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Following a successful debut artist showcase earlier this year, Vybe Vault RnB is running it back for round two in Brooklyn, looking to find the next R&B star.
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Founded by Morace Landy and Elaine Allen Landy, Vybe Vault RnB is returning on Sept. 4 for another showcase at The Sultan Room in Brooklyn. Tickets are currently available for $25, with the showcase running from 7 p.m. ET to 11 p.m. ET.
In addition to the auditions in front of a decorated panel and live audience, the night will include a performance from the Slam Clinic band as well as the first showcaseâs winner, Adam Ness.
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This seasonâs grand prize winner will walk away with a $5,000 gift card courtesy of Sweetwater.com to help purchase home studio equipment, and a slot in Vybe Vaultâs artist mentorship program.
Per a press release, the mentorship program provides âemerging artists with the exposure, resources, and industry connections they need to succeed.â The weekly mentorship sessions will allow neophyte artists to gain wisdom and rub shoulders with established acts such as Fat Joe, Rotimi, Eric Bellinger, Hitmaka and Troy Taylor.
Morace Landy has just about seen it all in the music industry. He launched Evolution3 in 2015, which is a full-service company for artists offering assistance in âdevelopment, promotions, marketing and touring.â In the past, heâs worked with music icons such as Jay-Z, Mariah Carey, Luther Vandross, Babyface, T.I., Will Smith, Missy Elliott and plenty more. Landy also appeared on the Billboardâs 2018 Indie Power Players list when he served as Empireâs chief marketing strategist.
Beyond Sept. 4âs Vybe Vault RnB event, expect showcases to take place quarterly throughout the year.
All the Lambily wants for Christmas is Mariah Carey â and theyâre getting it again. The Queen of Christmas announced on Friday (Aug. 2) that her annual Christmas Time tour is coming back for 2024, but with a little extra to celebrate. âItâs not time yet, but I have exciting newsâŒïžâ the five-time Grammy winner […]
It turns out you can go home again. One day after it was revealed that Carrie Underwood would be returning to American Idol as the replacement for departed judge Katy Perry, the country singer told Good Morning America that going back to the show that lifted her to global stardom 20 years ago âfeels like […]
In the autumn of 2023, Maren Morris watched on as her life, at least as she knew it, went up in smoke. In September, she publicly announced that she would no longer participate in the country music industry, which inspired a series of criticisms from a few of the genreâs most outspoken voices. The following month, she filed for divorce from her husband of five years, Ryan Hurd.Â
She puts things more succinctly today: âEverything in my life fell apart last year,â she tells Billboard as a nervous chuckle breaks through the sobering sentence.
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When faced with a series of personal crises, Morris turned to the one place she knew she could find answers â songwriting. Calling on a group of collaborators both new and old, the singer decided her only option at moving forward was to put in the work. âEven the days where I could barely peel myself out of bed, I would still go to my session,â she says. âMy co-writers were like, âWe can cancel,â And I would say, âNo, I canât go home. Itâs too depressing.â I just had to push through.âÂ
Nearly a year later, Morris is ready to let fans see how far sheâs come. Intermission, the 34-year-old singerâs latest EP out now via Columbia Records, is an exercise in limitless self-expression. Each of the projectâs five songs seek to answer the question Morris asked herself after the âpersonal implosionâ took over her life: âWhat do I even say now?â
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As it turns out, Morris still had plenty to say. Album opener âCutâ deconstructs the wall between Morrisâ public and private lives, contrasting the put-together âproâ she shows her fans with the despondent girl behind closed doors who lets her âtears fall where they want. The heartwarming âBecause, Of Courseâ offers a vision of unconditional love, in stark opposition to the folk-chant of âI Hope I Never Fall in Love.â The EP sees Morris embracing emotions in all their complication, without exemption.Â
â[Songwriting] was an amazing distraction from the dumpster fire that was my life last fall. I know that a lot of these songs pulled me through it, and that this is some of my most honest work,â she says.
In seeking out her most honest point of view, Morris ended up working with a number of new collaborators on the project, including pop auteurs like Joel Little, Delacey, Evan Blair and Michael Pollack. Leaning further away from genre-specific restrictions, Morris explains that writing Intermission meant finding people from outside her stable of past songwriters.Â
âI was just kind of allowing myself to fall in love with peopleâs talent and not be like, âOh my god, have I worked with them before? Do we have any mutual friends? Who would be a big name?â she says. âI was just like, âHey, are they the right person for the job?ââÂ
That sense of discovery led Morris to enlist prolific indie-pop band MUNA for their assistance on her bouncing single âPush Me Over.â With lyrics written by Morris and all three members of the trio as well as production courtesy of MUNAâs Naomi McPherson, the new single provided an opportunity for Morris to explore uncharted terrain in her musical career â a flirtatious dissection of her sexuality. âWant you in my bed, âcause I donât need more friends/ The more that you come closer, I want you to push me over,â she sings on the songâs brash chorus. âSitting on the fence feels good between my legs.âÂ
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As she reminisces on her first songwriting session with MUNA, Morris notes the importance of writing her self-described âbi-panicâ into music alongside three pioneers of the modern queer pop space.Â
âI remember I had been on a date with this girl, and the date went amazing, but I had so many questions for MUNA the next day. I truly felt like a student and I was with, like, the Professors of Gay,â she laughs. âThey were obviously so supportive, and it made this the easiest song to write. It just puts a pep in my step and I feel like I could have only written it with them.â
âPush Me Overâ arrives after the singer received a wave of support from fans back in June, when she publicly came out as bisexual via an Instagram post. Yet despite the sheer amount of public support she received, Morris admits that her coming out didnât really feel like a âproperâ coming out.Â
âI think it was one of those things where I thought, âDoes this really require an Instagram post?â It didnât feel like, âOh, this is going to be some big fâking bombshell,ââ she says. âI just think that for any sort of public-facing artist that just, it does feel inclusive to let people know. Also, I get to feel like Iâm really not hiding any part of myself any longer. So that makes me sleep better at night.âÂ
As fun as âPush Me Overâ was to write, Morris notes that not every song on the project came as easily. âThis Is How a Woman Leaves,â the heartbreaking final song on the record, offers a stream-of-consciousness confession as Morris details the painstaking process of letting herself grieve her marriage before walking away from it.
Morris remembers blasting the demo to âThis is Howâ from her car speakers âon the way to divorce court.â Now that itâs out, she hopes the song provides some solace to other women struggling to find their way out of a relationship. âI donât know, I think itâs going to be one of those [songs] that like, really helps people ⊠which is so bizarre to say as the creator of it,â she says. âI was blasting that song just to get through the day, and now itâs going to be in other peoplesâ cars and homes. So I hope it helps, really.â
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The singer adds that sheâs most excited to hear how fans interact with her new songs live. She says fans have already joined in on the catharsis of screaming âhonestly, fâkâ with her when performing âCut.â Now, sheâs curious to see which parts of her other tracks the fans get attached to live. âSometimes I can fast forward my life to the live show and be like, âThis is the line that will resonate with fans,’â she says. âBut then other times, theyâll pick something out of a song that I had no idea would be popular, and thatâs the one that pops off. You really never know until youâre there with them.â
Calling in from Idaho, where she finished her latest show on the RSVP Redux tour, Morris reports that the live show is going âreally, really well,â and is even bringing in a much younger crowd than she expected. âI donât know if itâs the music itself, or just the way that people are finding my music on TikTok, but Iâve just noticed a lot of young people in the crowd,â she says.
Perhaps the younger audience is coming because of Morrisâ highly-democratic process of choosing her setlist â on this tour in particular, Morris and her band craft a different setlist every night based on fan requests sent in via Morrisâ website. That meant learning âupwards of 45 songsâ in rehearsals for the tour, and allowing themselves to be flexible in the moment for their concerts. But Morris says itâs been a win-win situation for everyone involved â fans feel invested in the show, and the singer gets a chance to revisit songs that she otherwise wouldnât have thought to perform live.
âLast night, for instance, we played âMake Out With Meâ â which is just an interlude from Girl â because it was a request,â she says. âAs we were singing it, I realized that Iâd forgotten how slutty this song is! I got totally transported back to the, the person I was when I wrote this. So, itâs nice when people remember the songs that werenât singles or huge smashes â it was just a deep cut that they truly remembered and loved.â
With the evolution of her sound, her live show, and even herself, Morris fittingly calls Intermission an âact breakâ in her life; a marker of what came before and what yet remains to be seen. And for her future, Morris has big goals â after spending all of her time lately writing about herself, Morris says she wants to write as anyone else.
âI started writing for a Broadway musical last year, and it was nice having a prompt to write for. Not everything has to be through my personal experience, so it felt like I almost got to be an actor,â she said of the process. âLike, âOkay, let me put themselves in their shoes, and like myself in their shoes, and then write what I think they would say.â I really hope I get to do more of it.â
But as we chat, Morris explains that sheâs mostly ready to be done waiting for Intermission to come out. After much speculation, fans will finally get to hear how she really feels about everything thatâs been happening around her. âTypically, Iâd be terrified to put out music this baldly truthful,â she says. âBut because Iâm not like protecting anyone elseâs agenda or feelings anymore, I can just release my point of view. And that feels pretty refreshing.â
Show one of Ice Spiceâs Y2K! World Tour is out of the way, and the 24-year-old can exhale just a little bit. Ice was nervous about the Washington, D.C. crowd since theyâre typically âkinda dead,â but the sold-out Anthem venue provided a pleasant surprise to kick off the star rapperâs first headlining trek on Tuesday night (July 30).
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While Ice was ecstatic to see the Spice Cabinet fill the venue, there was one special guest in attendance that pulled on her heartstrings.
âThe best part, honestly, is my dad came to the show last night,â she tells Billboard. âI was at soundcheck like, âDamn, my pops really here. Thatâs crazy.â Being able to see family during all of this â itâs just him being a proud dad. The best part about being Ice Spice is having a proud dad.â
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At a time when hip-hop has struggled to find neophyte hitmakers, Ice Spice and her amber curls arrived â The Bronx princess that was promised. Ice enjoyed a meteoric rise to stardom from the bodega to the Super Bowl â or âthe 4 Line to four times Grammy-nominated,â as she raps on Y2K! opener âPhat Butt.â
Ice Spice posted four top 10 Billboard Hot 100 hits in 2023 and won Billboardâs R&B/Hip-Hop Rookie of the Year honors. She climbed the rap food chain, earning co-signs from Nicki Minaj and Taylor Swift, Grammy nominations, a Super Bowl commercial with Starry and her own drink at Dunkinâ Donuts, all before releasing her debut album.
The 24-year-old gave NYC a new face for the drill movement and expectations surrounding her anticipated Y2K! album change depending on who you ask. Some look at Ice as more of a singles artist, while others set the bar sky-high due to the scorching start to her career.
Fully produced by right hand collaborator RiotUSA, Y2K! arrived last Friday (July 26) with features from Travis Scott, Gunna and Central Cee for a total of 10 tracks (a bonus song was released on Thursday) â four of which previously hit streaming services as singles.
However, Ice doesnât look at this project as a âmake or breakâ for her, no matter what the critical reception and charts say. (Billboard projections currently have her outside the top 10 on next weekâs Billboard 200.)
âI think people try to put that pressure on me just because I have been so successful,â she theorizes. âI donât really put too much weight into it. Of course, I appreciate it and I prefer it, but itâs not a make-or-break for me. Iâm just happy with the album I made.â
Dive into the rest of our interview with Ice Spice below, as she speaks on working with Travis Scott, not being worried about her brand overshadowing the music and her improvements as a performer.
Howâs tour life treating you? How was the first show?
Ice Spice: Good. Itâs always a little hectic, but itâs fun. It was really good. D.C. definitely shocked me, because usually theyâre kinda dead but they surprisingly shocked me.Â
What are some of your biggest improvements as a performer compared to two years ago?
I think everything, to be honest. I think thatâs how it is for me at least. Breath control, overall stamina â those are things I didnât realize matter. It just helps improve the show, especially after my set gets longer.Â
Whatâs been your mindset and emotions this release week with Y2K! out? Has there been a proudest moment?
I just been feeling everything. From anxious to calm to excited and relieved. Just grateful really mostly. I think finally headlining my own show for the first time. I started the Europe leg doing festivals, and now itâs my own crowd. Itâs a different vibe that Iâm grateful for. Iâve been wanting to do this for a year now and weâre finally here. Thatâs my proudest moment.Â
Has anyone reached out to you that you didnât expect that showed love about the album?
So many people reached out. Travis [Scott], of course. I love our record and our video that we put out for âOh ShhhâŠâ He hit me congratulating me. [Sei Less] is one of my favorite New York restaurants, honestly. Iâve went so many times in the last year.Â
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How would you define success for this project?
I think itâs just really getting through the Y2K! Tour. Thatâs a success for the project. Being able to share it with fans in real time as itâs happening is crazy.Â
Do you ever feel that your branding can overshadow the music at times? How do you juggle that?
When I first had met this artist, they had asked me, âDo you wanna be bigger than your music or do you want your music to be bigger than you?â I had no clue what they were talking about. I was like, âBoth, bro, what are you talking about?â Theyâre just like, âNah, you gotta pick one.â We was just in the studio chatting, because people love to talk about stuff like this.
But nah, I think it always just helps. I think the bigger you are, the more reach you have and the bigger the platform, I donât see how it could not help. I feel like Iâd only want it to be this way.Â
Was there anything with this album that you didnât pull off that you wanted to?
For sure. Thatâs definitely always the case. For both projects that Iâve made, thereâs been sample issues and feature clearances that we run into â but thatâs part of the process. Every time, it feels like, âOh my God, no, everythingâs going not as planned.â You just end up figuring it out. I think a lot of people go through that.
Why was it important to get back to the essence of drill and continue your bond with Riot on the production?
We wanted to make what we like. I just love drill beats, and his specifically. We just locked in for a whole year and really got to it when we could. We have the busiest schedules, but I think thatâs why itâs important to have a close bond with whoever youâre collaborating with. You have to make time when you can.Â
When you guys would talk about the album, would there be some sort of North Star or saying you always talked about with the album? Like, âThis is what we need to accomplish.â
We usually reference ourselves. Iâd be like, âI want a âPrincess Dianaâ or a âMunchâ-type beat, or Ice Spice type beat.â We just be vibing and do what we do.Â
How was linking with Paris Hilton?
I met her during Coachella at Neon Carnival. Sheâs like the sweetest person ever. Her house is incredible. Sheâs the epitome of Y2K, so the link-up was inevitable.Â
How do you define Y2K? I heard you say you love famous people before the internet and social media era.
Yeah, I think thatâs a lot of my obsession. I love the fashion, I love the overall vibe. I was really young so I just pull references to the most iconic people during that era. I like to reference Britney Spears, BeyoncĂ© and all the icons.Â
Have you started working on the next album?
I am definitely so ready to start another album. So thatâs great. I know my label is gonna be really excited to hear that. I donât wanna start teasing the next album, we in Y2K!.
Country music sensation Jelly Roll has released the much-anticipated music video for his latest single, âLiarâ after previously sharing a teaser for the clip on social media.
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âLiarâ boldly confronts addiction and materialismâs emptiness, with Jelly Rollâs raw honesty on full display and his vulnerability shining through as he tackles the heavy themes head-on. The visual is as stark as the message of the song, with Jelly standing in the middle of a dilapidated living room while singing to his reflection in a mirror and vowing that the dark voices in his head will not get him down again.
âYou ainât nothinâ but a liar/ Yeah, I walk right out the fire/ Yeah, you try to keep me down/ Try to put me underground/ But Iâm only going higher,â he sings as his mirror image stares back ominously, wringing his hands and looking forlorn.
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The singer previously debuted the song on May 16 at the ACM Awards, where he treated audiences at Ford Center at The Star in Frisco, Texas, to a rousing performance of the at-the-time unreleased rock track.Â
The release on Aug. 2 marks a change of tune from earlier this year when the Nashville native revealed in an interview with Taste of Country Nights that he was âon the fenceâ about releasing the track.
âI felt like it was important to start the new era of music at the ACMs because we had done âSave Meâ there. We launched me and Lainey there. I think that as weâre celebrating âHalfway to Hellâ going No. 1, itâs kind of the end of the Whitsitt Chapel era,â Jelly Roll said in May.
âI donât even know if weâre going to put âLiarâ out. Iâm still on the fence about it,â he added.
Jelly Roll, born Jason DeFord, has seen rising success on the Billboard charts over the past few years.
His single âSon of a Sinnerâ hit No. 1 on the Country Airplay chart in January 2023, marking his crossover from hip-hop to country. His album Whitsitt Chapel, released in June 2023, debuted at No. 3 on the Billboard 200, his highest-charting album yet.
The album has also performed well on the Top Country Albums and Top Rock Albums charts, while his âNeed a Favorâ reached the top 10 on the Rock Airplay chart.
Watch Jelly Rollâs âLiarâ below.
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The Man in Black will soon be the Man in Marble. Later this year, a statue of country icon Johnny Cash will become the first professional musician to take its place in Statuary Hall in the U.S. Capitol. The tribute to Cash will be unveiled during a ceremony in the Capitolâs Emancipation Hall on Sept. 24.
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Cash will take his place in the National Statuary Hall Collection, where each U.S. state receives two statues to commemorate important figures from its history. Cash, born in Dyess, AR, will be enshrined alongside civil rights activist Daisy Bates, whose statue was put in place in May; in 2019, Arkansasâ state legislature passed a bill to replace existing statues of Sen. James P. Clark and lawyer Uriah Rose with Cash and Bates.
The news about the eight-foot tall bronze statue of a stern-looking Cash holding a Bible and a guitar designed by artist Kevin Kresse was announced on Thursday (August 1) by House speaker Mike Johnson and Democratic House Minority leader Hakeem Jeffries. In December 2022, Kresse posted an image of the statue, writing, âAlthough I finished this 8ft. tall sculpture of Johnny Cash 2-3 months ago, I couldnât take it to the foundry until we received approval from Washington D.C. for the entire packet. (Sculpture, Pedestal, Inscriptions, Engineering, etc.). Yesterday we received âofficialâ approval from D.C. Although I donât know when the unveiling will be, I do know that statues of Daisy Bates and Johnny Cash will be the new representatives of Arkansas in the US Capitol, starting in 2023. I couldnât be happier with these choices for Arkansas. Iâm also extremely proud to be a native son of Arkansas, getting this opportunity to sculpt an Arkansas icon for the nationâs Capitol.â
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Cashâs enshrinement will place him in good company alongside such historic figures as Ethan Allen, Dr. Mary McLeod Bethune (educator, civil rights activist and co-founder of the United Negro College Fund), Pulitzer Prize winner author Willa Cather, Amelia Earhart, inventor Thomas Alva Edison, Dwight D. Eisenhower, Andrew Jackson, Hellen Keller, astronaut John Swigert, Jr., George Washington and many others.
With his signature rumbling baritone voice and songs of faith, murder, longing and love, Cash was a beloved country outlaw best known for such iconic tracks as âI Walk the Line,â âRing of Fire,â âFolsom Prison Blues,â âMan in Blackâ and âDaddy Sang Bass,â and many others.
According to NBC News, Johnson, Jeffries, Arkansas Gov. Sarah Sanders and Cashâs family are expected to attend the unveiling. Cash died in 2002 at age 71 due to respiratory failure tied to complications from diabetes.
See the announcement and a picture of the statue below.
A proud son of Arkansas, Johnny Cash’s epic life carried him to Memphis and then Middle Tennessee. He will forever hold a special place in our hearts.We celebrate Arkansas’s recognition of him and look forward to seeing his statue in the halls of our nationâs Capitol. pic.twitter.com/Sc7uV0XEwXâ TN Attorney General (@AGTennessee) August 1, 2024
From a local surprise guest to the performance of her new viral hit, these were Hot Girl Meg’s unforgettable moments.
Beloved former President Jimmy Carter will be feted at a 100th birthday party next month in Atlanta by an all-star group of musicians and celebrities at a music gala entitled âJimmy Carter 100: A Celebration in Song.â The Sept. 17 event at the Fox Theatre in Atlanta will come ahead of the ailing former command-in-chiefâs […]
Genesis Owusu, Cub Sport and Jem Cassar-Daley were in the winnerâs circle at the 2024 AIR Awards, the annual celebration of Australiaâs independent music sector.
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As he has done so often in recent years, Owusu collected silverware, this time nabbing best independent hip-hop album or EP for STRUGGLER, his sophomore LP which cracked the ARIA top 10 in 2023.
On this occasion, his support network shared in the glory. Ourness, The Annex and AWAL snagged the AIR Award for independent marketing team of the year, and Andrew Klippelâs Ourness won the coveted independent label of the year.
Last year, STRUGGLER scooped a hattrick at the 2023 ARIA Awards, continuing a brilliant run of form for the Canberra-raised artist whose expanding collection includes the J Award for Australian album of the year, the Australian Music Prize, an APRA Award, and first prize in the Vanda & Young Global Songwriting Competition.
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Also at the 2024 AIR Awards, held Thursday, Aug. 1 at the Queens Theatre Adelaide, Brisbane electronic pop outfit Cub Sport were double winners, scooping best independent dance or electronica album or EP for their ARIA No. 1 album Jesus At The Gay Bar, and independent music video of the year for âKeep Me Safeâ (Adam Munnings).
Other key winners on the night included Royel Otis (breakthrough independent artist of the year), RVG (independent album of the year for Brain Worms) and Jem Cassar-Daley (independent song of the year for âKing of Disappointmentâ).
Now in its 18th year, the AIR Awards are a celebration of the best and brightest from Australiaâs independent music community, and are organized by the Australian Independent Record Labels Association (AIR).
This yearâs edition ushered in two new categories, recognizing best independent music video and best independent producer, and welcomed an international development. AIR used the platform of the ceremony to confirm a further two yearsâ funding to hold its Awards and Indie-Con Australia conference in Adelaide, and announced that the trade body will exclusively host A2IMâs Australian Edition of Indie-Week conference in conjunction with its events from 2025.
The South Australian Music Development Office is major sponsor for the annual AIR awards.Â