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BTS‘ Suga has reached a resolution in his drunk scootering incident. According to Reuters, the K-pop superstar was fined 15 million won ($11,500) by a South Korean court for driving an electric scooter while intoxicated after previously having his license suspended over the incident.
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A judge in the Seoul Western District Court issued the fine in a summary judgement last week after the case against the singer born Min Yoon-gi, 31, was referred to the prosecution, a court official revealed on Monday (Sept. 30). A summary indictment is used to discharge minor offenses through court fines or confiscation without going to a full trial. The singer was questioned by police after they reportedly observed him falling off his electric scooter in the Hannam neighborhood in the Yongsan district on August 6.
Days after the DWI stop, Suga confirmed that his license had been revoked and posted a pair of heartfelt apologies on Weverse, explaining that at first he didn’t realize he couldn’t ride the electric two-wheeled scooter after having drinks at dinner earlier in the evening. “In the process of setting up an electric kickboard at the front door of the house, I fell alone, and there was a police officer around me, so I took a breath test,” he wrote in the Aug. 7 post, apologizing to “everyone who was hurt by [his] careless and wrong actions.”
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BTS’ record label, BigHit, also issued a statement, apologizing “for the disappointment caused by the artist’s inappropriate behavior.” “As a social service agent during his military service, he is prepared to accept any disciplinary actions from his place of work for causing a social disturbance,” the label added. “We will take greater care to ensure that such incidents do not happen again in the future.”
In a second apology later in the month, Suga took responsibility for his actions again, writing to fans, “It’s all my fault. My carelessness is giving everyone who cares about me a hard time. I will try not to do anything wrong again and live with repentance. Due to this incident, I have greatly damaged the precious memories I made with the members and fans and put a lot of pressure on the name of the BTS.”
At press time a spokesperson for Suga had not returned Billboard‘s request for comment.
BTS have been on hiatus for two years as the members complete their mandatory South Korean military service and according to AFP, Seoul’s Military Manpower Administration said that Suga will be punished according to traffic laws, not military law, because the incident took place outside of the singer’s official military working hours.
Sabrina Carpenter has done it again. Her latest hit, “Taste,” has claimed the No. 1 spot on the U.K. Official Singles Chart for the fifth consecutive week, marking 17 total weeks at the top in 2024.
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This chart domination is thanks to her three standout singles: “Espresso,” which spent seven weeks at No. 1, “Please Please Please,” with five weeks at the summit, and now “Taste,” with five weeks and counting. Her success with the catchy pop single is no small feat, showcasing her consistent appeal in a hugely competitive market.
Elsewhere on the chart, Lady Gaga and Bruno Mars are inching closer to the top spot with their collaborative track “Die With A Smile,” which now sits at No. 4. Rising stars are also making their mark, with Chappell Roan’s kitschy camp hit “HOT TO GO!” sashaying its way up to No. 7, and Lana Del Rey-inspired “Pink Pony Club” by Roan also trotting, reaching No. 15.
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In other highlights, Sonny Fodera, Jazzy, and D.O.D.’s “Somedays” has cracked the Top 10, moving to No. 9, while Gigi Perez’s viral track “Sailor Song” has jumped two spots to No. 11. Teddy Swims’ “The Door” and Gracie Abrams’ “I Love You, I’m Sorry” also saw boosts, landing at Nos. 13 and 17, respectively.
TikTok continues to be a breeding ground for chart hits, as UK rapper NDOTZ celebrates his first Top 20 entry with “Embrace It,” climbing 16 places to No. 20. Billie Eilish’s “Wildflower” blooms with a new peak at No. 23, while Coldplay’s “feelslikeimfallinginlove” rebounds to No. 31.
Addison Rae also makes her Top 40 debut with “Diet Pepsi,” entering at No. 37. Meanwhile, BTS’s Jimin sees a resurgence with “Who,” re-entering the chart at No. 40 after a six-week absence.
With this chart success, Sabrina Carpenter has proven that 2024 is undeniably her year, and with new releases on the horizon, she might not be done dominating just yet.
Blossoms have again proven their indie rock prowess, securing their fourth U.K. Official No. 1 album with Gary, their fifth studio release. The British band’s latest effort topped the charts after a tight battle with chart-dominating pop princess Sabrina Carpenter’s Short N’ Sweet (No. 2) and Chappell Roan’s hugely popular The Rise and Fall of […]
Following news the death of Kris Kristofferson at the age of 88 on Sept. 28, tributes have poured in from some of the biggest names in the music industry, honoring the legendary songwriter and actor whose influence spanned decades.
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Dolly Parton, Reba McEntire, Eric Church, and more have shared personal reflections on the man they admired, loved, and called a friend.
Dolly shared a close friendship with Kristofferson, with the pair performing duets such as “From Here to the Moon and Back” and “Put It Off Until Tomorrow” over the years.
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“What a great loss,” Dolly said. “What a great writer. What a great actor. What a great friend. I will always love you.”
Country star Reba McEntire said, “What a gentleman, kind soul, and a lover of words. I am so glad I got to meet him and be around him. One of my favorite people. Rest in peace, Kris.”
Travis Tritt, who appeared in the spaghetti Western TV movie Outlaw Country alongside Kristofferson wrote, “Sad to hear of Kris Kristofferson’s passing. He was an inspiration to me and I was fortunate to get to know him on the set of Outlaw Justice that we filmed in Spain in 1998. My heartfelt condolences go out to Kris’s wife, Lisa and all of his family, friends and fans.”
For songwriter Diane Warren, Kristofferson was the epitome of a multi-talented artist.
She wrote, “Brilliant songwriter, Rhodes scholar, great actor, not to mention criminally handsome,” she noted in her tribute. “How often do U get all that in one human? Write in Power forever Kris Kristofferson. We are losing too many greats and we just lost another one.”
Country star Eric Church shared his admiration for Kristofferson as both a role model and a friend. “The ultimate life well lived. Thank you for being a beacon of light in a darkening world. You were my hero and my role model. And even then, you managed to exceed my expectations when you became my friend.”
“So long Captain. Till we meet again.”
Rosanne Cash, singer and daughter of legend Johnny Cash, said: “Here was a man. A man I knew most of my life. A piece of my heart and family history. I expected he’d leave the planet fairly soon, but it doesn’t change the magnitude of the loss.”
Cash’s words hold even more weight considering one of Kristofferson’s final public performances was with her. The two performed a heartfelt duet of “Lovin’ You Was Easier” at Willie Nelson’s 90th birthday celebration in April 2023.
She continued, “And yet we will always have him— his enormous legacy, his resonant spirit, the lasting power of his authenticity, his staggering gifts as a poet— in word, on screen, in his being. For the last several decades, there was no Kris without Lisa and her beauty and steadfastness is a constant inspiration. I send you all my love, Lisa.”
“Travel safe, dear brother. I will always love you.”
Barbra Streisand, who co-starred with Kristofferson in the 1976 version of A Star Is Born, also paid tribute to him earlier, recalling the first time she saw him perform at L.A.’s Troubadour. Their on-screen chemistry in A Star Is Born helped cement both actors’ status in Hollywood, with the film’s soundtrack—featuring their duet “Evergreen”—becoming a No. 1 hit on the Billboard 200.
Barbra Streisand has shared a heartfelt tribute to her A Star Is Born co-star Kris Kristofferson, who passed away at age 88 on Sept. 28.
Reflecting on their friendship and professional partnership, Streisand spoke of the qualities that made Kristofferson not just a talented performer, but also a deeply respected figure in both music and film.
“The first time I saw Kris performing at the Troubadour club in L.A., I knew he was something special,” Streisand wrote on social media. “Barefoot and strumming his guitar, he seemed like the perfect choice for a script I was developing, which eventually became A Star Is Born.”
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Their collaboration on the 1976 version of A Star Is Born became one of the most iconic moments in both of their careers. Streisand starred as Esther Hoffman, an aspiring singer whose career ascends as her lover, played by Kristofferson, spirals into self-destruction. Kristofferson’s portrayal of the troubled rock star John Norman Howard earned him a Golden Globe Award for Best Actor, while Streisand’s performance cemented her as a powerhouse in film and music.
In the film, the duo performed “Evergreen,” the love theme that Streisand herself had written for the movie. The song went on to win an Academy Award for Best Original Song, becoming a hallmark of their collaboration. Streisand fondly recalled the magic of their musical partnership: “In the movie, Kris and I sang the song I’d written for the film’s main love theme, ‘Evergreen.’”
Their chemistry on-screen translated into a genuine friendship that endured beyond the film’s success. Streisand reminisced about a memorable moment from her 2019 concert in London’s Hyde Park, where she invited Kristofferson to join her on stage.
“For my latest concert in 2019 at London’s Hyde Park, I asked Kris to join me on-stage to sing our other A Star Is Born duet, ‘Lost Inside Of You.’ He was as charming as ever, and the audience showered him with applause. It was a joy seeing him receive the recognition and love he so richly deserved,” she shared.
Their collaboration on A Star Is Born not only marked a significant moment in cinema but saw Kristofferson’s transition from country music star to acclaimed actor.
By the time he took on the role of John Norman Howard, Kristofferson was already well-established in the country music scene, having penned classics like “Me and Bobby McGee” and “Sunday Mornin’ Comin’ Down.” His rugged charm made him a natural fit for the role, and his performance opposite Streisand brought a depth to the film that made it a lasting classic.
Streisand closed with a message of sympathy for Kristofferson’s family, particularly his wife of 40 years, Lisa. “My thoughts go to Kris’ wife, Lisa who I know supported him in every way possible,” she wrote.
Kristofferson’s career saw him secure 19 entries on the Billboard 200, including the No. 1 A Star is Born soundtrack alongside Streisand. He also claimed three No. 1 albums on the Top Country Albums chart, including Jesus Was a Capricorn and Full Moon with Rita Coolidge. His songwriting became legendary, with hits like “Me and Bobby McGee” (No. 1 for Janis Joplin), “Sunday Mornin’ Comin’ Down” (No. 1 for Johnny Cash), “For the Good Times” (No. 1 for Ray Price), and “Help Me Make It Through the Night” (No. 1 for Sammi Smith).
Read Barbra Streisand’s tribute to Kris Kristofferson below.
Stevie Nicks‘ “The Lighthouse” tops this week’s new music poll.
Music fans voted in a poll published Friday (Sept. 27) on Billboard, choosing the rock icon’s fresh song as their favorite new music release of the past week.
The poll presented stiff competition, but Nicks’ new song brought in almost 72% of the vote. Voters this week chose “The Lighthouse” over hot new music releases from talent including Lady Gaga, The Weeknd and Playboi Carti, Rosalía featuring Ralphie Choo, and more.
“The Lighthouse,” Nicks stated upon releasing the track on Sept. 27, “may be the most important thing I ever do.”
“I have my scars, you have yours/ Don’t let them take your power,” she sings with skilled restraint, with verses leading up to a dynamic chorus that urges listeners to “see the future and get mad.”
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“I wrote this song a few months after Roe v. Wade was overturned,” wrote Nicks in a post on Instagram. “It seemed like overnight, people were saying ‘what can we, as a collective force, do about this…’ For me, it was to write a song.”
She continued, “It took a while because I was on the road. Then early one morning I was watching the news on TV and a certain newscaster said something that felt like she was talking to me~ explaining what the loss of Roe v. Wade would come to mean. I wrote the song the next morning and recorded it that night. That was September 6, 2022. I have been working on it ever since. I have often said to myself, ‘This may be the most important thing I ever do. To stand up for the women of the United States and their daughters and granddaughters ~ and the men that love them.”
“This is an anthem,” Nicks said.
Among the new music trailing behind “The Lighthouse” on this week’s poll is Lady Gaga’s Harlequin project, nearing 18% of the vote, and The Weeknd and Playboi Carti’s new collab “Timeless,” with 3% of the vote.
See the final results of this week’s poll below.
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Matthew West and Brandon Lake received top honors at the 47th annual ASCAP Christian Music Awards, which were held in downtown Nashville on Sunday (Sept. 29). West was named Christian music songwriter of the year. Lake won Christian music songwriter/artist of the year.
This is the sixth time West has been named ASCAP Christian music songwriter of the year. His most performed songs this year are “Any More,” “Don’t Stop Praying,” “Heaven Changes Everything,” “Never,” “Running Home” and “Strong.” In 2023, West received the ASCAP Golden Note Award.
West, 47, is a five-time Grammy nominee. He has released 15 albums, had cuts by such artists as Casting Crowns, Amy Grant, Scotty McCreery and Rascal Flatts, and penned six books. West’s Don’t Stop Praying Tour runs through November.
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Lake, 34, penned four most performed songs – “Fear Is Not My Future,” “Praise,” “Praise You Anywhere” and “Trust in God.” The five-time Grammy-winner recently released For the One: A Tour Documentary with Phil Wickham and is currently on his Tear Off the Roof Tour. He leads this year’s Dove Awards nominations with 16 nods, including artist of the year. Lake was ASCAP Christian music songwriter of the year in 2023.
“Thank God I Do,” co-written by Nate Ruess and published by Bearvon Music and Warner Chappell Music, won Christian music song of the year. The song was Lauren Daigle’s sixth No. 1 hit on Billboard’s Hot Christian Songs chart, holding the top spot for 20 weeks. Ruess was the 2015 recipient of the Hal David Starlight Award given by the Songwriters Hall of Fame, is a two-time Grammy winner as a member of the pop trio fun., and has had cuts by such artists as Keith Urban, P!nk, Halsey, Kesha, Maroon 5 and Ellie Goulding.
Essential Music Publishing won Christian music publisher of the year. Their most-played songs of the past year are “Any More,” “Don’t Stop Praying,” “Fear Is Not My Future,” “Never,” “Rescue,” “Running Home,” “Praise,” “Praise You Anywhere,” “Somebody to You,” “Strong,” “These Days” and “Trust in God.” Essential Music Publishing vp Jamie Rodgers accepted the award.
The event was hosted by ASCAP CEO Elizabeth Matthews, chairman of the board and president Paul Williams, vp of Nashville membership Mike Sistad and Nashville assistant vp, Strategic Services, Kele Currier. Ben Glover, a five-time ASCAP Christian music songwriter of the year, kicked off the event with a performance.
A complete list of ASCAP Christian Music Award winners is available at ASCAP’s website.
Kris Kristofferson, a Rhodes scholar with a deft writing style and rough charisma who became a country music superstar and A-list Hollywood actor, has died.
Kristofferson died at his home in Maui, Hawaii, on Saturday (Sept. 28), spokeswoman Ebie McFarland said in an email. He was 88.
McFarland said Kristofferson died peacefully, surrounded by his family. No cause was given. He was 88.
Starting in the late 1960s, the Brownsville, Texas, native wrote such classics as “Sunday Mornin’ Comin’ Down,” “Help Me Make It Through the Night,” “For the Good Times” and “Me and Bobby McGee.” Kristofferson was a singer himself, but many of his songs were best known as performed by others, whether Ray Price crooning “For the Good Times” or Janis Joplin belting out “Me and Bobby McGee.”
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He also starred opposite Ellen Burstyn in director Martin Scorsese’s 1974 film Alice Doesn’t Live Here Anymore, starred opposite Barbra Streisand in the 1976 A Star Is Born and acted alongside Wesley Snipes in Marvel’s Blade in 1998.
Kristofferson, who could recite William Blake from memory, wove intricate folk music lyrics about loneliness and tender romance into popular country music. With his long hair and bell-bottomed slacks and counterculture songs influenced by Bob Dylan, he represented a new breed of country songwriters along with such peers as Willie Nelson, John Prine and Tom T. Hall.
“There’s no better songwriter alive than Kris Kristofferson,” Nelson said during a November 2009 award ceremony for Kristofferson held by BMI. “Everything he writes is a standard and we’re all just going to have to live with that.”
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As an actor, he played the leading man opposite Barbara Streisand and Ellen Burstyn, but also had a fondness for shoot-out Westerns and cowboy dramas.
He was a Golden Gloves boxer and football player in college, received a master’s degree in English from Merton College at the University of Oxford in England and turned down an appointment to teach at the U.S. Military Academy at West Point, New York, to pursue songwriting in Nashville. Hoping to break into the industry, he worked as a part-time janitor at Columbia Records’ Music Row studio in 1966 when Dylan recorded tracks for the seminal Blonde on Blonde double album.
At times, the legend of Kristofferson was larger than real life. Cash liked to tell a mostly exaggerated story of how Kristofferson, a former U.S. Army pilot, landed a helicopter on Cash’s lawn to give him a tape of “Sunday Mornin’ Comin’ Down” with a beer in one hand. Over the years in interviews, Kristofferson said that with all respect to Cash, while he did land a helicopter at Cash’s house, the Man in Black wasn’t even home at the time, the demo tape was a song that no one ever actually cut — and he certainly couldn’t fly a helicopter holding a beer.
In a 2006 interview with The Associated Press, he said he might not have had a career without Cash.
“Shaking his hand when I was still in the Army backstage at the Grand Ole Opry was the moment I’d decided I’d come back,” Kristofferson said. “It was electric. He kind of took me under his wing before he cut any of my songs. He cut my first record that was record of the year. He put me on stage the first time.”
One of his most recorded songs, “Me and Bobby McGee,” was written based on a recommendation from Monument Records founder Fred Foster. Foster had a song title in his head called “Me and Bobby McKee,” named after a female secretary in his building. Kristofferson said in an interview in the magazine, Performing Songwriter that he was inspired to write the lyrics about a man and woman on the road together after watching the Frederico Fellini film La Strada.
Joplin, who had a close relationship with Kristofferson, changed the lyrics to make Bobby McGee a man and cut her version just days before she died in 1970 from a drug overdose. The recording became a posthumous No. 1 hit for Joplin.
Hits that Kristofferson recorded include “Why Me,” “Loving Her Was Easier (Than Anything I’ll Ever Do),” “Watch Closely Now,” “Desperados Waiting for a Train,” “A Song I’d Like to Sing” and “Jesus Was a Capricorn.”
In 1973, he married fellow songwriter Rita Coolidge and together they had a successful duet career that earned them two Grammy awards. They divorced in 1980.
He retired from performing and recording in 2021, making only occasional guest appearances on stage.
Congratulations are in order for Frances Bean Cobain and her husband, Riley Hawk, who have welcomed their first child together.
The daughter of late Nirvana frontman Kurt Cobain revealed through Instagram on Saturday (Sept. 28) that she and the son of skateboarding legend Tony Hawk are now proud parents to a baby boy.
“Ronin Walker Cobain Hawk,” Frances, 32, captioned adorable black-and-white photos of the newborn, revealing he was born on Sept. 17. “Welcome to the world most beautiful son. We love you more than anything.”
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In the first photo, the tiny baby is seen holding his mother’s hand, while another shows proud dad Riley, 31, cradling his son in a soft blanket.
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The couple’s friends and family flooded the comments section of France’s post, sharing messages of well-wishes and congratulations. New grandfather Tony Hawk joked, “My favorite grandson!” and Harper Grohl, the daughter of the Kurt’s former bandmate Dave Grohl, replied with heart and teary-eyed emojis.
The comments section also included touching notes from famous musicians, including R.E.M.’s Michael Stipe, Sonic Youth’s Kim Gordon and Dresden Dolls’ Amanda Palmer, among others.
“With all the love and energy in the whole world,” commented Stipe, who is France’s godfather. Gordon added, “Huge congratulations!” And Palmer wrote, Oh my god!!! MAZEL TOV to all of you and everyone over there. I am so incredible happy to see this universe-stitching news. All the love to you.”
Frances and Riley’s romance was first revealed through social media in 2022, and the couple married about a year later in an intimate ceremony officiated by R.E.M.’s Stipe.
See France Bean Cobain’s baby announcement on Instagram here.
Future notches his 11th No. 1 album on the Billboard 200 chart — and third in 2024 — as Mixtape Pluto debuts atop the list dated Oct. 5. The long-teased set’s Sept. 20 release date was announced on Sept. 11. Mixtape Pluto earned 129,000 equivalent album units in the U.S. in the week ending Sept. 26, according to Luminate, largely driven by streaming activity.
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Future scored two No. 1s earlier in 2024 with his two co-billed sets with Metro Boomin: We Don’t Trust You (a debut atop the April 6 chart) and We Still Don’t Trust You (also debuting at No. 1, April 27). The last act to notch three new No. 1 albums faster than Future — who has earned his three latest in a span of just six months — was the Glee Cast, which notched three chart-topping soundtracks in less than two months in 2010. If one discounted the Glee titles, as they were soundtracks and not traditional artist-driven albums, the last act to notch three new No. 1s as fast as Future was The Beatles in 1965-66. The Fab Four collected its fifth, sixth and seventh No. 1 albums also in a span of six months, as Beatles VI hit No. 1 on the July 10, 1965 chart, followed by the Help! soundtrack on Sept. 11 and then Rubber Soul on Jan. 8, 1966. (Since the Billboard 200 began publishing on a regular, weekly basis in March of 1956, no other solo artist has accumulated three new No. 1s as fast as Future.)
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With an 11th No. 1 on the Billboard 200, Future ties Eminem, Bruce Springsteen, Barbra Streisand and Ye (formerly Kanye West) for the fifth-most No. 1s on the Billboard 200, dating to March 1956. Ahead of them are The Beatles (a record 19 No. 1s), Jay-Z and Taylor Swift (each with 14) and Drake (13).
Also in the top 10 of the latest Billboard 200 chart, Chappell Roan scores her best week yet in terms of units and album sales, as The Rise and Fall of a Midwest Princess returns to its peak of No. 2 in the wake of promotion surrounding its first anniversary. Plus, Katy Perry lands her sixth top 10 with the arrival of 143, and Lil Tecca nabs his fourth top 10-charting set with the debut of Plan A.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 5, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 1). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Mixtape Pluto’s first-week equivalent album units of 129,000, SEA units comprise 118,500 (equaling 156.62 million on-demand official streams of the 17 songs on the streaming edition of the album; it debuts at No. 1 on Top Streaming Albums), album sales comprise 10,000 and TEA units comprise 500. The album was available to purchase either as a standard 11-song album (via download, CD and vinyl) or as an expanded 17-song album (download).
Chappell Roan’s The Rise and Fall of a Midwest Princess rises 3-2 on the Billboard 200 for a third nonconsecutive week at its peak position. The set earned 105,000 equivalent album units in the tracking week (up 64%) — it’s biggest week yet by units earned. Of that sum, album sales comprise a career weekly-best 56,000 (up 328%; it’s also the top-selling album of the week, reaching No. 1 on Top Album Sales for the first time). The week-over-week growth is owed to the release of four new vinyl variants and a cassette tape in celebration of the album’s first anniversary on Sept. 22. Of the album’s sales, vinyl comprises 50,000 — easily Roan’s best week on vinyl and the sixth-largest week for any vinyl album in 2024.
Sabrina Carpenter’s former No. 1 Short n’ Sweet slips 2-3 on the Billboard 200 with 100,000 equivalent album units earned (down 7%); Post Malone’s chart-topping F-1 Trillion is a non-mover at No. 4 (53,000; down 12%), and Morgan Wallen’s former leader One Thing at a Time is steady at No. 5 (53,000; up 2%).
Katy Perry lands her sixth top 10-charting effort on the Billboard 200 as her new studio album 143 debuts at No. 6. The set earned 48,000 equivalent album units in the tracking week ending Sept. 26. Of that sum, album sales comprise 37,500 (her best sales week since 2017), SEA units comprise 10,000 (equaling 13.11 million streams of the album’s songs) and TEA units comprise 500. The album’s first-week sales were bolstered by its availability across eight vinyl variants (including a signed edition), four CD variants (including a signed edition), a cassette tape and multiple digital download variants (including two exclusive to her webstore, each with bonus tracks).
The album was preceded by a trio of songs, including its first single, “Woman’s World,’ which reached the top 30 on the Pop Airplay, Adult Pop Airplay and Adult Contemporary radio charts.
Taylor Swift’s chart-topping The Tortured Poets Department falls 6-7 on the latest Billboard 200 (47,000 equivalent album units; down 9%), while Billie Eilish’s Hit Me Hard and Soft is steady at No. 8 (45,000; up 2%).
Lil Tecca captures his fourth top 10-charting set on the Billboard 200 as Plan A arrives at No. 9 with 42,000 equivalent album units earned — his biggest week by units since 2019. Of that sum, SEA units comprise 28,500 (equaling 40.45 million on-demand official streams of the set’s songs), album sales comprise 13,500 (his best sales week ever) and TEA units comprise a negligible sum. The set’s sales were aided by its availability in two CD variants (including a signed edition) and multiple digital download variants (including three exclusive to the artist’s webstore, two of which included bonus tracks).
The album was preceded by a pair of charting songs on Hot R&B/Hip-Hop Songs: “Number 2” (peaking at No. 45) and “Bad Time” (No. 25).
Closing out the top 10 of the new Billboard 200 is Noah Kahan’s Stick Season, falling 9-10 with 38,000 equivalent album units earned (down 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.