Music

Blink-182’s ‘One More Time’ Ties Record for Longest Alternative Airplay No. 1 Run

A seven-year-old record on Billboard’s Alternative Airplay chart has finally been tied: blink-182’s “One More Time” spends its 20th week at No. 1 as of the March 2-dated survey, tying the mark for the longest reign in the tally’s 36-year history.

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It equals Portugal. The Man’s “Feel It Still,” which ruled for 20 nonconsecutive weeks between July and December 2017.

“One More Time” has remained at No. 1 on Alternative Airplay every week since its initial rule (Oct. 21, 2023) – the longest streak in the chart’s history, having exceeded the 18 straight frames (of 19 total) for Muse’s “Madness” in October 2012-February 2013 and Foo Fighters’ “The Pretender” (encompassing its reign) in September-December 2007.

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Most Weeks at No. 1, Alternative Airplay
20, “One More Time,” blink-182 (2023-24)
20, “Feel It Still,” Portugal. The Man (2017)
19, “Madness,” Muse (2012-13)
18, “Monsters,” All Time Low feat. Blackbear (2020-21)
18, “The Pretender,” Foo Fighters (2007)
17, “Uprising,” Muse (2009-10)
16, “High Hopes,” Panic! at the Disco (2018-19)
16, “Boulevard of Broken Dreams,” Green Day (2004-05)
16, “It’s Been Awhile,” Staind (2001)
16, “Scar Tissue,” Red Hot Chili Peppers (1999)

Blink-182 ties for the longest Alternative Airplay command over a quarter-century after the band first hit the chart with “Dammit (Growing Up)” in October 1997. “What’s My Age Again?” reached No. 2 in July 1999, becoming the group’s first of 16 top 10s, while follow-up “All the Small Things” became the first of the band’s five No. 1s in December 1999.

“One More Time” has led Alternative Airplay since its fourth week on the chart; it debuted at No. 29 on the Sept. 30, 2023, list, followed by a rise to No. 3 and then No. 2 before beginning its reign. In that time, two songs have hit No. 2 highs: Green Day’s “The American Dream Is Killing Me” for 11 weeks and, most recently, Cannons “Loving You” for the last five frames.

Concurrently, “One More Time” falls from its nine-week run atop Rock & Alternative Airplay to No. 4 with 5.2 million audience impressions Feb. 16-22, according to Luminate. The song peaked at No. 2 on Mainstream Rock Airplay in November 2023 and No. 36 on Adult Alternative Airplay in December.

The song has crossed over to pop radio formats, as well. It peaked at No. 13 on Adult Pop Airplay, the band’s highest rank in its career, surpassing the No. 24 best of “I Miss You” in July 2004. It’s also the trio’s first-ever Adult Contemporary entry, having reached No. 27.

“One More Time” is the second single and title cut from blink-182’s 2023 ninth studio album, following “Edging,” which ruled both Alternative Airplay and Rock & Alternative Airplay beginning in 2022. The set debuted at No. 1 on the Top Rock & Alternative Albums chart dated Nov. 4, 2023, and has earned 247,000 equivalent album units to date.

All Billboard charts dated March 2 will update on Billboard.com on Tuesday, Feb. 27.

Ana Bárbara, Anitta & More: The Best Photos From Premio Lo Nuestro 2024

Although she couldn’t attend, Karol G was the top winner at Premio Lo Nuestro 2024 with nine awards including artist of the year, followed by Maluma, Carin León, Shakira and Peso Pluma (the last two also absent), with four trophies each. But the highlight of Thursday night’s (Feb. 22) event weren’t the winners themselves, but the performances.

With over 20 musical numbers, the 36th annual Premio Lo Nuestro awards was a colorful spectacle that brought some of the biggest Latin music artists of yesterday and today to the stage. From those honored with special awards like Don Omar, Olga Tañón and Ana Bárbara — who were undoubtedly among our favorites — to Yuridia and Ángela Aguilar, Anitta, Camilo and Evaluna (showing her recently announced second pregnancy), Grupo Frontera, Chayanne and many more, there was music for all tastes and ages.

Maluma, who led the list of nominees with 14 nods, opened the show with his two new forays into Mexican music with his hit “Según Quién” and his corrido feliz “Bling Bling” (both performed without his collaborators Carin León, Octavio Cuadras and Grupo Marca Registrada, respectively).

Among other highlights, Gente de Zona presented “Celia,” which uses original recordings by the Queen of Salsa Celia Cruz to create an infectious medley with two of her classics: “Ella Tiene Fuego” y “La Negra Tiene Tumbao.” And Carin León took the stage with Kane Brown to premiere their new duet, “The One (Pero No Como Yo)” live.

The 2024 Premio Lo Nuestro awards were broadcast live on Univision and were co-hosted by Galilea Montijo, Angélica Vale and Clarissa Molina. Also in attendance were mainstream artists such as Kane Brown and Machine Gun Kelly, who took the stage with Carin León and Don Omar, respectively.

Here are the best photos of some of the night’s standout performances.

Shinsadong Tiger, No. 1 K-Pop Hitmaker and Producer of EXID & TRI.BE, Found Dead at 40

Shinsadong Tiger, a chart-topping and award-winning K-pop producer and songwriter, has passed away, his entertainment label confirmed on Friday (Feb. 23). The cause of death is currently unknown. He was 40.

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Following local reports that Shinsadong Tiger (neé Lee Ho-yang, also known professionally as S.Tiger) was found collapsed in his Seoul workplace, his representative agency TR Entertainment confirmed the news that “Producer Shinsadong Tiger suddenly left our side on February 23, 2024.”

In the statement on social media, TR Entertainment requested refraining from “speculative reports for the bereaved families” and that funeral proceedings will be held quietly only by family, relatives and colleagues.

TR Entertainment also represents TRI.BE, Universal Music Korea’s first K-pop group crafted in collaboration with Shinsadong Tiger and signed with Republic Records in the U.S. On Tuesday (Feb. 20), TRI.BE released a new single “Diamond” and b-side track “Run,” both produced and co-written by the late producer. TR shared that TRI.BE is canceling and postponing its promotional schedule while promising to return for more television performances “since it is the last album that Shinsadong Tiger prepared and released with TRI.BE during his lifetime.”

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TRI.BE was Shinsadong Tiger’s latest act after previously crafting and producing girl group EXID, who unexpectedly exploded in popularity two years into its career with the S.Tiger-produced single “Up & Down” in 2014 after a fan-recorded live performance went viral. Shinsadong Tiger produced seven EXID songs that charted on Billboard‘s World Digital Song Sales chart until the group went on hiatus in 2020.

Lee Ho-yang began his work as a songwriter in 2005 and came to helm some defining tracks of the genre throughout his nearly two decades of work with artists. With a sound that could blend electro-pop and Korea’s traditional trot genre to singles that embraced everything from orchestral production to Afrobeat, his works are tough to pinpoint musically but point to K-pop’s evolution.

Between 2011-2013, Lee produced four No. 1s on the (now-discontinued) K-Pop Hot 100 in T-ara’s “Roly-Poly” and “Lovey Dovey,” Trouble Maker’s “Now” and Ailee’s “U&I.” Meanwhile, his work like “Fiction” by boy band Beast won Song of the Year at the 2011 KBS Song Festival awards, while several of his creations with EXID, T-ara, HyunA and WJSN all were named in Billboard‘s 100 Greatest K-Pop Songs of the 2010s.

Shinsadong Tiger’s productions also had a knack for reaching wider audiences beyond Korean-music fans. In addition to EXID’s aforementioned breakout hit, HyunA’s “Bubble Pop!” from 2011 was an early YouTube smash and made the star the first K-pop soloist to break 100 million views on a music video. Later, “Bboom Bboom” by MOMOLAND helped break the rising girl group to the top of the charts in 2018, while its 626 million YouTube views make it one of the platform’s most-viewed K-pop videos ever.

Dalsooobin, a member of the girl group Dal Shabet whose singles like “B.B.B (Big Baby Baby)” and “Fri. Sat. Sun.” were produced by Shinsadong Tiger, shared her condolences and the former single’s album cover on her YouTube channel. Damjun, a member and songwriter-composer for his boy band LIONESSES, wrote “Thank you for your masterpieces” on Threads.

U.K. producer duo LDN Noise (who have helmed tracks with the likes of EXO, Chris Brown, NCT and NMIXX), Los Angeles-based Softserveboy (SEVENTEEN, Gwen Stefani, ENHYPEN, P1Harmony) and Damuer H. Leffridge (whose clients have included T-ara and B2K) all shared their condolences on Instagram. At the same time, L.A.-born Jae Chong (Uhm Junghwa, BoA, JYJ, Jolin Tsai, BIBI) called it “truly sad news” on the platform.

Harry Styles Is an Uncle! Sister Gemma Styles Announces Birth of Baby Girl

Uncle Harry has entered the chat! Harry Styles’ sister, Gemma Styles, took to Instagram on Friday (Feb. 23) to reveal that she has given birth to her first child, a baby girl, with husband Michal Mlynowski.

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”Hello from maternity leave,” she captioned two photos — a family selfie with her husband and daughter and a sweet photo from the hospital bed in which Gemma is holding her new bundle of joy. “Took some time off to ensure the safe arrival of our baby girl, who is adored by her whole family.”

Gemma concluded her message by addressing those with fertility issues, writing, “I know that this news can be difficult for many people and I’m sending you lots of love.”

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See her post here.

While the “Treat People With Kindness” singer has yet to post about his baby niece, fans on X (previously known as Twitter) have been bursting with excitement over the news. Soon after Gemma shared her Instagram post, the phrase “Harry is an uncle” began trending on the platform, with messages of love and happiness over the growing Styles family.

See below for some of the best fan reactions to the birth of Harry’s new baby niece.

Druski Recruits Snoop Dogg & DJ Drama for ‘Standin on Bihness’ Video Inspired by His Viral Skit: Watch

Druski went viral last year mocking those who claim to be “standing on business,” when in reality, they really don’t. Playing off the hilarious skit, Druski called on Snoop Dogg and DJ Drama for their own version of “Standin on Bihness.”

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The 29-year-old comedian unleashed the Snoop- and Gangsta Grillz-powered collaboration on Friday (Feb. 23), which features distorted production from BNYX.

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Druski repeats the overused catchphrase before the West Coast legend takes the baton: “Back in the hood again, n—a this Coulda Been/ Sign on the dotted line — 1 percent if yours, 99 percent is mine/ Coulda Been House, one by one all of y’all n—-s getting kicked out.”

“Snoop and Drama are legends in the game, so we had to go with the biggest for this collaboration. We wanted to set the tone right for Coulda Been House and make this the theme song for the series,” Druski tells Billboard. “What better inspiration than from one of my most iconic skits based on how often dudes say Standin on Bihness in Atlanta, but usually don’t live by it.”

DJ Drama provides his stamp of approval on the outro for “Standin on Bihness,” which will serve as the theme song of Druski’s upcoming Coulda Been House. The reality show is described as a blend of American Idol and Meeting the Band. Aspiring artists will live in a house together and compete for the chance to win $50,000 and a label deal with Druski’s Coulda Been Records.

Fans can catch the Coulda Been House debut over on Druski’s YouTube channel when the first episode premieres on Feb. 28 at 9 p.m. ET.

Watch the “Standin on Bihness” video below.



Warren Zeiders Notches His First Country Airplay No. 1 With ‘Pretty Little Poison’: ‘Lord Willing, It Ain’t My Last’

Warren Zeiders’ first entry on Billboard’s Country Airplay chart, “Pretty Little Poison,” ascends to the top of the tally dated March 2. The single advanced by 15% to 33.1 million audience impressions during the Feb. 16-22 tracking week, according to Luminate.

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The song is any act’s first Country Airplay hit to reign since Nate Smith’s “Whiskey on You” in February 2023.

“I am so honored to have my first No. 1 at country radio,” Zeiders tells Billboard. “I’m just a dude from Pennsylvania who started singing in his childhood bedroom. I never thought I’d have a song on country radio, much less it’d be No. 1 just a couple years into making music. I put everything I had into this song and I’ll never be able to thank the fans, my team and country radio enough for its success. This is my first No. 1 … Lord willing, it ain’t my last.”



Zeiders, 24, initially received traction by posting covers on TikTok, where he boasts 2.6 million followers. He co-authored his new leader with Ryan Beaver and Jared Keim; Ross Copperman produced it. The song is the title cut from his LP that arrived at its No. 12 high on Top Country Albums last September.

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Meanwhile, “Pretty Little Poison” halts the record-tying 10-week Country Airplay command of Smith’s “World on Fire.”

‘Bar’ Walks Into Top 10

Morgan Wallen’s “Man Made a Bar,” featuring Eric Church, climbs into the Country Airplay top 10 (12-9; 18 million, up 9%). Wallen earns his 14th top 10 – and one of two on the latest list: Thomas Rhett’s “Mamaw’s House,” on which he’s featured, hops 8-6 (23.5 million, up 6%).

Church notches his 18th Country Airplay top 10 and his first since “Heart on Fire,” which hit No. 5 in April 2022.

Top 40 ‘Texas’

Beyoncé makes her first appearance in the Country Airplay top 40 as “Texas Hold ‘Em” surges 54-34 (2.8 million in audience at the format, up 156%) in its second week. The single became the superstar’s first entry on the chart, as well as her historic first No. 1 on the multimetric Hot Country Songs survey.

The track also jumps 38-25 on Pop Airplay and debuts on Adult Pop Airplay (No. 28), Adult R&B Airplay (No. 28), Rhythmic Airplay (No. 36), R&B/Hip-Hop Airplay (No. 36) and Mainstream R&B/Hip-Hop Airplay (No. 40).

All charts dated March 2 will update on Billboard.com Tuesday, Feb. 27.

What’s Your Favorite New Music Release of the Week? Vote!

With February wrapping up, the music of 2024 keeps on giving. This week sees some major releases by SZA, Selena Gomez, Justin Timberlake and more superstars.

SZA searches for answers on “Saturn,” a new track that was first previewed in a commercial that aired during a Grammys ceremony where SZA took home three trophies. Timberlake is gearing up for his new album era with “Drown,” the latest offering from his upcoming album Everything I Thought It Was. Gomez, meanwhile, is deeply in love on “Love On,” which fans could easily connect to her growing relationship with Benny Blanco.

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Both “Love On” and “Single Soon” — which debuted at No. 19 on the Billboard Hot 100 — are expected to appear on Gomez’s upcoming fourth album, which the Rare Beauty founder has not yet announced. She has, however, confirmed that a new LP is in the works, telling Vanity Fair in February that her follow-up to 2020’s Rare will be “really powerful, strong, very pop.”

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TWICE treated fans with another mini-album, With YOU-th, delivering six pop hits. Over on the rock side, MGK (a.k.a Machine Gun Kelly, who has seemingly formalized his nickname as his official artist name) gets personal on “Don’t Let Me Go”

Which music release have you had on repeat today? Check out our Friday Music Guide here, and let us know your favorite new music drop by voting in our poll below.

Billboard Explains: Kylie Minogue Dancing Up the Charts

True icons know a thing or two about longevity — just look at Kylie Minogue. At the 2024 Billboard Women in Music Awards, the global superstar will be honored with the Icon Award in recognition of her hit-packed decades-long career.

Across a whopping 16 studio albums, Minogue has cemented herself as both a style chameleon and a master of musical reinvention. From bubble dance pop (1988’s Kylie) to a brave stab at country music (2018’s Golden) to last year’s disco-inflected synth-pop opus (Tension), Minogue has moved throughout her career with a special level of fearlessness.

The Australian juggernaut first hit the Billboard Hot 100 back in 1988 with the No. 3-peaking “The Loco-Motion,” a cover of Little Eva’s 1962 hit. She would once again hit the top 10 14 years later with the classic “Can’t Get You Out of My Head” (No. 7), the lead single from her Grammy-winning album Fever. With Fever, Minogue flew to No. 3 on the Billboard 200, her highest career peak yet on the ranking; she has landed 11 total titles on the chart, including 2010’s Aphrodite (No. 19).

In addition to her success on Billboard’s marquee albums and singles charts, Minogue has also proven herself to be a dominant force on Hot Dance/Electronic Songs. On that ranking, she’s earned 18 overall entries so far, including the top 10 hits “Dance Alone” (No. 8, with Sia) and “Padam Padam” (No. 7), the first song to win the newly formed Grammy for best pop dance recording. “Padam Padam” also peaked at No. 32 on Pop Airplay, marking her first appearance on the ranking in nearly two decades.

With a career like this, it’s no wonder that Kylie Minogue is the Icon Award recipient for the 2024 Billboard Women in Music Awards.

After the video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boomthe role record labels playorigins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and more.

Flavor Flav Says Miley Cyrus Once Playfully Slapped Him for Calling Her Gwen Stefani

Flavor Flav and Miley Cyrus shared a heartwarming reunion at the 2024 Grammy Awards, but that wasn’t always the case.

Flav joined the Just B With Bethenny Frankel podcast on Thursday (Feb. 22), where he recalled a time he mixed up Miley with Gwen Stefani and when he went over to apologize, she playfully slapped him to make sure it wouldn’t happen again.

“It came from a time that they looked alike,” the Public Enemy rapper said around the 28:30 mark. “There was a time a few years back when they both had the same exact haircut. That’s the thing that got me. When I ran across my Miley first time ever in my life I was like, ‘Oh my God, Gwen Stefani, Gwen Stefani!’ Miley didn’t say anything she just went along with it.”

It wasn’t until one of Flav’s friends alerted him of the mix-up that he realized had just met Miley Cyrus and not the “Hollaback Girl” artist.

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“I turned around and I ran back to her,” he explained. “‘Oh my God, I’m so sorry. Yo, Miley Cyrus, I know who you are now. Your dad Billy Ray Cyrus. I was like, ‘I’m so stupid.’ Smacked me in the face. She smacked me in the face. Miley Cyrus slapped Flavor Flav in the face and we laughed it off.”

Billboard has reached out to Miley Cyrus’ reps for comment.

Flav detailed how things went much better when they linked up at the 2024 Grammy Awards backstage. “That girl lit up like a Christmas tree,” Flav claimed. “Miley love herself some Flav.”

Footage of the unlikely interaction went viral on social media, as the “Flowers” singer was in shock Flavor Flav actually got her name right this time around.

“You know it’s me?! I made it,” Cyrus said to Flav. “You don’t think I’m Gwen Stefani anymore? You used to call me Gwen every time I saw you!”

“I know,” he admitted as the two went on to snap a few photos together. Miley added: “You know what time it is!”

Listen to Flavor Flav talk about Miley Cyrus on the Just B podcast below.

Friday Dance Music Guide: The Week’s Best New Tracks From The Blessed Madonna & Ariana Grande, 2hollis & More

This week in dance music: Alesso was announced the performer for the L.A. Galaxy’s 2024 season home opener against Inter Miami this Sunday (Feb.25), and Daft Punk took us back two decades with a one-time only livestream of their 2003 film Interstella 5555, in honor of Daft Punk Day.

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And, of course, we’ve got new music too. These are the best new dance tracks of the week.

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Ariana Grande, “yes, and?” (The Blessed Madonna’s Godsquad Remix)



The Blessed Madonna has an esteemed pedigree when it comes to remixing our apex pop queens, with her 2020 Club Future Nostalgia megamix of Dua Lipa’s Future Nostalgia album existing in a rare and rave-y Venn diagram of prestige underground, pop perfection and absolute fun. So the producer is a perfect fit to edit Ariana’s Grande’s “yes, and?” — itself frothy dance fare that’s now in its fifth week on Hot Dance/Electronic Songs. The Blessed Madonna initially simplifies the production before turning the dial up on the track’s string section, ramping up into all-out disco bliss (and giving us more of a good thing, by extending the track by a full minute and a half).

Sebastian Ingrosso, Steve Angello, “Skip”



Sebastian Ingrosso and Steve Angello — two thirds of the holy trinity Swedish House Mafia — take us straight to the ’90s rave of our minds with “Skip,” their tight, urgent take on tech house with an acid-edge that gives serious “Hey Boy Hey Girl”-era Chemical Brothers. The track is the latest from the pair, who released “O OK?” with PARISI last spring, and comes ahead of Angello’s solo headlining U.S. tour that launches on Mar. 29 in Boston and will itself then skip across the country for Coachella. Swedish House Mafia is also playing summer festivals including Tomorrowland and a residency at Ushuaïa Ibiza.

2hollis, “light”



At 20 years old, rising Los Angeles producer 2hollis has already received co-signs by Skrillex and Four Tet, and demonstrates why with “light.” Reminiscent of Worlds-era Porter Robinson with an emo edge, the song is punchy — like a strobe beamed directly into your eyes — and a pristinely produced homage to messy love, with 2hollis handling vocals himself. Having already sold out shows around the U.S., the producer is currently in Europe for sold-out performances in Berlin, London and Paris over the coming week.

Cakes Da Kill & Dawn Richard, “Do Dat Baby”



New York star Cakes da Killa links with the ever-sublime Dawn Richard for the simmering “Do Dat Baby.” The track layers up loads of hand percussion with R&B-oriented keys, Cakes’ rapid-fire flow and Richard’s velvet voice for an effortlessly cool dancefloor jam with sex appeal. The song comes from Cakes’ forthcoming album Black Sheep, out Mar. 22 via Tokimonsta’s Young Art label.

Omar Souleyman, “Rahat Al Chant Ymme”



Long specializing in dabke — the music that accompanies the traditional folk dance of the same name rooted in the Levant region — Omar Souleyman again crosses that sound with rave-ier impulses on the joyfully high-octane dance jam “Rahat Al Chant Ymme.” Out via Mad Decent, the track is the lead single from Souleyman’s forthcoming album Erbil, coming Mar. 29. The project is the wedding singer turned international star’s tenth studio LP and is all about Erbil, Iraq, the city the Syrian artist now dwells in and which, a press release says, “offered solace and embraced Souleyman during recent uneasy times.”