Music

Bad Gyal Talks Getting Grandma’s Approval, Her Debut Album & More

When Bad Gyal (born Alba Farelo Solé) saw her grandma — her dad’s mom — supporting her at one of her shows, nothing else mattered. “I thought, ‘I can relax now,’” the Spanish hitmaker says in a one-on-one candid conversation with Billboard‘s Leila Cobo. “If she approves it, if she is looking at me with eyes of hope and understanding it’s me, then everything is fine.”

It’s safe to say that today, it’s not just her grandma that approves of Bad Gyal’s music, which is often a blend of dembow, reggaetón and dancehall. In fact, Bad Gyal, who first got on people’s radar with her own take on Rihanna’s “Work,” was most recently an opening act on Karol G‘s massive Mañana Será Bonito U.S. Tour, and has now collaborated with the likes of Ñengo Flow, Anitta, Nicki Nicole and Ovy on the Drums. Boasting more than 13 million listeners on Spotify, Bad Gyal hustled to carve a lane for herself thanks to a commanding stage presence, her infectious beats and cheeky (often explicit) lyrics.

Which makes sense that she’d drop her debut album, La Joia (via Universal Music Latino/Interscope), at this point in her career. “I felt it was [the right] time when I had more experience in songwriting, in the studio, in choosing the producers, in the material that has been made, what’s better, what’s less important,” the 26-year-old singer-songwriter explains. “Over the years, you gain experience and you know yourself better.”

Knowing herself is also what allows her to exude confidence knowing exactly what she wants and doesn’t want. “I have always been certain that I’m going to do what I want to do,” Bad Gyal says categorically. “I have earned my position and people respect me a lot.”

So, when Rauw Alejandro wanted to twerk with her onstage at one of his shows in Puerto Rico last month, she respectfully declined. And, as expected, that specific moment vent viral on TikTok, with some praising her reaction as a girl-power move. “For starters, I think it was a culture shock. Usually, if I’m going to perform with a man, I do some rehearsal. But that wasn’t the case there so it caught me by surprise,” she says. “Secondly, I have never twerked with a man on stage. In the future, I might.”

Watch Bad Gyal’s interview above where she also talks about how “Chulo Pt. 2,” in collaboration with Tokischa and Young Miko, came about, juggling multiple jobs to earn a living (while also studying fashion) and all the details about her new album, which released Friday (Jan. 26).

Travis Kelce Says He & Taylor Swift Don’t Mind Public Perception ‘As Long As We’re Happy’

Travis Kelce is enjoying his time with Taylor Swift, despite what anyone has to say.

During a Kansas City Chiefs press conference on Friday (Jan. 26), the tight end shared that he and his girlfriend Swift have talked about navigating public attention amid their relationship. “As long as we’re happy, we can’t listen to anything that’s outside noise,” Kelce said. “Thats all that matters.”

He added, “I brought this upon myself, and I do enjoy having fun with it all, and the biggest thing is making sure my focus is right here in this building.”

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Swift and Kelce’s real life “Love Story” began back in July, when the football player tried to give a friendship bracelet to Swift during her Eras Tour stop in Kansas City. Since then, the singer has attended countless Chiefs football games and the duo have stepped out together on dates on multiple occasions.

“When you say a relationship is public, that means I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care,” Swift told TIME in December, marking her first public remarks of the relationship. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone. And we’re just proud of each other.” 

Watch the full press conference below.



VCHA Pioneering a New Era of K-Pop as Global ‘Girls of the Year’

Through K-pop’s rapid changes in the last three decades, a constant standard has been JYP Entertainment’s particular attention given to its female groups.

From Wonder Girls becoming the first Korean-pop act to crack the Billboard Hot 100 to the likes of TWICE and ITZY making inroads with U.S. label deals and arena tours, plus a Japanese group NiziU who’s had a No. 1 single on the Japan Hot 100 every year since their 2020 debut, the company has lived up to its company tagline as a “leader in entertainment” with noted strict guidelines for dating, dieting, media engagement and more. So when a mid-interview miscommunication over the interview time with JYPE’s latest girl group abruptly ends the conversation when the schedule can’t spare another 10 minutes, the fleeting encounter feels like it mirrors the meticulousness and unwavering standards to success set by K-pop industry giants like JYP. Especially for the high stakes with VCHA, a first-of-its-kind “global” girl group, there’s no room for missteps.

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VCHA began with a bold vision outlined by JYP founder J.Y. Park and Republic Records founder Monte Lipman: their A2K competition series set out to create “the first American artist made out of the K-pop system.” Amid increasingly heated competition from industry heavyweights like SM Entertainment, HYBE and Geffen Records with similar projects, JYP and Republic pulled ahead in this next-generation pop race, culminating in the six-member girl group that’s helping evolve the definition of K-pop and changing how companies like JYP and Republic traditionally operate.

Unlike the Korea-based counterparts who famously undergo years of rigorous training, VCHA embarked on a whirlwind journey encompassing vocal and dance training, character assessments, and even “star quality evaluations” through 22 episodes of A2K where the final lineup of members Lexi, Camila, Kendall, Savanna, KG and Kaylee — who range from ages 18 to 14 — were revealed in September 2023 and made their official debut just four months later, today, on Jan. 26, 2024 via “Girls of the Year” by revealing its digital single and music video.



After four buzz tracks hinting at their sound like “Ready for the World” and “Y.O.Universe” (the latter of which performed on public Korean TV channels like KBS and MBC alongside other K-pop acts), “Girls of the Year” marks the official start of VCHA and what midwest-born, 18-year-old leader Lexi says “really emphasizes confidence, self-worth and what we strive to be, which is, obviously, girls of the year.”

An upbeat, bubblegum-pop anthem with hooks ready to get lodged in young listeners brains, “Girls of the Year” also encapsulates a subtle yet poignant message of feminism and self-empowerment with lyrics like, “No more doubtin’ and no glass ceilings.” Speaking to Billboard in their new home base in Los Angeles, the Florida-raised, 17-year-old Savanna sings that line on the track and personally connects with the lyric when “going deeper because of the meaning itself.”

“Girls of the Year” embodies the essence of VCHA’s mission—to inspire and empower a new generation of fans who aren’t as bound or preoccupied by cultural, language and country barriers. With all six based in the U.S. or Canada, the VCHA members’ backgrounds range from white and Latino to Black, Korean, Vietnamese, and Hmong.

Texas native Kendall recognizes the diversity they represent and the chance to be a role model.

“‘Girls of the Year’ is such a statement, but to us, it really means to be able to become a group or someone that other people can proudly look up to,” the 17-year-old says. “To be able to represent different communities is honestly such an honor because we all had people from our cultures or from our nationalities who we looked up to growing up and they made such a big impact on our lives. So, for us to possibly be able to grow into becoming those people for others is really what being a ‘girl of the year’ would mean to us.”



VCHA is in good company with Republic Records signees like Taylor Swift, TWICE, Ariana Grande, Stray Kids and ITZY all cited as different inspirations to the members. The girls will open for upcoming stadium shows their JYP/Republic label mates TWICE are holding in Las Vegas, Mexico City and São Paulo — something of a dream for youngest member Kaylee, who says TWICE is the first artist she remembers connecting with from a young age.

“I can’t say that I’m nervous or excited because I can’t think that it’s actually going to happen,” the 14-year-old Philly singer says. “It feels like a dream rather than something that we’re going to be performing on stage opening for TWICE. It just seems so unreal to be able to do something like this so early in our career.”

In fact, K-pop concerts traditionally do not have opening acts, marking yet another way VCHA is shaking up the system’s formulas with a page from the western playbook. “This is something that was all kind of unexpected,” Lexi adds, “We’re just super honored to be able even to do something that’s not really done.”

To prepare for the upcoming shows, the sextet has all-day training sessions, rehearsals and content creation that begin around 10:30 or 11 a.m. local time once youngest members Kaylee and KG, who are 14 and 16 respectively, finish schooling, which they take earlier in the mornings via online learning classes. Kaylee and KG point to some difficulty in balancing school and group work but have the older members to help them study.

With VCHA’s release of “Girls of the Year,” coupled with the easy-listening, R&B-pop cut “XO Call Me” as a b-side that Kendall notes is part of the “new sounds” they’re excited to show, the teens are moving into unknown but exciting territory that feels more centered on deeper, heartfelt messaging than the maximalist showmanship found in most K-pop debuts.

Take the moment in the “Girls of the Year” music video where Camila walks from her dance rehearsal into a massive VCHA concert where she catches her glammed-up, onstage version performing, and the two exchange smiles—a moment of recognizing her journey that included years of auditions and competition shows like The Voice Kids in Canada and France, to now debuting in a group backed some of the world’s most proven players in pop.

See what all the VCHA members had to say about their growth, looking back at honest moments from their character evaluations in A2K to where they stand today.

The role of leader is an important one in K-pop and Lexi, you’re the leader of VCHA. How has your role shifted from someone who was known to help the contestants in A2K to now leading VCHA?

Lexi: Obviously, I’m super grateful to be the leader to help organize things in this group. Although I have the title, I do think that I get so much help from the other members — like, everyone helps me out so much. Even though I’m the leader, I think that we all help out a lot in the group for us to be able to be successful and work hard.

I do do a lot of the organization things like setting up our times for when we should practice or spreading things out for what we should do throughout the day and for what’s coming up. I help us try to stay on task too. Sometimes I’ll have to communicate [with the label teams] just a little bit for things like our schedules.

I remember Camila was voted co-favorite team mate with Lexi during A2K evaluations. You’re also the eldest member, and you said a lot of that motivated you to kind of help take care of and encourage your members. What does that relationship look like now?

Camila: Actually in my family, I’ve always been the youngest so I’ve always been well taken care of. I learned a lot from my mom and my brother, and how they made me feel always so safe and comfortable. I wanted to do that as well if I was ever in a group. Being here, it’s the same thing since we last talked; I think because I’m a very empathetic person, I always feel what other people feel. I always try to make people comfortable and make sure everyone’s okay emotionally.



Savanna, J.Y. Park said he had doubts about your seriousness but you shared how you know nerves aren’t helpful. I loved your attitude and answer then. Is that a mindset you continue today?

Savanna: If I was to explain this more, being in gymnastics at a very young age led me to learn different techniques to not let my nerves get the best of me since, if I was in a nervous state, I would perform worse— especially on events where I had to balance on a four-inch beam. Although I was definitely nervous, I applied this learned technique of mine during the evaluations of A2K. I think I still have this mindset today as we do nervewracking activities but I try to calm the members down and let them know that we’ve worked our hardest up to this point and to try to relax, trust your practice, and give it your all.

Kendall, I remember you were super-focused on both your and the group’s growth during Boot Camp with many moments practicing on your own. How are you today with leaning on your members?

Kendall: I would say that the more time we spent together and the closer we became, the more I was able to rely on my members. As a person, I often tend to think to myself and enjoy spending time on my own, but it’s nice to have a support system with the other girls that I can always lean on.

J.Y. Park also said very honestly that he thought KG had a “solid style fixed in you” that couldn’t work in a group. But not only did you prove you could adapt, you’re in the group! How do you feel you’re evolving as an artist today?

KG: Yes, J.Y. Park was exactly right. I had a very fixed style and unique way of singing where I fell off my words, and that type of singing is not usually found in K-pop groups. I can sing many different styles, so removing what he didn’t like was not difficult for me but his advice made me a better singer and fit for this group so I really appreciate it. I think being an artist or performer means you’re always constantly evolving and, right now, I’ve evolved into the K-pop world.

Kaylee, you anticipated that you could be the “Moodmaker” of the group. Do you help set the group’s tone?

Kaylee: We all have different personalities and all of us are so fun to be around! So everyone has the potential to become a mood maker of the group.

Charges Against Chris Young Dropped After Nashville Bar Arrest

All charges have been dismissed against Chris Young following an alleged altercation the country singer-songwriter had with Tennessee Alcoholic Beverage Commission agents on Monday evening in Nashville (Jan. 22), which resulted in Young’s arrest. Young had been charged with resisting arrest, assaulting an officer and disorderly conduct, all misdemeanors.

Nashville District Attorney Glenn Funk issued a statement on Friday (Jan. 26), stating, “Regarding the Chris Young incident–After a review of all the evidence in this case, the Office of the District Attorney has determined that these charges will be dismissed.” The charges were dropped after a review of evidence, including security camera footage.

According to WSMV and The Tennessean, an arrest affidavit claimed that around 8:30 p.m. on Monday evening, ABC agents entered the Tin Roof bar in Nashville to conduct a compliance check, which included checking the musician’s ID. The affidavit claimed that Young also approached the men and began asking them questions (which they answered), and he later began videotaping them. The affidavit went on to say that Young and his friends then followed the agents to the Dawg House.

After the agents checked IDs and began to leave the second bar, Young allegedly put his hands out to stop them from leaving the bar, and “struck” an agent on the shoulder, according to local news reports, citing the arrest affidavit that also states the agent pushed Young to create distance between them. The affidavit, according to reports, also notes that patrons of the bar got between the agents and Young, and the musician “began walking backwards and not complying with” the agents’ orders, and they eventually detained and put him in handcuffs.

However, video camera security footage from the Dawg House, which was obtained by Nashville’s NewsChannel 5 and shared on reporter Nick Beres’ Facebook account, showed a different story, seeming to depict an ABC agent shoving Young to the floor after he reached out to one of the agents. The musician gets up, puts his hands in the air and backs away from the agents, while other patrons in the bar come between him and the agents. One of the agents then moves in to speak with Young. A second video shows the same, but from a different angle.

Young’s attorney Bill Ramsey said via a statement on Friday, “Mr. Young and I are gratified with the DA’s decision clearing him of the charges and any wrong-doing.”

Young is gearing up for the release of his ninth studio album, Young Love & Saturday Nights, which will release March 22 via Sony Music Nashville.


 

White House, SAG-AFTRA Speak Out Against ‘Alarming’ Taylor Swift AI-Generated Explicit Photos

Following the spread of AI-generated, sexually explicit photos of Taylor Swift, the White House is speaking out and calling for legislation to protect victims on online harassment.

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White House press secretary Karine Jean-Pierre called the incident “alarming,” and that the negatives of AI is something that the Biden administration is focusing on. “Of course Congress should take legislative action,” Jean-Pierre said, according to The Verge. “That’s how you deal with some of these issues.”

A post featuring the images shared to X on Wednesday night (Jan. 25) was viewed 47 million times before the account was eventually suspended on Thursday. X went on to shut down several accounts that posted the fake images, but the photos have since been shared on other social media platforms. “Protect Taylor Swift” soon began trending on X.

Jean-Pierre also said that social media companies “have an important role to play in enforcing their own rules” to prevent this type of harassment. “We know that lax enforcement disproportionately impacts women and also girls, sadly, who are the overwhelming targets of online harassment and also abuse.”

SAG-AFTRA also released a statement on the matter, writing, “The development and dissemination of fake images – especially those of a lewd nature – without someone’s consent must be made illegal. As a society, we have it in our power to control these technologies, but we must act now before it is too late.”

The actor’s union called the images “upsetting, harmful, and deeply concerning.” 

Travis Kelce’s Dad Says He Didn’t Recognize Taylor Swift at First

Travis Kelce‘s dad is recently converted Swiftie — to the extent that he actually didn’t recognize Taylor Swift when he first met her.

“When Travis has a lot of friends coming into town to the game, everyone meets at his house, although he’s not there,” Ed Kelce told Audacy’s 92.3 The Fan this week. “Taylor walks in with a security guy, and I look at her, and I say [to my girlfriend], ‘Oh my god, I know this kid, but I don’t know what her name is.’ Jeez, you know, like a real idiot. And [my girlfriend] says, ‘You don’t know her? This is Taylor Swift, you idiot.’”

He continued, “I don’t know if it’s crazy…Yes, he’s dating Taylor. Yeah, there’s eyes on you every place you go. It’s funny because last year, Donna [Kelce] and I – were shown on TV screens, and we had some articles that were done. So, our [names were] out there. We were so popular, the Commissioner offered to let us sit in the box for the Super Bowl… More people recognize us since he started dating Taylor, though – I’ll be [in] the grocery store, somebody will smile and say, ‘Hey!’ Come over and say [hi], and I have no idea who they are. That has certainly picked up and become more frequent by a long shot than the before Taylor days.”

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Swift and Kelce’s real life “Love Story” began back in July, when the football player tried to give a friendship bracelet to Swift during her Eras Tour stop in Kansas City. Since then, the singer has attended countless Chiefs football games and the duo have stepped out together on dates on multiple occasions.

Listen to the full episode here.

Friday Dance Music Guide: The Week’s Best New Tracks From Carlita, Purple Disco Machine, John Summit & More

This week in dance music: Lightning In a Bottle announed a 2024 lineup lead by Skrillex, Labrinth and James Blake, Boiler Room announced its 2024 world tour city stops, Movement 2024 announced its phase one lineup, Tomorrowland announced a lineup for its July festival featuring more than 400 artists, Justice announced the release date for their fourth studio album, Hyperdrama, Michael Bibi announced a comeback show after beating cancer that’s being billed as the biggest ever electronic music show in London and the Super Bowl announced that Tiësto (who also released a track with his pal Heidi Klum this week) will be the first ever in-game DJ for the game in February.

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That’s a whole lot of announcements, and there’s new music too. These are the best new dance tracks of the week.

Carlita, “Cash for Love’



Turkish-born producer Carlita had a very big 2023, racking up streams and touring the world playing shows and festivals including Coachella, Glastonbury and Burning Man. (Many of them alongside DJ Tennis, who she plays with as Astra Club.) Now she’s aiming for a similarly massive 2024, with those efforts including “Cash For Love,” a deep house trip of a track built around vocals finely chopped into a hooky melody which altogether demonstrates Carlita’s penchant for lush, hypnotic productions that balance depth, toughness and a cool sort of beauty. The track is out via CircoLoco Records. Astra Club is headlining Space in Miami on Feb. 3, and Carlita will return to Coachella in April.

Purple Disco Machine & ÁSDÍS, “Beat of Your Heart”



German disco maestro Purple Disco Machine does it again with “Beat of Your Heart,” a collab with velvet-voiced Icelandic singer ÁSDIS. Like so much of the producer’s work, the track manages to heavily incorporate pop-forward ’80s synth without veering into pastiche. Recorded in the producer’s Dresden studio, the song comes with a music video situated on both a nightclub dancefloor and within the vital organ referenced in the title. The producer will play Coachella this April and launch a European tour in the fall.

The Temper Trap, “Sweet Disposition” (John Summit & Silver Panda Remix)



Many producers have successfully — often epically, sometimes tearjerkingly — remixed The Temper Trap’s 2008 indie pop classic “Sweet Disposition” (we’re looking at you, Swedish House Mafia). But John Summit and Israeli melodic techno duo Silver Panda prove that there’s still juice to be squeezed here with their own fresh edit. Out on Summit’s Experts Only label, the remix (unsurprisingly) takes the song in a melodic house direction, with the trio in moments paring the production down to only its most essential parts before ramping the whole the back up to a dark, pummeling place that gives the now 16-year-old hit a very current sound of dance music update.

Rinzen feat. Shallou, “Burnin’”



Los Angeles-based producer Rinzen has been releasing meticulously made house and techno with soul for upwards of seven years, in the process having caught the attention of Richie Hawtin, Rüfüs du Sol and deadmau5, all of whom Rinzen has supported during live shows. He’s releasing his debut album, Bend To The Light, on April 5 through Lane 8’s label This Never Happened, with the album’s lead single “Burnin” — a steamy, sleek melodic house collaboration with L.A.-based singer/producer Shallou — setting a high bar for the rest of the project.

Bad Tuner, “24 Hours”



New York City-based producer Bad Tuner makes his debut on Foreign Family Collective / Ninja Tune with “24 Hours.” Evoking the acid-soaked sounds of peak era Chemical Brothers, the song achieves a thrilling, hectic kind of grittiness, but holds a deep message about connectedness. Says the producer: “Social media can create a false sense of connection in the sense that you’re seeing snippets of everyone’s lives from a one-sided lens… Music on the other hand — through public performance, through community, and group listening is a universal language — it is a means to connect and share. It is both the musician and the fans that make a show special, they feed on each other’s energy. In the crowd you dance with a stranger, you look over and see your friends enjoying the song you love, and when there is nothing to say you can just listen!”

HARDY, Kane Brown Hit Country Airplay Top 10, Nate Smith’s ‘Fire’ Rages On

HARDY notches his fourth top 10 as a recording artist on Billboard’s Country Airplay chart as “Truck Bed” revs from No. 12 to No. 9 on the Feb. 3-dated tally. It increased by 2% to 18.9 million in audience during the Jan. 19-25 tracking week, according to Luminate.

The song is the sophomore single from HARDY’s The Mockingbird & The Crow, which launched at No. 1 on the Top Country Albums chart dated Feb. 4, 2023, marking his first leader. It follows “Wait in the Truck” (featuring Lainey Wilson), which hit No. 2 on Country Airplay last April.

Prior to “Wait in the Truck,” HARDY’s “Beers on Me,” with Dierks Bentley and BRELAND, led Country Airplay for one week in April 2022 and “One Beer,” featuring Lauren Alaina and Devin Dawson, ruled for one frame in December 2020.

HARDY has co-written 11 Country Airplay No. 1s, including those two chart-toppers; he first reigned as a writer thanks to Morgan Wallen’s “Up Down,” featuring Florida Georgia Line, in June 2018. “Truck Bed” is HARDY’s 14th top 10 as a writer. He co-authored “Truck Bed” with Ashley Gorley, Ben Johnson and Hunter Phelps.

Brown’s 12th Top 10
Kane Brown’s “I Can Feel It” enters the Country Airplay top 10 pushing 11-10 (18.9 million, up 2%). He achieves his 12th top 10, with his latest following five consecutive No. 1s, each of which dominated for one week: “Bury Me in Georgia,” which led last September; “Thank God,” with Katelyn Brown, his wife (February 2023); “Like I Love Country Music” (August 2022); “One Mississippi” (March 2022); and “Famous Friends,” with Chris Young (July 2021).

Brown logged his first of 10 Country Airplay No. 1s with “What Ifs,” featuring Lauren Alaina, for two weeks in October 2017. He subsequently led with “Heaven” (two weeks, May 2018); “Lose It” (one week, December 2018); “Good as You” (one, June 2019); and “Homesick” (two, March 2020). He has also hit the top 10 with “Cool Again” (No. 3, September 2020).

Still on ‘Fire’
Nate Smith’s “World on Fire” leads Country Airplay for a seventh total and consecutive week (34.2 million, down 4%). It became his second straight career-opening No. 1, following “Whiskey on You,” which dominated for two weeks last February.

“World on Fire” marks the first title to crown Country Airplay for at least seven frames since Morgan Wallen’s crossover smash “Last Night” reigned for eight beginning last May.

Ice Spice Goes Wild in Miami for ‘Think U the S— (Fart)’ Music Video

Ice Spice be goin’ hard in Miami for her “Think U the S— (Fart)” music video released on Friday (Jan. 26), alongside the new single.

In the clip, the 24-year-old is seen twerking and partying around the city, holding stacks of cash in high-end cars and vibing with her friends on boats. “B—-es be quick, but I’m quicker / B—-es be thick, but I’m thicker / She could be rich, but I’m richer,” she proclaims in the hook.

Finneas took to Instagram to share his approval of the track, writing on his Stories: “A very good week for good music.”

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The new song comes three months after her last release, “Pretty Girl” with Afrobeats star Rema, which the two performed during Ice’s Saturday Night Live debut. Ice Spice is up for four Grammys at the 66th annual awards show in February: best new artist, best pop duo/group performance with “Karma” with Taylor Swift, best rap song and best song written for visual media with “Barbie World” with Minaj. Her Super Bowl commercial with Starry will also air the week after.

After that, the rapper will be honored with the Hitmaker Award at Billboard‘s 2024 Women in Music Awards. Hosted by Tracee Ellis Ross, the show will be held on March 6 at Inglewood’s YouTube Theater and will stream the following day.

Watch the “Think U the S— (Fart)” video below.



Here Are the 5 People Fans Think Megan Thee Stallion Is Dissing on ‘Hiss’

Lyric: “These h–s don’t be mad at Megan, these h–s mad at Megan’s Law/ I don’t really know what the problem is, but I guarantee y’all don’t want me to start/ B—h, you a p—y, never finna check me/ Every chance you get, bet your weak ass won’t address me.”

Everything was cool between Nicki and Megan when Minaj hopped on “Hot Girl Summer” to heat up 2019. The relationship appeared to get icy when Meg repeatedly worked with Cardi B on tracks such as “WAP” and the more recent “Bongos.”

“I didn’t feel like I had to call [Nicki] first. I mean, ’cause at the end of the day, I’m still an artist and I should be free to work with whoever I wanna work with,” Meg told Chicago’s 107.5 WGCI in 2020 of working with Cardi. “My personal relationship with anybody doesn’t affect what I choose to do as an artist.”

Nicki reportedly proceeded to unfollow Megan Thee Stallion on Instagram, and the two have exchanged subliminal shots in the years since. It all came to a head with “Hiss,” where Meg seemingly lambasted Minaj’s husband Kenneth Petty — who is a registered sex offender — while referencing Megan’s Law, which requires the public disclosure of some information about registered sex offenders so that the public may protect itself. The next few lines could be calling Minaj out for never publicly addressing her.

Well, the “Super Bass” rapper didn’t waste any time, hopping on Instagram Live minutes after “Hiss” arrived, and previewed an unreleased track firing back at Megan and referencing Lanez shooting her in the foot.

“Bad b—h she like six foot, I call her Big Foot/ The b—h fell off, I said get up on your good foot,” Nicki raps in the snippet.

Minaj had a chuckle at her slick wordplay and ran back the venomous track a few times before sniping at Meg for her rapping ability during the Live: “You have three Grammys and you have to learn how to rap on the beat and be comfortable in the music.”

She continued to tease Megan while posting a photo of her manicured feet and liking fan tweets dissing the Houston rapper.

All Megan could do was laugh at the storm created by the war of words between herself and Nicki. She ended up quickly posting a response to Minaj with a photo of her hysterically laughing to her Instagram Story.