Music

Empire of the Sun Rises Again With ‘Changes’: Stream It Now

It’s a new dawn for Empire of the Sun.

The alternative electronic duo of Emperor Steele (Luke Steele) and Lord Littlemore (Nick Littlemore) returns with “Changes,” their first new release in eight years.

Though it points to a new era, “Changes” is classic Empire of the Sun, underpinned by a slapping, dancey- beat and fueled by a joyful synth riff.

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On it, Steele sings: “This time we’re going through changes/ This time like not before/ This time we’re going places/ Letting go.”

“Changes” represents “the shifting sands of time, empires rise and fall but the sun shall shine on,” says Littlemore, also a founding member of the Australian electronic trio Pnau. “Come once more into the world we’ve created, delve deeper within and be rewarded with its ever expanding story, each and every one is invited to explore the new era.”

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The new cut is supported with an official music video, directed by acclaimed filmmaker Michael Maxxis, in which our otherworldly heroes arrive via spacecraft on an earth-like planet, fully kitted-up and ready for dancing.

A young lad glimpses the landing and is first on scene, where he is greeted by some spooky ETs and the magic begins. Ominously, the music video wraps with the assurance “to be continued…”



The Empire of the Sun project first rose back in 2008 with the single “Walking on a Dream.” The recording cracked the top 10 on the ARIA Singles Chart (peaking at No. 10), and won single of the year at the 2009 ARIA Music Awards, one of their four victories on the night.

In the U.S., the song had a second life when it was synced to a Honda Civic commercial in 2016, driving it to No. 65 on the Billboard Hot 100 and powering it to No. 1 on Billboard’s Dance Club Songs, their second leader on the tally after 2013’s “Alive”.

Career streams top 7.6 billion, including more than 1 billion streams for “Walking on a Dream.”

Empire of the Sun has released three albums, the 2008 breakthrough debut Walking on a Dream, 2013’s Ice on the Dune and 2016’s Two Vines, all of which cracked the Top 10 in Australia.

A fourth might not be too far away. “There’s a lot of great music in the bag. I’m hoping that will see the light of day,” Littlemore told Billboard in 2021. “I have great faith. I don’t feel we have exhausted that well by any stretch. The name still has a lot of goodwill. I really hope we can come together and finish it.”

J. Cole Surprise Drops ‘Might Delete Later’ Project: Stream It Now

J. Cole has returned. The Dreamville boss surprised fans with the release of his Might Delete Later project, which arrived on Friday (April 5) without any sort of warning.

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The effort is filled with 12 tracks and features assists from a diverse range of artists including Gucci Mane, Cam’ron, Bas, Central Cee, Ari Lennox, Young Dro and more.

Might Delete Later finds a handful of songs Cole teased snippets of during his Vlogs of the same name recapping his travels as part of Drake’s Big As the What? Tour earlier this year. One of which finds J.C. and Killa Cam rapping over Dipset’s “I’m Ready.”

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It appears that Might Delete Later serves as an appetizer for fans rather than an LP, as Cole reminds everyone that The Fall-Off is still on the way this year to close out the project.

The project comes two weeks after Kendrick Lamar’s atomic bomb on the rap game when he torched “Big 3” running mates Drake and J. Cole with his guest verse on Future and Metro Boomin’s We Don’t Trust You album standout and No. 1 hit “Like That.”

J. Cole’s last album arrived in 2021 with The Off-Season, which topped the Billboard 200 to give the North Carolina rapper his sixth No. 1 album with 282,000 equivalent album units sold in the first week.

It’s going to be a busy weekend for the 39-year-old, who is hosting his annual Dreamville Fest this weekend (April 6 and April 7).

Cole is headlining the anticipated fourth edition of the festival alongside SZA, Nicki Minaj and Chris Brown. Other performers include Lil Yachty, JID, Sexyy Red, ScHoolboy Q, Teezo Touchdown, Jeezy, Monica, Rae Sremmurd, Key Glock, Jeremih, Lul Tyler, Muni Long and more.

Stream Might Delete Later below.

Bryson Tiller’s Self-Titled Album Is Finally Here: Stream It Now

The wait is over — Bryson Tiller released his self-titled album on Friday (April 5) via RCA Records.

“My main goal with this album is for the masses to hear everything I’m capable of doing,” Tiller told Billboard in a recent interview. “So they give me a chance and stick around as fans. My main goal is that everybody hears it and my guarantee is that you’ll love at least one song from this album. I can guarantee that.”

The 19-track project includes collaborations with Victoria Monét on “Persuasion” and Clara La San on “Random Access Memory [RAM]” as well as previous singles “Outside,” “Calypso” and “Whatever She Wants.” The lattermost single scored Tiller his first Billboard Hot 100 top 20 single as a lead artist since his 2015 breakthrough debut single “Don’t,” and “Whatever She Wants” also reached No. 8 on Hot R&B/Hip-Hop Songs.

But he said “Calypso” is the “most story-driven song” out of his three previously released singles. “It is just a movie, top-to-bottom. It’s about a guy going to the club and looking at the guest list and realizing his name is on there next to a girl he used to date. He never forgot her name because she wore her name on her necklace,” Tiller explains. “They get inside the club and it’s empty. Maybe it’s not empty and it’s a vibe, but it reminds them of a time in the club when it was packed. That song comes on, ‘Just like magic they playing our song.’ It’s just like, ‘We gotta get one last dance in.’ The guy’s hoping he can go home with her that night, but it doesn’t end up that way.”

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His eponymous fourth studio album arrives four years after Anniversary, which marked the fifth anniversary of his debut album Trapsoul. Anniversary included the Drake-assisted “Outta Time” and “Still Yours,” featuring Big Sean, on the deluxe edition. The 10-song set peaked at No. 5 on the Billboard 200 and No. 4 on Top R&B/Hip-Hop Albums.

Listen to Bryson Tiller below.

Doja Cat Expands on ‘Scarlet’ With Deluxe Edition: Stream It Now

Doja Cat‘s Scarlet era continues.

The 28-year-old superstar unveiled the deluxe edition of her fourth studio album on Friday (April 5), dubbing the expanded version Scarlet II: Claude Frollo, named after the villainous character from The Hunchback of Notre Dame.

The new album features seven new tracks, including “Masc,” “Acknowledge Me,” “Head High,” “Gang,” “Rider,” “Urrrge” and “Hungry.”

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“I feel like it connects to the story of ‘Scarlet’ in some way,” Doja explained in a recent episode of The Therapy Gecko Podcast, “and if you look up his personality traits and who he is and his story, you’ll understand the whole connection. There’s a control aspect. He just abuses his power and his control and is dogmatic and a total c—.”

Doja launched the original edition Scarlet in June with the release of “Attention,” which debuted and peaked at No. 31 on the Billboard Hot 100. The accompanying music video — which previewed the era’s overarching horror aesthetic — picked up six nominations at the 2023 MTV Video Music Awards, ultimately winning best art direction. “Paint the Town Red,” the record’s first radio single, soon followed with a catchy hook and a bouncy Dionne Warwick-sampling beat. The song became Doja’s second Hot 100 No. 1 — her first unaccompanied — becoming the first hip-hop song to reach the top of the ranking in 2023. 

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Listen to Scarlet II: Claude Frollo in full below.

LE SSERAFIM And NBA Team Up For New Collaboration

LE SSERAFIM’s next project is a slam dunk.

The South Korean pop-group forges a multi-year collaboration with the National Basketball Association (NBA) to headline the league’s celebrity and influencer program in Asia.

Through the new “Friends of the NBA” alliance, the five-piece pop outfit will attend NBA games and events, play their part in promotional activities for the Association, and participate in various exclusive content that will appear on NBA and LE SSERAFIM’s social media channels — the first of which can be seen below.

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The girl group is on a hot streak. Earlier this year, the singers became a Billboard Hot 100-charting act for the first time with the single “Easy.” The EP of the same name debuted at No. 8 on the Billboard 200, in an historic week during which TWICE’s With YOU-th EP bowed at No. 1 on the chart, marking the first time that the top 10 had featured two all-women K-pop groups.

Easy also started at No. 2 on both the World Albums and Top Album Sales charts, while the title track surged to No. 6 on the Billboard Global Excl. U.S. chart, marking the group’s second, and top charting, top 10.

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LE SSERAFIM, which is signed to Source Music/Geffen Records/IGA, notched its first Billboard chart entry on May 14, 2022, when “Fearless” debuted on Global Excl. U.S. and the Billboard Global 200 charts (at Nos. 74 and 155, respectively). 

The NBA with its wealth of talent is increasingly calling upon the profile of K-pop stars to spread the word. Last year, BTS’s Suga was named as an NBA Ambassador, with duties for engaging the Association’s “fans around the world”.

The NBA has never been more popular with sports fans abroad, and the game itself had never been more “international.” When the 2023-24 season tipped off, franchise rosters included a record 125 international players from 40 countries, led by Canada (26) and France (14). When the last regular season came to an end, international players led the league in points per game and rebounds, and non-U.S.-born players have won the Most Valuable Player (MVP) award for each of the past five seasons.

Dynamicduo Discuss ‘2 Kids on the Block’ Album Finale & Collaborating With BTS’ J-Hope & RM

Two decades in any industry is worth celebrating, but Dynamicduo has not only persisted through the early, nascent days of Korea’s hip-hop scene but has also hit new creative and mainstream peaks ahead of reaching the 20-year milestone.

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Since childhood friends Choiza and Gaeko officially paired up in 2004 with debut album Taxi Driver, the pair have trailblazed their legacy after setting records for hip-hop sales in Korea, taking top honors at mainstream awards shows in music and videos, establishing their Amoeba Culture label, and collaborating with a range of stars through the decades like DJ PremierJ.Y. ParkTiger JKBoARainWonder Girls and members of K-pop groups like BTSEXO and Monsta X.

Dyanmicduo’s three-part album, 2 Kids on the Block, officially wrapped its 10-month rollout with the release of Part.3 on March 28, with the new tracks documenting two decades of inner dialogues and growth to ultimately decide to set their sights even higher by the LP’s conclusion. Parallel to the record’s past-meets-present concept, Dynamicduo experienced balancing an old and new track, both taking over on social media for a minute in 2023. Their 2014 single “AEAO” featuring DJ Premier” went unexpectedly viral on TikTok (landing itself as one of TikTok’s Top 10 Song of Summer from South Korea), while their collaboration cut “Smoke” with rising rapper Lee Young Ji for a popular TV dance competition also took off via dance challenges, earning the guys their first-ever entry on the Billboard Global 200 chart. Helping fuel DD’s 2023 hits were infectious dance and lip-sync covers from K-pop heavyweights like V and Jung Kook of BTS, Minho, EXO, SEVENTEEN, TOMORROW X TOGETHER, ITZY, ATEEZ and IVE, as well as stars across the J-pop and Korean hip-hop scenes.

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A day after the release of 2 Kids on the Block — Dynamicduo’s milestone 10th album together — was the unveiling of J-Hope from BTS’ latest solo project, Hope on the Street Vol. 1, featuring Gaeko on the lead single “NEURON.” Alongside this J-Hope collaboration, the slew of rising and established names in Korean pop, R&B, rap and even acting on 2 Kids all point to Dynamicduo’s continued influence and expert ability to navigate different musical realms for decades.

Speaking exclusively with Billboard, Dynamicduo reflect on their journey thus far, share their ambitious vision for the next decade, discuss differences between their BTS collaborations and more.



Congratulations on the release of 2 Kids on the Block – Part.3. How does it feel now that the series is complete? With five full tracks, Part.3 is the longest chapter in the 2 Kids on the Block series. Was there a reason for breaking out the parts like you did?

Gaeko: We feel so happy to be able to release the album on our 20th anniversary. The timing was perfect.

Choiza: Our CEO, who had been with us since the establishment of our company, suddenly passed away as her condition worsened, and while she was here, she really liked the songs that we were working on from the tenth album. So we wanted to gift the release to her while she was still here with us. And the current state of the music market makes it impossible for people to listen to all the songs in an album. Even if we released all the songs at once, only one to two songs would have stood out, so we thought dividing it into parts would have people listen through all the songs. Lastly, this album expresses stories and the history of Dynamicduo, so we released it in several parts to sequentially tell different stages of our lives from past to present.

You also released a remix package for “AEAO” with DJ Premier and “Smoke” for Street Woman Fighter 2, both viral hits, in between parts. Was there a balance you had to find with these singles and returning to the album?

Gaeko: Apart from the hits of the two singles, we tried to refocus on maintaining the album’s concept and improving its level of completion. We took a short break, about two weeks, at the beginning of the year to refresh our minds and then got back to the grind.

Choiza: Actually, 2 Kids On The Block – Part.3 was originally going to be released as three songs last year, but “Smoke” became such a huge hit, so we couldn’t complete the album at that time. But, thanks to that, we were able to prepare five songs instead of three with the extra time we were given, and we are satisfied with how it turned out. The additional two songs that we added fit right in with the concept of the album.

Your new single, “PITAPA” featuring pH-1 and Junny, is really impressive. What inspired the theme of “pizza, tacos and pasta” and what do you hope listeners will take away?

Choiza: “PITAPA” is a song that resembles the aspiration of wanting our music to be appealing to people all over the world and to be known in such a way as pizza, taco, and pasta are as global foods familiar to everyone around the world. pH-1 and JUNNY are well-received in both Korea and overseas, so having them on the track added extra flavor and we think overseas listeners who like Korean hip-hop will have fun listening to it.

Gaeko: We felt that the words “pizza, taco, pasta” connected well and the line just stuck to our mouth. We felt the groove and loved the sound of it, so we were able to make the hook right away. “PITAPA” was the last song we worked on on the album, and it was completed quickly with the inspiration we got from our U.S. performance that we had just gotten back from.

Personally, I hear some DJ Premier influence on the production of “PITAPA.” Did his work inspire you or parts of this album after the resurgence of “AEAO”?

Choiza: “AEAO” is a song that gave us the courage to pursue overseas activities. We worked with an amazing artist, DJ Premier, and when the song resurged on TikTok, it helped bring in a wider audience, giving them exposure to who we are and our songs. The resurgence encouraged us to think that we have the potential to do something overseas and that the idea of rapping and singing in Korean would still appeal to the foreign market. “AEAO” gave us tremendous inspiration.



BewhY gives props to Dynamicduo as inspiration for his career on the album track “Love Myself.” This LP has many rising rap and R&B stars. Do you have humbling moments like this where you realize your influence?

Choiza: We are very grateful that young artists are inspired by us and how long we’ve been doing this. We think one of the reasons we’ve been able to make music for so long is that we get a lot of help and learn a lot from working with new artists. We want to continue working hard and creating good music together.

Actor Jung Man Sik does the intro on “Dramatic,” which was very clever. How did he end up on the album?

Gaeko: When we got Man Sik’s part added to the song, it felt like we found the missing piece to the puzzle. We contacted him last minute, like two days before our scheduled mix session. We had nobody else in mind other than Man Sik and, luckily, it was his day off that day, and he understood exactly what we wanted and acted so quickly on it. He completed our puzzle and we want to thank him again.



Gaeko, you collaborated with J-Hope of BTS on “NEURON” from Hope on the Street Vol. 1 album. Since J-Hope is enlisted and cannot share much about the song, can you tell us about how the track came together?

Gaeko: J-Hope came to my studio last year and we not only talked about music, but also talked about many different things in life — it was such a fun time and I felt his deep passion for music and dance. I think his energy transferred over to me because I was able to write the lyrics quickly. We recorded our verses separately, and I went over to HYBE and we recorded the hook together. It was a fun project.

All three verses on “NEURON” express a strong sense of positivity and gratitude. Can you share how you approached your verse? Did you hear J-Hope and Yoon Mirae’s verses, or was it all a surprise when the album came out?

Gaeko: It wasn’t until after 20 years of making music that I began to understand that good things come out only when you relax and empty yourself. I wanted to capture those emotions in the verse, and I also tried to make the overall structure of the verse simple and plain. J-Hope’s verse was already completed before I did my part, and I listened to Tasha (yoonmirae)’s verse after it was mixed. Their parts were so good so I had second thoughts on recording my part again, but I decided not to. If I did it again, I wouldn’t have been able to capture the same emotions from the initial recording, so I left it as is.

RM featured on Gaeko’s single, “Gajah” from 2017. How do the collaboration experiences and recording processes differ between RM and J-Hope?

Gaeko: I felt that the musical direction they were both pursuing was similar yet different. I felt that RM had a deep affection, understanding, and love not only for hip-hop but also for music itself. And J-Hope had a massive passion for hip-hop and dance and wanted to pour all his energy into them before enlisting into the army. I also received a lot of energy from those two.



As Dynamicduo celebrates its 20th anniversary in 2024, how do you look back on the 20 yeras? Do you have anything special planned to celebrate this year?

Gaeko: Looking back now, we think that we were meant to do music. There were times when we experienced challenges, joy, and frustration, but the fact that the two of us were together in all those moments is probably the biggest accomplishment of our career.

Choiza: [The] 20th anniversary isn’t any special to us because we want to work just as hard as we’ve been and treat it like all our previous years. However, we will be holding a concert at the end of the year for our 20th anniversary and we want to make it big — we will be working hard and preparing a show for all to enjoy.

Collaboration has been a significant aspect of your career and we see it in 2 Kids. Whether it’s with fellow artists or producers, how do you approach collaborations to make them successful? Is there anyone still on your bucket list?

Choiza: We enjoy working together, but there are also a lot of new things that we discover when working with other artists. It’s fun to work with famous artists, but we also want to collaborate with rising, up-and-coming artists because we have a lot to learn from each other as well.

We think it would also be fun to mix various languages into one song. We are currently working with Thai rapper F.HERO, and we hope to work with artists from the U.S., Japan, Southeast Asia, and other parts of the world.

While K-pop impacts globally, Korean hip-hop and R&B are also rising. Do you have any thoughts—or hopes—of what it will take for these genres and artists to be more noticed internationally looking forward?

Gaeko: It’s important to make an effort to create the best work in whichever area we work in and to respect each other. We try not to set any high expectations for the results and just do our best in our field.

Choiza: Our goal is to be good at making music and to do it for a long time, so we’ll do our best to keep this going. We ask for your continued interest, and I believe that our overseas listeners will find songs that suit their tastes when they listen to all our songs that have been released so far. Please check out our 10th album as well as all our previous ones. We feel so grateful and honored to take part in this interview. Thank you for having us!

Future & Metro Boomin Release Menacing Trailer for ‘We Still Don’t Trust You’ Album: ‘Job’s Not Finished’

One time wasn’t enough for Future and Metro Boomin as the Atlanta rapper-producer duo are ready to spin the block again later this month.

Metro Boomin shared a menacing trailer for the second serving of their double album titled We Still Don’t Trust You on Thursday (April 4).

The cinematic clip features Young Metro and Pluto draped in white suits while walking around a dark room. Matching luxury cars flank the pair before stunt doubles continue to fill the alley. Everything comes to a close by revealing the project’s April 12 release date.

“Job’s not finished 4/12/24 @1future,” Metro captioned the clip on social media.

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Young Metro also made sure to clarify on X that this project isn’t some sort of deluxe edition and should be looked at as a completely new idea separate from the first.

“This is not a deluxe this is completely separate body of work #WeSTILLDontTrustYou 4/12/24,” he added.

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Metro Boomin and Future took the hip-hop world by storm with their We Don’t Trust You album, which topped the Billboard 200 with 251,000 total album-equivalent units in the week ending March 28, per Luminate. It’s the biggest sales week for any album thus far in 2024.

“ALL PURELY OFF STREAMS NO PHYSICALS NO BUNDLES JUST GREAT MUSIC AND EMBRACE FROM YOU ALL!! THANK YOU!!!! #WETRUSTYOU #WEDONTTRUSTTHEM,” Metro wrote on X after the project reached No. 1.

Album standout “Like That” featuring Kendrick Lamar also soared to top the Billboard Hot 100 thanks in part to K. Dot’s incendiary bars scorching his “Big 3” running mates Drake and Future.

“Like That” ended up drawing 59.6 million streams and 5.6 million radio airplay audience impressions and sold 9,000 in the week ending March 28, according to Luminate. The 59.6 million streams are the most for a track in one week since Miley Cyrus’ “Flowers” tallied 59.7 million in its second week (Feb. 4, 2023).

Gear up for We Still Don’t Trust You by watching the trailer below. Look for the album to arrive on April 12.

Black Artists Featured on Beyoncé’s ‘Cowboy Carter’ Celebrated With Los Angeles Billboard

Beyoncé is no stranger to lifting up her fellow Black artists, and she did just that with her recently released album, Cowboy Carter.

The project features Tanner Addell, Brittney Spencer, Tiera Kennedy and Reyna Roberts on Bey’s “Blackbiird,” a rendition of The Beatles’ 1968 classic. Linda Martell and Shaboozey are feaured on “Spaghettii,” while Willie Jones sings on “Just for Fun.” Shaboozey also makes an appearance on “Sweet Honey Buckiin’.”

To celebrate the talented Black artists that contributed to Cowboy Carter, Spotify launched a billboard in Los Angeles this week, noting that each of the featured artists received an impressive bump in streams and visibility on the streaming platform since the album’s release.

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Spotify x COWBOY CARTER Billboard

Spotify x COWBOY CARTER Billboard

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According to Spotify, Beyoncé’s catalogue got a 395% in streaming since Cowboy Carter‘s release, Spencer’s music saw an increase of 37,220%, Reynolds saw an increase of 16,000%, Adell saw an increase of 3,200%, Kennedy saw an increase of 40,000%, Jones saw an increase of 5,650%, Shaboozey saw an increase of 1,350% and Martell saw a nearly 127,430% increase in catalog streams on Spotify.

Each artist also got a boost in first-time listeners. Beyonce’s first-time listeners increased by 85%, Spencer’s increased by 170%, Reynolds’ increased by 125%, Adell saw an uptick of 125% in first-time listeners, Kennedy’s increased by 110%, Jones’ increased by 75%, Shaboozey’s increased by 70% and Martell saw a nearly 1,145% uptick in first-time listeners on Spotify.

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On the day of its release on March 29, Cowboy Carter officially became Spotify’s most-streamed album in a single day in 2024.

See Spotify’s Cowboy Carter billboard in its entirety below.

Spotify x COWBOY CARTER Billboard

Spotify x COWBOY CARTER Billboard

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Kehlani Makes Magic on the Dance Floor for Vibrant ‘After Hours’ Single: Listen

Surfing the Pacific Ocean’s peaceful waves along with enjoying San Diego’s breeze brought Kehlani the tranquility needed to craft their upcoming project.

Lani returned on Thursday (April 4) with their first offering of new music since 2022’s Blue Water Road. The airy “After Hours” hit streaming services oozing with good vibes spurring fans to get outside ahead of summertime.

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The groovy track features a familiar sample implementing the drums from Nina Sky‘s 2004 hit “Move Ya Body,” which peaked at No. 4 on the Billboard Hot 100.

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“We don’t gotta take it slow/ I’ma hit the gas if you’re ready to go/ I wanna speed it, breathe into your clothes/ The way you touch my neck got me ready to fold,” she sings.

Kehlani caught up with Apple Music’s Zane Lowe on Thursday where she detailed her love for “Move Ya Body” when it came to sampling and how she wanted to create more cheerful music rather than the sorrowful tunes her fans cling to.

“Because those drums, when they drop, it’s so recognizable and everybody just loses it. It’s one of those things where it drops and everybody goes, ‘Woo,’ and bends their knees and puts their hands on their knees,” she explained.

“Coming out of this pandemic to global tragedy to global tragedy to global tragedy, I was like I’m not really in a space to make something that feels super jarring or super sad. I’m very outspoken about these things, but I want my art to provide some kind of life and fun. I wanna hear this outside and I wanna feel good.”

Kehlani still hasn’t revealed the title or release date of their anticipated LP. Her last LP Blue Water Road peaked at No. 13 on the Billboard 200 and No. 8 on Top R&B/Hip-Hop Albums.

Listen to “After Hours” and watch Kehlani’s Apple Music interview below.





10 First-Timers on Billboard’s Charts This Week: ILLIT, Love Fame Tragedy, Mark Ambor & More

Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.

While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.

Here’s a look at 10 artists who appear on surveys for the first time on the April 6, 2024-dated charts.

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ILLIT



The South Korean group makes its first showing on Billboard’s charts with its debut four-track EP Super Real Me and single “Magnetic.” The set, released March 25 on BELIFT LAB (a sublabel of HYBE Corporation), debuts at No. 10 on the World Albums chart and No. 15 on Heatseekers Albums with 4,000 equivalent album units earned in the U.S. in the week ending March 28, according to Luminate.

The EP’s breakout single “Magnetic” also arrives at No. 33 on the Billboard Global Excl. U.S. chart and No. 63 on the Billboard Global 200; it drew 21.7 million official streams worldwide. TikTok has been a contributing factor in the song’s growth, as a portion of it has soundtracked over 170,000 clips on the platform, where the group boasts 1.4 million followers. The song is expected to vault further on next week’s, April 13-dated charts.

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ILLIT was formed through the Korean JTBC reality show R U Next? and comprises members Iroha, Minju, Moka, Wonhee and Yunah.

Love Fame Tragedy



Love Fame Tragedy nets its first entry on Billboard’s charts, as “Don’t You Want To Sleep With Someone Normal?” debuts at No. 39 on Alternative Airplay (up 24% in plays).

The act is a solo side project of Wombats frontman Matthew Murphy. The band, from Liverpool, has maintained a steady presence on Billboard’s charts since 2008, with five charting songs on Alternative Airplay and two charting albums (of its five total) on the Billboard 200: Glitterbug (No. 91 peak in 2015) and Beautiful People Will Ruin Your Life (No. 190, 2018).

“Normal?” is from Love Fame Tragedy’s second album, Life Is a Killer, released March 29 on Bright Antenna Records. The band released its first collection, Wherever I Go, I Want To Leave, in 2020.

Mark Ambor



Mark Ambor is officially a Billboard-charting hitmaker, thanks to his breakthrough viral song “Belong Together.” Released Feb. 16, the song debuts at No. 167 on the Global Excl. U.S. chart with 8.2 million streams earned outside the U.S. The song also starts at No. 88 on the Billboard Canadian Hot 100.

Before releasing the song, Ambor had been teasing it for weeks on TikTok, where two versions have gone viral. Its original audio has soundtracked over 20,000 clips, while a sped-up mix has been used in over 120,000 videos. Ambor himself boasts nearly a million followers on the platform.

Ambor released his debut seven-track album Hello World in 2022, followed by other songs, including another viral hit, “Good To Be” (118,000 clips on TikTok). Ambor has a run of European tour stops lined up in April.

Yahir Saldivar



The Mexican singer is now a Billboard-charting artist, thanks to his breakthrough viral hit “SC-9.” The song, released Feb. 1 on Cash On Beat/H.D.P., debuted at No. 45 on the March 23-dated Hot Latin Songs chart and holds at its No. 23 high on the latest list with 3.7 million U.S. streams (a 14% gain from the previous week). The song also stands at No. 4 on Latin Digital Song Sales after reaching No. 1 a week earlier, where it became Saldivar’s first career Billboard leader. Plus, Saldivar ranks at No. 38 on the Emerging Artists chart.

The recent gains for “SC-9” can partly be attributed to TikTok, where Saldivar boasts over 500,000 followers. The song has been used in over 50,000 videos on the platform.

Loe Shimmy



The emerging rapper, from Pompano Beach, Fla., reaches Billboard’s charts for the first time thanks to his new album, Zombieland 2. Released March 22 on NETL/Open Shift Records, the set debuts at No. 13 on Heatseekers Albums (which ranks the most popular albums each week by new or developing acts) with 4,000 equivalent album units earned. It features collaborations with fellow Billboard­­-charting artists Luh Tyler and Veeze, plus rappers BLP Kosher and ffawty.

Loe Shimmy has been releasing music on streaming services since 2020. Since then, he’s dropped two additional full-lengths – Zuper PowerZ in 2021 and Z end in 2022 – along with his EPs Zombie Land and World WAR Z (both in 2020). He has also released songs with Kodak Black, Bossman Dlow and Danny Towers, among others.

Ahadadream & Priya Ragu



Both artists land their first Billboard chart hits, thanks to their new collaboration with Skrillex, “TAKA.” Released March 22 via Major Recordings/FFRR, the track debuts at No. 37 on Hot Dance/Electronic Songs with 512,000 U.S. streams.

British-Pakistani electronic/house DJ Ahadadream (real name Ahad Elley) has been releasing music for nearly a decade, including four EPs: Movements, Shade, 3:33 and Homecoming. Outside of Skrillex, he has also collaborated with Ellie Goulding, ELIZA, and Tommy Genesis. “TAKA” initially rose to prominence last September, when he previewed the track during his debut Boiler Room set (alongside Skrillex). He has a run of North American and European tour dates lined up through August, including a set at The Do Lab stage at Coachella this month.

Priya Ragu released her debut studio album Santhosam, on Warner Records U.K., following the mixtape damnshestamil in 2021 (also via Warner U.K.) The Tamil-Swiss singer-songwriter, who has also released music with Jungle and Oddisee, has a string of European and Australian tour dates scheduled through May.

As for Skrillex, “Taka” earns the EDM star his 61st entry on Hot Dance/Electronic Songs, tying The Chainsmokers for the fourth-most in the chart’s decade-long-plus history, after David Guetta (86), Marshmello (68) and Kygo (63).

Keith Nieto



The Mexican singer-songwriter has already appeared on Billboard’s charts as saxophonist for the group La Maquinaria Norteña, but he earns his first career entry as a soloist with “Contigo Sí.” The song, on Azteca Records/Fonovisa/UMLE, debuts at No. 35 on Regional Mexican Airplay, with a 110% gain in radio audience impressions. The song is on Nieto’s debut solo six-track EP Saxy, released Feb. 28.

La Maquinaria Norteña has charted 32 songs on Regional Mexican Airplay, including 14 top 10s and three No. 1s: “50 y Cincuenta” (in 2022), “Eres Ese Algo” and “Te Quiero Ver” (both 2023). The group has also logged 10 albums on Top Latin Albums, including three No. 1s: El Fenomeno (2014), Ya Dime Adios (2015) and Generacion Maquinaria Est. 2006 (2016). Nieto, who has written and produced many of the band’s hits, is joined in the group by his brothers Tony and Rory Nieto, as well as Iván Gutiérrez and Sergio Soto.

Rosemarie



The R&B singer-songwriter claims her first Billboard chart hit, thanks to her collaboration with Roddy Ricch, “Is it Real?” Released in November on her 12-track project Rock Paper Scissors: Recut (via Bird Vision/Interscope Records), the song opens at No. 39 on Mainstream R&B/Hip-Hop Airplay with a 4% gain in spins at the format.

Rosemarie released her debut full-length TBD: To Be Determined in 2019 and dropped her nine-track set Sinnergy in 2021. Outside of Roddy Ricch, she has collaborated with Juvenile and Kalan.FrFr.

ÁSDÍS



The Icelandic singer hits Billboard’s charts for the first time thanks to her featured appearance on Seven Lions and Illenium’s “Not Even Love.” Released March 22 on Casablanca/Republic, the track debuts at No. 14 on Hot Dance/Electronic Songs with 1 million U.S. streams.

ÁSDÍS, based in Berlin, has been releasing music since 2020. She has collaborated with fellow Icelandic singer Daði Freyr on “Feel the Love,” and co-wrote Sophie Simmons’ 2021 release “Love Turns Lonely” (which deadmau5 produced).