Music

Billboard Explains: Green Day’s Chart Success

Green Day didn’t want to be a bunch of American idiots, so they became Billboard chart titans instead. The iconic rockers are currently prepping the release of Saviors — their 14th studio album — and in anticipation of their latest LP, Billboard is reflecting on the band’s biggest chart achievements across their decades-long career.

The Cali-bred band made its first entry on a Billboard chart back in 1994 with “Longview,” their debut single. The track soared to No. 1 on Alternative Airplay, becoming the first of 12 for the Grammy-winning rock icons. Since “Longview,” Green Day has gone on to become the act with the second-most chart-toppers in Alternative Airplay history, alongside fellow rock bands Foo Fighters and Linkin Park (12).

Alternative Airplay has proven to be an area of dominance for Green Day. The band is tied with Red Hot Chili Peppers for the fourth-most Alternative Airplay entries of all time (37), and they also boast the third-most top 10 hits on the ranking (25). Over on Rock & Alternative Airplay, Green Day stands as the act with the second-most No. 1 hits (7).

Of course, Green Day wouldn’t be Green Day without its era-defining crossover success. The band has notched a pair of top 10 hits on the Billboard Hot 100 — both in 2006 — thanks to the beloved American Idiot singles “Boulevard of Broken Dreams” (No. 2) and “Wake Me Up When September Ends” (No. 6). On the Billboard 200, the band has sent 11 titles to the top 10, including the chart-toppers American Idiot (2004, three weeks), 21st Century Breakdown (2009, one week) and Revolution Radio (2016, one week).

Although Saviors doesn’t hit DSPs until Jan. 19, the album has already helped the band increase some of its Billboard chart tallies. “The American Dream Is Killing Me,” the set’s lead single, peaked atop Rock Airplay and reached No. 22 on Hot Rock & Alternative Songs.

Check out the full Billboard Explains video on Green Day’s chart success above.

After that video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boomthe role record labels playorigins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and more.

YG Marley Is Latest Marley Family Member to Score a Breakout Hit — With Help From His Legendary Mom

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: YG Marley becomes the latest artist in his legendary family with a breakout single (with an assist from Mom), Rich Gang’s signature smash makes the viral rounds yet again, social media’s Jacob Elordi obsession results in another revived hit and more
.

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“Praise Jah!”: YG Marley Adds Yet Another Hit to the Marley Family Legacy   



Just one month out from the theatrical release of Bob Marley: One Love (Feb. 14), the forthcoming Reinaldo Marcus Green-helmed biopic of the late reggae legend, the Marley family is adding yet another hit to their already sprawling cross-generational collection. “Praise Jah in the Moonlight,” the debut single from YG Marley, is currently exploding at streaming, garnering 1.28 million official on-demand streams during the period of Jan. 12-16, according to Luminate. That marks a whopping 176.4% increase in streams from the previous period (Jan. 5-9).  

Marley’s debut track is experiencing a perfect storm of pre-release promotion and viral facts related to the song’s credits. Last winter, Marley performed “Praise Jah” at several of his mother’s tour stops. His mother? None other than Ms. Lauryn Hill. Naturally, footage from those shows gained lots of traction on socials, with fans kickstarting a grassroots campaign for an official release of the song. “Praise Jah in the Moonlight” eventually hit DSPs shortly after Christmas (Dec. 27, 2023), and once fans perused the credits, another viral element was added to the song’s run.  

“Praise Jah” is co-written by Marley and Hill and includes elements of Bob Marely & The Wailers’ “Crisis,” earning the music icon composer and lyricist credits. This information has quickly made the rounds on socials, with fans praising the musical lineage of YG Marley and embracing the song’s focus on traditional reggae stylings. Having already hit No. 1 on Spotify’s Global and U.S. Viral 50 charts, “Praise Jah in the Moonlight” is looking to grow into a true breakout hit for YG Marley. – KYLE DENIS


Back to the Top for Rich Gang’s “Lifestyle,” Thanks to Very Different Viral Videos 



Rich Gang’s 2010s anthem “Lifestyle,” a No. 16 Hot 100 hit in 2014, has been gaining on streaming this week thanks to a few viral videos. The song first re-entered the cultural zeitgeist when model Alex Consani posted a video of herself dancing to the track at brunch. Since its posting, the video has been liked 4.6 million times with one commenter calling it the “video of the year” (that comment has been liked 110.4K times). 

The ”Lifestyle” hype grew even further last week when it was played in the court room during Young Thug’s trial and later clips of the moment went viral on social media. All this has led to a 307% jump in streams in the last week, according to Luminate — with the song rising from 723,000 U.S. on-demand streams for the four-day period of Jan. 5-8 to over 2.2 million for the same period the following week. – KRISTIN ROBINSON


Jacob Elordi’s Sex Appeal Revives Near-Decade-Old Flume Hit  



Between his starring turns in Sofia Coppola’s Priscilla and Emerald Fennell’s Saltburn, Jacob Elordi has become the Internet’s latest obsession. Of course, the 6’5” Australian actor has long been a star for younger audiences thanks to The Kissing Booth trilogy and Euphoria, but he’s hit a new level in the past few months.  

Case in point: A fan-created montage gawking over Elordi’s good looks has sparked a streaming revival for the nearly decade-old song that plays in the background. The fan-cam, which is comprised entirely of shots of Elordi’s Saltburn character, is set to Flume and Kai’s “Never Be Like You,” an era-defining dance track that reached No. 20 on the Billboard Hot 100 back in 2016. During the week of Jan. 5-11, the Grammy-nominated track pulled in 2.12 million official on-demand U.S. streams, marking a 75% increase from the previous week.  

The Jan. 3 TikTok that kickstarted the “Never Be Like You” surge has since collected a jaw-dropping 42.1 million views and 6.5 million likes on the platform in just two weeks. The sound attached to the post – which is logged as separate from the official “Never Be Like You” sound – has already been used in over 18,000 posts – nearly all of which are about Elordi or Saltburn in some way. Between Sophie Ellis-Bextor’s “Murder on the Dancefloor” and now “Never Be Like You,” it looks like Saltburn has the Midas Touch when it comes to minting new-old hits. – KD


Let the Man Go Through: ‘Reacher’ Surrender Spurs Soul Coughing Bump 



Amazon’s action-crime series Reacher, based on the popular Jack Reacher book series, has become one of the streaming service’s biggest serial hits. With episodes of its second season now being released weekly, individual episodes are proving to have a pronounced streaming impact with some of their higher-profile synchs.  

Most recently, Soul Coughing’s late-’90s left-field alt-rock hit “Super Bon Bon” was used extensively in the climax to the season’s Jan. 12-debuting penultimate episode, where the title character (played by Alan Ritchson) gives himself up to antagonist Shane Langston (Robert Patrick) as part of a thusfar-unseen plan to rescue his team members from capture. The song’s warped bass line and sung-spoken “Move a-siiiiide and let the man go through” commands perfectly matched the tension of the scene, and captured the interest of viewers – many of whom were likely unfamiliar with the song previously, as evidenced by the song ranking in the top 10 of Shazam’s U.S. Top 200 this week.  

That interest also extended to DSPs, as “Super Bon Bon” notched over 118,000 official on-demand U.S. streams for the first four days of this tracking week (Jan. 12-15), according to Luminate – a 342% gain from the 27,000 streams it posted over a similar period in the previous week. If that’s what a second-to-last episode synch can do, you can bet music supervisors will be paying attention to the performance of any synchs in the upcoming season finale, airing tomorrow (Jan. 19). – ANDREW UNTERBERGER 


Muni Long’s “Made for Me” Turns Viral ‘Blue Pajama’ Trend Into Big Streaming Gains  



Soul singer-songwriter Muni Long’s “Made for Me” already had radio on its side – the track has reached No. 2 on Adult R&B Airplay and No. 14 on R&B/Hip-Hop Airplay – and now it’s turning into a sizable streaming hit thanks, in part, to a hilarious TikTok trend.  

TikTok creator @peezyp – better known as “girl with the blue pajamas” — jump-started a simple trend that has captivated the app’s users and sparked new interest in Long’s latest single. The trend is simple: Decked out in blue pajamas, users walk toward the camera (lots of head-bobbing and playing to the camera as if you’re in a ‘90s R&B music video are highly encouraged) while lip-syncing the chorus of the song. The trend’s specifics draw some inspiration from Muni Long’s performance of the track at the 2023 Soul Train Music Awards.  

“Made for Me” has been logging over 500,000 official on-demand streams per week for the past month and a half, but the song has shown remarkable growth over the past two weeks. During the week of Dec. 29-Jan. 4, “Made for Me” earned 1.22 million streams, increasing by 25% the following week to 1.53 million streams. Long herself has got in on the fun; On Wednesday (Jan. 17), she posted a TikTok of her jumping on the trend with the caption, “Lemme go buy some blue pajamas rq.” The official “Made for Me” sound currently plays in over 44,500 TikTok posts, while its official music video – which stars fellow R&B fixture Luke James – has garnered over 200,000 views in less than 24 hours.  

Should streams continue to rise alongside its airplay numbers, “Made for Me” could very well become Muni Long’s third career entry on the Hot 100. – KD


Season’s Gainings: MLK Day Bumps for ‘60s Protest Anthems 



We don’t typically see huge streaming spikes related to the January commemoration of Martin Luther King Jr. Day – it’s not really the kind of holiday most folks feel needs a soundtrack, for obvious reasons. That said, there were a few period anthems that understandably saw bumps in streaming on Monday (Jan. 15) for their topical relevance – including James Brown’s “Say It Loud (I’m Black and I’m Proud)” (up 117% in official on-demand U.S. streams from the previous Monday to nearly 7,000, according to Luminate), Dion’s “Abraham, Martin & John” (up 46%, also to nearly 7,000) and Sam Cooke’s “A Change Is Gonna Come” (up 14% to over 89,000). And of course, there were also gains for U2’s hit MLK tribute, the classic rock staple “Pride (In the Name of Love),” which rose 12% to over 46,000. – AU

Latto, Ludacris & DJ Khaled Join ‘Rhythm + Flow’ Season 2 as Judges

After a five-year hiatus, Netflix’s popular hip-hop competition show Rhythm + Flow will return for season two later this year. 

The show that crowned its inaugural champion, Grammy-nominated MC D Smoke — and featured guest judges Cardi B, Chance The Rapper, and T.I. — has shaken the program’s lineup dramatically with its new judges Latto, DJ Khaled and Ludacris. In addition, Eminem will serve as a special guest judge for the show’s “Battle Round” competition. 

“We are taking things up a notch with a new cast of global hitmakers in our judges and a new pool of undiscovered artists,” Brandon Riegg, Netflix’s vp of nonfiction series, said in a statement. “Hip-hop continues to evolve, so it’ll be thrilling to see Ludacris, Latto and DJ Khaled mentoring contestants during their journeys, along with legendary guest judges like Eminem providing their own brand of insight and advice. We saw this type of life-changing mentorship play out with past contestants whose musical geniuses reached massive audiences across our global platform.”

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Jessie Collins and Dionne Harmon, Rhythm + Flow’s executive producers, echoed Riegg’s enthusiasm with their joint statement. “We are so excited to partner with Netflix for the second season of Rhythm + Flow. This season features a powerhouse panel of judges, each with a distinct and influential role in hip-hop culture. In this significant moment for the genre, the focus extends beyond the music alone. We’re seeking unconventional voices and authentic stories that peel back layers and invite fans to immerse themselves in the contestants’ world as we spotlight the continually evolving spirit of hip-hop.”

There is not yet a premiere date for season two, which is expected later this year.

Rhythm + Flow has featured notable guest stars including Miguel, Jhene Aiko, Snoop Dogg and the late Nipsey Hussle. Season one winner, D Smoke, outlasted second-place contestant Flawless Real Talk and won $250,000. In 2021, Smoke nabbed two Grammy nominations, including best rap album. 

Check out the trailer below. 



Bring Me the Horizon Scores Record-Breaking Fifth Hot Hard Rock Songs No. 1

Bring Me the Horizon notches its record-breaking fifth No. 1 on Billboard’s Hot Hard Rock Songs chart, as “Kool-Aid” bows atop the Jan. 20-dated survey. The song debuts with 2.4 million official U.S. streams and 2,000 downloads sold Jan. 5-11, according to Luminate.

The track is the Oli Sykes-fronted rockers’ first release since the departure of longtime keyboardist Jordan Fish, who was also one of the band’s principal songwriters and producers.

With five No. 1s, Bring Me the Horizon breaks out of a tie with Falling in Reverse for the most in the brief history of Hot Hard Rock Songs, which began in June 2020. It’s the band’s first topper as a lead act since its trio of leaders in 2020: “Parasite Eve,” “Obey” (with Yungblud) and “Teardrops.” In 2023, the group led as featured on Lil Uzi Vert’s “Werewolf.”

Concurrently, “Kool-Aid” opens at Nos. 14, 20 and 25 on Hot Alternative Songs, Hot Rock Songs and Hot Rock & Alternative Songs, respectively.

The song’s paid download count earned the band a No. 1 debut on Hard Rock Digital Song Sales, Bring Me the Horizon’s eighth leader and first since “LosT” last May. Only Five Finger Death Punch (16) and Linkin Park (nine) have more No. 1s in the history of the chart, which began in 2011.

Additionally, “Kool-Aid” ranks at No. 17 on Hard Rock Streaming Songs.

The song is bubbling under Mainstream Rock Airplay. Its predecessor, “DArkSide,” reached No. 31 earlier in January. (“DArkSide” debuted and peaked at No. 2 on Hot Hard Rock Songs in October 2023 and currently ranks at No. 11.)

“Kool-Aid” is the latest single from Post Human: Next Gen, the second in Bring Me the Horizon’s Post Human series, following 2020’s Post Human: Survival Horror. The set does not yet have a release date but is expected in 2024.

Cori Broadus, Snoop Dogg’s Daughter, Suffers ‘Severe Stroke’ at 24 Years Old

Cori Broadus opened up about a health scare via her Instagram Stories on Thursday (Jan. 18).

The 24-year-old daughter of Snoop Dogg shared photos from a hospital bed, writing, “I had a severe stroke this am. I started breaking down crying when they told me.”

In a follow-up Story, she wrote, “I’m only 24. What did I do in my past to deserve all of this?”

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Broadus was diagnosed with lupus when she was six years old, and “the risk of stroke is 4-times to 8-times higher in lupus patients, due to inflammation influencing the tendency of blood to clot and vasculitis stiffening the blood vessels,” according to Lupus Corner, though it is not immediately known if that is what caused the stroke.

At the time of publication, Snoop has not publicly shared anything about his daughter’s health scare. In lighter news, the rapper is joining NBCUniversal to report on the Olympic Games in Paris this summer. The star will be onsite at the event to deliver “regular reports” on the Olympic Primetime Show beginning July 26. He previously worked with NBCUniversal to report for the Tokyo 2020 Olympics, which took place in 2021 due to the COVID-19 pandemic.

“I grew up watching the Olympics and am thrilled to see the incredible athletes bring their A-game to Paris. It’s a celebration of skill, dedication, and the pursuit of greatness,” Snoop said in a statement. “We’re going to have some amazing competitions and, of course, I will be bringing that Snoop style to the mix. It’s going to be the most epic Olympics ever, so stay tuned, and keep it locked. Let’s elevate, celebrate, and make these games unforgettable, smoke the competition, and may the best shine like gold. Peace and Olympic LOVE, ya dig?”

Taylor Swift’s ‘1989 (Taylor’s Version)’ Surpasses 2 Million in U.S. Sales

Taylor Swift claims her ninth album to reach 2 million in U.S. sales, as 1989 (Taylor’s Version) surpassed the threshold in the week ending Jan. 11. According to data tracking firm Luminate, the album sold 17,000 copies that week, uppping its total sales figure since its release in October to 2.014 million. (Sales are traditional album purchases – inclusive of all physical configurations [CD, vinyl, cassette] and digital album downloads.)

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1989 (Taylor’s Version) is the only album released in 2023 to have sold 2 million copies in the U.S. — it’s also the only album to have surpassed 1 million copies in 2023 (It cleared the million-mark in its debut week, ending Nov. 2.) The last-released album to cross both marks was Swift’s own Midnights, which was released in October of 2022. Midnights sold more than a million copies in its first week, and then reached the 2 million-mark in February of 2023.

Here’s a recap of Swift’s nine albums that have sold at least 2 million copies each, ranked by largest total sales: Fearless (7.285 million), 1989 (6.472 million), her self-titled album (5.871 million), Speak Now (4.817 million), Red (4.582 million), Midnights (2.814 million), Reputation (2.478 million), Folklore (2.289 million) and 1989 (Taylor’s Version) (2.014 million).

Swift has four more albums that have sold at least 1 million each, lifting her sum of million-selling albums to a lucky 13.

Swift’s continued strong sales should come as no surprise, as she was the year’s top-selling act in the U.S., by album sales, in each of the last five years (2019-23). And, she’s done so while an increasing number of music fans have adopted streaming as a primary means of music consumption. Swift, like many acts, has leaned in to creating additional versions of an album for purchase by superfans, which helps increase sales figures. Her albums sold spectacularly on vinyl as well, and was the configuration’s top-seller in 2023 when she accounted for one of every 15 vinyl albums sold.

On Billboard’s latest Top Album Sales chart (dated Jan. 20), 1989 (Taylor’s Version) spends a sixth non-consecutive week at No. 1, with its 17,000 copies sold (down 28%). Swift has a total of seven albums in the top 10, as 1989 (Taylor’s Version) is joined by six other former Swift leaders in the region. She ties her own record for the most concurrent titles in the top 10 by a single act.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Swift’s other six titles in the Jan. 20-dated top 10 on Top Album Sales are: Midnights (rising 3-2 with 11,000; down 14%), Folklore (4-3 with 10,000; down 21%), Lover (6-5 with 9,000; down 25%), Speak Now (Taylor’s Version) (8-6 with 7,000; down 30%), Evermore (5-7 with nearly 7,000; down 47%) and Red (Taylor’s Version) (14-10 with nearly 6,000; down 18%).

As for the non-Swift titles in the top 10, they are: Stray Kids’ former No. 1 ROCK-STAR (falling 2-4 with a little over 9,000; down 39%), Olivia Rodrigo’s chart-topping Guts (7-8 with 6,000; down 41%) and ATEEZ’s The World EP.Fin: Will (holding at No. 9 with nearly 6,000; down 34%).

In the week ending Jan. 11, there were 1.195 million albums sold in the U.S. (down 15.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 936,000 (down 17.7%) and digital albums comprised 259,000 (down 6.8%).

There were 439,000 CD albums sold in the week ending Jan. 11 (down 13.6 week-over-week) and 492,000 vinyl albums sold (down 21.1%). Year-to-date CD album sales stand at 946,000 (down 25.5% compared to the same time frame a year ago) and year-to-date vinyl album sales total 1.117 million (down 44%).

Overall year-to-date album sales total 2.611 million (down 34.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 2.073 million (down 36.9%) and digital album sales total 538,000 (down 20.4%).

Patrick Mahomes’ Dad Gushes Over How ‘Down to Earth’ Taylor Swift Is

Taylor Swift is getting all the love from the Kansas City Chiefs family!

Patrick “Pat” Mahomes Sr., the father of Chiefs quarterback Patrick Mahomes, was asked during a recent interview with Starcade Media about Taylor Swift’s relationship with the team’s tight end Travis Kelce. “She’s down to earth,” Mahomes Sr. said.

“I actually walked up and introduced myself to her, and she said she knew who I was because she had watched the Quarterback series,” he continued, referring to the Netflix documentary about his son and two other NFL quarterbacks.

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“Every time I’ve hung out with her, she just acts like a normal person,” Mahomes Sr. concluded.

Swift and Kelce’s real life “Love Story” began back in July, when the football player tried to give a friendship bracelet to Swift during her Eras Tour stop in Kansas City. Since then, the singer has attended countless Chiefs football games and the duo have stepped out together on dates on multiple occasions.

“When you say a relationship is public, that means I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care,” Swift told TIME in December, marking her first public remarks of the relationship. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone. And we’re just proud of each other.” 

Will It Be ‘Yes, And’ or ‘No, But’ for Ariana Grande Atop the Hot 100 Next Week?

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard Hot 100 dated Jan. 27), Ariana Grande looks to score her eighth No. 1, while new songs from rap stars 21 Savage and Lil Nas X also make their initial impacts.  

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Ariana Grande, “Yes, And?” (Republic): Ariana Grande has been one of the most reliable hitmakers in pop music for over 10 years now, and though she’s only released one album so far this decade (2020’s Positions), she’s already scored a stunning five Hot 100 No. 1s since ‘20: two alongside The Weeknd (“Save Your Tears” and “Die for You”), one with Lady Gaga (“Rain on Me”), one with Justin Bieber (“Stuck With U”) and one totally solo (“Positions”). Next week, she hopes to add a sixth No. 1 to that 2020s tally, and her second one unaccompanied, with the arrival last Friday (Jan. 17) of new single “Yes, And?”  

The house-influenced song, released as the lead single from her upcoming Eternal Sunshine album, was easily the most-anticipated drop of the new year thus far, and came with a new dramatically staged and intricately choreographed music video, as well as instant radio support. But the streams for it, while considerable – it still rests at No. 1 on Spotify’s Daily Top Songs USA chart, though it’s fallen significantly lower on other daily DSP charts – are not so overwhelming that it is likely to blow past Jack Harlow’s “Lovin on Me,” which spends its third frame atop the Hot 100 this week. 

To help get the new song over the top, Grande and her team have also released edited, extended, sped-up, slowed-down, a cappella and instrumental mixes of “Yes, And?” — all of which, as of writing, are currently populating the top 10 of iTunes’ real-time sales chart. The extra sales boost might be enough to make up the difference, but it will likely be something of a photo finish between it and “Lovin,” making for our first real chart suspense atop the Hot 100 of 2024.  

Jack Harlow, “Lovin on Me” (Genaration Now/Atlantic): For its part, Harlow’s crossover banger has hardly been letting up as the new year has unfolded. “Lovin” remains atop the Streaming Songs chart this week, while dropping just one spot to No. 2 on Digital Song Sales, and jumping 5-2 on Radio Songs. As long as its radio growth continues to offset its inevitable slippage in streams and sales, “Lovin” should remain a No. 1 contender for the near future – and it’s worth noting that Harlow has yet to even release an official remix or deliver a late night or awards show performance of the song, meaning he has still has cards to play if he ever wants to give the song’s momentum another adrenaline shot.  

21 Savage, “redrum” (Slaughter Gang/Epic): While the Billboard 200 albums chart has seen even less impact from new releases so far this year than the Hot 100, this week it should get a few big debuts, led by star rapper 21 Savage’s new set American Dream. The semi-surprise release, announced just a week ago after a “movie trailer” that may have just been a particularly cinematic (and star-studded) music video for proper album opener “All of Me,” is likely to contend for the No. 1 spot on that chart — with all 15 tracks from the album (Savage’s first unaccompanied solo LP since 2018’s I Am > I Was) littering the daily charts of streaming services all week.  

One song has proven to be the early runaway hit from the set: “Redrum,” a tough-talking, The Shining-referencing early-album highlight. The song, which even ends with a clip of Jack Nicholson doing his famous “Here’s Johnny!” speech from the aforementioned Stanley Kubrick horror classic, also got its own music video, set in the U.K. — where Savage was born, and was at risk of being deported back to at the turn of the decade. The natural buzziness of the song and video (as well as its intoxicatingly threatening chorus) has led to it being American Dream’s best performer on streaming – topping the Apple Music charts for most of the week, and finishing just behind Grande and Harlow on Spotify – and could result in a top 10 Hot 100 debut, which would be the rapper’s first appearance in the chart’s top tier on an unaccompanied solo track.  

IN THE MIX 

Kali Uchis feat. Peso Pluma, “Igual Que Un Ángel” (Geffen): Uchis’ fourth full-length album (and her second predominantly in Spanish) Orquídeas has already netted some of the early year’s strongest reviews, and is also likely to earn her second straight top five placement on the Billboard 200, after last year’s No. 4-debuting Red Moon in Venus. The set also has an obvious breakout single in the Peso Pluma collab “Iqual Que Un Ángel” — with a roller-rink disco groove that gets the música Mexicana superstar on the dancefloor for arguably the first time – which has gotten off to a strong start on streaming, and may get Uchis back to the Hot 100’s top 40 for the first time since 20201’s “Telepatía.”  

Lil Nas X, “J Christ” (Columbia): Much teased and much hyped by LNX himself, “J Christ” was looking like the most headline news-making debut of the week before Ariana Grande and 21 Savage announced their own new releases. Despite similar backlash to the song’s (and its accompanying video’s) religious themes to 2021’s Hot 100-topping “Montero (Call Me by Your Name),” it seems unlikely that “J Christ” will make as big an initial splash, as the song does not currently rank in the top 100 on either the Spotify or Apple Music daily charts – though it has gotten off to a solid start in sales and radio, and its video is still near the top of the Trending chart on YouTube.  

Paramore Pulls Out of Festival Dates in Latin America, Teases ‘Next Era’ in Progress

Paramore has once again pulled out of upcoming performances due to “unforeseen circumstances,” but worry not — it also looks like Hayley Williams, Taylor York and Zac Farro may have new music in the works, implying that the band is still together and thriving.

In a Thursday (Jan. 18) post on Instagram Stories, a straightforward message said that due to “unforeseen circumstances, Paramore can no longer attend and perform at Vive Latino in Mexico City, Festival Estéreo Picnic in Bogotá, and Lollapalooza Brazil in São Paulo.” The statement also clarified that Nashville indie band Kings of Leon is set to replace the popp-rock trio at all three events.

The announcement comes two weeks after Paramore dropped out of this year’s iHeartRadio ALTer EGO show, also “due to unforeseen circumstances.” The band had also wiped their social media accounts clean around that time, leading some fans to worry about the its future.

Their most recent statement, however, said that Paramore “apologizes for any inconvenience” before teasing, “They will see you in the next era.”

Other than that, Paramore hasn’t addressed its withdrawal from shows or commented about what’s in store for the future. The group did, however, recently tease a Talking Heads tribute cover and music video with A24, with Williams unboxing an oversized David Byrne-esque suit jacket in a snippet from the project that ends with the frontwoman singing part of “Burning Down the House.”

The “Simmer” singer, York and Farro are also still set to support several of Taylor Swift’s Eras Tour shows on the trek’s European leg this summer. And as far as any new music goes, Paramore is freshly finished with its contract with Atlantic Records, meaning the band is now a free agent for the first time in 20 years.

“We’ve been really lucky. We always will have gripes — it’s an industry — but we know that we’ve been really lucky,” Williams said prior to the release of Paramore’s most recent album, This is Why, last year. “It’s more just the fact that it’s time to f—ing finish something. And it’s time to know that we’re not doing the same s–t that we’ve been on since we were teenagers. It’s just going to feel so nice to start a new book. You know, like no more chapters of this one. Whole new book. And I’m excited.”

Foo Fighters, Chris Stapleton, Neil Young, Rolling Stones to Headline 2024 New Orleans Jazz & Heritage Festival

The 2024 New Orleans Jazz & Heritage Festival will feature headlining sets from The Rolling Stones, Foo Fighters, Chris Stapleton, Neil Young & Crazy Horse, The Killers and Anderson .Paak & The Free Nationals.

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The eight-day fest that takes place across 14 stages over two weekends — April 25-28 and May 2-5 — at the Fair Grounds Race Course, draws nearly half a million music lovers to a sprawling event that includes some of the biggest names in rock, pop, hip-hop, country, funk and jazz, including the usual compliment of homegrown legends.

Among the other acts slated to perform this year are: Hozier, Jon Batiste, Queen Latifah, Vampire Weekend, Greta Van Fleet, Heart, Widespread Panic, Trombone Shorty & Orleans Avenue, Bonnie Raitt, Earth, Wind & Fire, Celebrating Jimmy Buffett with the Coral Reefer Band, Fantasia, The Revivalists, The Beach Boys, Big Freedia, Kem, Juvenile with Mannie Fresh, Irma Thomas, Joe Bonamassa, Steel Pulse, Cyril Neville, George Thorogood & The Destroyers, Jeffrey Osborne and Rhiannon Giddens, and hundreds more.

This year’s Jazz Fest will also celebrate the music and culture of Colombia at the Expedia Cultural Exchange Pavilion, with 17 bands and a variety of artists sharing the unique sights and sounds from the South American nation, including Colombian salsa, cumbia, champeta, vallenato, chirimia, and currulao. There will also be daily parades honoring Colombia’s vibrant carnival spirit, with attendees getting opportunities to meet Indigenous and Afro-Colombian artisans, purchase their crafts and taste traditional Colombian food and drinks, according to a statement announcing the lineup.

Weekend and VIP packages are available here now, with single day tickets slated to go on sale in February; all tickets are subject to additional service fees and handling charges and an account with AXS is required for purchase. This year’s Jazz Fest will also offer a 4-day GA+ weekend pass for the first time, with access to an exclusive GA+ lounge with private restrooms, a full-service bar and shade. There will be a limited supply of 4-day second weekend passes including admission to the May 2 Rolling Stones set, the group’s only announced 2024 North American festival gig.

Stapleton, Killers, .Paak, Batiste and Vampire Weekend are the top line acts for the first weekend (April 25-28), with the Stones, Foo Fighters, Young, Hozier and Queen Latifah topping the list for the second weekend (May 2-5). Click here for the full day-by-day lineup.

Check out the 2024 lineup poster below.