Music

Jennifer Lopez Gets Married in ‘Can’t Get Enough’ Video Teaser — But Not to Ben Affleck

The arrival of Jennifer Lopez‘s latest single “Can’t Get Enough” and its music video is imminent. On Monday (Jan. 8), the pop star shared a teaser clip from the wedding-themed visual, as well as the release date for the track.

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“Can’t wait for ‘Can’t Get Enough’ in [two] days!!! #THISISMENOW The wait is almost over…” she captioned the video, which features her in full bridal gear engaging in classic wedding activities among different grooms, from exchanging rings and saying “I do” to sharing the first dance as a married couple and driving off to the honeymoon in a convertible getaway car. While she has a couple of different grooms in the teaser, her partner Ben Affleck is not one of them.

“Can’t Get Enough” is the first single to be released from Lopez’s forthcoming album This Is Me … Now. The “Let’s Get Loud” singer first told fans about the album, which serves as the follow-up to 2002’s This Is Me … Then, in November 2022. The album marks J.Lo’s first album since 2014’s A.K.A.

Speaking about the album in her 2022 Vogue cover story, Lopez described the album as the “culmination of who I am as a person and an artist.” She added: “People think they know things about what happened to me along the way, the men I was with — but they really have no idea, and a lot of times they get it so wrong. There’s a part of me that was hiding a side of myself from everyone. And I feel like I’m at a place in my life, finally, where I have something to say about it.”

This Is Me … Now is scheduled to release on Feb. 16, 2024.

See the teaser for “Can’t Get Enough” in the video below.

R&B/Hip-Hop Fresh Picks of the Week: Erick the Architect, ScarLip, NLE Choppa, UMI, V & More

And, we’re back! As the industry recalibrates itself from the holiday rush, the hip-hop and R&B worlds are slowly getting back to their weekly tidal waves of new music. The options are a bit sparse this week, as January is typically a slow month for new releases, but there are still some standouts. Even as Nicki Minaj’s Pink Friday 2, Jack Harlow’s “Lovin on Me” and Drake’s For All the Dogs continue to rule the charts, there are few new remixes and singles that could very well grow into the first smash hits of 2024.

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With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Fivio Foreign’s fiery new drill anthem to Megan Thee Stallion’s swing at hip-hop musical theatre. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Erick the Architect & George Clinton, “Ezekiel’s Wheel”



Erick the Architect of Flatbush Zombie has a solo album on the way, and if “Ezekiel’s Wheel” is anything to go by, we’re in for a stunner of an album. Alongside the legendary George Clinton, Erick blends notes of ’90s East Coast hip-hop, reggae, funk and soul for a song that recounts his experiences growing up in Brooklyn, New York and growing into the rapper he is today. Lyrically, the track is anchored by an allusion to the Biblical story of Ezekiel’s wheel; “Everyone’s keepin’ secrets for oilin’ / Have Ezekiel’s wheels gone squeaky?” Clinton asks in trademark scraggly voice. There’s a gentleness in Clinton’s delivery that nicely offsets the chugging nature of Matt Zara’s production, a wonderful study in sonic contrast.

ScarLip feat. NLE Choppa, “Blick (Remix)”



For the remix to her latest hit, rising Bronx rapper ScarLip tapped “Slut Me Out” hitmaker NLE Choppa. “Blick” has already been gaining traction on TikTok thanks to a viral dance, and this new remix is sure to give the track an extra boost. Most of the original “Blick” track remains unchanged, ScarLip’s gruff tone anchors high-energy verses and a danceable hook alike, so NLE Choppa smartly adapts his style to her formula. “Shake a n—a down like booty and cheeks/ I’ma Summer Walk s–t down, shout out Lil Meech
Call it abuse how we beatin’ the streets/ Jumped off the porch, you was beatin’ your meat,” he raps in his signature blend of sexed-up humor.

Westside Gunn, Conway the Machine & The Alchemist, “F–k & Get High”



Over a luxurious, drum-heavy instrumental courtesy of The Alchemist, Westside Gunn & Conway the Machine trade verses that prioritize a certain kind of lustful braggadocio. In between their relatively heady proclamations of wealth and success, they use the hook (a notably sparse “All I wanna do is f–k and get high/ That’s all I wanna do”) for some breathing room. It’s a lightweight track, but the depth of Alchemist’s production provides a sturdy foundation for their ruminations on some of the finer things in life.

Sdot Go, SweepersENT, Jay Hound, Sha Gz & Jay5ive, “I Like to Party”



This song has been going viral on TikTok for months as a snippet, and now it’s finally here in all of its glory. Sdot’s opening lines — “I like to party, but I need b–tches/ Clap-clap to the beat/ Up, I’m tryna see if she wit’ it” — are something of a manifesto. His gruff semi-growl immediately signals the track as a drill anthem (as does the pounding production, courtesy of Ajellz, Nxxre, Bullo Producer and YoJelly) — but, more importantly, his tone is the track’s entire center of gravity. There are a slew of artists on “I Like to Party,” but no one’s voice is as commanding or as charismatic as Sdot’s. And that’s why he can score hits whether he’s behind bars or not.

Ama Louise, “Send Your Loving”



Rising R&B Singer Ama Louise delivers a slinking, sultry ode to the security of true love with “Send Your Loving.” A quiet storm of twinkling synths and keys soundtrack her pleas for a lover to send their “loving” so she can create some sense of safety for herself. “So send your loving to me tonight/ ‘Cause only you can save me from my mind,” she croons in her honeyed timbre. From the production to Ama’s vocal performance, “Send Your Loving” is an incredibly intimate affair; it’s warm and inviting, but the ache and longing that course through her background vocals are what truly pull the song together.

UMI & V of BTS, “Wherever U R”



As the BTS boys continue to fulfill their respective military duties and await their long-anticipated comeback, fans have found solace in each group member’s solo endeavors. Last year, Layover, V’s debut solo studio album, reached No. 2 on the Billboard 200 thanks to its tight blend of pop and R&B. Now, the BTS star is kicking off 2024 by throwing an assist to UMI on the tender, guitar-backed “Wherever U R.” “Even on the days, I ain’t right by your side/ I’m keeping my promise that/ I will be wherever you are,” he sings. The duet is incredibly lush in the way UMI’s and V’s voices marry across the tasteful instrumental arrangement. Likely V’s last musical release until he completes his military service, “Wherever U R” is a heartfelt “see you later” to his fans that doubles as a heart-melting anthem of commitment for lovers.

Prince’s ‘Purple Rain’ Is Being Adapted Into a Stage Play

Baby, he’s still a star! Nearly 40 years after Prince unleashed the original Purple Rain film and soundtrack album, the era-defining story is headed to the stage — and possibly The Great White Way.

A stage adaptation of Purple Rain is under development, with a world premiere in the works, as per The Hollywood Reporter on Monday (Jan. 8). The adaptation is set to feature a score by the late Prince, with a book by Pulitzer Prize-finalist Branden Jacobs-Jenkins, who is currently enjoying the Broadway run of his acclaimed drama Appropriate. Jacobs-Jenkins’ book will be based on the original Purple Rain screenplay, which was written by Albert Magnoli (who also directed the original film) and William Blinn. Lileana Blain-Cruz — who picked up a Tony nomination in 2022 for best direction of a play (The Skin of Our Teeth) — is set to direct, with Tony winner Orin Wolf on production duties.

The film version of Purple Rain arrived in 1984, starring Prince as The Kid, a burgeoning Minneapolis rock musician who trudges his way through rival bands, fleeting romances, and a gritty home life. To date, the film has grossed nearly $70 million worldwide, and, in 1984, it won the Academy Award for best original song score.

The accompanying soundtrack of the same name was a blockbuster success, spending 24 weeks atop the Billboard 200. The set spawned several Billboard Hot 100 hits, including “When Doves Cry” (No. 1, five weeks), “Let’s Go Crazy” (No. 1, two weeks), “Take Me With U” (No. 25), “I Would Die 4 U” (No. 8) and “Purple Rain” (No. 2). Purple Rain currently boasts a 13x platinum certification from the RIAA in recognition of over 13 million copies shipped in the U.S. alone. In addition, the soundtrack won a Grammy for bet rock performance by a duo or group with vocal and best score soundtrack for visual media.

“We can’t think of a more fitting tribute than to honor Prince and the Purple Rain legacy with this stage adaptation of the beloved story,” said L. Londell McMillan, chairman of The NorthStar Group, and Larry Mestel, founder and CEO of Primary Wave Music“We are thrilled with our Broadway partners and creative team, who are bringing a theatricality to the film’s original fictional story. We can’t wait for a new generation to discover Purple Rain and for lovers of the original film and album to experience its power once again, this time live.”

Prince has earned 20 top 10 entries on the Billboard 200, including the chart-toppers Around the World In A Day (1985, three weeks), Batman (1989, six weeks), The Very Best of Prince (2001, one week), 3121 (2006, one week), and, of course, Purple Rain. On the Hot 100, the legendary musician has collected five No. 1 singles from 19 top 10 entries, including “Cream” (two weeks), “Kiss” (two weeks) and “Batdance” (one week).

Dita Von Teese Says Teaching Taylor Swift the ‘Bejeweled’ Martini Glass Routine Was the ‘Best Experience’

Taylor Swift has earned herself a spot in the penthouse of Dita Von Teese’s heart. The famed burlesque performer shared in a new chat on the Allison Interviews podcast that the “Anti-Hero” singer was delightful to work with on the martini glass routine in the pop superstar’s “Bejeweled” music video.

“The best experience was Taylor,” Von Teese said while discussing teaching her iconic routine to others. “She’s really, like, a kind girl. She knew everything about what I do.”

The performer added that the 12-time Grammy winner didn’t just want her in the shadows, either. “She wanted to not just have me be behind the scenes teaching her to be, you know, in my glass,” Von Teese explained. “She wanted to showcase what I do.”

And that was exactly what happened in the “Bejeweled” music video. Von Teese appears alongside the pop superstar in one segment, recreating the burlesque star’s sultry dance, with both women teasingly pull off a stocking before sensually dousing themselves with liquid squeezed from giant olives while in the martini glasses.

While Swift was a model student, Von Teese said some of her experiences weren’t quite as bright, namely, when she was asked to teach the same routine to former Real Housewives of New York City star Bethenny Frankel for her now-defunct eponymous talk show. “Guess what? She didn’t show up for rehearsal!” Von Teese shared. “I was like, ‘Why am I at rehearsal? I don’t need to rehearse. I can do this blindfolded with one hand tied behind my back.’ Then we did it live on camera, and I was like, ‘You’re on your own.’”

“Bejeweled” — off Swift’s 2022 Billboard 200 No. 1 album Midnights — peaked at No. 6 on the Billboard Hot 100 in November 2022. The album also featured singles “Anti-Hero,” which was No. 1 for eight weeks, “Lavender Haze” and “Karma,” both of which reached No. 2 on the Hot 100.

Watch Von Teese talk about working with Swift in her podcast appearance below, and revisit the “Bejeweled” music video above:



CRSSD Drops Spring 2024 Lineup Featuring Tale Of Us, Jeff Mills, Richie Hawtin & More

It may be early in the year, but the 2024 festival season is just around the corner. On Monday (Jan. 8) San Diego’s biannual dance festival CRSSD released the official lineup for their upcoming spring event.

The house and techno-centric roster includes house legend Black Coffee, Italian duo Tale Of Us, Berlin mainstay Dixon, Detroit pioneer Jeff Mills, techno savant Richie Hawtin, Sofia Kourtesis hot off her excellent 2023 album Madres, New York house legend Armand van Helden and Brazilian phenom Mochakk. The lineup also includes Little Dragon, Red Axes, WhoMadeWho, Roosevelt, SBTRKT, Héctor Oaks B2B Tiga and many more. See the complete roster below.

Taking place March 2-3 at San Diego’s Waterfront Park, the 21+ festival will again feature three stages (one for house, one for techno and one for sounds that simply cannot be contained to a genre classification) along with its afterparty series, CRSSD After Dark, taking place in clubs, venues and converted spaces throughout the city. Tickets go on sale this Friday, Jan. 12. Fans can also text “SPRING24” to (855) 912-1457 for presale ticket access.

2024 marks the nine year anniversary of CRSSD, which launched in 2015 as a destination for house and techno fans in Southern California, a market then dominated by dance megafestivals like EDC and HARD. Produced by FNGRS CRSSD and Goldenvoice, the still relatively boutique CRSSD typically draws about 15,000 fans to the palm tree-lined venue on the San Diego bay.

Hear exclusive sets from AMÈMÈ, Jackmaster and more from CRSSD’s spring 2023 festival here and CRSSD fall 2023 sets from Nikki Nair, Basement Jaxx, Interplanetary Criminal and more here.

CRSSD 2024

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21 Savage Taps Donald Glover & Caleb McLaughlin to Play Himself in New ‘American Dream’ Trailer

21 Savage is headed to the silver screen. The Grammy-winning rapper released the trailer for his upcoming film American Dream: The 21 Savage Story on Monday (Jan. 8).

Directed by Donald Glover, Stephen Glover, Jamal Olori and Fam Udeorji, the four-minute trailer features three generations of 21 Savage — played by Caleb McLaughlin (Stranger Things), Donald Glover (Atlanta) and himself, “in the heat of a personal crisis,” according to the press release.

McLaughlin plays his younger self as he moves from the U.K. to Atlanta and starts getting into trouble, while Glover plays him later on as he starts rapping and making music with Metro Boomin (played by Jabari Banks) before being taken into custody by U.S. Immigration and Customs Enforcement (ICE), appearing in court and eventually being released. He eventually gets to celebrate his wins, like winning his first Grammy Award in 2020 for best rap song with “A Lot” and being knighted by Natasha Lyonne’s character.

According to the trailer, American Dream: The 21 Savage Story will be in theaters on Independence Day 2024, with “music inspired by the film” set to be released on Friday, Jan. 12.

The trailer also previews a new track from 21 Savage (real name Shéyaa Bin Abraham-Joseph), which starts off with a sample of Rose Royce‘s 1978 hit “Wishing on a Star.” “How you that n—a when you can’t go where you grew up at?” he raps.

Watch the trailer below.



Victoria Pedretti (The Haunting of Hill House), Young Mazino (Beef), Chad Lindberg (Fast & Furious), Gail Bean (Snowfall), and Druski (Praise This) also star in the film.

Jamal Olori and Stephen Glover wrote the trailer, which was produced by Tara Razavi and Fam Udeorji, who are also credited as executive producers.

See the film poster below.

Donald Glover, 21 Savage, Caleb McLaughlin, American Dream: The 21 Savage Story

John Canon

Brie Larson Breaks Down in Tears Meeting Jennifer Lopez at 2024 Golden Globes

The 2024 Golden Globes had plenty of memorable moments that were televised, and even more but candid ones that were captured at the star-studded red carpet on Sunday (Jan. 8) at the Beverly Hilton Hotel in Beverly Hills, California.

One of those highlights was when Brie Larson — who was nominated for best performance by a female actor in a limited series, anthology series, or a motion picture made for television for Lessons in Chemistry — met Jennifer Lopez for the first time. 

“I just try to be as present as possible because it’s the chance of a lifetime,” she said to Entertainment Tonight’s host Kevin Frazier just moments before encountering J.Lo. “You’re just surrounded by legends everywhere you look […] it’s hard to go ‘I’m not in a dream.’ I mean, I’m in my dream and I’m living my dream.” 

In the midst of the interview, Frazier signals Lopez, who was standing next in line to be interviewed by ET, to start making her way up. Larson’s reaction was quick and genuine: “Oh my god, I’m going to cry. I can’t deal with JLo. I’m going to cry,” she said. 

Immediately after, with Lopez in her baby pink dress standing in front of her, Larson broke down to tears and transformed into a fangirl. “You mean so much to me. I’m such a huge fan,” she said to Lopez, who also began to shed a tear. “I saw ‘Selena’ and it made me want to be an actor. You’ve always meant so much to me. It’s been a dream of mine so thank you so much. Your work ethic is so important.” 

“How sweet is that? I’m going to cry,” Lopez told Frazier when Larson left. “It’s amazing when she brought up the movie ‘Selena,’ you know, so many years later it still touches people. It’s very moving to me too.”

The humbling gesture even reminded Lopez of who inspired her to want to pursue an acting career.

“I remember being a little girl and watching ‘West Side Story’ and Rita Moreno changing my life,” she recalled. “So to have someone say to me, ‘I watched ‘Selena’ and it made me want to be an actress’ it’s so moving. It’s like your dreams came true and it’s such a beautiful thing.”

Watch the full red carpet video below:



ITZY’s New Mini-Album ‘Born to Be’ Has Arrived: Stream It Now

Happy new year, MIDZY! ITZY kicked off 2024 with the release of its brand new mini-album, Born to Be, on Monday (Jan. 8). The set, which makes the group’s eighth mini-album overall, is now available to listen to on streaming platforms.

The set features 10 tracks: “Born to Be,” “Untouchable,” “Mr. Vampire,” “Dynamite” and “Escalator” performed by Yeji, Ryujin, Chaeryeong and Yuna, and for the first time, five solo tracks by each member — “Crown on my Head (Yeji),” “Blossom (Lia),” “Run Away (Ryujin),” “Mine (Chaeryeong)” and “Yet, But (Yuna).”

Born to Be was released alongside the official music video for “Untouchable,” which features the K-pop group facing off against a series of soldiers planning to take them down, as well as deteriorating buildings and pinpoint lasers. “I’m untouchable, it’s already begun/ With this flow, just (Just) going (Going) on and on/ Go on mess it up now, easily knockout/ Whatever it is, I don’t care about/ I’m untouchable, everlasting form,” the girls sing on the chorus of the energetic track.

Lia is notably absent from the music video, as well as promotional materials for Born to Be. She is currently on hiatus from the group while she recovers from a series of personal health issues.

“Lia underwent consultation and examination as she is experiencing extreme tension and anxiety about carrying out her scheduled activities and received medical advice that she needs rest and treatment,” the group’s label, JYP Entertainment shared in a September announcement. “With the artist’s health as our top priority, after careful discussion with the members, we decided that Lia will not participate in scheduled activities starting from today and will take a break for the time being to focus on her treatment.”

Lia followed up the statement with a letter of her own, telling fans, “I felt like I needed to take some time off to love and fill myself first. As I always say, I sincerely hope that MIDZY will be happy. I will work to return in good health.”

Stream Born to Be below and watch the music video for “Untouchable” above.

Jack Harlow’s ‘Lovin on Me’ & Tate McRae’s ‘Greedy’ Rule Billboard Global Charts

Jack Harlow’s “Lovin on Me” leaps to No. 1, from No. 20, for its first week atop the Billboard Global 200 chart. Meanwhile, Tate McRae’s “Greedy” bounds 21-1 on the Billboard Global Excl. U.S. chart for its second week at the summit.

The singles, among several others, surge on the surveys a week after the top 19 titles on the Global 200 were holiday tracks and the full top 20 on Global Excl. U.S. were seasonal songs.

Meanwhile, three songs are new to the Global 200’s top 10: Xavi’s “La Diabla” (33-4), Peso Pluma and Anitta’s “Bellakeo” (43-7) and Noah Kahan’s “Stick Season” (50-8). On Global Excl. U.S., “La Diabla” (23-2) and “Bellakeo” (26-8) also reach the top 10 for the first time.

The Billboard Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



‘Lovin on Me’ Leaps to No. 1 on Global 200

Jack Harlow’s “Lovin on Me” ascends to the top of the Global 200 with 52 million streams (up 15%) and 11,000 sold (up 6%) worldwide in the Dec. 29-Jan. 4 tracking week. The rapper adds his second No. 1 on the chart, and his first on his own, after Jung Kook and Harlow’s “3D” reigned in its debut week in October.

Tate McRae’s “Greedy” jumps 24-2 on the Global 200, after two weeks at No. 1 beginning in November, and Taylor Swift’s “Cruel Summer” rebounds 32-3, following a week on top the same month.



Xavi’s “La Diabla” flies 33-4 on the Global 200, led by 56.9 million streams (up 16%) worldwide. The song becomes the first top 10 on the chart for the Mexican-American singer-songwriter (born Joshua Xavier Gutiérrez). It concurrently tops the U.S.-based Hot Latin Songs chart for a second week.

Rounding out the Global 200’s top five, Doja Cat’s “Paint the Town Red” roars 40-5, after it dominated for four weeks beginning in September.



Peso Pluma and Anitta’s “Bellakeo” blasts 43-7 on the Global 200, with 44.4 million streams (up 8%) worldwide. The song is the fifth and second top 10 for the Mexican and Brazilian stars, respectively.



Also new to the Global 200’s top 10, Noah Kahan’s “Stick Season” hikes 50-8, with 29.5 million streams (up 13%) and 3,000 sold (up 12%) worldwide. The Strafford, Vt., native scores his first top 10 on the tally.



‘Greedy’ Back Atop Global Excl. U.S.

Tate McRae’s “Greedy” returns to No. 1 on the Billboard Global Excl. U.S. chart with 38.9 million streams (up 10%) and 1,000 sold outside the U.S. Dec. 29-Jan. 4. The track became McRae’s first leader on the list in early December.

Xavi’s “La Diabla” darts 23-2 on Global Excl. U.S., led by 44.5 million streams (up 17%) outside the U.S., becoming his first top 10.

Taylor Swift’s “Cruel Summer” soars 26-3 for a new Global Excl. U.S. high; Jung Kook’s “Seven,” featuring Latto, charges 22-4, after it reigned for nine weeks starting upon its debut last July; and Jack Harlow’s “Lovin on Me” jumps 27-5 for a new best.

Plus, Peso Pluma and Anitta’s “Bellakeo” climbs 28-6 on Global Excl. U.S., with 35.7 million streams (up 10%) outside the U.S. As on the Global 200, they up their totals to five and two career top 10s, respectively.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 13, 2024) will update on Billboard.com tomorrow (Jan. 9). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

The Weeknd Teases Final Album in Trilogy, Following ‘After Hours’ & ‘Dawn FM’

The Weeknd compiled his first three mixtapes into one Trilogy compilation album back in 2012, and 12 years later, he’s preparing to close out the current chapter in his career with yet another trilogy.

On Sunday (Jan. 7), he posted the album covers from his 2020 album After Hours and 2022’s Dawn FM — the latter of which celebrated its second anniversary on Sunday — and a third, black slide with a white question mark in the middle and a parental advisory warning label. “3,” he wrote as the caption.

The Canadian-Ethiopian superstar (real name Abel Tesfaye) said in his May 2023 interview with W Magazine that his next studio album will be his final one as The Weeknd. “It’s getting to a place and a time where I’m getting ready to close the Weeknd chapter. I’ll still make music, maybe as Abel, maybe as The Weeknd. But I still want to kill The Weeknd. And I will. Eventually. I’m definitely trying to shed that skin and be reborn,” he said at the time. “The album I’m working on now is probably my last hurrah as The Weeknd. This is something that I have to do. As The Weeknd, I’ve said everything I can say.”

It’s poetic to end his tenure as The Weeknd the same way he started it: In 2011, he dropped three mixtapes — House of Balloons, Thursday and Echoes of Silence — that were eventually remastered and repackaged into his Trilogy compilation album, which Republic Records and his XO label released the following year.

In 2021, The Weeknd released the original mixtapes on streaming services on their corresponding 10-year anniversaries since the samples had finally cleared, including Beach House‘s “Master of None” on “The Party & The After Party,” Siouxsie and the Banshees‘ “Happy House” on “House of Balloons / Glass Table Girls” and Aaliyah‘s “Rock the Boat” on “What You Need.”

See his teaser post below: