Music

Rumi Carter Is Now the Youngest Female Artist Ever on Hot 100, Claiming Record From Big Sis Blue Ivy

Beyoncé isn’t the only member of her family breaking Billboard chart records this week. Thanks to her guest appearance on her mom’s “Protector,” Rumi Carter is officially the youngest-charting female artist in Billboard Hot 100 history, at 6 years and 9 months old.

The song, from Beyoncé’s album Cowboy Carter, debuts at No. 42 on the streaming-, airplay- and sales-based Hot 100 (dated April 13) with 11.3 million official U.S. streams earned in its opening week (March 29-April 4), according to Luminate.

The LP launches at No. 1 on the Billboard 200, as well as the Top Country Albums and Americana/Folk Albums charts, with 407,000 equivalent album units earned, marking the biggest week of 2024. Making her own unprecedented mark, Beyoncé becomes the first Black woman ever to rule the Top Country Albums chart.

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Rumi surpasses her older sister, Blue Ivy Carter, as the youngest-charting female artist to reach the Hot 100. Blue Ivy debuted at 7 years old in 2019, thanks to her featured appearance on Beyoncé, SAINt JHN and Wizkid’s No. 76-peaking “Brown Skin Girl,” from The Lion King-inspired album The Lion King: The Gift.

Still stoking any sibling rivalry, Blue Ivy remains the youngest artist ever to appear on any Billboard chart, thanks to her featured appearance (under the billing “B.I.C.”) on dad Jay-Z’s “Glory” in 2012. The song reached No. 63 on Hot R&B/Hip-Hop Songs and No. 23 on Hot Rap Songs. The song includes Blue Ivy’s breaths and coos recorded just after she was born.

While Rumi is now the youngest-charting female artist in Hot 100 history, dating to its 1958 start, she’s not the youngest-charting artist overall. That records belongs to Jordy, who debuted just 5 years old in 1993 with “Dur Dur D’être Bébé!” (translation: “It’s Hard to Be a Baby”).

Rumi and Blue Ivy’s parents, Beyoncé and Jay-Z, are of course longstanding hitmakers on Billboard’s charts. Beyoncé has charted 106 total songs on the Hot 100 (the third-most among women), this week surpassing Jay-Z’s 105.

Meanwhile, Rumi and Blue Ivy Carter join a long history of siblings who have charted on the Hot 100, a club that includes Miley, Noah and Trace Cyrus (plus their dad, Billy Ray Cyrus); Barry and Robin Gibb of the Bee Gees (which included fellow brother Maurice); Janet, Jermaine, La Toya, Michael and Rebbie Jackson (along with the Jackson 5); Jaden and Willow Smith (and dad Will Smith); and Carnie and Wendy Wilson, via Wilson Phillips (daughters of Brian Wilson of the Beach Boys).

Chlöe Bailey Announces ‘Boy Bye’ Single: Here’s When It Arrives

Chlöe Bailey is getting the girls gassed up this summer with her new “Boy Bye” single, which she officially announced on Monday (April 8).

She also revealed the cover artwork for “Boy Bye,” which will arrive this Friday via Parkwood and Columbia Records, and it features the Grammy-nominated singer raising her arms in the air while riding in the back of a red convertible (with an appropriate “BOY BYE” license plate), evoking the carefree summer vibes everyone’s ready for.

“Boy Bye” is the second single Chlöe has released since her 2023 debut album In Pieces, which featured collaborations with Chris Brown (“How Does It Feel)”, Missy Elliott (“Told Ya”) and Future (“Cheatback”) and peaked at No. 17 on Top R&B Albums and No. 119 on the Billboard 200. She dropped her last single “FYS” on March 1, which marked her first musical release of 2024.

Chlöe previewed “Boy Bye” earlier this month on socials with a 23-second video of her singing along to the song and playfully whipping her hair around. “Boy bye, bye! I won’t even cry, you stupid motherf–ker! Boy bye, bye! I won’t even cry, go cry to your mama!” she bellows.

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And if the lyrics haven’t made it crystal clear, Chlöe is “in my dgaf era.” She also recently joined Offset on his LA tour stop to perform their “Princess Cut” collaboration from his 2023 album Set It Off.

Pre-save “Boy Bye” here.

A Timeline of Young Thug’s YSL RICO Trial

The highly publicized trial kicked off in November 2023.

The hip-hop world was collectively turned upside down When Young Thug (born Jeffery Williams) along with 27 others were arrested in May 2022 as part of a sprawling 56-count indictment for violations of Georgia’s Racketeer Influenced and Corrupt Organizations Act.

Thugger was identified to be the leader of Young Stoner Life, which Fulton County District Attorney Fani Willis believes is a violent street gang that has a history dating back to 2012 of committing a series of crimes including murder, robbery, theft, carjackings, assaults and more.

“It does not matter what your notoriety is, what your fame is,” Willis said following Thug’s arrest. Young Thug and his legal team have maintained the rapper’s innocence at every step of the RICO trial since his arrest.

Young Thug has been denied bond on multiple occasions and will remain behind bars in Cobb County jail until the highly publicized trial concludes. It took more than a year for the case to seat a jury, and the YSL RICO trial finally kicked off in November 2023.

According to Atlanta’s NBC affiliate 11Alive, prosecutors said in court im 2023 that its laundry list of potential witnesses included 737 names. After starting at 28 co-defendants, that number has since dwindled to six, including Young Thug.

Young Thug and his syrupy squeal ushered in a new wave of Atlanta’s trap sound in the mid-2010s, and he put together back-to-back No. 1 albums as an emerging face of hip-hop prior to his arrest. Even while behind bars, Thug’s Business Is Business managed to debut at No. 2 on the Billboard 200 in June 2023.

Take a dive into Billboard‘s comprehensive timeline of the YSL RICO trial below.

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Taylor Swift Shares Eclipse-Themed Lyrics Ahead of ‘Tortured Poets Department’

Taylor Swift will stare directly at the sun, but never in the mirror — so let’s just hope she uses protective glasses.

The “Anti-Hero” singer aptly shared a what appears to be an eclipse-themed lyric from her upcoming new album The Tortured Poets Department on Monday (April 8), the same day the moon fully obscured the sun from Earth’s view for the first time in three years.

In a video posted to Swift’s Instagram Story, an unseen writer hammers the following message onto typewriter paper: “Crowd goes wild at her fingertips. Half moonshine, full eclipse.”

It’s probably safe to assume that the line was taken from one of the 16 tracks on Tortured Poets, or one of the four bonus songs set to appear on Swift’s deluxe variants of the album. It’s only fitting that she unveiled the lyric on the day of the 2024 total solar eclipse, a celestial phenomenon that last occurred in 2021 and won’t happen again — at least in a way that’s visible from the United States — until 2044.

The post comes less than two weeks prior to Tortured Poets‘ April 19 release date. Other than the cover art and track list, it marks the first taste of the record the 14-time Grammy winner has shared.

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Swift first announced her 11th studio album at the 2024 Grammys while accepting the best pop vocal prize for Midnights, later confirming that both Post Malone and Florence + The Machine will make guest appearances on the project. She’s currently nearing the end of a two-month break from her global Eras Tour as she gears up to drop Tortured Poets, after which she’ll resume her trek with four shows in Paris slated for mid-May.

See the video of Swift’s eclipse-themed lyric from Tortured Poets below.

Kelsea Ballerini Tells Critics of Her CMT Awards Performance Outfit to ‘Shut Up’

Kelsea Ballerini took the stage at the 2024 CMT Music Awards on Sunday night (April 7) to perform her throwback hit, “Love Me Like You Mean It,” but not everyone was a fan of her bold fashion choice.

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The 30-year-old country star performed the the 2015 track in a gold, high neck leotard, which she pared with black tights and, notably, no pants. To responds to critics of the style, she took to TikTok to playfully mock the haters. “‘You forgot your pants for your performance.’ Shut up! No, I didn’t! No, I didn’t,” she says in the clip. “‘Where are your pants?’ Shut up. It looked hot.

Ballerini hosted and performed at the annual award show at the Moody Center in Austin, Texas, after co-hosting the show for the past three years. In 2021 and 2023, Ballerini led the CMT Music Awards with Kane Brown, while in 2022, she co-hosted the show remotely. “My first memory of the CMT Music Awards was when I was in high school. I had just moved to Nashville and me and a friend waited outside of the barricade at the CMT Music Awards when they were still in Nashville,” she told Billboard before the show. “We just waited for artists to come over because we wanted to meet them and take pictures with them. I remember Keith Urban came over and I have a picture with him. As a fan, it was one of the craziest moments of my life, so it feels very full-circle to go from the kid outside the barricade to being the host of the show. That’s not lost on me and I’m very excited to be here.”

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Watch Ballerini’s CMT Awards performance below.


https://youtube.com/watch?v=C607svvWKj8&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

With ‘Cowboy Carter,’ Beyoncé Becomes First Black Woman to Lead Top Country Albums Chart

Beyoncé makes history as her new LP, Cowboy Carter, blasts in at No. 1 on Billboard’s Top Country Albums chart dated April 13.

The superstar becomes the first Black woman ever to have led the list, which began in January 1964.

Plus, as three songs from the set rank at Nos. 1, 2 and 3 on the Hot Country Songs chart, Beyoncé becomes the first woman to claim the survey’s top three spots simultaneously. Among all acts, Morgan Wallen achieved the feat four times in 2022-23, including the top nine the week that his album One Thing at a Time made its chart debut.

Released March 29, Cowboy Carter earned 407,000 equivalent album units in the United States in the week ending April 4 – the largest week of 2024.

Cowboy Carter boasts a diverse lineup of billed guest artists, including Tanner Adell, Beyoncé’s daughter Rumi Carter, Miley Cyrus, Willie Jones, Tiera Kennedy, Linda Martell, Willie Nelson, Dolly Parton, Post Malone, Reyna Roberts, Shaboozey and Brittney Spencer. Among the many additional players on the album: 070 Shake, Jon Batiste, Ryan Beatty, Gary Clark Jr., The-Dream, Rhiannon Giddens, Paul McCartney, Pharrell, Robert Randolph, Nile Rodgers, Raphael Saadiq, Sara Watkins and Stevie Wonder.

Notably, while Beyoncé is the first black woman in a lead role to lead Top Country Albums, multiple prominent Black acts are on the various artists set Rhythm Country Blues, which led for a week in March 1994. The LP includes Natalie Cole, Gladys Knight, Patti LaBelle, The Pointer Sisters and The Staple Singers.

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On the streaming-, airplay- and sales-based Hot Country Songs list, Cowboy Carter yields eight top 10s, led by “Texas Hold ‘Em,” which reigns for an eighth week, with 47.9 million in airplay audience (up 3%), 26.9 million streams (up 89%) and 15,000 sold (up 97%), as it earns the chart’s top Streaming and Sales Gainer honors. “ll Most Wanted,” with Miley Cyrus, enters at No. 2 (led by 25.2 million streams) and Beyoncé’s reworking of Dolly Parton’s classic “Jolene” opens at No. 3 (22.4 million).

Parton led Hot Country Songs for a week in February 1974 with her original “Jolene,” marking the second of her 25 career No. 1s. She charted a second version of the song (which she self-penned), by Pentatonix featuring Parton, that hit No. 18 in October 2016.

Plus, on Billboard’s Country Airplay chart, Beyoncé’s “Jolene” arrives at No. 56 with 982,000 impressions. “Texas Hold ‘Em,” ranks at No. 37, after reaching No. 33 (3.2 million).

Here’s a recap of Beyoncé’s eight top 10s on the latest Hot Country Songs chart:

  • No. 1, “Texas Hold ‘Em” (eighth week at No. 1)
  • No. 2, “II Most Wanted,” with Miley Cyrus (debut)
  • No. 3, “Jolene” (debut)
  • No. 5, “Levii’s Jeans,” with Post Malone (debut)
  • No. 6, “Blackbiird,” with Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna Roberts (debut)
  • No. 7, “Ameriican Requiem” (debut)
  • No. 9, “Daughter” (debut)
  • No. 10, “16 Carriages” (re-entry; peaked at No. 9)

At No. 6, the new cover of The Beatles’ “Blackbird,” from 1968, brings John Lennon and Paul McCartney back to the Hot Country Songs top 10 as writers for the first time since 1989, when two Fab Four covers reached the region: Rosanne Cash’s “I Don’t Want To Spoil the Party” led for a week that June, after Sweethearts of the Rodeo’s “I Feel Fine” hit No. 9 that March.

In all, Beyoncé charts 16 tracks from Cowboy Carter on Hot Country Songs, including “Protector,” with daughter Rumi, at No. 11, and “Tyrant,” with Parton, at No. 12.

Additional reporting by Keith Caulfield, Tom Roland & Gary Trust

Madonna Reels In Ricky Martin During Miami Stop of Her Celebration Tour: Watch

As she continues the North American leg of her Celebration Tour, Madonna is currently holding court in Miami for her three-day takeover (April 6, 7, and 9) at the Kaseya Center. During Sunday night’s show (April 7), the Queen of Pop surprised her fans with a special guest and good friend, Ricky Martin

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The two artists— who collaborated on Ricky’s “Be Careful (Cuidado Con Mi Corazón)”— did not sing together but rather judged a handful of dancers that performed for them during the concert‘s “Vogue” ballroom competition. 

The interactive performance saw Madonna and her special guest sitting on chairs as they held a sign with a number 10, and another sign that read “CHOPS” while the dancers — including Madonna’s talented 11-year-old daughter Estere — gave it their all on stage. During her previous Los Angeles pitstop, Madonna invited Cardi B as her special judge. 

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“Thank you, Madonna, my love! Always fun to be invited to the party! You all, CAN’T MISS THIS SHOW!” the Puerto Rican singer expressed later that night on Instagram. 

In addition to the friendly “Vogue” competition and Madonna performing the biggest hits of her legendary career, the Celebration Tour also finds the 65-year-old artist’s sons performing live with the band. 

The Celebration Tour—which was postponed by a medical emergency—kicked off last fall in Europe at London’s O2 Arena, where the singer visited fans in Belgium, France, Germany, Italy, Portugal and more. According to figures reported to Billboard Boxscore, the European leg grossed $77.5 million and sold 429,000 tickets. 

Watch the moment below:

R&B/Hip-Hop Fresh Picks of the Week: GloRilla and Megan Thee Stallion, Khalid, J. Cole & More

The Pandora’s Box that Katt Williams opened in January isn’t closing any time soon. While Beyoncé enjoyed big wins in the country and Americana worlds, the rap game was in complete disarray the past week: Grammy-nominated “F.N.F.” rapper GloRilla dominated headlines with the release of her new Ehhthang Ehhthang mixtape which housed a new track titled “Aite” where she spits, “‘Cause Cardi and Nicki on a track would break some f–kin’ records/ Me and JT ain’t the best of friends but we ain’t beefin’.”

While that line was intended to be unifying, it opened the floodgates for heated social media back-and-forth between GloRilla and JT of City Girls. While the exact details of the origin of their beef are unclear, in this instance, JT was upset at being name-dropped in that bar after GloRilla let rumors of her slapping the “No Bars” rapper fly unchecked. This, of course, bookmarked a weekend that began with J. Cole responding to Kendrick Lamar‘s Billboard Hot 100-topping “Like That” verse on “7 Minute Drill.” That track, which served as the final track on his surprise Might Delete Later mixtape, garnered very mixed reactions, and Cole eventually walked the whole thing back by Sunday evening (April 7) at Dreamville Fest.

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“That s–t don’t sit right with my spirit,” Cole said. “That s–t disrupts my f–king peace… I want to say right now tonight, how many people think Kendrick Lamar is one of the greatest motherf–kers to ever touch a f–king microphone? Dreamville, y’all love Kendrick Lamar, correct? As do I.”

As we deal with the aftermath of Cole’s culture-quaking decision and continue to wait for Drake’s “Like That” response, there’s still so much new music to explore. With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Fivio Foreign’s fiery new drill anthem to Bryson Tiller‘s sultry new Victoria Monét duet to J. Cole’s cross-generational link-up with Cam’ron. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: The Amours & TA Thomas, “Pick Me Up”



Ahead of their new Changes EP (out April 26), sister duo The Amours team up with R&B savant TA Thomas for the gorgeous “Pick Me Up.” Forlorn guitars immediately introduce the track, with the duo trading devastating lines about the turbulent nature of growing together in a relationship. Their tight harmonies function as just another instrument in the overall arrangement, which allows for the song to maintain a conversational, back-and-forth feel despite there technically being three vocalists on the track. “You can always be yourself around me/ Caught in the middle of trust and belief,” they croon harmoniously. TA Thomas, of course, delivers a characteristically silky vocal performance that provides just enough depth to contrast with the brighter tones of The Amours.

GloRilla & Megan Thee Stallion, “Wanna Be”



Most people opened Instagram on Sunday to a two-minute clip of Megan Thee Stallion flaunting “the best a– on IG” while promoting her new GloRilla collaboration “Wanna Be.” While the clip is certainly a winner, so is the new song. Built on samples from a pair of timeless tracks — Soulja Boy‘s “Petty Boy Swag” and Project Pat‘s “Don’t Save Her” — the two Southern rap stars flaunt their independence and reject the notion of being “claimed.” With an all-star line-up of Ace Charisma, Payday, MKMentality and Yo Gotti on production duties, “Wanna Be” boasts one of the most infectious beats of the year so far. If that weren’t enough to secure its spot as a viable summer anthem, both Glorilla and Meg delivery fiery verses and an incredibly catchy, Instagram caption-ready hook, to boot.

Bryson Tiller feat. Victoria Monét, “Persuasion”



With D’Mile on production, you know you’re in for a treat. Add Victoria Monét and Bryson Tiller, and you’re in for some heat too. “Persuasion,” one of two collaborations of Bryson Tiller’s new eponymous album, is easily one of the LP’s best offerings. Across the bouncy ’90s-inspired instrumental, Bryson and Victoria trade verses where they play with enunciation and innuendo, teasing listeners with phrasing that hints at expletives before delving into something cleaner — and sneakily more nuanced. “He asked if he could grab all on my— absolutely/ I’m in no opposition so I’m gonna sit on that decision tonight,” Victoria croons. The two R&B stars have palpable verve and chemistry on this track, adding just the right amount of dynamism for an instant standout.

J. Cole feat. Cam’ron, “Ready ‘24”



J. Cole comes out of the gate guns blazing on this Might Delete Later standout, hilariously bragging about being able to pull your girl without a haircut while rocking some Crocs. Admittedly, his puffed-out chest declarations about “nobody being better” than him on the planet are hitting differently after copping a plea at Dreamville Fest and waving the white flag in his feud with Kendrick Lamar. The Barbara Mason-sampling tune uses the same lift as a Dipset classic from two decades earlier, and Cam’ron himself steps into the booth here like he hasn’t lost a step since Diplomatic Immunity dropped.

Khalid, “Please Don’t Fall In Love With Me”



It’s been a minute since Khalid led R&B conversations as he did with blockbuster hits such as 2017’s “Location” or 2019’s “Talk.” “Please Don’t Fall In Love With Me” could thrust him back into that limelight. Produced by Jason Kellner and featuring an interpolation of Alicia Keys‘ “Unthinkable (I’m Ready),” the new single finds Khalid updating his plaintive, atmospheric R&B style with some trap inflections. Pounding bass soundtracks his nimble rap-sung in the verses, while the production opens up into synthy mirage when he lifts into his falsetto in the hook. “I hope that you believe in the end that I got you/ How can I move forward when every relationship I get in/ Don’t hit the same ’cause it’s not you?” he asks. With a pen as sharp as ever and a sound that feels fresh and believable, Khalid appears to be back on track.

Doja Cat feat. Teezo Touchdown, “MASC”



Only Doja Cat can flip threats to end a relationship into a light-hearted angelic chorus. With cinematic production that sounds as if it could’ve landed on Kanye West’s Vultures, Doja aims to have her man sleeping on the couch again while revealing this love story needs a rewrite. “You gave me the d–k / Then gave the d–k without the D,” she cleverly rhymes. Teezo Touchdown steps in to play Doja’s romantic interest in the fried relationship, and attempts to win her back. “I need your time, I need your feet cuddlin’ mine,” he sings. Doja Cat and Teezo Touchdown’s rap-singing styles smoothly mesh, making for a robust collaboration between the eccentric RCA labelmates.

G-Eazy feat. Coi Leray & Kaliii, “Femme Fatale”



After taking over a year off, G-Eazy kicks off his next era by catering to the women and “sex positivity.” In his hitmaking prime, Young Gerald meticulously dished out catchy hooks and he crafts another one centered around Century Steel Band’s “Heaven and Hell Is on Earth.” Eazy invites rising female rap stars Coi Leray and Kaliii to join him at the party and Leray steals the show with a raunchy assist. “Get this p—y, get more wings and I could get him to fly/ G-Eazy want a bite and I could see in his eyes/ But slow down, don’t rush, baby, give it some time,” she raps. With an album on the way set for this fall, it’s a step in the right direction for the Bay Area rhymer looking to reclaim his hip-hop titan status.

Ariana Grande Supports Boyfriend Ethan Slater at Final ‘Spamalot’ Show

Ariana Grande is Ethan Slater‘s biggest fan.

The 30-year-old superstar was in the crowd at the St. James Theatre in New York City on Sunday night (April 7) for the final performance of Spamalot, which opened back in November. Grande was spotted by fans leaving the theater, hand in hand with her boyfriend Slater, dressed casually in jeans and a brown jacket with her blonde hair in a low bun. In the play, Slater portrays The Historian/Prince Herbert.

The “Yes, And?” singer also celebrated the show’s successful run on Broadway on her Instagram Stories, writing alongside a photo of the stage: “Congratulations to the most beautiful and talented and kindest cast and crew on a magnificent run.”

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Reports surfaced back in July that Grande is dating her 31-year-old Wicked costar following her recently reported split from husband Dalton Gomez. Both TMZ and People reported that he and Grande started dating after both of their relationships were over. Slater was previously married to singer Lilly Jay, and the two celebrated their four-year wedding anniversary in November 2022. 

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Grande plays Glinda opposite Cynthia Erivo’s Elphaba in Jon M. Chu’s upcoming live-action film adaptation of the Broadway show Wicked, which will be split into two parts. The movie was initially meant to hit theaters on Christmas Day of next year (Dec. 25, 2024). Wicked Part 1 is now set to be released next Thanksgiving (Nov. 27, 2024). In the film, Slater is playing Boq, a munchkin boy who, fittingly, has a crush on Glinda.

Omar Apollo’s Sleek ‘Spite’ and 5 More Cool New Pop Songs This Week

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These tracks from artists including Conan Gray, Glass Animals, Chappell Roan and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist.

Coolest Pop Song of the Week: Omar Apollo, “Spite”



The guitar line on Omar Apollo’s “Spite” is jagged and unsettled, a simple lick that doubles back on itself and bristles above the steady rhythm. Apollo approaches his new single in a similar manner: “Spite” is smooth but never easy, as Apollo considers flawed possibilities and unhappy circumstances related to a long-distance relationship that probably should end but remains tangled up in his mind. “Every time I see you on my phonе / Hate that I still need you in my life!” he crows, his voice rising with discontent but then winding back down to a sad conclusion: “I still wanna take you on a date.”

Apollo’s professional successes, from his early singles to “Evergreen” going viral on TikTok to his best new artist Grammy nom, have largely hinged on his voice and how he deploys its impressive strength. “Spite,” which precedes an upcoming sophomore album, positions his gentle singing front and center but provides new depth, oscillating between passion and helplessness with equal parts power and restraint. The performance requires nuance — a lot of that wounded chorus is yelped out instead of crooned — and Apollo meets the moment.

Debut album Ivory demonstrated that Apollo possesses a singular set of skills, but “Spite” nicely showcases his potential evolution on its follow-up. That’s in addition, of course, to tossing another sleek jam into his discography.

Here are some more new pop songs worth checking out this week…