Lin went to a small eatery hidden in an alley in Taipei to have a meal. “It was around 3 or 4 in the afternoon, and many shops had already closed for rest. The boss was taking a nap, and the lights in the store were turned off.” While Yoga Lin was eating his noodles, another customer suddenly came into the store. There was only one small table left, and the man with a crewcut sat down across from Yoga Lin. Because they were sitting very close to each other, Yoga Lin saw some unforgettable moments.

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Yoga Lin couldn’t be sure whether the man was a homeless person or not, but during his meal, the man took out a plastic transparent spoon from his shabby belongings. “It was a spoon with many scratches from previous use, but the man still used it carefully.” Was he afraid of being reprimanded by the owner, or did he cherish his belongings? Yoga Lin had no idea.

At that time, Yoga Lin had just released “Wordless Groans” and was promoting his new song online. But when Yoga Lin looked at the man sitting across from him, using his own spoon, he suddenly had a new idea: Could people who don’t usually use phones, like this man, have a chance to listen to his music? The radio broadcast playing in the eatery inspired Yoga Lin to make a “more direct song.”

“At that time, the radio in the store was playing popular songs, which made me suddenly realize that even a man who seemed so different from my life scene could have a chance to listen to my songs. Perhaps, when this man comes back to this store another day, he will hear ‘Garbage Baby’ while eating.” Therefore, Yoga Lin hoped to turn “Garbage Baby” into a more straightforward song that could have a positive impact on all listeners who heard it.

Many young people have already become accustomed to the convenience of the Internet era, but when we look away from the Internet, there are still many ordinary people who are busy with their daily lives offline. Yoga Lin hopes that his work can not only influence online listeners, but also provide direct comfort to those offline people who rarely have the opportunity to hear popular music. “I think that the impact of a song like ‘Garbage Baby’ may far exceed my imagination.”

“Garbage Baby” also reunited the behind-the-scenes team of “Wake Up” in 2011, 12 years later. The composer, Subyub Lee, and the lyricist, Wyman Wong, are both musicians from Hong Kong, China. Yoga Lin, who sang “Bad and Worse,” has always had a deep affection for Cantonese songs. Therefore, the Cantonese narration “Remember,” spoken by Wyman Wong himself, conveys the key message of “Remember that you are a baby, not garbage,” regardless of where you are.

“The most important message that ‘Garbage Baby’ wants to share with everyone is love. Love is sometimes like two people exchanging garbage and tolerating each other’s shortcomings. Through ‘Garbage Baby,’ I hope to let everyone know that everyone is a beloved baby, and your flaws are adorable. Therefore, in the last verse of the song, we even deliberately designed it to emphasize this point: ‘You are a baby, not garbage,’ which is not sung but spoken.”

Yoga Lin encountered a chance to share a table with a stranger while eating noodles, which led to the creation of “Garbage Baby”. Subyub Lee, a Hong Konger living in Taiwan, also gained wonderful inspiration for creation in a foreign land. In Taiwan, garbage trucks collect household garbage from every household on the street. While Subyub Lee was rushing to deliver garbage to the garbage truck, he heard the piano pieces “Für Elise” and “A Maiden’s Prayer” playing on a loop from the garbage truck, and the melody of this song immediately came to his mind.

Wyman Wong, a legendary lyricist who has created many wonderful works for Yoga Lin, such as “China Town,” “You Are What You Eat,” “Spoiled Innocence” and “Otomen,” contributed his Yoga-style whimsical idea again in “Garbage Baby,” saying that “love is exchanging black plastic bags and opening gifts while holding your nose.” Yoga Lin, who rarely sat so close to strangers, said eating noodles with a stranger was a novel experience for him. When creators get closer to a wider audience, they can create more good songs that resonate with the times.

Yoga Lin wants to convey the most direct positive message to everyone who listens to “Garbage Baby”: “I imagine that one day, no matter who you are or what your status is, you may lack confidence at this moment, you may have suffered some setbacks, or you may have just experienced a low point in your life. … I hope that after listening to ‘Garbage Baby,’ you will remember that ‘you are a baby, not garbage.’”

At the end of the “Garbage Baby” music video, a group of white-clad men and women sing “You’re My Precious” in unison like a choir above the rainbow-painted sky. Subyub Lee is also one of them. They provide a faint light for ordinary people in their bleak daily lives, tearing open a small gap for Yoga Lin, who is dressed in a bear suit and sitting helplessly in the garbage dump, as well as for quarreling couples, tense lovers, single mothers troubled by life, and men mourning their deceased loved ones.

Encountering Obstacles in the Album, Triumphing in Life’s Trials

Because he had been caught in heavy rain, Yoga Lin wanted to help others with his umbrellas when he had the chance. This is perhaps the fundamental intention behind his song “Garbage Baby” and the production of his sixth album: to encourage fans to move forward. Since the release of his fifth album Sell Like Hot Cakes in 2016, Yoga Lin, who has been absent from the Chinese music scene for seven years, has been in a state of struggling to make progress in his music career and personal life.

During the years of preparing for his sixth album, Yoga Lin seems to have become more and more understanding of one thing: “If a person relies solely on their abilities and resources, they cannot accomplish everything.” Especially in the past three or four years, Yoga Lin has spent a lot of time that should have been used for making music to accompany “important people in his life.” When others wondered if Yoga Lin, who had not released new songs for a long time, had intentionally withdrawn from the music scene, he was actually trying to support his family and get through the most difficult period of cancer treatment.

The experience and feelings of accompanying his family to various hospitals for treatment have deeply influenced Yoga Lin’s creative attitude. He witnessed many patients in the ward who “wanted to live,” but everything seemed to be left to fate. “When my family’s cancer was diagnosed, it was already stage 3 pancreatic cancer, which was almost impossible to remove surgically. I searched for information online and found that the chance of completely recovering was very low. At that time, it was like a bolt from the blue.”

Yoga Lin described it as “a very intense challenge for me.” But at this moment, he was fortunate enough to meet a senior from his high school band. The senior was originally the lead singer of the band, but he willingly stepped aside to become the second guitarist so that Yoga Lin could join the band. This was the first time that young Yoga Lin realized the principle of “doing things that are beneficial to others.” Fortunately, this senior has now become a medical expert.

“I am very lucky to have met this senior who is both a doctor and a musician in my life. Later, my dad’s tumor shrank enough to be removed, and the senior said it was truly a miracle. This made me deeply understand that sometimes you may have money and power, but you cannot exchange them for the health of a patient with stage 3 pancreatic cancer. In the past few years, it has been a very shocking life experience for me. There is a lot of love and luck in it.”

During the time he was supporting his family in their fight against cancer, Yoga Lin also became a father for the second time. He saw this long period of “paternity leave plus cancer leave” as a chance to challenge himself and improve himself. The stress of the situation led to his developing a severe gastrointestinal illness. During a checkup, he discovered that his colon was inflamed in multiple places, and he had to limit his diet. The doctor even suggested that he try writing gratitude journals to manage his stress.

Over the past three to four years, Lin has learned the importance of maintaining a grateful attitude in life. Despite facing setbacks, he believes that gratitude has led to a series of miracles, including his father’s pancreatic cancer and his own gastrointestinal illness being cured. For him, creating this new album with a fresh perspective and new ideas is the best way to move forward.

Lin is increasingly grateful for the many beautiful songs he has had in the past and the influence he has now. He hopes to use his influence to encourage his listeners to be more gentle and brave and to make the world a better place. Looking back, Lin sees his illness as a “gift” for him and his family.

In the comments section of his new song on QQ Music, a fan named “Stars Hidden in the Night” shared that listening to Lin’s music during difficult times gave her hope. In response, Lin expressed his hope that his future music could accompany her through tough times and that they could work together to overcome them.

Lin’s experience of fighting cancer with his family has given him a new perspective. When he has the inspiration to do something, he increasingly chooses to do things that benefit others rather than just himself, like when he stepped down as lead singer to make the band better. This is a significant shift in mind-set, as people tend to be selfish when making choices and may even feel a little difficult at the time. But Lin has achieved this.

Doing Good Deeds, Doing Things That Benefit Others

After experiencing profound changes in his life, when asked about his long-awaited sixth album, Yoga Lin used the plain and simple words “keep your expectations” and hoped that everyone would continue to do so. This is also the most honest answer from Lin when facing an unpredictable future. After years without releasing an album, the rules of the game have changed, and since everything cannot be foreseen, it is better to learn to accept change. “Yoga Lin is back! But what will tomorrow bring? Let’s keep our expectations high!”

“Just like when I released an album before, I did more than 100 endorsements in a month, but besides my fans, not many people knew that I released an album. But one time, I sang a song on a variety show that I don’t usually go on, and then everyone knew that I had released an album. These are all things that cannot be predicted.” Lin was talking about his story of singing “Step Aside” on a variety show; even the original singer Rene Liu encouraged him through their mutual friend, HIM International Music executive Derek Shih.

As he has been fortunate enough to receive help from his seniors on his journey, Lin hopes to pass on the spirit of “doing good for others.” He would go to university campuses to listen to Elephant Gym’s performances before they became famous and even invite them to collaborate on “The Shape of Mouth.” Before Terence Lam became popular, Yoga Lin had already recognized the demo of “Worse comes to Worst.” When Hong Kong junior Jer Lau (a member of Mirror) invited Yoga Lin as a guest performer at his concert, Lin agreed immediately.

The polishing time for the sixth album was too long, spanning seven years from 2016 to 2023, far beyond the normal production cycle for an album. Although Yoga Lin is also anxious about when the sixth album will be completed, he believes that good things will come to fruition at the right time and hopes to complete the sixth album by the end of this year. “I think the sixth album is quite incredible, and there have been some new changes slowly happening now.”

Currently, the number of songs accumulated in Yoga Lin’s sixth album has become more than originally planned, possibly exceeding the 10 songs of a regular album. During the preparation period of the album, Yoga Lin visited people who love playing the piano everywhere to gain inspiration for creation, including an antique piano owned by a piano collector in Shilin, Taiwan, and a piano from Soda Green’s Gong Yuqi’s private collection. One of the new songs, “White,” which focuses on piano elements, was also sung by Yoga Lin in this round of concerts. What’s even more special is that the piano in “White” is played automatically by a machine.

“White” is about a serious theme of life: when loved ones pass away, which is a situation that everyone may encounter. “The reason why I chose a mechanical piano is that we always face the fact that people we love will leave this world and cannot continue to live, but I believe that there is a kind of love that will always exist. Therefore, I also want to convey this feeling to everyone. In order to convey this message, I used an unmanned mechanical piano. I hope that this message can bring some comfort to some people as well.”

Another new song, “Wordless Groans,” was written by Yoga Lin himself, and the lyrics were co-created by Yoga Lin and teacher Yao Qian. Being able to come up with the concept of “ordinary yet stubborn” really impressed Yoga Lin, who admired Yao Qian’s unique creativity: “The word ‘stubborn’ is rarely seen in Chinese songs. I think it is a very special choice. I admire Yao Qian for being able to think of such a description. Every detail we established through lyric creation together is unforgettable.”

Regarding the song title “The Song of Stubbornness,” Yoga Lin hopes that he can continue to be stubborn in the right place: “For example, only doing things that are good for others is also a kind of stubbornness. We often face choices where we have several inspirations at the same time, but time is limited. Which one should I do first? Now, I will only do things that are good for others. This value also helps me execute things more easily.”

“In the past, when I made every decision, I hoped that what I produced would be perfect and only cared about whether I looked handsome in the camera. If I carefully checked every angle after taking a photo, it might make the people around me very tired. For example, if we work until very late today, as long as the meaning conveyed by the work is positive, we should let the work team rest first—this is a decision that helps others.”

Yoga Lin used to be a perfectionist, so he inevitably became trapped in his self-set “emotional black hole” and faced negative emotions and obstacles in life. The “stone” he moved in the music video for “Wordless Groans” actually symbolizes these negative emotions and obstacles in life. Now, Yoga Lin has finally learned not to dwell on small flaws anymore. After using emotions in the right way, the pressure on his performing career has also been reduced significantly.

Applying the concept of “doing things that are good for others” to the actual operation of every specific thing has allowed Yoga Lin to receive unexpected positive feedback in real life: “In order to express yourself better when conveying messages to others, you need to become the person who can face the kind of person you are talking to. For example, when accompanying family members to fight cancer, in order to save their bodies, you need to use methods that suit them to tell them some things. This is ‘doing things that are good for others.’”

“I had an inspiration at that time, which was to find a doctor about the same age as my family member to help them. My family member is older and has some deep-rooted ideas. The effect of persuading them with a doctor in their 60s is better than that of persuading them with a young doctor. They listened carefully and absorbed what was said by doctors their age, and then made some changes.” Later, Yoga Lin also applied this “successful experience of persuading family members” to the production and promotion process of his sixth album.

“Although the progress of album production is slow, I will express good ideas more accurately each time. Like the most critical sentence in ‘Garbage Baby’ — ‘Everyone is a loved baby’ — we said it instead of singing it.” In this ever-changing era, we must speak more directly in our works to better convey what creators think and feel. This is also a learning process for Yoga Lin to live in the present.

Love Can Overflow and Help People Escape the Black Hole

After a long period of dormancy, Yoga Lin was once confused about why these experiences happened in his life, feeling like a thunderbolt on a sunny day, and decided to restart the “idol” concert and upgrade it to the “idol 2023” world tour. This is a concept about how to “escape from a black hole,” and the key core of this upgraded concert is that only love can overflow from a black hole.

In fact, as early as when they started the “idol” concert in 2018, Derek Shih, the senior executive at HIM International Music, who worked closely with Yoga Lin, gave the concert a Chinese name called “Love More” (it was just not publicly announced at the time). Looking back now, Yoga Lin suddenly realized that “Love More” was actually the best interpretation of the “idol” concert. When Love More overflows, we who are trapped in the black hole can have a chance to be truly saved by love.

Regarding “escaping from a black hole,” Yoga Lin understands it this way: “Sometimes we encounter great difficulties, but it is also possible that we will receive more abundant blessings in the future. However, people usually cannot see things in the future. In my past difficult experiences, I learned a very important thing: We must always maintain hope, which is very important and what I want to share with my fans. What makes you feel desperate now may be a blessing in disguise.”

Being able to invite Ryuichi Sakamoto before he passed away to authorize cooperation, combined with various wonderful stage visual effects, made “idol” described by the industry as Yoga Lin’s career masterpiece. But in Yoga Lin’s eyes, the 1.0 version of “idol” was just a process of seeking answers without reaching a conclusion. Yoga Lin tried to use his current understanding of life and his own life experience to add new colors to the 2.0 version of the “idol 2023” concert.

“After three years of precipitation, the whole earth stopped. When I hadn’t worked on the ‘idol’ concert for a long time and had the opportunity to restart it again, I went back to look at this performance three years later and discovered that the first part of the concert was so shocking, like a ‘black hole.’ I seem to feel how I was at that time: he was always pursuing a big goal and achievement, but at the same time, he may also be looking for direction.”

At that time, although Yoga Lin had done the critically acclaimed “idol” concert, he still seemed to be trapped in a “black hole” and couldn’t get out: “At that time, I didn’t know which kind of life was right. What a person thinks will be reflected in every action he takes. All behaviors are closely related to your inner-motivation. In this concert, I also saw my most true inner-world at that time, confused and still looking for who I am.”

Yoga Lin’s thoughts at the time were infinitely magnified by the “idol” concert stage: “At that time, I wanted to have greater achievements. In other words, I put ambition first. This is endless, just like an insatiable desire black hole.” Life has countless black holes, and only overflowing love can fill these voids. The past three or four years have made the overall concept of the “idol 2023” concert more complete and allowed Yoga Lin to hear his own voice from the bottom of his heart.

Yoga Lin incorporated all the life setbacks he had experienced over the years, the life answers he had been seeking, and the taste of life he perceived in the “black hole” into every detail of the concert: “The ‘idol’ concert is a very good structure, combined with the cooperation of a work team that may be one of the top Chinese concerts, allowing me to put what I now understand into the concert again through this ‘idol 2023’ concert and go deeper into explaining some things.”

When singing “The Tightrope Walker” in the “idol 2023” concert, Yoga Lin had such a talk: “I believe that like me, everyone has many wonderful things worth cherishing in their daily lives, and there will also be some terrible challenges that happen in our lives. Every person will have moments of despair. I hope my songs can give you some encouragement and let you know that when every blow comes, besides feeling despair, we still need to maintain hope.”

Yoga Lin gradually realized that no one in this world knows what will happen in the next second, nor can anyone predict how their life will go next. Faced with various sudden “black holes,” the only thing Yoga Lin can do is give each listener a gentle hug with music. He hopes to always maintain this gentle and brave state to convey the warmth and love he wants to convey to fans, flowing into the ears of every audience member on-site and even into everyone’s hearts.

In the Cantonese-speaking region, Yoga Lin will sing his Cantonese song “Bad and Worse.” “Everything is bad, but we can still be happy.” This is Yoga Lin’s blessing to fans and himself: “There will always be some sudden challenges in life that we cannot know. But we still need to be grateful for having five fingers, heartbeats, breathing… For many things, we can still maintain hope. I also hope that fans can maintain a good attitude when facing different challenges.”

Becoming a Person Who Loves Others as Much as Oneself

Through the “idol 2023” concert, Yoga Lin upgraded his value of “doing only things that benefit others” in recent years to “always choose the decision that benefits others, which is the right decision to escape the black hole.” Yoga Lin almost tirelessly repeated this sentence at every stop of the tour, hoping to remind more audiences to understand and accept this reminder and thus be able to break free from the “black holes” in their lives.

“The ‘idol 2023’ concert is about how to escape from the black hole. This value actually affects my way of doing things in life and creation. Every day we have all kinds of inspirations, but now when I have to make decisions, I will choose the inspirations that are worth my time and energy and can mobilize the whole team to execute things. Any decision and inspiration that has a positive impact on others is worth my full effort to do.”

Regarding “loving others as oneself,” Yoga Lin also gave a very vivid description of a realistic scenario. “Suppose one day I am in a bad mood and have already had a big fight with my family before going out. When driving, I encounter another hot-tempered driver next door. I may be stimulated and get angry, roll down the window, and argue with him… There are many similar explosive ‘black hole’ moments in life. When you embrace the mentality of ‘loving others as oneself’ and think it over, the result will be completely different.”

The person who can avoid being swallowed by the “black hole” is the person who can share the burden with others. Yoga Lin, who has walked out of the “black hole,” now hopes to work with fans and friends throughout his life to become a person who loves others as much as he loves himself. Then, when the audience leaves the concert venue, they can remember Yoga Lin’s words at the concert: “Love others as you love yourself.” When more and more people become like this, this imperfect world will quietly undergo new changes.

“Love is mutual. Whether you have loved others or others have loved you, whether there is love flowing between on and off stage, that state of love can be fully felt. Fans sincerely support a singer they like, and I hope to give back to them through music, including the positive messages and values that I want to convey in music. This is what I think is the best feedback.”

One Great Show Can Change The World

Can a perfect concert make the world a better place? After going through many difficulties and finally returning to the stage, Yoga Lin has a very firm answer to this: One Great Show Can Change the World! “We can’t really change the world, and many things can’t be controlled by individuals. But that doesn’t mean that, as human beings, we can’t make an effort. We still need to love others more, just like we love ourselves.”

In his early years, Yoga Lin was also lost in the constant comparison with others. Later, he slowly learned that “it is natural and healthy to see the better qualities in others.” As in “Garbage Baby,” when you realize that everyone is a unique treasure, it will give you more courage. “In the past, when I saw that others were excellent, I wanted to become even better. This idea is not a problem. The key may be whether you can know that everyone is a treasure, including yourself.”

“My heart reflects in my music, written works, and interactions with colleagues. This is an important factor that has influenced my behavior in the past. Because I want to become stronger, I expect myself not to lose balance or create invisible pressure on the work team. If the motive is not good, it may lead to bad results in the end and may also bring heavy burdens to oneself and others – these burdens will eventually become a ‘black hole.’ I hope I can stay away from such ‘black holes.’”

Another way Yoga Lin wants to change the world is by using only black support flags that are given away for free at his concerts instead of all the glowing support items. This black concert, like a “black hole scene,” with its deep black reflection, is distinct from other concerts that sparkle with various fluorescent sticks. The line on the support flag, “Only Love Can Overflow Black Holes,” is also what Yoga Lin wants to say to his fans: only love can overflow black holes.

Yoga Lin, who loves environmental protection, admits that he has even considered whether to recycle the black support flags and flagpoles separately: “I care about environmental protection very much. Not only do I want to protect the earth, but we also need to manage and maintain this earth well. Everyone shoulders responsibility.”

Every decision Yoga Lin makes receives maximum support from his fans and friends. At the “idol 2023” concert, you will hardly see any audience members bringing fluorescent sticks into the venue in order to present the best performance effect. This reminds me of Yoga Lin’s famous saying at his concerts: “To convey positive ideas, face whoever you want to be!” When idols practice what they preach by doing things that benefit others, fans also follow suit. This is what it truly means to “impact lives with your life.”

At this stage of his life, Yoga Lin hopes that he has no negative thoughts about work. He is practicing a new attitude to face his future career in the performing arts. “I deeply understand the motivation for change. My entire state of mind is completely different. After doing this, I have a new understanding of working hard. What I do is no longer for better results or higher status but only to do things that benefit others. I hope to maintain this positive motivation first before achieving any additional success.”

In the era of short videos and hit singles, Yoga Lin has to consider how not to blindly follow trends but instead make healthy judgments about whether he should do something or not. “I hope to adjust myself in this way, only choosing things that benefit and help others. I don’t know if there will be any additional bonuses in my career during this process. If there are, it’s great; if not, I will still do things with this motivation.”

Yoga Lin hopes that his music can help listeners solve their life problems when they encounter an unbearable “black hole.” When they hear the values conveyed in works like “Garbage Baby,” they may have a chance to save their lives. “So now my motivation for work has changed. As long as it’s a city where I haven’t performed before, my life can bear it, and I can still sing, I will go there. No matter where it is, I can go.”

In order for the philosophy of “Garbage Baby” to influence more people, Yoga Lin has copied and pasted the sentence “Please remember that love is exchanging garbage with each other and tolerating each other’s shortcomings; also remember that you are a beloved treasure, not garbage” on different social media platforms countless times just to deepen everyone’s memory effect. As long as it’s something that benefits others, he will try his best to do it. The eight words “Do good deeds without asking about future prospects” are very suitable to describe Yoga Lin, who is overflowing with love at this moment.

–This story was written for Billboard China by Jifan Wang

Yoga Lin Billboard China cover story

Yoga Lin

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