Music

Charli XCX to Receive 2024 ASCAP Global Impact Award

Charli XCX is slated to receive the ASCAP Global Impact Award at a party to celebrate the ASCAP Pop Music Awards 2024 winners on Wednesday, May 8 in Los Angeles. The invitation-only event will recognize the songwriters and publishers of ASCAP’s most-performed pop songs of the past year.

Previous recipients of the ASCAP Global Impact Award include Lana Del Rey and Hillary Lindsey.

“Charli is an unstoppable creative force,” ASCAP chairman of the board and president Paul Williams said in a statement. “Her avant-garde style is daring, authentic and infectious as she expertly infuses the best of the underground and mainstream worlds into her music.”

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“I’m honoured to receive this award from ASCAP,” Charli XCX said. “It’s cool to see them advocate for authenticity and nice to be recognised by an organization dedicated to supporting songwriters and fostering an environment where we can craft music we love.”

Charli XCX received the Powerhouse Award at the 2024 Billboard Women in Music Awards on March 6 at YouTube Theater in Inglewood, Calif. She has also received the Ivor Novello Visionary Award, two Billboard Music Awards and a YouTube Music Award as well as nominations at the Grammys, BRIT Awards and MTV EMAs.

Following the success of her Barbie soundtrack contribution “Speed Drive” last year, she is serving as co-executive producer of the score for the A24 film Mother Mary with Jack Antonoff and producing original music for Benito Skinner’s series Overcompensating on Prime Video. In addition to her success as an artist, Charli XCX has established a successful songwriting career, co-writing hits including Icona Pop’s “I Love It,” Iggy Azalea’s “Fancy,” Camila Cabello & Shawn Mendes’ “Señorita” and Selena Gomez’s “Same Old Love.”

Charli XCX’s most recent album, Crash, reached No. 7 on the Billboard 200 and No. 1 on the Official U.K. Albums Chart. Her sixth studio album, Brat, is due this summer.



Hailey Bieber Posts Sweet Photo of Husband Justin Bieber Snuggling in Bed With Their Dog

Hailey Bieber gave Beliebers a brief glimpse into her domestic life with husband Justin Bieber on Wednesday (April 3) when the Rhode skincare founder posted a private pic of the singer on her Instagram Story.

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According to E! News, in the snap, JB, 30, is seen laying shirtless in bed while snuggling with a small white dog; Hailey’s post also featured a second pic of the dog sitting on the law looking into the sun.

Last month, Hailey celebrated the “love of my life” in a 30th birthday post for Justin in a post that featured some sweet moments from the couple’s relationship. “30!!!!!!!????!!????!!!!,” she wrote alongside a series of pics and videos of the duo kissing, smiling and cuddling up to each other. “That was fast. words could never truly describe the beauty of who you are. Happy Birthday to you… love of my life, for life.”

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Bieber has been keeping a low profile of late since announcing in June 2022 that he was diagnosed with Ramsay Hunt syndrome, which left half of his face paralyzed. The singer subsequently cancelled his Justice World tour and has not performed a full concert or given a substantial update on his condition in months.

Bieber did make a surprise return to the stage in February when he played a set of hits and favorites in Toronto during a concert at Drake’s 2,500-capacity downtown club History as part of the 2024 NHL all-star game festivities; Bieber was one of the honorary celeb co-captains of the weekend’s events along with Will Arnett, Michael Bublé and Tate McRae.

Beyoncé Drops ‘Pony Up’ Remix of ‘Texas Hold ‘Em’ With New Verse, Breakdown

Beyoncé is rustling up all her cowboys and kindly asking them to hit the dancefloor for a new remix of her Cowboy Carter single “Texas Hold ‘Em.” The track gets a fresh bounce as well as a new verse and breakdown in a “Pony Up” remix of the song that topped the Billboard Hot 100 and the Hot Country Songs chart when it dropped in February.

In addition to the new lyrics, the song has some new vocals, cracking drums and new samples, as well as a breakdown in which Bey calls “all my cowboys to the dancefloor,” then making her request more urgent with a call to “Get on the dancefloor!”

The new second verse cranks up the righteous cowboy action with the lines, “Woke up this mornin’, my heart keeps racin’/ Straight to the bottom, we all need salvation (Come take it to the floor now, ooh)/ Need you to in this drought, take me downtown/ Gon leave the truck, whiskey, baby/ Let’s get weekend wasted/ Might as well just throw it all (Woo-woo)/ And pony up, b–ch, don’t hold back on me.”

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The song ends with a new outro as well, on which Bey sings, “Pony up and salute your town/ Chasin’ our sins away, way brown/ And I’ll be damned if I cannot dance with you/ Baby, pour that sugar and liquor on me, too/ Furs, spurs, boots.”

In addition to the remix, the singer also launched a mysterious new website this week, beencountry.com, which at press time featured an image of a teen Bey singing at the Texas Sweetheart Pageant, as well as a childhood pic of the singer, a contemporary shot of her in her full cowboy regalia — including furry chaps — a picture of a banjo and the reminder that “This ain’t a country album. This is a ‘Beyoncé’ album.” Some Beyhive members noted that posters with the beencountry images have gone up around Los Angeles, speculating that they could be a tease for an as-yet-unannounced Cowboy Carter tour.

Listen to the “Texas Hold ‘Em” remix below.



Luke Bryan & Ne-Yo to Headline Kentucky Derby Party

The Kentucky Derby is heating up with a star-studded lineup for FanDuel’s inaugural Kentucky Derby Party on May 3.

The event announced on Thursday (April 4), exclusively via Billboard, that Luke Bryan and Ne-Yo will be the headlining performers at the invite-only show, which will take place at Paristown Arts and Entertainment District in Louisville, Kentucky.

“Partnering with FanDuel for the Kentucky Derby party is an absolute honor,” Bryan said in a press statement. “It’s such an iconic event filled with tradition and history, and I hope fans are ready for an unforgettable night – it’s going to be a party!”

“We are grateful for our partnership with Churchill Downs. The Kentucky Derby holds a special place in the hearts of fans worldwide,” added Andrew Moore, general manager of racing at FanDuel. “We’re thrilled to be part of the excitement once again, making this year’s Derby celebration one for the books.”

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Ne-Yo & Luke Bryan to headline FanDuel Kentucky Derby Party

Ne-Yo & Luke Bryan to headline FanDuel Kentucky Derby Party

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It’s an exciting year for Bryan, who brought his Southern roots to American Idol, where he’s been a judge since 2018 alongside Katy Perry and Lionel Richie. Bryan took Perry and Richie on a “field trip” to his hometown of Leesburg, Georgia, and showed off the places that helped shape not only many of Bryan’s 26 No. 1 Country Airplay hits, but also who he is as a person.

Ne-Yo, meanwhile, is gearing up to launch his Human Love Rebellion residency at Wynn Las Vegas this August. Before that, he’ll be bringing his Champagne and Roses tour to Europe starting in June.

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The 2024 Kentucky Derby will take place on Saturday (May 4) around 6:45 p.m. ET. Fans at home can catch the races on NBC, or online via Peacock and YouTube TV.

Offset Quashes Rumors of Quavo Beef With Sweet Birthday Post: ‘Love You 4L [for life]’

Offset bluntly shut down persistent rumors of an alleged beef with his Migos bandmate Quavo on Tuesday when he posted a brief, but loving message to Q on his 33rd birthday. HipHopDX posted a screenshot of an Instagram Story from Offset in which he wrote, “Happy gday my brother @quavohuncho love you 4L [for life].”

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The message came with a throwback photo of the trio as young men. The Atlanta trio formed in 2008 has had a rocky few years, beginning in 2022, when Offset appeared to suggest there was conflict in the group on his song “Messy,” releasing a video for the track one day after his cousin, Takeoff, was killed in a shooting at a bowling alley in Houston; the track was credited to the pair’s side project, Unc & Phew, whose only album was Only Built For Infinity Links.

Shortly after, the pair reportedly got into a scuffle backstage at the 65th annual Grammy Awards, which Offset denied in a post. “What tf look like fighting my brother yal n—as is crazy,” Offset tweeted at the time without naming names. At the time, according to TMZ, the Migos bandmates allegedly squared off backstage because Quavo reportedly blocked Offset from performing onstage with him for “Without You,” the former’s tribute song to Takeoff.

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Migos’ most recent album was 2021’s Culture and in an Oct. 2023 interview with Hot 97, Offset appeared to confirm that the group had broken up, saying that it was not due to any issues with Quavo, but because of the death of the “glue” that held them together, Takeoff.

See the birthday message below.

Sarah Aarons, Troye Sivan, Amy Shark Lead 2024 APRA Awards Nominations

With three nods, Sarah Aarons has the edge leading into the 2024 APRA Music Awards, set for Wednesday, May 1 at ICC Sydney, on Gadigal land.

The chasing pack is close behind, and includes dual nominees Troye Sivan, Budjerah, Ainslie Wills, Styalz Fuego, Amy Shark, The Kid LAROI, James Johnston and MAY-A.

Aarons, the Los Angeles-based, Melbourne-raised songwriter, has a swag of APRA Awards in her collection. At the 2019 APRAs in her hometown, Aarons collected four circular trophies, including the coveted, peer-voted APRA song of the year. The following year, she entered APRA AMCOS’s The 1,000,000,000 List for one billion streams of her Grammy-nominated “The Middle,” performed by Zedd, Grey and Maren Morris; and won songwriter of the year at the inaugural Global APRA Music Awards in L.A. Last year, Aarons jointly won song of the year with Flume, for the EDM star’s “Say Nothing” featuring MAY-A.

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This time, she’s in the hunt for most performed Australian work, most performed pop work, and APRA song of the year with “Therapy,” co-written with Ajay Bhattacharyya and performed by Budjerah.

Also competing for APRA’s song of the year, the night’s top award, is previous winner Paul Kelly and the late David McComb (for “If Not Now”), Angie McMahon (“Letting Go”), Troye Sivan (for “Rush” with co-writer Styalz Fuego) and G Flip plus co-writer Aidan Hogg for “The Worst Person Alive.”

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Mega-stars Taylor Swift, Ed Sheeran, Miley Cyrus, Sam Smith, and David Guetta are shortlisted for most performed international work.

Organizers APRA ring in the changes this year with the inaugural most performed hard rock/heavy metal work category, which sees five heavyweights duke it out: Alpha Wolf (“60cm of Steel”), Parkway Drive (“Darker Still”), King Gizzard & the Lizard Wizard (Dragon”), Polaris (“Inhumane”) and the Amity Affliction (“It’s Hell Down Here”).

And the breakthrough songwriter category is renamed emerging songwriter, with Beckah Amani, grentperez, MAY-A, Otis Pavlovic and Royel Maddell (Royel Otis), and Scarlett McKahey, Anna Ryan, Jaida Stephenson and Neve van Boxsel (Teen Jesus and the Jean Teasers) cracking the shortlist.

First time APRA Award nominees include Tex Perkins, The Buoys, Frank Sultana, Alan Boyle and Christian Harvey (pka Blues Arcadia), Ian Moss, Dean Brady, Kaylee Bell, Skin on Skin, Forest Claudette, Elliott Hammond, Jordan Samatua, Jack Madin and Edward Service (Shouse), Parkway Drive, the Amity Affliction, Polaris, Alpha Wolf and more.

Established in 1982, the Australasian Performing Right Association’s annual songwriters’ ceremony is one of the Australian music industry’s most treasured events, a worthy counterpart to Britain’s Ivor Novello Awards.

The special moments in the APRAs program includes the performance of those song of the year nominees, often completely reimagined, by another star from Australia’s scene, duties for which falls this year to musical director Julian Hamilton of The Presets. TV funnyman Tom Gleeson is host on the night, alongside guest presenters Jen Cloher and Bumpy.

Visit apraamcos.com.au for more.

IVE Reflect on Emotional ‘Show What I Have’ Tour Finale in Newark: ‘It Gave Us So Much Inspiration’

As a leader in a new generation of K-pop acts, IVE‘s Show What I Have world tour boasted a wholly appropriate name for which the girl group delivered an electric, emotional finale to its U.S. leg in Newark.

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For the sold-out crowd at the massive Prudential Center arena, IVE brought their hit singles — which includes eight entries on the Billboard Global 200 to date — b-side tracks and cover performances to life via heavily conceptual staging for each of the 24 setlist songs interwoven with frequent commentary from the group and video interludes.

Highlights of the night included the theatrical umbrella routine recalling “Singing in the Rain” for “Mine” and the haunting visuals accompanying horror-themed stages for “Hypnosis” and “My Satisfaction.” While IVE’s signature flowy choreography spotlighted in deep cuts like “Blue Blood” and “Heroine,” the crowd’s fervent chanting during hits “Love Dive” and “Kitsch” underscored the fervor and dedication of IVE’s fans — affectionately known as DIVE — even when making their New Jersey debut.

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As a special treat for fans, the IVE members split into duos and solo performances to pay homage to diverse artists, with covers ranging from Ariana Grande to Indonesian singer-songwriter NIKI and English crooner Richard Sanderson. While the inclusion of covers by Spice Girls (Rei and Gaeul performed “Wannabe”) and IVE’s new Columbia Records label mate Little Mix (where Yujin and Leeseo duetted on “Woman Like Me”) were astute in aligning themselves as the next global girl group, the performances acted more of a reminder that IVE has already carved out a distinct identity and color as the prom queens of K-pop and isn’t so easily able to adopt other personas in the pop sphere.

But beyond the polished performances and elaborate stage production, the IVE members’ raw emotions might have left the strongest impression during Show What I Have.

Early into the show, IVE leader An Yujin became visibly emotional and cried while singing their fan-dedicated power ballad, “Shine With Me.” After the crowd cheered her through the performance and the group checked in with her, the 20-year-old assured everyone she was fine and laughed while pointing the blame to the track’s lyrics written by Jang Wonyoung — followed by an adorable apology from Wonyoung.

The heartfelt sincerity returned at the show’s end when the sextet gave their final messages to the crowd.

“Even though our languages are different, just seeing how you guys are so focused on our songs, connecting and enjoying with us, is really cool,” Gaeul pointed out. “I couldn’t imagine all these seats filled up like this. I’m really touched.” Liz added that IVE is now “more than just family; we are not able to separate from each other.”

In a moment rarely seen among top K-pop performers, Yujin sincerely opened up about regaining her self-esteem thanks to the tour and her group.

“Recently, I kind of lost my confidence,” the star, with six years in the industry, shared through voice cracks and tears with Leeseo holding her hand. “I thought, ‘Maybe I cannot do it?’ before I came here. But the first day in L.A., I got so much energy and love from DIVEs there that I’m getting more confident. I promised a lot to myself before I came here. I can’t say exactly what I promised but I think I did it all — I did everything I promised to myself… it was really precious time.” Capped off by Yujin’s heartfelt thanks and promise to return, Liz quickly led the girls into a group hug on stage, encapsulating IVE’s essence of the night in gratitude towards fans and one another.

As the concert closed with the massive finale track of their debut English single, “All Night,” IVE left the crowd with an indelibly upbeat mark by unexpectedly singing the song’s refrain an additional seven times — begging the sound team to “please” play it one more after six — before officially exiting. With today’s announcement of their new EP, IVE SWITCH, out at the end of April, the promise of future performances and shared moments confirms that this is hardly a farewell but a preview of more for them to show ahead.

Read on for exclusive photos from IVE’s Show What I Have concert at Newark’s Prudential Center, as well as reflections from the tour at its conclusion for Billboard readers.

IVE

IVE

Aysia Marotta/Photos provided by Starship Entertainment

IVE

IVE

Aysia Marotta/Photos provided by Starship Entertainment

JANG WONYOUNG: “Despite not having officially debuted in the U.S before our world tour, I came with half excitement and half worry whether big venues like The Forum, where famous overseas artists have performed, would be filled. But starting from L.A., seeing the venue packed with DIVE enjoying our songs and dances gave me such great energy. It felt like we were able to finish the U.S tour well with strength all the way to our last stop.”

GAEUL: “It was so much fun to be able to perform in front of our DIVE here in the U.S., their energy was great. They were so loud — it gave us so much inspiration. We are so thankful for all the love and support from our fans.”

LIZ: “I was so happy to visit cities I’ve never been to before. One of my favorite moments besides seeing all our DIVE in America was meeting Anne Hathaway at the Atlanta Hawks game. It was our first basketball game and we loved it!”

LEESEO: “It feels wonderful to perform on stage in front of our U.S. DIVE, to try many delicious foods in the U.S, and to create precious memories with my sisters!”

REI: “The members and I made so many amazing memories on the U.S. leg of our tour. It is truly something we will never forget.”

AN YUJIN: “I’m so happy that I got to meet so many DIVEs through our world tour. I can’t wait to come back to the U.S. for Lollapalooza. It’s an honor to be able to perform there as our first U.S. festival – we will come back with a stage that could surprise you!”

IVE

IVE

Aysia Marotta/Photos provided by Starship Entertainment

GloRilla Recalls the ‘Beautiful Feeling’ of Visiting the White House: ‘I Still Haven’t Accepted the Reality of It’

GloRilla is still reeling in excitement over her incredible opportunity to head out to Washington, D.C., and meet President Joe Biden and Vice President Kamala Harris at the White House.

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The 24-year-old rapper opened up about the experience on a new episode of Tamron Hall, where the host asked how she reacted to the news from her team that she’d be heading to the White House. “I always be thinking they’re lying for some reason. Every time they tell me something good, I’m like, ‘This can’t be real.’ I still haven’t accepted the reality of it,” she shared. “The moment I was walking through security and everything, it was like, ‘Oh my God, I’m here, I’m here, I’m here, I’m here.’ Once I got in, it was a beautiful feeling. I never would have expected to be in the White House.”

In her Instagram post from the White House last month, Glo is seen taking a selfie video with Biden, exclaiming, “Yeah, Joe!” The President then sweetly replies, “Not ‘Yeah, Joe.’ Yeah, you!” 

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“It was so cool, I was geeked,” the “Tomorrow 2” rapper told CNN after the event. “Everybody don’t get to meet the President and the Vice President. […] I never thought in a million years I’d be in the White House. Then, I was in the White House and got to meet the President and Vice President? I was like, ‘Now, they can’t mess with me!’”

Watch GloRilla’s interview with Tamron Hall below.



Bizarrap & Natanael Cano Drop Explosive, Two-Song Collaboration ‘BZRP Music Session #59’: Stream It Here

Speculations about Bizarrap and Natanael Cano collaborating on new music began circulating when the Argentine hitmaker took to Instagram on March 27 to wish the Mexican corridos tumbados pioneer a happy birthday. “Feliz cumpleaños, compa (happy birthday, friend),” he wrote, not necessarily hinting at anything in the works between the pair but fans flooded the comments section with rumors that Cano would be his next music session collaborator.

It turns out, they were right. A few days later, Biza and Cano confirmed “BZRP Music Session #59” on their social media channels. On Wednesday (April 3), the two-song project officially dropped and it’s as explosive and raw as previous music sessions recorded by the likes of Residente, Arcángel and Young Miko.

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It’s a collaboration that’s been in the making since 2021. According to a press release, “#59” was created following a “spontaneous” Miami meeting between the two artists in 2021, and is powered by Bizarrap’s innovative Argentine trap. “Now that they know we’re on top, they think we haven’t struggled,” spits Cano in the first track, or chapter one, also being referred to as “Endiamantado.”

Chapter two, or the second song from this release titled “Entre las de 20,” fuses Cano’s corrido tumbado hybrid with synthesizers and Bizarrap’s signature style. Kicking off with his prickly guitars, Cano sings about outgrowing a relationship; he’s on to bigger and better things. “There’s no trace of what you knew about me/ I told her we broke up, I don’t have time to spend. But I do have money to throw away.”

It’s not the first time Bizarrap teams up with a música mexicana artist. Last summer, Bizarrap tapped Peso Pluma for “BZRP Music Sessions #55,” which peaked at No. 31 on the Billboard Hot 100 and at No. 1 on the Billboard Global Excl. U.S. chart (dated June 17).

Cano’s session with Bizarrap follows team-ups with Milo J, Rauw Alejandro and Shakira, the latter being Bizarrap’s most consequential session to date. The dis track broke a handful of Guinness World Records and, when it dropped, held the title for most streamed Latin track on Spotify in 24 hours (14.4 million streams) and most viewed Latin track on YouTube in 24 hours (63 million views). It also won song of the year at the Latin Grammys.

Watch the Bizarrap’s “BZRP Music Session #59” with Natanael Cano above.

Meet FloyyMenor & Cris MJ: The Chilean Artists Making Billboard History With ‘Gata Only’

Chilean newcomers FloyyMenor and Cris MJ are behind “Gata Only”— the latest trend on TikTok with two official sounds collectively garnering more than two million video creations on the app. Its viral success has also skyrocketed the track to No. 6 on the Billboard Hot Latin Songs chart, becoming the first time a Chilean artist enters the top 10 in 25 years.

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This week’s biggest gains in performance (jumping 10 to 6 after five weeks on the chart) and also placing No. 98 on the all-genre Hot 100 chart, the punchy reggaeton finds the two rising acts, originally from La Serena (located on the coast of Chile), singing about all the things they will do to the girl they like.  

“I was performing some shows in another region of the country when I wrote this song,” FloyyMenor tells Billboard of the track he released on his own eight months ago. “I knew it was going to be a hit, and it feels amazing that people are supporting it.” 

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In February, Cris MJ—who comes on the heels of his massive banger “Una Noche en Medellín,” which also counts with a Karol G and Ryan Castro-assisted remix—was captivated by the local boom “Gata Only” was having that he decided to jump on the track. 

“His flow was similar to mine,” he notes. “I decided to support him and do the song with him. I worked on [a new version of] the track in my house. Gave it all my love. We did a new music video, we mixed it. I added second voices. He was very excited.” 

“Gata Only” marks the first time any Chilean artist enters the Top 10 on the Hot Latin Songs chart since La Ley and Ednita Nazario’s “Tu Sabes Bien” peaked at No. 8 in 1999. Prior, it was Myriam Hernández’s “Huele a Peligro,” which peaked at No. 5 in 1998. 

“For us, this is very important. It’s a pride for all Latinos to be on that chart,” Cris MJ expresses. “In fact, before we released the song, I knew it was going to be a global hit. I’m proud because it’s not only helping my career but also the one of my colleague.” 

Below, learn more about FloyyMenor and Cris MJ:



Meet Cris MJ

In 2018, the artist born Christopher Andres Alvarez Garcia began uploading Spanish covers of some of his favorite English rap and trap songs on social media. A self-taught artist, he filmed his own music videos on his iPhone and uploaded his own music on the platforms, but it wasn’t until 2020 that he moved from La Serena to the capital, Santiago, to pursue his music career. A fan of artists such as Lil’ Baby, Travis Scott, The Weeknd, Daddy Yankee, Anuel AA, Ñengo Flow, and Jory Boy, Cris MJ can navigate from rap to reggaeton with ease. In the past four years, the now 22-year-old artist has won the respect of the streets and the barrio, and of renowned acts such as Karol G and Ryan Castro, who jumped on the remix of his hit “Una Noche en Medellín.” Cris first performed the song live with Karol during her Viña del Mar set last year. He’s currently making the rounds with his sophomore studio album Partyson

Meet FloyyMenor

Also inspired by the trap movement and artists such as Anuel AA, Travis Scott, and Bryant Myers, Floyy—whose artistic name is inspired by boxing legend Floyd Mayweather—is an 18-year-old artist who began making his own music when he was only 15. As a teen, he doubted releasing his tracks for the fear of what others might think and say. But it wasn’t until 2023 that he unleashed all his creations including songs such as “Por Ti Jalo Gatillo,” “gabanna,” “pa la europa,” “un star,” and “Llegamos,” to name a few. His dream is to one day attend (and be a finalist) at the Billboard Latin Music Awards, but for now, he’s working on a lot of new music and an album to, primarily, support his family. “The urban movement in Chile right now is very strong, and we have to pay attention. There is a lot of talent,” he says.