Music

5 First-Timers on Billboard’s Charts This Week: Vacations, Ryan Larkins, 4Batz & More

Billboard has more than 200 different weekly charts in its menu, encompassing numerous genres and formats.

While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.

Hundreds of artists chart their songs and albums on Billboard’s rankings each week, but these five artists appear on surveys for the first time on the Jan. 13-dated charts.

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Vacations



The Australian indie rock band has been releasing music since 2015, but as of this week, it’s officially a Billboard-charting act thanks to its single “Next Exit.” Released in April 2023 on No Fun Records/Nettwerk, the song debuts at No. 40 on Alternative Airplay (up 2% in spins, according to Luminate).

The song is the lead single off the group’s forthcoming third LP, No Place Like Home, due Friday (Jan. 12). The band released its first two albums, Changes and Forever in Bloom, in 2018 and 2020, respectively. Vacations, who is scheduled to perform at St. Jerome’s Laneway Festival in Melbourne next month, is comprised of Campbell Burns, Nate Delizzotti, Jake Johnson and Joseph Van Lier.

Ryan Larkins



The singer-songwriter arrives on Billboard’s charts with his breakthrough single “King of Country Music.” He released the track in October on his debut five-track EP Meet Ryan Larkins, on Red Street Records. The song debuts at No. 59 on Country Airplay (up 41% in audience).

Larkins, born and raised in Nashville, began his career as a songwriter. Before this week he’d written one Billboard-charting hit: Cody Johnson’s “The Painter,” which he co-penned with Benjy Davis and Kat Higgins, has so far reached No. 12 on both Hot Country Songs and Country Airplay. He has previously written with the likes of Rhett Akins, Ben Hayslip, Tom Douglas, Tony Lane, Lee Miller, Tim Nichols, Craig Wiseman and Country Music Hall of Fame member Bill Anderson.

In February, Larkins will hit the road as the opening act on Priscilla Block’s Hey Jack Tour, which runs through May.

4Batz



The up-and-coming R&B artist scored his first Billboard chart entry on the Jan. 6-dated charts thanks to his breakout viral song, “Act II: Date @ 8,” and now he lands his second with “Act I: Stickerz 99.”

“Date @ 8” debuted at No. 16 on Hot R&B Songs, and it jumps to No. 11 in its second week with 3.8 million official U.S. streams (up 59%). It also enters Hot R&B/Hip-Hop Songs at No. 36. “Stickerz 99” starts at No. 25 on Hot R&B Songs with 1.7 million streams (up 30%). 4Batz concurrently arrives at No. 23 on Emerging Artists.

TikTok has been central to both songs’ gains. “Date @ 8” has soundtracked over 30,000 clips on the platform to date, while “Stickerz 99” has been used in over 3,000 videos. The songs are 4Batz’s only releases on streaming services so far.

Oscar Ortiz



The Mexican artist debuts on Billboard’s charts with his new collaboration with Edgardo Nuñez, “First Love.” Released Dec. 11 via Genesis/BadSin Records, the single debuts at No. 46 on Hot Latin Songs with 2 million streams.

Ortiz released his first song on streaming services, “Anillos” with Oscar Maydon, in April 2023. Since then, he’s released several other tracks, as well as the five-song EP 23/7 in August.

Ortiz’s brother, Gerardo Ortiz, has achieved numerous successes on Billboard’s charts, dating to his arrival in 2010: 30 hits on Hot Latin Songs and 33 on Regional Mexican Airplay — including 12 No. 1s on the latter. He has also logged 11 titles on Top Latin Albums, including six No. 1s.

In a 2021 interview with Billboard, Gerardo said that he often turns to Oscar as a springboard for new ideas. “I’m more in tune with my brothers who are musicians. I have a piano in my house, and [Oscar] will start playing his own stuff and I start singing some of my new stuff,” Gerardo said, adding that Oscar has also written some of his hits. “It’s great because they give me honest feedback. They’re not afraid to tell me how they really feel about something I’ve written.”

Princess Superstar



The New York City-based DJ/rapper notches her first chart appearance thanks to her 17-year-old collaboration with the Dutch DJ Mason, “Perfect (Exceeder).” The song, released in 2006 on Armada Music, debuts at No. 12 on Dance/Electronic Songs with 1.5 million streams (up 76%).

The song’s new buzz can be attributed to its inclusion in the film Saltburn. The track has also begun generating attention on TikTok, where it has been used in over 27,000 clips to date. A separate mix has soundtracked 10,000 videos. In total, 10 mixes of the song appear on streaming services.

While this marks the first U.S. chart entry for Princess Superstar, she reached No. 11 on the Official UK Singles Chart in 2002 with her song “Bad Babysitter.” She has released eight solo LPs in her career, dating to the mid-‘90s, most recently with These Are the Magic Days in 2018. She has also collaborated with Grandmaster Flash, Moby and The Prodigy, among others.

Jay-Z & D’Angelo Have a New Collab Coming on Star-Studded ‘Book of Clarence’ Soundtrack

With just two days left before The Book of Clarence hits theaters (Jan. 12), Roc Nation has unveiled the star-studded tracklist for its accompanying soundtrack.

Led by a highly anticipated collaboration between Jay-Z and D’Angelo titled “I Want You Forever,” The Book of Clarence soundtrack will also include contributions from Doja Cat, Kodak Black, Adekunle Gold, Jorja Smith, Yemi Alade, Terry Callier, Alice Smith, Kid Cudi and director Jeymes Samuel.

Fans received the first taste of the soundtrack a few weeks ago (Nov. 28) with the release of a genre-blending single from Samuel, Lil Wayne, Shabba Ranks and Buju Banton titled “Hallelujah Heaven.” The song’s title is an obvious nod to the plot of The Book of Clarence, a biblical dramedy set in A.D. 33, in which a downtrodden man named Clarence (portrayed by Academy Award nominee LaKeith Stanfield) attempts to clear his debts and garner glory by running a scheme that finds him pretending to be the new Messiah.

The film — whose producers include Samuel, Jay-Z, James Lassiter and Tendo Nagenda — features an eye-popping cast of beloved veterans and rising stars alike, including Stanfield, Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Alfre Woodard, Teyana Taylor, Caleb McLaughlin, James McAvoy, Benedict Cumberbatch, Micheal Ward, Tom Glynn-Carney and more.

The Book of Clarence marks Jay-Z and Jeymes Samuel’s second cinematic collaboration. The duo last teamed up to produce 2021’s The Harder They Fall, a dazzling Western that earned Samuel the BAFTA Film Award for outstanding debut by a British writer, director or producer. That film also arrived with an original soundtrack, complete with contributions from Jay-Z, Koffee, Jadakiss, Conway the Machine, Seal, Ms. Lauryn Hill and more. Back in 2013, Samuel and Jay-Z worked together on the Billboard chart-topping soundtrack, The Great Gatsby: Music from Baz Luhrmann’s Film, which the “99 Problems” rapper executive produced.

Check out the full Book of Clarence soundtrack tracklist below:

Black Coffee Injured in ‘Severe Travel Accident’ in Argentina

South African house producer Black Coffee suffered injuries after being involved in a “severe travel accident” in Argentina.

A statement posted Wednesday (Jan. 10) on the artist’s Instagram account says that the situation occurred “on a flight en route to his scheduled show in Mar Del Plata. The incident resulted in unforeseen complications and left him with some injuries.”

“We can confirm that he is receiving the best possible medical attention and is surrounded by a supportive family and team,” the statement continues. “In respect of his privacy, we kindly request understanding and patience from the media and his fans.”

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The Grammy-winning producer had been scheduled to play a show at the nightclub Mute in Mar del Plata, a coastal city in Argentina’s Buenos Aires province. A representative for Black Coffee did not immediately respond to Billboard‘s request for comment.

“Despite the challenges presented,” the statement concludes, “Black Coffee is optimistic and recovering well! He looks forward to being back with you all very soon”

Black Coffee won for best dance/electronic music award at the 2022 Grammys for his album Subconsciously, becoming the first South African artist to ever get the prize. Born Nkosinathi Innocent Sizwe Maphumulo, the artist has been a fixture of the global electronic scene for nearly two decades and has long flown flags for both house music and the vibrant electronic scene of his native South Africa. He played a headlining show at Madison Square Garden in October.

“While I was working on this album, it was so important for me to make it accessible to as many people as possible,” the producer told Billboard of Subconsciously in 2022. “The album challenges many sounds and styles, all while staying true to my roots. I wanted to make an album that could be listened to not only in the car or in the club, but while you’re cleaning your house, going through a hard time and everything in between. It breaks boundaries, and I think that’s where the appeal ultimately lies.”

Jennifer Lopez Drops Breezy, Sexy ‘Can’t Get Enough’ Single, Elaborate Wedding-Themed Video

Jennifer Lopez dropped the first single from her upcoming ninth album, This Is Me… Now (Feb. 16), on Wednesday (Jan. 10). The breezy, summery “Can’t Get Enough” was accompanied by a cinematic Dave Meyers-directed wedding-themed video that appears to make winking references to the singer’s love life.

“I’m still in love with you/ You know I can’t get enough/ I love that/ You know I can’t get enough/ You love that,” Lopez sings in a breathy voice over the beachy arrangement of the song co-written by the Shotgun Wedding star and produced at her home studio in Los Angeles alongside Rogét Chahayed (Doja Cat), HitBoy (Drake), and Jeff “Gitty” Gitelman (H.E.R); additional songwriting/production on the track comes from Angel Lopez (Jack Harlow), Drew Love (G-Eazy, The Chainsmokers), INK (Beyonce) and Prince Chrishan (Meek Mill, Chris Brown).

The sumptuous video opens with Lopez in a daring peekaboo bellybutton- and-thigh-baring wedding dress pledging “til death do us part” to her beloved (spoiler: it’s not hubby Ben Affleck) at a lavish, rain-soaked wedding as a skeptical attendee snipes, “I told you she couldn’t be alone.”

After the groom takes JLo’s veil off, the singer busts into the song, dancing in front of an enormous fountain amid a lush garden, waving her bouquet in the air as she sings, “I feel like startin’ somethin’/ You got my engine running,” while the wedding party fall in line for a dance routine. The happy couple jet off in a classic white convertible, with Lopez emerging in a new poufy white dress for the first dance, as the naysayer doubles down on a cynical bet about the couple’s chances. “This guy don’t stand a chance,” says another reception attendee.

The happy couple show off their dance moves as the groom transforms into a series of different men with an onlooker sneering, “third time’s a charm,” in a seeming winking reference to Lopez’s four marriages. “Don’t catch it, it’s cursed,” one of the guests says as Lopez tosses her bouquet. Cue an elaborate group dance number amid a rain of flower petals as the camera zooms in on Lopez dancing with her handful of grooms. The clip ends with a forlorn JLo staring out as the unseen men complain about her defensiveness and “constant criticism.”

The video — with a story by Meyers, Lopez and Chris Shafer — will be part of the upcoming This Is Me… Now: A Love Story, a Prime Video special debuting on Feb. 16 described as “a narrative-driven, cinematic musical odyssey, steeped in storytelling and mythology, humor and healing.” The special was co-written by Lopez and husband Affleck along with Matt Walton.

This Is Me… Now, Lopez’s first album in almost a decade, is available for pre-order here now. The follow-up to 2014’s A.K.A. will be available in a number of bespoke and limited edition versions, including a deluxe CD with a 40-page booklet featuring exclusive photos, standard vinyl in Lopez’s favorite color of green and eight additional exclusive vinyl configurations with a variety of covers and vinyl colors; fans can also order a signed vinyl with an emerald disc and exclusive cover available here.

A release accompanying the single describes the album as a collection featuring “an unprecedented rawness, vulnerability, and searing honesty,” crafted by Lopez as a “powerful and heartfelt ode to her journey of self healing and everlasting belief in fairy tale endings.” It promises a “rich tapestry of sounds and emotions, seamlessly blending elements of pop, R&B and hip-hop influences to create a fusion of genres,” with lyrics that plumb the highs and lows of “life, love, and relationships with unflinching honesty and introspection as she unveils a genuine story of growth, resilience, hard work, and the transformative power of self love.”

Additional producers on the album include: HitBoy, Tay Kieth, Yeti Beats, Carter Lang, Kim “Kaydence” Krysiuk, Jason Derulo, and Brandon Riester.

Watch the “Can’t Get Enough” video below.



Paramore Teases a Talking Heads Cover in Collaboration With A24: Watch

Paramore is kicking off the new year with a special project with A24. The band announced Wednesday (Jan. 10) that it will be one of 16 artists to contribute a song to upcoming tribute album Stop Making Sense put together by the production company, sharing a sneak peek of its corresponding music video on Instagram. 

In the clip, frontwoman Hayley Williams opens a big cardboard box sent to her door and pulls out a large gray suit jacket — one that looks remarkably like the oversized staple worn by Talking Heads’ David Byrne. After exchanging confused looks with bandmates Taylor York and Zac Farro, she pulls a Talking Heads cassette tape off a shelf and the camera cuts to black. 

Then, a snippet of Paramore performing Talking Heads’ 1983 hit “Burning Down the House” plays. “Stop Making Sense. Track 1. Paramore x @A24 Music,” reads the band’s announcement on Instagram. 

“We’ve got a tape we’d like to play you,” adds A24 in a separate post. “16 tracks from 16 artists. Track 1: @paramore. Coming soon.” 

The upcoming project is a relief to fans who worried something was wrong with the pop-rock trio after Paramore’s social media accounts were wiped clean last week. The group also dropped out of this year’s iHeartRadio ALTer EGO show “due to unforeseen circumstances” without giving any explanation, only adding in a statement at the time, “The band apologizes for any inconvenience.” 

The “Still Into You” musicians also recently made headlines for being released from their 20-year contract with Atlantic Records, making Paramore a free agent. Their sixth album, This Is Why, arrived last February and peaked at No. 2 on the Billboard 200.  

See Paramore and A24’s announcements below: 

Selena Gomez, Bradley Cooper & More Receive 2024 SAG Awards Nominations: Full List

For the third year in a row, Selena Gomez was nominated for a Screen Actors Guild Award for outstanding performance by an ensemble in a comedy series for her role in Hulu’s Only Murders in the Building, but passed over for a nod for outstanding performance by a female actor in a comedy series.

Two other artists who, like Gomez, have topped the Billboard Hot 100, are nominated for 2024 SAG AwardsBradley Cooper for his performance as conductor Leonard Bernstein in Maestro, and Fantasia Barrino as part of the ensemble of The Color Purple.

Succession is this year’s top nominee. The HBO series is nominated for five awards – best drama ensemble plus individual acting nods to its stars Kieran Culkin, Jeremy Strong, Matthew Macfadyen and Sarah Snook. The Bear, The Last of Us and Ted Lasso were runners-up on the TV side with four nods each.

On the film side, Barbie and Oppenheimer were the top nominees with four nods each, followed by American Fiction and Killers of the Flower Moon with three nods each.

The nominees for best film ensemble – the closest thing at the SAG Awards to the Oscar for best picture – are American Fiction, Barbie, The Color Purple, Killers of the Flower Moon and Oppenheimer.

Comedy and drama performances are combined in the SAG film awards, but are handled separately in their TV awards. Nominees for best TV comedy ensemble are Abbott Elementary (which won last year), Barry, The Bear, Only Murders in the Building and Ted Lasso (which won in 2022).

Nominees for TV drama ensemble are The Crown (which won in 2020-21), The Gilded Age, The Last of Us, The Morning Show and Succession (which won in 2022). These are the first nominations in this category for both The Gilded Age and The Last of Us.

Everything Everywhere All at Once made history at last year’s SAG Awards, becoming the first film to win four awards – best film ensemble plus individual honors for Michelle Yeoh, Jamie Lee Curtis and Ke Huy Quan. This success was repeated at the Oscars two weeks later, where the film won best picture and those three actors also won.

The 30th Annual Screen Actors Guild Awards, produced by SAG-AFTRA and Silent House Productions, will stream live on Netflix on Saturday, Feb. 24, at 8 p.m. ET/5 p.m. PT from the Shrine Auditorium & Expo Hall in Los Angeles. This will mark the show’s live debut on Netflix. Last year’s ceremony was broadcast on Netflix’s YouTube page.

The awards are voted on by SAG-AFTRA’s membership of 119,515 eligible voters, the largest voting body on the awards circuit. Final voting opens on Wednesday, Jan. 17, and closes at noon PT on Friday, Feb. 23.

As previously announced, Barbra Streisand will receive the 2024 SAG Lifetime Achievement Award. She is the 59th recipient of the tribute; she follows Sally Field, who received it during the 2023 telecast.

Here’s the complete list of nominees for the 2024 Screen Actors Guild Awards.

Motion Pictures

Outstanding performance by a male actor in a leading role

Bradley Cooper – Maestro

Colman Domingo – Rustin

Paul Giamatti – The Holdovers

Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

Outstanding performance by a female actor in a leading role

Annette Bening – Nyad

Lily Gladstone – Killers of the Flower Moon

Carey Mulligan – Maestro

Margot Robbie – Barbie

Emma Stone – Poor Things

Outstanding performance by a male actor in a supporting role

Sterling K. Brown – American Fiction

Willem Dafoe – Poor Things

Robert De Niro – Killers of the Flower Moon

Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Outstanding performance by a female actor in a supporting role

Emily Blunt – Oppenheimer

Danielle Brooks – The Color Purple

Penélope Cruz – Ferrari

Jodie Foster – Nyad

Da’vine Joy Randolph – The Holdovers

Outstanding performance by a cast in a motion picture

American Fiction — Erika Alexander, Adam Brody, Sterling K. Brown, Keith David, John Ortiz, Issa Rae, Tracee Ellis Ross, Leslie Uggams, Jeffrey Wright

Barbie — Michael Cera, Will Ferrell, America Ferrera, Ryan Gosling, Ariana Greenblatt, Kate Mckinnon, Helen Mirren, Rhea Perlman, Issa Rae, Margot Robbie

The Color Purple — Halle Bailey, Fantasia Barrino, Jon Batiste, Danielle Brooks, Ciara, Colman Domingo, Aunjanue Ellis-Taylor, Louis Gossett, Jr., Corey Hawkins, Taraji P. Henson, Phylicia Pearl Mpasi, H.E.R.

Killers of the Flower Moon — Tantoo Cardinal, Robert De Niro, Leonardo DiCaprio, Brendan Fraser, Lily Gladstone, John Lithgow, Jesse Plemons

Oppenheimer — Casey Affleck, Emily Blunt, Kenneth Branagh, Matt Damon, Robert Downey Jr., Josh Hartnett, Rami Malek, Cillian Murphy, Florence Pugh

Television

Outstanding performance by a male actor in a television movie or limited series

Matt Bomer – Fellow Travelers

Jon Hamm – Fargo

David Oyelowo – Lawmen: Bass Reeves

Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie

Steven Yeun – Beef

Outstanding performance by a female actor in a television movie or limited series

Uzo Aduba – Painkiller

Kathryn Hahn – Tiny Beautiful Things

Brie Larson – Lessons in Chemistry

Bel Powley – A Small Light

Ali Wong – Beef

Outstanding performance by a male actor in a drama series

Brian Cox – Succession

Billy Crudup – The Morning Show

Kieran Culkin – Succession

Matthew Macfadyen – Succession

Pedro Pascal – The Last of Us

Outstanding performance by a female actor in a drama series

Jennifer Aniston – The Morning Show

Elizabeth Debicki – The Crown

Bella Ramsey – The Last of Us

Keri Russell – The Diplomat

Sarah Snook – Succession

Outstanding performance by a male actor in a comedy series

Brett Goldstein – Ted Lasso

Bill Hader – Barry

Ebon Moss-Bachrach – The Bear

Jason Sudeikis – Ted Lasso

Jeremy Allen White – The Bear

Outstanding performance by a female actor in a comedy series

Alex Borstein – The Marvelous Mrs. Maisel

Rachel Brosnahan – The Marvelous Mrs. Maisel

Quinta Brunson – Abbott Elementary

Ayo Edebiri – The Bear

Hannah Waddingham – Ted Lasso

Outstanding performance by an ensemble in a drama series

The Crown — Khalid Abdalla, Sebastian Blunt, Bertie Carvel, Salim Daw, Elizabeth Debicki, Luther Ford, Claudia Harrison, Lesley Manville, Ed McVey, James Murray, Jonathan Pryce, Imelda Staunton, Marcia Warren, Dominic West, Olivia Williams

The Gilded Age — Ben Ahlers, Ashlie Atkinson, Christine Baranski, Denée Benton, Nicole Brydon Bloom, Michael Cerveris, Carrie Coon, Kelley Curran, Taissa Farmiga, David Furr, Jack Gilpin, Ward Horton, Louisa Jacobson, Simon Jones, Sullivan Jones, Celia Keenan-Bolger, Nathan Lane, Matilda Lawler, Robert Sean Leonard, Audra McDonald, Debra Monk, Donna Murphy, Kristine Nielsen, Cynthia Nixon, Kelli O’Hara, Patrick Page, Harry Richardson, Taylor Richardson, Blake Ritson, Jeremy Shamos, Douglas Sills, Morgan Spector, John Douglas Thompson, Erin Wilhelmi

The Last of Us — Pedro Pascal, Bella Ramsey

The Morning Show — Jennifer Aniston, Nicole Beharie, Shari Belafonte, Nestor Carbonell, Billy Crudup, Mark Duplass, Jon Hamm, Theo Iyer, Hannah Leder, Greta Lee, Julianna Margulies, Tig Notaro, Karen Pittman, Reese Witherspoon

Succession — Nicholas Braun, Juliana Canfield, Brian Cox, Kieran Culkin, Dagmara Dominczyk, Peter Friedman, Justine Lupe, Matthew MacFadyen, Arian Moayed, Scott Nicholson, David Rasche, Alan Ruck, Alexander Skarsgård, J. Smith-Cameron, Sarah Snook, Fisher Stevens, Jeremy Strong, Zoë Winters

 Outstanding performance by an ensemble in a comedy series

Abbott Elementary — Quinta Brunson, William Stanford Davis, Janelle James, Chris Perfetti, Sheryl Lee Ralph, Lisa Ann Walter, Tyler James Williams

Barry — Anthony Carrigan, Sarah Goldberg, Zachary Golinger, Bill Hader, Andre Hyland, Fred Melamed, Charles Parnell, Stephen Root, Tobie Windham, Henry Winkler, Robert Wisdom

The Bear — Lionel Boyce, Jose Cervantes Jr., Liza Colón-Zayas, Ayo Edebiri , Abby Elliott, Richard Estera, Edwin Lee Gibson, Molly Gordon, Corey Hendrix, Matty Matheson, Ebon Moss-Bachrach, Oliver Platt, Jeremy Allen White

Only Murders in the Building — Gerald Caesar, Michael Cyril Creighton, Linda Emond, Selena Gomez, Allison Guinn, Steve Martin, Ashley Park, Don Darryl Rivera, Paul Rudd, Jeremy Shamos, Martin Short, Meryl Streep, Wesley Taylor, Jason Veasey, Jesse Williams

Ted Lasso — Annette Badland, Kola Bokinni, Edyta Budnik, Adam Colborne, Phil Dunster, Cristo Fernández, Kevin “Kg” Garry, Brett Goldstein, Billy Harris, Anthony Head, Brendan Hunt, Toheeb Jimoh, James Lance, Nick Mohammed, Jason Sudeikis, Jeremy Swift, Juno Temple, Hannah Waddingham, Bronson Webb, Katy Wix

Stunt Ensembles

Outstanding action performance by a stunt ensemble in a motion picture

Barbie

Guardians of the Galaxy Vol. 3

Indiana Jones and the Dial of Destiny

John Wick: Chapter 4

Mission: Impossible – Dead Reckoning Part One

Outstanding action performance by a stunt ensemble in a television series

Ahsoka

Barry

Beef

The Last of Us

The Mandalorian

Matt Stell ‘Boots’ Up 2024 With a High-Energy Heartbreak Drama

One of the most engaging singles of Carrie Underwood’s early career was “Cowboy Casanova,” a warning to other women about a “snake with blue eyes” posing for his next victim in a barroom, delivered as big, KISS-quality guitars bashed out power chords underneath.

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Matt Stell’s “Breakin’ In Boots” is the male version of that song. Though the artist says, “I’ve never thought about that,” the similarities are all there: the night-spot locale, the exhortation to another guy about the danger an alluring female patron poses and even a reference to snakeskin. In this case, the serpentine comment is a note about the other man’s leather boots, but it’s easy to see the reptillian innuendo as an allusion to the woman’s forked tongue.

More than anything, it’s Stell paying homage to an item in his own closet.

“Years ago, I bought this pair of boots that I had no business buying,” he says. “It took them, I don’t know, about a year’s time to make ‘em. They drew ‘em to my foot and made ‘em and I remember when those boots came in. I’ll be married and buried in those boots. They’re python.”

The storyline of “Breakin’ In Boots” is personal, too. Stell had spotted a woman at a Nashville bar in March wearing boots that looked quite similar to his. He was in the process of closing his tab, and by the time he was free to go introduce himself and compare footwear, she was gone.

Within a few days, Stell staked out a writers room at Apple Music’s office in Nashville’s Wedgewood-Houston district for a local writing retreat. After a morning co-write, he shared the space that afternoon with writer-producer Joe Fox (“Last Night Lonely”); Los Angeles-based Nate Cyphert (“H.O.L.Y.”); and Ben Stennis (“’Til You Can’t,” “Make You Mine”), who presented the “Breakin’ In Boots” title. Everyone liked it, particularly Stell.

“The great thing about Stell,” says Stennis, “is he knows what he wants to do, and he’s very direct about it.”

The title allowed them to paint a barroom Barbie as someone who gets a kick out of using and abusing men’s emotions, and it was ideal for an aggressive musical framework, which would assist Stell’s concerts. With that in mind, Fox kicked into a four-chord progression on guitar that’s either in the key of C-major or the related A-minor; since each chord keeps rolling into the next, the home base isn’t as clear as it would have been if they were adhering to the rules that guided music-theory icon J.S. Bach.

“If you understand Bach, you could definitely understand Matt Stell,” Fox deadpans.

Stell wanted to drop John Anderson’s “Straight Tequila Night” in the opening line – that 1992 chart-topper documented a similarly bitter beauty – and it set a proper tone, but the writing wasn’t entirely linear. They bounced a bit between the opening verse and chorus.

“It’s like tightening up the lug nuts on a tire you’re changing,” Stell says. “You get them all started, and then you cinch ‘em down in kind of a star pattern. You don’t go one after the other. Somehow that kind of works.”

Midway through the chorus, they ID’d the woman as a “cowboy killer” who’s “shootin’” bourbon.

“Cowboy Killer” was a title Stell had tried to write previously – it’s also been the hook for album cuts by Jason Aldean and by Ian Munsick and Ryan Charles. And Dustin Lynch named his current album Killed the Cowboy.

“We all grew up talking about Marlboros being cowboy killers, at least in Georgia,” Stennis says. “We knew cigarettes are called cowboy killers, and so we kind of just thought calling a girl a cowboy killer instead was kind of cool.”

It certainly implies that she’s smokin’…

“Smokin’ cigarettes or just smokin’ beautiful,” Stennis quips. “Either one.”

The writing progressed without a lot of setbacks, but “Boots” still needed a bridge, and maybe a little more work on the second verse. Apple, unfortunately, was closing up shop for the day, and since they had maybe just a half-hour of work left, they went out to Stell’s Ford F-150 in the parking lot and kept writing there in public, undeterred by the prospect of passersby hearing their unfinished work.

“I didn’t really think about it at the time,” Cyphert says. “But I think we were excited about the song and were pretty wrapped up in it. We already had the chorus where we knew there’s something here. So I think that we didn’t even put that much thought into who could have heard or who was walking about.”

Despite that public-facing scenario, the parking lot is where “Boots” reached its most vulnerable moment. They fashioned a bridge that temporarily broke the repetitive chord structure, and the singer doubled down on his warning that the smokin’-hot woman would leave potential suitors broken. He implied that he had firsthand knowledge.

“Bridges are always my favorite part of the song,” Cyphert notes. “I think it’s nice to give a listener one more new little piece of something before you launch them back into a chorus, and in this case, I feel like the bridge is the most emotional part of the song. It’s kind of the soft side of the whole situation.”
In the ensuing days, Stennis built a demo with a four-on-the-floor drum pattern that felt sort of danceable. Stell liked it, but had other ideas, and asked Fox to work something up with a little more of a rock tone. Fox infused more dynamics into it, paring back at the end of the first verse to a haunting piano background, which made the launch of the anthemic chorus even more pronounced. He also developed a down chorus for the post-bridge section, and rolled in a high-energy banjo part on the chorus to amp it even further.

“There’s a banjo on meth cranking through that song,” Stennis says.

Stell began using “Breakin’ In Boots” as the closer for his concerts almost immediately, replacing “Shut The Truck Up.” They subsequently recorded the final master at the Black River compound on Nashville’s Music Row during the summer with a cadre of studio musicians playing on top of Fox’s demo. Most of his playing on that demo bit the dust, though some of it remained intact.

“I would have programmed drums, but those would be replaced,” Fox says. “It was mostly the little things [that stayed in] — the baritone electric guitar that’s in there, that’s my guitar from the demo. Same with some of the other guitars that are in there, and there was my banjo from the demo.”

RECORDS Nashville released “Breakin’ In Boots” to digital service providers on Oct. 6, then shipped it to country radio via PlayMPE on Nov. 6. The woman who inspired it will likely never know she’s the subject.

And Stell still doesn’t know if she really is the heartbreaker the song implies.

“She could have very well been,” he allows. “I never got a chance to find out.”



Reneé Rapp Says Megan Thee Stallion Has the ‘Best A–‘: ‘I’ve Actually Never Seen Anything Like This!’

We all know and love The Plastics: Regina, Gretchen, Karen and … Megan? In a new Extra interview, Mean Girls star Reneé Rapp gushes over Megan Thee Stallion and recounts her journey with the character of Regina George.

“It’s been like five years of my life now,” Rapp joked. “I’m milking this IP for jobs until I can’t anymore.” Before taking Regina George to the big screen in the new Mean Girls movie musical, Rapp portrayed the character in the Broadway stage musical for several months during 2019-2020. The original Broadway production of Mean Girls earned 12 Tony nominations. Although her stint on The Great White Way eventually gave way to her reprisal of the role in the film adaptation, Rapp quipped, “I’m tired of wearing pink! I’ve had it, I’m good on it!”

Rapp handles most of the film’s soundtrack — alongside co-stars Auliʻi Cravalho, Jaquel Spivey and Avantika — and she even co-wrote and recorded some new original songs for the album. In addition to co-writing “What If’s” with Nell Benjamin, Rapp collaborated with Grammy-winning rapper Megan Thee Stallion for the single “Not My Fault.” Paired with a pink-tastic choreography-laced music video, “Not My Fault” features the two stars thriving in all of their plastic glory. The pair’s joint dance scenes have gone viral across social media, and those happened to be the scenes that made Rapp swoon.

“Actually best a– I’ve ever seen in my life,” she gushed. “We were in dance rehearsal and I was like, ‘Wow, this is incredible! ‘I’ve actually never seen anything like this.” “Not My Fault” has so far peaked at No. 22 on the Billboard Bubbling Under Hot 100 — Rapp’s first entry on any Billboard singles chart. The “Tummy Hurts” singer — who unleashed Snow Angel, her Billboard 200-charting debut studio album last year (No. 44) — continued: “I’m a true Meg supporter. I hate that other man, so I love Megan Thee Stallion. I love her. If anybody tries her when it comes to that sorry a– man, it’s a do or die fight for me.”

Rapp is likely referencing Tory Lanez, the Canadian rapper and singer who was sentenced to 10 years in prison for shooting Megan Thee Stallion in the foot back in 2020. On the Mean Girls premiere red carpet Monday (Jan. 8), Megan told Entertainment Tonight, “I love Reneé. As soon as I met her I was like, ‘Oh, you my friend. OK.’ I love it. I love her and I love Mean Girls!”

Mean Girls hits theatres this Friday, Jan. 12, and the accompanying soundtrack will be available on all digital streaming platforms the same day.

Watch Rapp chat about Megan Thee Stallion below.



15 Latin & Spanish Artists to Watch in 2024

From música mexicana to cumbia and urban, the list includes a broad range of future Latin stars.

As is now a tradition for us at Billboard, at the beginning of every year, Billboard’s Latin and Español teams take stock of artists who we think have a shot at noticeably bigger recognition or even stardom in 2024.

Our range of options is vast: We look at new and up and coming acts who’ve caught our attention through their music and/or new chart presence (think Xavi and Milo J); artists who are being celebrated by the artistic community (Joaquina); international artists who are causing a stir in their home countries but may be unknowns outside their borders (Ke Personajes); and even artists who have been around for several years but only recently seemed to find their direction and path to success (Bad Gyal).

In making our selection, we take into account not just chart presence — several of these artists have never been on a Billboard chart — but also artistry, distinctiveness, label support, momentum going into 2024 and our gut instinct as chroniclers of Latin music across the world. Our selection of acts crosses genres –- tropical, pop, urban, regional Mexican and cumbia are some of the genres represented here –and borders.

We’ve highlighted artists from the U.S., but also from Mexico, Argentina, Puerto Rico and Spain, among other countries. They all have one common denominator: Their music moves and excites us, and we are eager to hear what each of them will deliver over the next 12 months.

Read on for our 15 Latin artists to watch, listed in alphabetical order.

Watch Dua Lipa & Seth Meyers Get Matching Tattoos: ‘Bonded for Life’

Dua Lipa and Seth Meyers are ink buddies for life. On her recent visit to Late Night, the 28-year-old pop star and talk-show host got matching tattoos on camera with the help of a little liquid courage. 

To prep for their permanent body art, the duo first took tequila shots poured down a Barbie Dreamhouse slide as two dolls that looked just like Lipa and Meyers looked on. The nervous former Saturday Night Live cast member then needed a couple more shots before proceeding with his first ever tattoo, for which the “Levitating” singer — who estimated she has about 20 already — suggested a tiny star. 

“Oh my god, this is perfect, I’m very excited,” Lipa said just before a tattoo artist added a star to her inner ankle. “We’re going to be, like, bonded for life.” 

Meyers probably wanted to pull a “Houdini” and escape when it came time for his turn under the needle, but he took it like a champ. After they were done, he and Lipa shared a big hug. 

Just a few weeks prior, Meyers and the English singer-songwriter went out together for a day of drinking for a segment on Late Night. Lipa is currently gearing up to release her third album, which she confirmed last year would be arriving in 2024. 

And in addition to being fresh off the release of her latest single “Houdini,” she’s also been enjoying awards show recognition for her Barbie soundtrack single “Dance the Night.” The track was up for best original song, motion picture at Sunday’s (Jan. 7) Golden Globes (the prize ultimately went to another Barbie piece, Billie Eilish’s “What Was I Made For?”) and has been shortlisted for best original song at this year’s Oscars. 

Watch Dua Lipa and Seth Meyers get tattooed below.