Music
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Billboard is revamping its dance charts offerings at the outset of the new year to better recognize the varied sounds of the genre.
While the metrics of Hot Dance/Electronic Songs will remain the same, the songs eligible to debut on the ranking will, as of the charts dated Jan. 18, 2025 (reflecting activity Jan. 3-9, the first full chart week of the year), be those primarily recorded by DJs or producers with an emphasis on electronic-based production.
Billboard’s weekly multimetric Hot Dance/Electronic Songs chart currently ranks the top 50 songs based on U.S. streaming (official audio and official video) and sales data, according to Luminate, the independent data provider to the Billboard charts, plus radio airplay audience impressions, as measured by Mediabase. The sales metric reflects purchases of physical singles and digital tracks from full-service digital music retailers.
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Billboard launched the Hot Dance/Electronic Songs chart in January 2013. It became the publication’s first multimetric chart to rank the most popular dance and electronic songs.
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Concurrently with the charts dated Jan. 18, Billboard is also launching the 25-position Hot Dance/Pop Songs chart, utilizing the same multimetric methodology as Hot Dance/Electronic Songs, featuring titles with dance-centric vocals, melody and hooks by artists not considered rooted in the dance/electronic genre. Songs co-billed to both a DJ/producer and a singer who extends beyond the dance genre may be eligible for both Hot Dance/Electronic Songs and Hot Dance/Pop Songs.
With the start of Hot Dance/Pop Songs, Billboard will also introduce corresponding Dance/Pop Songwriters and Dance/Pop Producers charts, based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on each respective chart.
Further, Billboard is also renaming the Top Dance/Electronic Albums chart to Top Dance Albums to better represent the cross-reference of dance titles that appear on the ranking. The chart ranks the most popular dance albums of the week, based on multimetric consumption, blending traditional album sales, streaming-equivalent albums and track-equivalent albums, as compiled by Luminate.
Catilin Clark is in her Swiftie era! The basketball superstar was named Time’s Athlete of the Year this week, and in the corresponding cover story published on Tuesday (Dec. 10), the WNBA athlete recalled attending “back-to-back” Eras Tour performances during Taylor Swift’s run at Lucas Oil Stadium in Indianapolis, Ind., back in early November. She […]
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Our favorite albums from a year filled with country crossovers, traditional country-tilted albums and projects that highlighted the songwriting talents of both artists and songwriters.
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The fallout from the Drake and Kendrick Lamar war continues. Mustard called out longtime OVO producer Boi-1da for allegedly trashing West Coast music, and the Cali native posted receipts of their alleged past conversations to his Instagram Story on Monday (Dec. 9). “West Coast music is a–,” the Toronto producer allegedly wrote in a DM […]
Motown Records icon Smokey Robinson remembers that at one of the storied label’s holiday parties in the late ‘60s, he received a very special gift.
“Stevie Wonder came,” Robinson recalls to Billboard, “and gave me a cassette tape with the music for [the No. 1 R&B/pop hit] ‘The Tears of a Clown.’ But he couldn’t think of a song to go with it and wanted me to write a song for that music. And so I did. And ‘Tears’ became one of the biggest songs I’ve ever been associated with around the world.”
Now, as NBC gets set to premiere its holiday special A Motown Christmas, Robinson is promising music fans a “great night featuring legendary Motown artists and contemporary artists singing music and having a good time together.” The two-hour special bows Wednesday (Dec. 11) at 9 p.m. ET/PT on NBC and will stream the next day on Peacock.
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Halle Bailey and Smokey Robinson in ‘A Motown Christmas.’
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Hosts Robinson and Halle Bailey will be welcoming a diverse cast of performers that includes Gladys Knight, Martha Reeves and the Vandellas and the Temptations as well as Ashanti, Andra Day, BeBe Winans, Jamie Foxx, JoJo, Jordin Sparks, MGK, October London, Pentatonix and the hosts themselves. More than 25 Motown gems and other songs will be performed via a tuneful array of solos, duets and group medleys.
Among the highlights: London’s medley of Marvin Gaye songs (including “What’s Going On”); Knight (“Midnight Train to Georgia”); Pentatonix’s Four Tops medley (including “I Can’t Help Myself”); Foxx (“Little Drummer Boy”); Bailey and The Supremes’ medley (including “Stop in the Name of Love”); a Temptations medley (including “My Girl”); Andra Day (“Higher Ground”), Ashanti (“Santa Baby”) and Robinson performing his and the Miracles’ classics including the aforementioned “The Tears of a Clown.” Rounding out the show will be a world exclusive performance from the Broadway company of MJ the Musical.
Gladys Knight in ‘A Motown Christmas.’
Justin Lubin/NBC
Calling fellow host Bailey “a wonderful young woman and a great talent,” Robinson also talked about working with the executive producers of A Motown Christmas, Debbie Allen and Motown alumnus Suzanne de Passe. “Debbie and Suzanne are my sisters,” he says. “I’ve known them forever and ever, so it’s always great to work with them. Debbie is one of the best choreographers and dancers that you’d ever want to meet. And Suzanne is a Motown mainstay. At one point she was our A&R director for music and now she’s a top movie and television producer.”
Asked about Motown founder Berry Gordy’s reaction to the holiday special, Robinson notes, “I think he’s going to love it because, you know, he is the reason for the season. On the very first day at Motown, he sat us down — it was four people there other than him — and said, ‘I’m going to start my own record company, and we’re not just going to make Black music. We’re going to make beats for everybody, make music for the world; quality music.’ So we set out to do that and, thank God, I think we accomplished it. If it hadn’t been for Berry, we wouldn’t be having a Motown special.”
Jamie Foxx and Halle Bailey in ‘A Motown Christmas.’
Todd Williamson/NBC
Despite two Oscars and nine Grammy Awards, sold-out shows around the world and the adoration of a generation, Billie Eilish still gets anxious about whether she’ll ever be able to write another song.
CBS Morning‘s Interviewer Anthony Mason caught up with Eilish on tour at the United Center in Chicago to talk about intense writer’s block she and brother/producer Finneas were paralyzed by last year, as well as whether she cares about winning any more Grammys; the singer is up for seven Grammys at next year’s show, including record of the year and song of the year for “Birds of a Feather” and album of the year for Hit Me Hard and Soft.
Letting out a huge laugh, Eilish said the continued accolades from the Recording Academy are “the craziest thing in the world,” leaving her “blown away and excited and honored and humbled all at the same time.”
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That said, the process of recording he third album, Hit Me Hard and Soft, was tortuous, with Eilish, 22, saying that at some point the siblings were “pretty stuck,” a feeling she said you never get used to. “It happens and you’re like, ‘what the hell?! I’m never going to create again,’” she said. After months of dead ends, Eilish and Finneas said that things got unstuck precisely on May 25, 2023, when they stumbled on the beginnings of the song “Wildflower.”
“And then ‘The Greatest,’ and it started to become clear that we were telling the truth,” Finneas said of the period when things began to flow again. Eilish, who said she never considered herself a singer until recently, has begun taking vocal lessons, something she’d resisted because of her insecurity about not feeling like she was a “big singer,” or having a teacher tell her she wasn’t. “When you’re a girl and you’re bad at something once, then all the boys think you’re bad at that forever,” Eilish explained about her insecurities as a female athlete growing up.
Eilish also took Mason on a tour of the traveling recording studio she sets up in her green room at every venue — which also includes a piano — explaining that she jams with friends at night after shows. She then cued up a two-second snippets of a pair of new songs she’s been working on, including one that was just her voice and a jaunty piano line and another with her signature breathy vocals over a subdued beat.
“It’s not even serious, it’s just… we’ve been making music and crocheting,” she said. Eilish will play the SAP Center in San Jose, CA on Tuesday night (Dec. 10) as part of Hit Me Hard and Soft The Tour.
Watch Eilish on CBS Mornings below.
Sabrina Carpenter‘s blockbuster sixth studio album Short n’ Sweet is continuing to stack up accolades, with a few of its singles earning new multi-platinum certifications Monday (Dec. 9). As announced by the Recording Industry Association of America, the 25-year-old pop star’s smash hit “Espresso” — the lead single from Short n’ Sweet — is now […]
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Our editorial staff’s 2024 list of the Greatest Pop Stars from the year that was gets underway with the 10 artists who just missed the cut.
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Machine Gun Kelly and Megan Fox have broken up again, according to TMZ and Us Weekly. The news comes just over a month after the pair shared that the Jennifer’s Body actress is expecting her first baby with the musician. Both publications reported that the pair broke up in late November. Trending on Billboard Billboard […]
Nearly a year ago to the day, 4batz released his “Act II: Date @ 8” single, which went on to power the Dallas native’s rise with a boost from Drake, who hopped on the remix and helped Batz earn his first top 10 hit on the Billboard Hot 100.
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Ye (formerly Kanye West), SZA and Robin Thicke were just a few of the stars to lend co-signs to the R&B singer while fans seemingly had something to say at every step of Batz’s ascension, whether that be his signature Shiesty look, the duality of his street persona matched up with his airy vocals and some even falsely accused him of being an “industry plant.”
The 21-year-old looks to build on his Rookie of the Year campaign with his Thank U, Jada project, which is expected to arrive at the top of 2025.
“I want people to know I’m uncut. I’m a regular n—a. I don’t give a f–k, but at the same time I do for the right things,” Batz tells Billboard News. “I want people to know that I’m an honest person and I feel and I want to bring an evolution to music and start my own little thing.”
Last year, 4batz pulled up to one of Drake’s shows — his first concert ever — and got some advice from the 6 God when it comes to being a prolific performer.
“I asked him, ‘Bro, how do you perform like that?’ He said, ‘Look up House of Blues by 2Pac.’ I looked that up and I studied him,” Batz recalls. “I bring energy. If I’m turning up, they gonna turn up … That’s one of the things he told me.”
Batz added to his list of star-studded collabs when Ye hopped on the remix to “Act III: On God (She Like).” He called West the “smarted person” he’s ever met in his life thus far.
“Genius. He actually the smartest person I ever met in my life,” Batz says. “[Ye] drove me two hours to Santa Barbara. It’s just me and Bianca. I’m like, ‘Huh? I’m really in a car with Kanye West.’ And he’s recording me. I’m in the backseat and he’s playing his music.”
Growing up in Dallas, 4batz felt his options were limited to the streets, school, basketball and rap, but he refused to be boxed in while taking a risk in being emotional with his music. Partly inspired by heartbreak and losing his father, Batz began singing.
“I kinda got tired of the same spectrum of everybody has to be this type of person,” he added. “Where I’m from, being emotional ain’t the coolest thing in the world. You don’t get no cool points for that. My whole thing was I got my feelings hurt and I was like I don’t have nothing else to lose.”
Watch the entire interview with 4batz above.