Music

Watch Maren Morris Sing an Impressive, Impromptu Duet on the National Anthem With Stephen Colbert

Maren Morris visited The Late Show on Tuesday night (April 9) to promote her new children’s book and sit on the couch to chat with host Stephen Colbert for the first time after several earlier performances on the show. But the “Circles Around This Town” singer ended up singing anyway after she told Colbert about one of the weirdest gigs she had as a child star.

Considering the 34-year-old has been performing since she was 10, Morris said she has definitely had a “few weirdo ones,” including a number of chili cook-off shows and a weekly Saturday gig during high school singing the National Anthem at amateur wrestling bouts for $100 a shot. “That takes about 90 seconds, so the rest of the night my friends in high school would watch and cheer on these wrestlers,” she said.

“I had the most fun and it was a fun way to make money and be patriotic,” she added. After Morris explained that she did the Anthem a cappella, Colbert asked if they could perform an impromptu duet on the notoriously hard-to-sing “Star-Spangled Banner” sometime. Morris agreed to the request, even as Colbert admitted he only knows the bassline of the song, but cannot sing the melody.

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“I think you and I could rock it,” he assured her. Morris was up to the challenge, offering Colbert the sage advice that you need to “start low” or else your voice will run out of road by the sky-high ending. Morris then began singing, with Colbert adding the low notes as they sang directly to each other, with the host leaning into the rumbly bass part as the singer’s voice jumped up during the “rockets’ red glare” portion and Colbert holding a killer from-the-bottom note that made her crack up.

With some gentle acoustic guitar accompaniment from the house band, the pair made it to the end impressively as Morris asked in wonder, “Where did that come from?” Colbert loved it so much he proposed that they do it again at an amateur wrestling match some day, suggesting they could split the $100 fee.

South Carolina-bred Colbert also couldn’t resist talking Southern cuisine with Texas-born Morris, asking the singer if she misses the tastes and smells of home after living in Nashville for 11 years. “That’s South, but they have not figured out Tex-Mex food,” Morris lamented about her adopted home town, saying Music City has great food and culture, but not a hint of her favorite Lone Star flavors.

Morris joked that opening a Tex-Mex joint in Nashville could be next move, though her dream has always been to have her own bar in town called “My Church,” which would, of course, be housed in an old church. The singer also stuck around to promote her new children’s book, Addie Ant Goes on an Adventure, which she co-wrote wit her best friend, Karina Argow.

Watch Morris on The Late Show below.



Travis Kelce Admits He Doesn’t Know How He Wooed Taylor Swift: ‘She Wasn’t Into Sports’

Travis Kelce is aware that he’s a very lucky man. While chatting with guest Lil Dicky on the Wednesday (April 10) episode of his and older brother Jason Kelce’s New Heights podcast, the three-time Super Bowl champion admitted that he’s still perplexed by how successfully he wooed Taylor Swift last year, revealing that the pop star wasn’t even a football fan before he came into the picture. 

The topic of Swift first came up when the Dave star remarked that Travis and the “Anti-Hero” singer’s romance is “the best thing ever,” adding, “I think there’s just something that makes everyone feel like the world is like high school, where your most popular pop star beloved musician somehow met your most popular beloved athlete and they actually fell in love and it’s just real.”  

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“I appreciate it, man,” the tight end responded. “I don’t know how I did it because she wasn’t into sports, so I don’t know how the f–k I did it.” 

When Lil Dicky started to remind Travis that he first caught Swift’s eye by mentioning her on a 2023 episode of New Heights — on which the athlete revealed he’d tried and failed to slip the musician a friendship bracelet with his phone number on it at one of her Kansas City Eras Tour shows — the Ohio native hilariously cut the rapper-comedian off. 

“Well you did because you called her out on…,” Lil Dicky began, to which Travis asserted, laughing, “No, 100%, I know exactly how I did it.”  

Though she may not have paid much attention to the NFL before her romance with No. 87, Swift is definitely tuned in now. The 14-time Grammy winner was present at many of Travis’ Kansas City Chiefs games throughout the 2023-24 season, leading up to her attendance at this year’s Super Bowl, where, after the Chiefs took home their second victory in a row, she kissed her beau on the field. 

“This all started when Travis very adorably put me on blast on his podcast, which I thought was metal as hell,” Swift recalled in her December Time cover story. “We started hanging out right after that. By the time I went to that first game, we were a couple.” 

Since the football season wrapped in February, Travis has been joining Swift on various Eras stops across the world. The trek is currently on pause as the “Karma” artist gears up to release her new album The Tortured Poets Department on April 19. 

Watch the new episode of New Heights above. 

Hip-Hop Trends On Xitter After User Suggests It Wasn’t Born From Competition

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Hip-Hop music and culture have influenced so many musical genres and fashion trends that there is little question about its value to the world. However, the origins of Hip-Hop are currently under debate after a user on X suggested that it wasn’t born from competition.

Breaking the wall a bit here, Hip-Hop wasn’t always something I viewed as a competitive sport. I was too busy being fascinated by the concept of rhyming words over beats, scratching, breaking, and graffiti— the pillars of the culture itself. It wasn’t until much later that I saw value in competition when I began entering rap battles as a fledgling MC. During that time of my journey, I absolutely wanted nothing more than to tear another rapper’s head off in battle, all in the spirit of wanting to be the best.

Social media is currently in serious debate over the decision J. Cole made to withdraw from a battle with Kendrick Lamar after the Compton rapper seemingly took shots at his North Carolina counterpart on Future and Metro Boomin’s “Like That” track. Oddly enough, many listeners feel that the Dreamville honcho let the culture down for not engaging in the battle further and saying that he intends to remove “7 Minute Drill” from his Might Delete Later project.

If you want my opinion, I don’t see a need to debate Cole’s choice to step aside because I don’t know these people well enough to question their motives. My real life has way more of my focus and concern than some battle of the super MCs debate that social media can’t seem to let go of. The fact people are calling each other names and coming to digital blows over this is cornier to me than what J. Cole did.

Twitter user @RonObasi posed a thought in the wake of these recent happenings that garnered some passionate and even disrespectful replies.

“[S]aying hip hop was born from competition is a crazy narrative and a lie. Lets do our homework please,” @RonObasi wrote on Tuesday (April 9). “Also saying hip hop is at its best & “healthy” when n*ggas using their platforms and influences to beef was/is crazy. Sound just like white men we claim to hate.”

Since putting up the reply, fans from all sides of the debate have chimed in and even blasted the assertion that Hip-Hop wasn’t meant to be a clash of talent. As I view it, every rapper, producer, DJ, and graffiti writer should feel like they’re the best, even if they feel they’re only in competition with themselves.

I do agree that the music and culture aren’t necessarily healthier when the top names are going at each other. I feel we as a culture could do more for all under the banner of unity and togetherness. It all seems like a pipe dream at this point, considering how folks are approaching J. Cole’s decision. And if you don’t like what I’m saying here, we can battle if you want.

Check out the replies below.

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Missy Elliott Gave Cardi B Killer Advice About Staying True to Herself on Second Album: ‘It’s Time to Experiment’

Cardi B has been teasing news about her as-yet-unscheduled, untitled sophomore album for months now. The “Bongos” MC hasn’t given any indication of how far in she is or when we can expect the follow-up to her 2018 smash full-length debut album, Invasion of Privacy, but over the weekend she got some killer advice from Missy Elliott about the importance of listening to your inner voice.

During a Twitter discussion on Saturday about the new LP, a fan suggested, “your second album is not the time to be experimenting… maybe the third album but definitely not the second.. just give people what they need. She still needs to win people back.”

That bit of unsolicited advice elicited a response for legendary rule-breaker Elliott, who responded, “Absolutely yes it’s the time to experiment take it from someone who experimented and many others which allowed them to NOT be BOXED in to one sound and style… I can name tons who each of there albums sounded nothing like the one before [smiley face emoji].”

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The sage counsel from Elliott appeared to help Cardi calm her fears, as she replied, “Yeup!!! I’m a little nervous… but I don’t care! I’m liking doing things that my ears want to listen to and reflecting the moods I been in. It feels good.”

Last week, Cardi celebrated the sixth anniversary of Invasion‘s release, while dropping another teaser for her next era. “6 years ago I released my first album and it broke so many records GAH LEE!!” she wrote of the LP that debuted at No. 1 on the Billboard 200 album chart and earned a Grammy for best rap album in 2019 while launching the Hot 100 No. 1 singles “Bodak Yellow” and “I Like It.” “6 years later I’m preparing to drop the next one this year.. it’s so different from what everyone is expecting and I’m sooo excited. Love you guys and thank you for the support! I’ll talk to ya soon I been so busy these last few days.”

Cardi dropped the single “Enough (Miami)” on March 15 alongside the Patience Harding-directed video for the track that served as the follow-up to her “Like What (Freestyle).” She’s also featured on the opening track from Shakira’s new Las Mujeres Ya No Lloran album, “Puntería.”

Check out the exchange below.

Alicia Keys, Teyana Taylor & Erykah Badu Take Advisor Roles With New Femme It Forward Mentorship Platform MUSE

Femme It Forward (FIF) is expanding its mentorship services with the launch of MUSE: Musicians Uplifting Stars Everyday. Created by FIF founder/president and Live Nation partner Heather Lowery, the new initiative has enlisted Alicia Keys, Teyana Taylor and Erykah Badu as advisors to help guide emerging female artists and creatives in the music industry. MUSE complements FIF’s existing Next Gem Femme mentorship program, which focuses on rising women of color executives and entrepreneurs in the entertainment industry.

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“I have made it my mission to pave the way for future generations of women to be equipped with the tools they need to sit at any table,” said Lowery in a statement. “MUSE has lived in my heart for the last three years, and I am honored to release it into reality as a high-powered program to combat the inequities, disparities and disturbing statistics around the historic underrepresentation of women in the music industry, especially women of color.”

Keys added in comments provided to Billboard: “Finding ways to bring women in this business together to hold each other up and let each other shine is one of my most important missions! I am joining the MUSE program as an advisor because there is never enough we can do to encourage women to feel as comfortable and connected as possible to share their ideas and get their credit. We want to know each other, find each other and hire each other. I am honored to continue to give access and opportunities that will turn into careers because She Is the Music.”

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“It is a blessing to join Heather’s MUSE program as an advisor and share the truths about my climb and struggles,” added Taylor. “It looked like I was an overnight success, but that is not the case. God is allowing me to share the lessons I have learned about being a hustler, staying hungry and keeping myself humble. Whoever loves instruction loves knowledge, and I am looking forward to real conversations with my peers and the next generation of female artists so that we can all find success together.”

In their roles as MUSE advisors, the three stars will participate in a moderated conversation and unique Q&A programming, led by Lowery. MUSE has also selected a team of award-winning artists and creatives as hands-on mentors. Those include songwriter/production duo Nova Wav, artists Nija, Jozzy, Rapsody, Trina and Amber Riley plus four-time Grammy-winning engineer Ann Mincieli. Music from FIF’s MUSE Labs will be featured as well in FIF’s second Big Femme Energy music compilation album, slated for late 2024.

Don Omar Announces Additional Back to Reggaetón Tour Dates

Currently making his way across the United States with his Back To Reggaetón tour, Don Omar is extending his trek by announcing a second leg of the tour. The Puerto Rican hitmaker has added 18 more dates to the CMN-produced stint, which kicked off in March — marking his grand return to the stage in celebration of his decades-spanning career.

The second leg of the Back to Reggaetón tour will launch Aug. 7 in Oakland, Calif., (four months after wrapping the first leg) and will stop in new cities including San Diego; Portland; Tampa, Fla.; and Ontario, Calif. Don Omar’s Back to Reggaetón Tour has grossed $17.8 million and sold 146,000 tickets over its first 14 shows (through April 7), according to Billboard Boxscore numbers.

Back to Reggaetón is Don Omar’s first major headlining tour in a decade and his first since the Kingdom Tour with Daddy Yankee in 2015. “I’ve never had the opportunity to sing my entire repertoire because I never have enough time onstage,” Don Omar told Billboard prior to kicking off his tour. “But this tour demands two full hours of music.” And it indeed is a riveting two-hour show where he sings back-to-back hits, including “Salió El Sol,” “Hasta Abajo,” “Pobre Diabla,” “Ella y Yo” and “Dile.” 

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Tickets for the second leg of Back To Reggaetón are set to go on sale Wednesday, April 17. See the new dates below:

Aug. 7 – Oakland, Calif. – Oakland Arena
Aug. 8 – Sacramento, Calif. – Golden 1 Center
Aug. 10 – Seattle – Wamu Theater
Aug. 11 – Portland – Moda Center
Aug. 15 – Hidalgo, Texas – Payne Arena
Aug. 16 – Austin – HEB Center
Aug. 18 – El Paso, Texas – UTEP Don Haskins
Aug. 20 – Los Angeles – Crypto.com Arena
Aug. 21 – Ontario, Calif. – Toyota Arena
Aug. 23 – San Diego – Pechanga Arena
Aug. 28 – Denver – Bellco Theater
Aug. 30– Milwaukee, Wis. – Fiserv Forum
Sept. 1 – Greensboro, N.C. – Greensboro Coliseum
Sept. 6 – Tampa, FL – Amelie Arena
Sept. 8 – Washington, D.C. – Capital One Arena
Sept. 12 – Boston, MA – Agganis Arena
Sept. 14 – Newark, NJ – Prudential Center
Sept. 15 – Elmont, NY –UBS Arena

Kelly Clarkson Rocks Out Kellyoke Cover of Miley Cyrus and Stevie Nicks’ ‘Edge of Midnight’

Kelly Clarkson got into her rock bag on Monday’s (April 8) episode of the Kelly Clarkson Show, taking the stage for her daily Kellyoke segment in a black leather skirt and vintage Billy Joel concert tee for a rousing run through Miley Cyrus‘ 2020 hit “Midnight Sun.”

The smoldering lead single from Miley’s seventh studio album, Plastic Hearts, is an homage to Stevie Nicks’ 1981 solo hit “Edge of Seventeen,” and in Clarkson’s hands it lost none of the original’s slow-burn energy. “Yeah, it’s been a long night and the mirror’s tellin’ me to go home/ But it’s been a long time since I felt this good on my own/ Lotta years went by with my hands tied up in your ropes/ Forever and ever, no more,” Clarkson sang before busting into the self-assured chorus.

“I was born to run, I don’t belong to anyone, oh no/ I don’t need to be loved by you,” she belted as her backup singers provided soulful support. “Fire in my lungs, can’t bite the devil on my tongue, oh no/ I don’t need to be loved by you.”

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Miley’s song topped the Billboard Top Rock Albums chart back in Dec. 2000 and Monday’s cover was the third time Clarkson has dipped into the Cyrus oeuvre during the current season of her daytime talker, following on the heels of her takes on “Jaded” and “Used to Be Young“; back in 2000 she also took on Miley’s OG hit “The Climb.” On Tuesday’s (April 9) show, Clarkson got meta and did a Kellyoke cover of her own song, “Me,” from her 2023 Chemistry album.

Watch Clarkson cover “Midnight Sun” below.


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Seph Schlueter’s Debut Hit ‘Counting My Blessings’ Tops Christian Airplay Charts

Singer-songwriter Seph Schlueter’s rookie single “Counting My Blessings” rises to No. 1 on Billboard’s Christian Airplay chart (dated April 13), becoming the first leader for the 24-year-old from Sunbury, Ohio. The song increased by 15% to 6.4 million audience impressions March 29-April 5, according to Luminate.

Concurrently, the track dominates Christian AC Airplay for a second week, up 3% in plays.

Schlueter — who signed with Sony Music’s Provident Entertainment in early 2023 — co-authored the song with Jonathan Gamble and Jordan Sapp, the latter of whom also produced it. It’s the lead track from Schlueter’s debut eight-song album of the same name, released in March.

“To see how much of an impact this song has had with people all over the world is so moving and inspiring,” Schlueter tells Billboard. “The whole reason I do this is so that people would come to know Jesus more, and hearing the stories of how God has used ‘Counting My Blessings’ to encourage, remind and touch listener’s hearts, particularly through radio, has been an incredible blessing beyond what I could have imagined.”



Schlueter places the first freshman single atop Christian AC Airplay since Ben Fuller’s “Who I Am” led for a week last November. Meanwhile, “Counting My Blessings” ranks at No. 4 on the streaming-, airplay- and sales-based Hot Christian Songs list. It drew 1.6 million official U.S. streams and sold 1,000 during the tracking week.

Schlueter is currently touring with Matt Maher and Lizzie Morgan. They make their next stop in Naperville, Ill. on Thursday (April 11).

Brown Clark’s ‘Good’ Week

On Billboard’s Gospel Airplay tally, Maurette Brown Clark’s “I See Good” becomes her third No. 1. The song, which she solely wrote, increased by 8% in plays. It’s from her eight-song set He Loves Me, released last November.

Brown Clark last led as featured on James Grear & Company’s “I Wanna Say Thank You,” for a week last November. Before that, “It Ain’t Over (Until God Says It’s Over)” ruled for five frames in 2009. Her first of eight entries, and five top 10s, “One God,” hit No. 2 in 2007.

André 3000, Nile Rodgers & Chic, Elvis Costello Headlining 2024 Newport Jazz Festival

André 3000 will bring his big bag of flutes to the 2024 Newport Jazz Festival, which the former OutKast rapper will headline along with Nile Rodgers & Chic, Kamasi Washington, Elvis Costello, Brittany Howard and Robert Glasper.

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This year is the 70th anniversary of the storied summer staple, which will take place from August 2-4 at Fort Adams State Park in Rhode Island and also feature sets from: Laufey, Cory Wong, Dinner Party (featuring Terrace Martin, Glasper and Washington), Thievery Corporation, Samara Joy, Noname, PJ Morton, Galactic with Irma Thomas, Moonchild, Meshell Ndegocello, Sun Ra Arkestra and Christian McBride’s Jam Jawn, among many others.

The general public onsale will kick off on Wednesday (April 10) at 1 p.m. ET here.

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In January, 3000 announced a lengthy run of 2024 dates in support of his surprise solo jazz instrumental album, New Blue Sun, which included multiple dates at the Blue Note club in New York, the Variety Playhouse in Atlanta and a five-night stand at the Masonic Lodge at Hollywood Forever in early March. The dates will roll on this month with a trio of gigs at Joshua Tree, CA’s iconic Pappy & Harriet’s as well as spots at the ATL Jazz Festival on May 27 and the Roots Picnic on June 1-2 in Philadelphia.

In keeping with his “no bars” pledge, 3000 will also not rap at a number of other jazz festivals this summer, including the Toronto Jazz Fest (June 28), the Gent Jazz Festival (July 12) and the North Sea Jazz Festival (July 13).

Check out the full poster for the 2024 Newport Jazz Festival below.

Olivia Rodrigo Duets With Jewel on ‘You Were Meant For Me’ During Final MSG Show

Olivia Rodrigo closed out her epic four-night stand at New York’s Madison Square Garden on Tuesday night (April 10) by bringing out yet another surprise guest. The final show on the first North American run of Rodrigo’s GUTS tour found the singer sharing the stage with Jewel, who joined her for a run through the latter’s signature 1995 hit “You Were Meant For Me.”

Always happy to share how the work of her fellow artist’s has inspired her, Rodrigo told the crowd, “She is such an incredible songwriter. When I first started writing my songs, I would listen to her album Pieces of You before I went to bed. She’s incredible and it’s such an honor that she’s here with me tonight.”

Then Jewel, 49, joined Rodrigo, 21, on stage and they both strummed acoustic guitars as the pair took turns singing verses from the gentle ballad featured on Jewel’s breakthrough 1995 Pieces of You album, with the women joining forces on the choruses of the track that hit No. 2 on the Billboard Hot 100.

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Rodrigo has shared the stage with a number of special guests during the New York run, including Noah Kahan for his “Stick Season” on Friday night’s opening MSG gig, preceded by Sheryl Crow at her March 9 Nashville show for a run through Crow’s “If It Makes You Happy.”

Tuesday night’s show was the final stop on the first North American leg of Rodrigo’s GUTS tour before the singer heads to Europe for a run that kicks off on April 30 in Dublin and runs through a June 22 stop in Lisbon, Portugal. She will be back on U.S. shores on July 19 for a show at the Wells Fargo Center in Philadelphia.

Watch some fan footage of the special moment below.