Music

Kansas City Chiefs Tease Taylor Swift & Travis Kelce’s ‘Love Story’ During Postseason Recap

He’ll be the prince and she’ll be the princess! The Kansas City Chiefs made a reference to one of Taylor Swift’s most popular songs in a postseason recap shared to Instagram on Tuesday (Jan. 9), as the NFL team heads into the playoffs.

“Valentine’s Day is jealous of the ‘love story’ we have / Who could ever separate the end zone from Trav?” the narrator recites in the clip, referring to Travis Kelce, who is dating the “Anti-Hero” superstar. The clip also seems to make reference to Swift’s Fearless hit, “Love Story.” See the post here.

That’s not all. Elsewhere, in another recap, the NFL referred to Kelce as “Travis Swift Kelce” while boasting his “second-most yards for a tight end” achievement this year.

Swift and Kelce’s real life “Love Story” began back in July, when the football player tried to give a friendship bracelet to Swift during her Eras Tour stop in Kansas City. Since then, the singer has attended countless Chiefs football games and the duo have stepped out together on dates on multiple occasions.

“When you say a relationship is public, that means I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care,” Swift told TIME in December, marking her first public remarks of the relationship. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone. And we’re just proud of each other.” 

New York Pops to Honor Clive Davis at Carnegie Hall Concert

The New York Pops will honor industry legend Clive Davis at the orchestra’s 41st birthday gala, “The Soundtrack of Our Lives: A Tribute to the Legendary Clive Davis,” on Monday, Apr. 29, at 7:00 p.m. in Stern Auditorium/Perelman Stage at Carnegie Hall. The orchestra will be joined by what is promised to be “a spectacular group of guest artists.”

The title of the event borrows the title of Davis’ 2013 autobiography and a 2017 documentary film on his life, now available on Netflix.

“We are thrilled to be honoring Clive Davis and his innumerable contributions to popular music,” said Steven Reineke, New York Pops music director and conductor, in a statement. “For decades, Mr. Davis has introduced us to countless favorite artists and songs, and shaped the American music landscape. Together with the 78 musicians of The New York Pops, we’ll revisit the soundtrack of our lives at Carnegie Hall.”

Proceeds from the Gala will support the New York Pops’ PopsEd music education programs. The concert will be followed at 8:30 p.m. by a black-tie optional dinner and dance at the Mandarin Oriental New York.

Tickets go on sale to the general public on Wednesday, Jan. 17 at 11:00 a.m. Tickets to the concert and dinner dance are currently available for New York Pops donors of $100 or more by calling (212) 765-7677.

Davis, the chief creative officer for Sony Music Entertainment, previously held top posts at Columbia, Arista and J Records. In those years, he also oversaw Arista Nashville, LaFace Records and Bad Boy Records.

Davis has received four Grammy Awards as an album producer, including best album awards in three different genres — rock (Santana’s Supernatural, which also won the overall album of the year award), pop (Kelly Clarkson’s Breakaway) and R&B (Jennifer Hudson’s eponymous debut album). In 2000, he received a Trustees Award from The Recording Academy and was inducted into the Rock and Roll Hall of Fame (with Patti Smith doing the honors). In 2010, The Recording Academy named The Grammy Museum theater in his honor. In November 2022, Davis was one of seven honorees of the National Portrait Gallery’s Portrait of a Nation awards. 

Lil Nas X Features Look-Alikes of Taylor Swift, Kanye West & More Celebrities in ‘J CHRIST’ Teaser

Lil Nas X is continuing his teasers for his upcoming single, “J CHRIST,” and he took to Instagram on Wednesday (Jan. 10) to unveil a sneak peek of the music video.

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In the brief clip, celebrity look-alikes of stars including Taylor Swift, Ed Sheeran, Kanye West, Mariah Carey, Oprah and Barak Obama walk through a field, ascending up a stairway to the gates of heaven. See it here.

In the caption, Lil Nas X indicated that the music video will be arriving alongside the single on Friday (Jan. 12). In his “J CHRIST” announcement earlier in the week, the musician shared the cover art featuring himself taking Jesus’ place on a crucifix as five bystanders begin to raise him off the ground. A second video clip sees him nailed to a gold cross that suddenly transforms into a mechanical suit complete with a halo. “MY NEW SINGLE IS DEDICATED TO THE MAN WHO HAD THE GREATEST COMEBACK OF ALL TIME,” Lil Nas wrote in his announcement.

After fans accused him of trolling, the “Industry Baby” star took to Instagram on Tuesday (Jan. 9) to share a photo of his acceptance letter to Liberty University, where he will be taking a dual concentration in Christian Leadership and Biblical Studies starting in the fall. “I know some of yall hate me right now but i want yall to know im literally about to go to college for biblical studies in the fall. Not everything is a troll! Anyways IM A STUDENT AGAIN! LETS GOOO,” he captioned the post, which you can check out here.

Accused Shakira Stalker Arrested Outside Her Home

A man named Daniel John Valtier of El Paso, Texas, was arrested in Miami and charged with one count of stalking Shakira, according to NBC 6 in Miami, citing the arrest report. He was detained outside the Latin music star’s home in Miami Beach on Monday (Jan. 8).

Billboard has reached out to the Miami-Dade Police Department and Shakira.

“She’s my wife. I speak to her all the time,” Valtier, 56, is heard claiming during court on Tuesday (Jan. 9), in video shared by the local NBC affiliate.

“I have real concerns right now because this man is delusional saying she’s his wife and that’s not true. That is very concerning to the court,” the judge responded. “I’m very concerned. … Then I have the same man in court making comments to me  that suggest he believes that he has the right to be with this person and that is absolutely not true.” 

Valtier has been sharing alarming posts about the Colombian singer on social media for months, and has even sent gifts such as wine bottles and toys to her home, NBC Miami reported. 

“Shakira, she wants to be American like her father, and share the rest of her life with me. We will own a trucking business, sing songs, promote, manage and own a garment manufacturing corporation worldwide,” he wrote on Instagram in October.

The judge ordered a $50,000 bond, which he then increased to $100,000, and ordered that Valtier have zero contact with the singer, including no contact on social media, no sending letters or gifts, no emailing and no one else speaking to her on his behalf, unless required for court appearances.

“The 50K is not sufficient to protect this community and in particular this victim,” the judge said, according to NBC Miami. “I’m going to increase the bond to $100K because I feel that I have to, and with the stay away order.”

Xavi Tops Billboard’s Emerging Artists Chart, With a Growing Global Footprint

It has not taken 2024 long to find its first new global superstar. Xavi, the 19-year-old Mexican-American singer-songwriter born Joshua Xavier Guiterrez, is surging on Billboard charts, notably climbing to No. 1 on the Jan. 13-dated Emerging Artists survey.

The Emerging Artists chart ranks the most popular developing artists of the week, using the same formula as the all-encompassing Billboard Artist 100, which measures artist activity across multiple Billboard charts, including the Billboard Hot 100 and Billboard 200. (The Artist 100 lists the most popular acts, overall, each week.) However, the Emerging Artists chart excludes acts that have notched a top 25 entry on either the Hot 100 or Billboard 200, as well as artists that have achieved two or more top 10s on Billboard’s “Hot” song genre charts and/or consumption-based “Top” album genre rankings.

Xavi’s bustling activity is due in large part to the success of “La Diabla” and “La Victima,” both of which are unaccompanied solo singles. The former shoots from No. 62 to No. 34 on the Hot 100 and the latter leaps 79-55. As the leading non-English-language song on the first fully post-Christmas Hot 100 of the year, “La Diabla” drew 12.7 million on-demand U.S. streams in the week ending Jan. 4, up 15% from the previous frame, according to Luminate.

“La Diabla” adds a second week atop the Hot Latin Songs chart, while rising to No. 1 on Latin Streaming Songs.

Both of Xavi’s breakout hits are making great strides on Billboard’s global charts as well. “La Diabla” is No. 2 on the Billboard Global Excl. U.S. ranking and No. 4 on the Billboard Global 200, while “La Victima” climbs to Nos. 17 and 14, respectively. Both are new in each chart’s top 20.

Further, Xavi debuts on both charts with “Poco A Poco,” with Los Dareyes De La Sierra, and “Modo Dnd” with Tony Aguirre. The one-after-another onslaught is reminiscent of fellow regional Mexican star Peso Pluma’s sudden surge on the global charts last year, when he amassed seven debuts between March and April. Peso Pluma himself scores his fifth top 10 hit on each global list, as “Bellakeo” with Anitta hits No. 6 on Global Excl. U.S. and No. 7 on the Global 200.

Even with all of Xavi’s success on the U.S.-based Hot 100 and Latin charts, three of his four globally-charting hits are higher on the Global Excl. U.S. tally than the Global 200. “La Diabla” and “La Victima” takes the Nos. 1 and 2 spots, respectively, on Billboard’s Mexico Songs ranking, while the former is also in the top 10 in Colombia and Ecuador.

Julión Álvarez y Su Norteño Banda Leads Regional Mexican Airplay With ‘Buscándole a La Suerte’

Julión Álvarez y Su Norteño Banda capture their ninth No. 1 on Billboard’s Regional Mexican Airplay chart as “Buscándole a La Suerte” ascends to No. 1 on the Jan. 13-dated list.

After seven weeks in the top 10, the song crowns the list with 6.7 million audience impressions earned during the Dec. 29-Jan. 4 tracking week, less than 1% up from the week prior, according to Luminate.

“Buscándole a La Suerte” was released Sept. 29 via Fonovisa/UMLE. It’s from the Norteño Banda’s 12-song Presente album, which reached No. 10 on Regional Mexican Albums chart in December. It was the group’s 11th straight top 10 on the tally.

As “La Suerte” advances to the top of the chart, it ejects another Fonovisa/UMLE track from the lead: “Vas a Querer Volver” by Banda Los Recoditos dips 1-3 with a 14% drop in impressions (to 6 million).

As mentioned, with “La Suerte” Álvarez y Su Norteño Banda achieve its ninth No. 1 upon 32 chart appearances. Here’s the full recap of the norteño group’s champs:



Peak, Title, Weeks At No. 1

  • Dec. 25, 2010, “Ni Lo Intentes,” 12
  • Sept. 24, 2011, “Olvídame,” seven
  • March 29, 2014, “Te Hubieras Ido Antes,” six
  • Nov. 15, 2014, “Y Así Fue,” four
  • May 30, 2015, “El Amor De Su Vida,” seven
  • Feb. 11, 2017, “Afuera Está Lloviendo,” four
  • July 10, 2021, “Ya Te La Sabes,” four
  • Nov. 26, 2022, “Que Te Vaya Bien,” eight
  • Jan. 13, 2024, “Buscándole A La Suerte,” one

Elsewhere, “La Suerte” pushes 8-7 on the overall Latin Airplay tally, for its second week in the top 10.

Kraftwerk Announces 9-Show Residency in Los Angeles

Electronic pioneers Kraftwerk this week announced a nine-show residency in Los Angeles that will cover the group’s decade-spanning catalog.

Presented in conjunction with the 50-year anniversary of Kraftwerk’s Autobahn, each show will feature the band playing one of their classic albums, including Autobahn, 1975’s Radio-Activity and 1977’s Trans Europe Express. The final show will span five decades of the Kraftwerk repertoire. See the complete show schedule below.

Hosted by the Los Angeles Philharmonic, the residency will happen at downtown Los Angeles’ iconic Walt Disney Concert Hall, where the group also performed a celebrated residency in 2013. Happening this May 21-30, the residency will mark Kraftwerk’s first performances in North America since a 2022 run of their 3-D show. Tickets go on sale Thursday at 10 a.m. PT.

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Kraftwerk was founded in 1970 by Ralf Hütter and Florian Schneider — the latter of whom died of cancer in May 2020 — in Düsseldorf, Germany. By the mid-1970s, Kraftwerk had achieved international recognition for their revolutionary electronic soundscapes and musical experimentation using robotics and other technological innovations, including synthetic voices and computerized rhythms. The group had a major international influence across a range of music genres and was inducted into the Rock & Roll Hall of Fame in 2021.

May 21, 2024: Autobahn

May 22, 2024:  Radio-Activity

May 23, 2024: Trans Europe Express

May 24, 2024: The Man-Machine

May 25, 2024: Computer World

May 26, 2024: Techno Pop

May 28, 2024: The Mix

May 29, 2024: Tour de France

May 30, 2024: Finale with compositions from the entire catalogue

GloRilla Reveals She Made a 90-Day Celibacy Pledge — and She’s Already Struggling: ‘Send Help’

GloRilla is already faltering on her New Year’s resolution for 2024. In a Tuesday (Jan. 9) tweet, the 24-year-old rapper got real about her struggles to remain abstinent.

“Started my 90 day celibacy lil s— for new year’s or wtv,” she wrote on X. “I’m on da 9th day & my vision blurry af !!!!! Send help?”

The “Tomorrow 2” musician isn’t the only hip-hop star to pledge celibacy in the new year. 50 Cent also recently shared his plan to refrain from s-e-x on Instagram.

“My new idea is so big, I don’t have time to be distracted I’m practicing abstinence, I have been meditating and focusing on my goals,” he wrote. “I hope this New Year helps you excel to the next level.”

GloRilla is currently gearing up to release her debut album in early 2024 following a standout 2023. In addition to securing a best rap performance Grammy nomination for “F.N.F.” and performing at last year’s ceremony, she also played Coachella and scored her third Billboard Hot 100 entry on Moneybagg Yo’s “On Wat U On.”

“I want to explore different s–t like, OK, maybe I might start liking it,” she told GQ in December. “Maybe this is what I needed or maybe this is what I’m missing, so I’m just open to everything. For instance, I can’t sing, but if somebody try to make me start with some auto tuning, I’m going to try it. If it’s horrible, it’s horrible. If it sounds good, bam. Maybe if I try to show I’m more feminine, it might grow my male fan base. Maybe if I try a pop song, I can grow an audience [there]. You got to step out your comfort zone.”

See Glo’s tweet below:

Boy George’s Memoir ‘Karma’ Reveals Why He’ll Never, Ever Be Friends With Janet Jackson… ‘Unless a Miracle Happens’

Culture Club singer Boy George names names and does not hold back in his new memoir, Karma: My Autobiography. Especially when it comes to some fellow 1980s celebs he says were not so nice to him back in the day. The flamboyant, technicolor star who once sang “Don’t Talk About It” on his new wave group’s 1984 album Waking Up with the House on Fire definitely talks about it in the book out now.

According to an excerpt in People, George quips, “When it comes to me and Janet [Jackson], let’s wait a while.” George said the two pop idols met during their respective 1980s peaks on the show Solid Gold, where Janet superfan George approached the “Rhythm Nation” singer without his signature bold makeup on to express his love for her.

“She wasn’t friendly and didn’t try to be. But I just walked off and got myself into my best ‘Boy George’ and was walking around backstage to make sure I was seen by everyone,” he writes in the book, where he also notes that a member of Jackson’s crew later approached him with video camera in hand asking him to record a message for Janet.

“‘Next time you meet someone, be nice,’” George replied. Later, George said he was swept into Jackson’s dressing room, where she said she hadn’t recognized him earlier. “‘Are you saying you would have been nice to me if you knew who I was?’ We parted on awkward terms,” he said of their stilted exchange.

Things were not much friendlier the next time they meet at the long-running U.K. music series Top of the Pops several years later, where he reported that Jackson “looked straight through me.” George (born George O’Dowd), 62, told People he has nothing else to say about the incident now, noting that sometimes when you write a tell-all there’s a “chance you’re going to bump into someone that you’ve written about,” and that he’s secure in his truth about how people behaved.

“I’m always someone who’s prepared to bury the hatchet because there’s always another opportunity to be different,” he said, adding, however, that at this point, “there’s certain people I’m never gonna be friends with unless a miracle happens — and I guess I put her [Jackson] in that category.”

“I love Janet Jackson’s music and I love Madonna and I love all the people I’ve written about,” George told People. “I suppose when you write things about other artists, it’s also — note to self — you remember that perhaps there’s been times in your life when you weren’t friendly to everyone you met.”

George also had similar feelings about late rock icon Tina Turner — who he doesn’t mention in the book — though he told People that she also “wasn’t nice to me, which was a shame.” He says he’d been invited to an Elton John show and in a tiny, celeb-packed dressing room afterwards among such luminaires as Faye Dunaway and Ben Kingsley, John introduced him to Turner, who, he said, “turned her back.”

He never figured out why Turner reacted how she did, saying it may have had to do with his drug-taking at the time. “I’d just come off drugs — so maybe she was disapproving of that,” he said. Regardless, George said he’s still “the biggest Tina Turner fan on the planet. I mean, I forgave her and I loved her.”

“It’s 1,000% easier to be nice,” the singer told the magazine. “Not only Is it easier to be nice as it’s better for you.” In an earlier excerpt, People noted that the book covers everything from George’s violent childhood in South East London as as bullied teen to his four-month prison stint in 2009 after a conviction for falsely imprisoning and assaulting a male escort and his $2.3 million dollar legal battle with former bandmate/lover Culture Club drummer Jon Moss.

Luke Bryan Covers an Elvis Presley Classic During His Las Vegas Residency: Watch

After performing 48 shows since 2022 as part of his Luke Bryan: Vegas residency at the 5,000-capacity theater at Resorts World in Las Vegas, two-time CMA entertainer of the year winner Luke Bryan wrapped his Las Vegas residency on Jan. 6 by bringing a bit of the viva Las Vegas vibe to his show, covering a snippet of the 1970 Elvis Presley classic “The Wonder of You.”

While Bryan is known as a hitmaker and onstage hip-shaker — and his show was indeed filled with many of his 26 No. 1 Country Airplay hits — the country star’s rendition of the Presley classic reminded the audience that he possesses quite a bit of vocal dexterity, as well. Bryan doubled-down on the vocal vibrato as launched into a verse and chorus of the song, backed by piano.

Bryan shared the clip of his performance on Monday (Jan. 8), which happened to be the late King of Rock and Roll’s birthday.

“Listened to this over and over as a kid. Fun to do a small clip on my last night in vegas. Happy Birthday Elvis,” Bryan captioned his post.

The performance, of course, was a nod not only to Elvis’ music, but Presley’s own iconic seven-year Las Vegas residency, which started in 1969 at the International Hotel (which became the Las Vegas Hilton and later Westgate Las Vegas).

“It is unbelievable that we’ve reached the end of our two-year run at Resorts World Theatre,” Bryan also said in a statement about the conclusion of his residency. “Las Vegas has been a home away from home the last two years, and I am grateful to all the fans who have joined us night after night to experience this production. This has truly been an experience I’ll never forget.”

In November, Bryan returned to co-host the CMA Awards alongside Peyton Manning. He will launch 2024 by rejoining Katy Perry and Lionel Richie in February as celebrity judges for their seventh season on ABC’s American Idol, which returns Feb. 18.

Watch Luke Bryan cover Elvis below: