Music

BET Media Group Slates Return of BET Experience

After a nearly five-year hiatus, BET Media Group’s annual BET Experience — the fan fest ramp-up to its annual BET Awards — is back. BET Experience 2024 (aka BETX 2024) will be presented by Walmart from June 26 to 30 in Los Angeles. The fest will also be co-produced by Live Nation Urban.

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The most recent BETX was held in June 2019 — and featured H.E.R. as a performer — and subsequently postponed owing to the pandemic. As before, 2024’s fan fest will celebrate Black expression, artistry and culture through various activations featuring a diverse array of star artists, experts and tastemakers.

In a release announcing BETX’s return, BET Media Group president/CEO Scott Mills said, “We are proud to reintroduce BET Experience in the vibrant city of Los Angeles to celebrate the best of Black culture and entertainment. BETX 2024 is set to deliver an unprecedented week of entertainment, engagement, and empowerment all anchored in the brilliance and creativity of Black culture and our community.”

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Added Louis Carr, president of media sales for BET Media Group, “BET Experience will be the ultimate destination for premier brands, such as our presenting partner Walmart, to authentically connect with fans and celebrate the richness of Black culture. Historically, BETX has been a core part of our brand success, offering bespoke opportunities for our partners to join our celebration of Black culture and directly engage with consumers and multiple segments of the Black community in meaningful, impactful ways.”

A key highlight of BETX 2024 will be its traditional multi-night concert series. Performances this year, to be announced at a later date, will take place at various L.A. venues including the YouTube Theatre, Miracle Theatre, Crypto.com Arena and the Hollywood Bowl, and then followed by the premiere of the BET Awards 2024 on June 30. Rounding out the activations once more will be comedy shows and immersive villages focused on fashion, health, beauty, sports, food and financial empowerment. Those will be supplemented by a marketplace featuring Black and women-owned businesses and panels on economic mobility in addition to pitch opportunities for entrepreneurs.

“It’s an honor to join forces with BET Experience as this year’s presenting partner, where we can continue to champion the unlimited potential of Black creators and entrepreneurs,” said Allison Rand. She leads brand experiential and talent partnerships at Walmart. “This event is a cultural catalyst, and we’re proud to support BET’s commitment to providing a platform for celebrating Black excellence and showcasing some of the most exceptional talents in the entertainment industry.”

For more information about BETX 2024, visit the website.

Will Benson Boone, Hozier or J. Cole Be Able to Overtake ‘Like That’ on the Hot 100 Next Week?

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard Hot 100 dated April 20), things get tight at the top for Future, Metro Boomin and Kendrick Lamar, with lingering threats from Benson Boone and Hozier and a new direct response from J. Cole.  

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Future, Metro Boomin & Kendrick Lamar, “Like That” (Boominati/Freebandz/Republic/Epic): After spending its first two weeks at No. 1, the excitement has finally started to settle down a bit over Future, Metro Boomin and Kendrick Lamar’s fiery hip-hop missive. The song is still a top performer, however, remaining in the top two on both Spotify’s Daily Top Songs USA chart and the Apple Music real-time listings. And the song saw revived interest over the weekend in the headlines, at least, as rap superstar J. Cole memorably responded to the song’s apparent callout as part of his own Might Delete Later mixtape, before expressing his regrets over doing so during the headlining set at his Dreamville Festival that Sunday.  



“Like That” is also starting to be embraced by radio, as the song leaps 34-21 as the Greatest Gainer on this week’s R&B/Hip-Hop Airplay chart (up 77% in audience), according to Luminate, and is trending towards a debut on the all-format Radio Songs chart. The big question for “Like That” may be on how it is able to maintain its performance beyond next week, however, as the sequel to its We Don’t Trust You parent set – aptly titled We Still Don’t Trust You – is scheduled to drop this Friday from Future and Metro Boomin, with who knows what kind of additional surprises in store. Will “Like That” remain top of mind for streamers and radio programmers through that release, or will its heat be swiped by an even newer, more exciting single?  

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Benson Boone, “Beautiful Things” (Night Street/Warner): Will it ever be Benson Boone’s turn at the top? “Beautiful Things” has been hanging around the Hot 100’s top tier for nearly a couple months now but has still yet to get past the runner-up spot – lingering at No. 3 this week behind “Like That” and Beyoncé’s Cowboy Carter-revived “Texas Hold ‘Em.” Next week could provide another real chance for the singer-songwriter, though, as “Things” should see a boost from Boone’s full-length debut Fireworks & Rollerblades, which of course features the breakout hit within its 15-song tracklist.  



In the meantime, “Beautiful Things” continues to grow at radio, as the song jumps 9-4 on Radio Songs, rising another 15% in all-format airplay audience this week. It’s currently the only song to rank in the top five of Radio Songs, Digital Song Sales and Streaming Songs, so with the expected consumption lift from Fireworks (and the start of his accompanying headlining tour), it may be now or never for Boone’s breakout smash to finally grab the Hot 100’s top spot.  

Hozier, “Too Sweet” (Rubyworks/Columbia): Few would’ve gone into 2024 expecting to involve Hozier in any discussions about the top of the Hot 100 – before last year’s comeback, he hadn’t even appeared on the chart since his No. 2-peaking “Take Me to Church” in 2015. But with 2023’s well-received Unreal Unearth and subsequent tour and an ever-growing TikTok presence, the Irish singer-songwriter is once again proving to be a real factor on the chart: He debuted three songs last week from the new Unheard EP, led by the No. 5-entering “Too Sweet.”  



“Sweet” climbs one spot to No. 4 this week, even outpacing any of the new debuts from Beyoncé’s blockbuster set Cowboy Carter. And there’s every indication that the song isn’t going to stop there: It’s climbed past “Like That” to the top of the Spotify Daily Top Songs USA chart, while also starting to find its footing on radio, trending towards debuts on the Adult Alternative Airplay, Pop Airplay and Adult Pop Airplay charts. If its trajectory continues, it might not be more than a week or two away from matching Hozier’s previous “Church” peak of No. 2 – if not even one-upping that enduring smash.  

J. Cole, “7 Minute Drill” (Interscope/ICLG): While “Like That” has multiple challengers for Hot 100 supremacy next week, only one of them can claim to be a direct answer to it: J. Cole’s “7 Minute Drill” was written in response to Kendrick Lamar’s tough-talking verse on the No. 1 hit, with Cole taking aim at Lamar’s catalog spottiness and general lack of recent productivity. It didn’t quite detonate on impact the way “Like That” did, with many pundits taking issue with its more measured, perhaps less-committed tone, but it still shot up to near the top of the DSPs’ daily charts and remained the most-debated song on social media all weekend.  


https://youtube.com/watch?v=5KRMLBh3-N4&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Complicating the chances for “7 Minute Drill” to achieve maximum chart impact is Cole himself walking the song back a couple days later, apologizing at his Dreamville headlining set for letting himself be dragged into the muck of the beef and announcing his intention to remove the song from streaming services. As of Wednesday morning (April 10) “Drill” was still available for listening on DSPs, but Cole’s repudiation of a song that many fans were already somewhat conflicted about may have cost it any chance of being a real threat to “Like That” on the chart next week anyway.  

Joe Budden Claims Drake & Kendrick Lamar Both Have Diss Tracks Ready: ‘It’s Nuclear’

With J. Cole bowing out, it’s left Kendrick Lamar and Drake in the ring, and the pair of hip-hop titans could be clashing soon. Joe Budden claimed on the Wednesday (April 10) episode of his eponymous podcast that Drizzy and K. Dot emerged from the studio with “nuclear” records that they’re gearing up to fire at one another.

“Whatever little rappy s–t you thought was going on, it’s not that and something’s coming,” he began. “I think that J. Cole knows that from either Drake, Kendrick or both. And it was time to bow out because we are no longer in the first round.”

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Budden said that sources relayed to him it’s wartime, with Drake and Lamar allegedly ready to face off.

“I have it on good information that both sides went in the booth and came out. And what I’m hearing about both sides is that it’s nuclear. It’s up, up. I’m hearing this from people that can rap,” he said. “So I wanna come in here and say that speculation time is over. Debate time is over.

“I been saying for a few pods that I’ve seen absolutely nothing from Drake to get me excited enough to think that he will be capable of doing what needs to be done against the likes of a Kendrick Lamar,” he added. “I’m here to say there is no longer any need for me to instigate anything. We’re here and apparently he did it and people heard it. I heard it’s bad.”

Billboard has reached out to Drake and Kendrick Lamar’s reps for comment.

Lamar relit the fuse in March with his scathing response targeting Drake and J. Cole on Metro Boomin and Future’s “Like That,” which is currently spending a second week atop the Billboard Hot 100.

J. Cole had jabbed back at K. Dot’s discography with his “7 Minute Drill,” but apologized and threw up the white flag 48 hours later during his headlining set at Dreamville Fest Sunday (April 7).

Watch Joe Budden talk about the potential upcoming tracks from Drake and Kendrick Lamar below:

Here Are All the Surprise Guests at Bad Bunny’s Most Wanted Tour So Far

Bad Bunny‘s Most Wanted Tour is in high gear, bringing his latest album, Nadie Sabe Lo Que Va a Pasar Mañana, to life across various U.S. cities. Meanwhile, he has invited multiple surprise guests along the way.

The Puerto Rican superstar kicked off his 2024 tour in Salt Lake City, Utah on February 21, promoted by Live Nation. According to Billboard Boxscore, the tour has already grossed $84.2M and sold 282K tickets across its first 18 shows, selling out venues everywhere it’s been.

The Most Wanted Tour features a 37-song setlist that spans El Conejo Malo’s diverse discography, with a focus on his latest album. In addition to the new songs, Bunny pays homage to his earlier work and his Latin trap roots. To see the complete setlist, click here.

In a handful of cities, Bad Bunny has been joined by some surprise guest artists, so far those include Young Miko, Feid, Bryant Myers, and Mora.

The Most Wanted Tour follows on the heels of Bunny’s record-breaking World’s Hottest Tour stadium run, and prior to that, El Último Tour del Mundo, which together closed in 2022 with a staggering $435 million in tour grosses. The current tour continues to build on this success, with sold-out shows and stops including several nights in Los Angeles, Chicago, New York and Miami.

As his U.S. trek carries on, fans can anticipate the surprises that await. Here are Bad Bunny’s surprise guests on his current Most Wanted Tour so far, in alphabetical order:

Wynonna Judd’s Daughter Grace Kelley Arrested for Indecent Exposure

Grace Kelley, the 27-year-old daughter of country star Wynonna Judd, was arrested in Alabama after she allegedly exposed herself at a busy intersection.

Kelley, whom Judd shares with ex-husband Arch Kelley III, was taken into custody on Friday afternoon (April 5) after she allegedly “exposed her breasts and lower body” at the intersection between Interstate 65 and Highway 14 in Millbrook, Ala., and refused to identify herself to police, according to local news stations AL.com and WSFA 12.

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Per online records for Elmore County Jail, Kelley was charged with indecent exposure and obstructing governmental operations, and her bond is set for $1000.

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Billboard has reached out to Judd’s representatives for more information.

Kelley has a history of legal trouble, stretching back to 2016 when she was arrested for meth possession. In 2018, she was sentenced to eight years in prison for violating her probation and leaving a court-mandated drug recovery program.

She was reportedly released from jail in late 2022, but was arrested and jailed in May 2023 for violating an order of protection and restraining order and violating parole, according to The Daily Beast. She was then released in October 2023.

Kelly also welcomed a daughter, Kaliyah Chanel, while on a temporary leave of absence from jail in March 2022.

Doechii Claps Back After Azealia Banks Shades Her: ‘I’m Sellin Platinum Records’

Whether it’s Megan Thee Stallion vs. Nicki Minaj, Drake and J. Cole v. Kendrick Lamar and Future, or the City Girls fighting each other, 2024 is filling up with rap beefs. The two latest rap stars to jump in the ring are “What It Is” hitmaker Doechii and “212” emcee Azealia Banks, who jumped in the former’s Instagram comment section to throw some shade on Tuesday night (April 9).

It all started when Doechii shared a few flicks from an artsy photoshoot on the social media platform Saturday (April 6). In her caption, she mused, “Ok y’all… what should our fandom name be?”

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In response to Doechii’s question to her fans, Banks replied, “Definitely should call them the ‘wannabe’s,’” insinuating that Doechii and her supporters are mere facsimiles of herself and her fandom.

Doechii quickly clapped back, commenting, “@azealiabanksforever the first time you came for me I let it slide outta respect for my elders. It’s not my fault you sellin bussy soap and I’m sellin platinum records. Leave me alone PLEASE.”

The RIAA bestowed a platinum certification on “What It Is” in February. Banks, in comparison, does not have a single or album certified by the RIAA.

Banks has yet to respond to Doechii’s jab, but that’s likely not too high on her priority list given her recent tussles with other high-profile artists. On Sunday (April 7), she shared an Instagram post in which she wrote that “Tyler, the Creator and Lil Nas X should get over their obsession with broke white b—y and become a power couple.” Two weeks prior on March 20, she dragged Beyoncé‘s Cowboy Carter album cover and title, only to later slam Lily Allen for talking down on Queen Bey’s country pivot.

Doechii, for her part, is enjoying the release of her latest single — the house-inflected “Alter Ego” — which features fellow Florida native JT of City Girls.

Since signing with Capitol Records and Top Dawg Entertainment in 2022, Doechii has enjoyed some of her biggest commercial success yet, including a top 40 Billboard Hot 100 hit with the Kodak Black-assisted “What It Is” and a collaboration with Billboard 200-topping superstar SZA (“Persuasive”).

Here’s When the 2025 Oscars Are Happening & Other Key Dates

The 2025 Oscars will be held on Sunday, March 2, one week earlier than the 2024 show, which was held on Sunday, March 10. And here’s good news for East Coasters who liked this year’s earlier starting time for the Oscars: The 2025 show will again begin at 7 p.m. ET.

The 2024 show clocked in at 3 hours 22 minutes, which means East Coasters were able to watch the full show and still turn in at a reasonable hour. In years past, millions of East Coast film fans had to choose between sticking around for the announcement of best picture and getting to bed before midnight.

The show will again be held at the Dolby Theatre at Ovation Hollywood, its home since 2002 (except for the pandemic-era show in 2021, when it was held at Union Station in Los Angeles).

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Nominations will be announced on Jan. 17, 2025 – just five days after nominations-round voting closes. Most awards shows take longer between the close of voting and the announcement of the nominations. The Oscars’ approach allows voters more time to see eligible films and make informed choices. (The Oscars take a bit more time to tally final-round ballots, which are due Feb. 18, 2025 — 12 days before the big show.)

This will be the second year that the Academy of Motion Picture Arts and Sciences will have Representation and Inclusion Standards (for which the Academy uses the acronym RAISE) to be eligible in the best picture category. As the Academy notes, these standards “are designed to encourage equitable representation on and off screen to better reflect the diverse global population.”

Thursday, Nov. 14 is the final day to submit a confidential Inclusion Standards form. Last year, the Academy required that producers meet at least two of these four standards: on-screen representation, themes and narratives; creative leadership and project team; industry access and opportunities; and audience development. (Read a detailed summary of the RAISE standards on the Academy’s site.)

Below are key dates for the 2024 Oscars season. (The Academy cautions that all dates are subject to change.)

Thursday, Nov. 14: General entry, best picture, RAISE submission deadline

Sunday, Nov. 17: Governors Awards

Monday, Dec. 9: Preliminary voting begins 9 a.m. PT

Friday, Dec. 13: Preliminary voting ends 5 p.m. PT

Tuesday, Dec. 17: Oscars shortlists announcement

Tuesday, Dec. 31: Eligibility period ends

Wednesday, Jan. 8, 2025: Nominations voting begins 9 a.m. PT

Sunday, Jan. 12, 2005: Nominations voting ends 5 p.m. PT

Friday: Jan. 17, 2005: Nominations announcement

Monday, Feb. 10, 2005: Oscars Nominees Luncheon

Tuesday, Feb. 11, 2025: Finals voting begins 9 a.m. PT

Tuesday, Feb. 18, 2025: Finals voting ends 5 p.m. PT

Tuesday, Feb. 18, 2025: Scientific and Technical Awards

Sunday, March 2, 2025: 97th Oscars

Beyoncé Rules Hot 100, Country Songwriters & Producers Charts Thanks to ‘Cowboy Carter’

On top of scoring her eighth No. 1 album on the Billboard 200 with Cowboy Carter, Beyoncé also reigns on Billboard’s Hot 100 Songwriters, Hot 100 Producers, Country Songwriters and Country Producers charts (dated April 13).

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Beyoncé rules the Hot 100 lists thanks to 23 total songs on the Billboard Hot 100. She’s credited as a co-writer on 20 and a co-producer on 21.

Here’s a look at all of Beyoncé’s songs on the latest Hot 100:

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  • No. 2, “Texas Hold ‘Em”
  • No. 6, “II Most Wanted,” with Miley Cyrus
  • No. 7, “Jolene”
  • No. 16, “Levii’s Jeans,” with Post Malone
  • No. 26, “Bodyguard”
  • No. 27, “Blackbiird,” with Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna Roberts
  • No. 30, “Ameriican Requiem”
  • No. 31, “Spaghettii,” with Linda Martell & Shaboozey
  • No. 37, “Daughter”
  • No. 38, “16 Carriages”
  • No. 39, “Ya Ya”
  • No. 42, “Protector,” with Rumi Carter
  • No. 44, “Tyrant,” with Dolly Parton
  • No. 51, “Riiverdance”
  • No. 52, “Alliigator Tears”
  • No. 54, “My Rose”
  • No. 59, “Just for Fun,” with Willie Jones
  • No. 60, “II Hands II Heaven”
  • No. 61, “Sweet * Honey * Buckiin’,” with Shaboozey
  • No. 63, “Flamenco”
  • No. 65, “Desert Eagle”
  • No. 70, “Oh Louisiana”
  • No. 87, “Amen”

Beyoncé is credited as a songwriter on all songs above except “Jolene,” “Blackbiird” and “Oh Louisiana” and as a producer on all except “Bodyguard” and “Tyrant.” Despite recording her version with added lyrics, Parton is credited as the sole songwriter of “Jolene.” John Lennon and Paul McCartney wrote “Blackbiird” (as “Blackbird,” released by The Beatles in 1968) and Chuck Berry penned “Oh Louisiana.”

For “Bodyguard,” Raphael Saadiq is credited as the sole producer and David Doman (aka D.A. Got That Dope) and Dave Hamelin produced “Tyrant.”



While Beyoncé tops Hot 100 Songwriters for the first time, she returns to No. 1 on Hot 100 Producers, which she first led for a week in 2022 upon the chart start of her album Renaissance.

Beyoncé also leads both Country Songwriters and Country Producers for the first time, thanks to 16 entries on Hot Country Songs. She co-wrote 13 of those tracks and co-produced 15.

Further, Beyoncé returns to No. 1 for a third total week atop the Billboard Artist 100.

Here’s a look at every U.S.-based Billboard chart dated April 13 on which Beyoncé is No. 1:

  • Billboard Artist 100
  • Hot 100 Songwriters
  • Hot 100 Producers
  • Country Songwriters
  • Country Producers
  • Billboard 200, Cowboy Carter
  • Top Streaming Albums, Cowboy Carter
  • Top Album Sales, Cowboy Carter
  • Top Current Album Sales, Cowboy Carter
  • Top Country Albums, Cowboy Carter
  • Americana/Folk Albums, Cowboy Carter
  • Tastemakers Albums, Cowboy Carter
  • Vinyl Albums, Cowboy Carter
  • Top Dance/Electronic Albums, Renaissance
  • Digital Song Sales, “Texas Hold ‘Em”
  • Hot Country Songs, “Texas Hold ‘Em”
  • Country Digital Song Sales, “Texas Hold ‘Em”
  • Country Streaming Songs, “Texas Hold ‘Em”

Billboard’s weekly Hot 100 Songwriters and Hot 100 Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings). Billboard launched its Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic in June 2019. Alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022.

The Dictionary of Latin Urban Music: Decoding Slang in Reggaetón & Trap Lyrics

We listen to it full blast, we sing the lyrics at the top of our lungs, and even relate to the song, but perhaps there are times we are unsure of what we’re actually singing — and that’s OK, because Billboard has curated the ultimate Latin urban dictionary of reggaetón and trap music. 

In this edition, we specifically focus on Puerto Rican slang, decoding the meaning of words such as “puñeta,” “chavos,” and “la movie,” to name a few, found in the most popular lyrics. 

“Puerto Rico is the epicenter of everything that happens with urban music in the entire world,” Siggy Vázquez, Puerto Rican hitmaker who’s worked with Myke Towers, Shakira, and more, tells Billboard. “There are many countries that have contributed to our music, we owe a lot to Panama, Jamaica, and the United States, but Puerto Rico maintained that essence and knew how to globalize the movement. I think that the slang that we Boricuas use is unique. It dates back to the neighborhood, from the experiences we go through every day, and I think that connection is marked and reflected with the slang that we use in reggaetón lyrics. Currently, it’s one of the important characteristics by which our music is influencing and reaching larger markets.” 

Evidently, Puerto Rican slang has transcended the Caribbean island and expanded into other countries. Colombian star Karol G released the empowering “Bichota” deriving from the Puerto Rican term “bichote” that describes someone who’s powerful; Dominican artist Natti Natasha dropped the provocative “Algarete”; and “Bellakeo” finds Brazilian sensation Anitta and Mexican phenomenon Peso Pluma singing about being turned on. 

“I think it’s great that other countries use our vocabulary,” reggaetón and trap artist Brytiago says to Billboard. “In this way we maintain our culture and vocabulary, and it’s a way to represent our flag and roots to other diverse cultures in music. Music is a universal language, it belongs to all of us. If our vocabulary inspires others, that’s a great thing because it helps us continue to represent the beginnings of our movement.”

“I think that was the main goal: to let the world know about our slang and have other countries be nurtured and help us diversify,” adds Vázquez. “I think the most important thing about this is that when you listen to the music and there’s a word that you don’t understand, you search its meaning and its origin. At the same time, we are talking about education and we are doing proactive things so that people can be oriented about our movement and culture.” 

From “al garete” to “corillo” to “tiraera,” check out the list below.

Olivia Rodrigo Reunites With ‘High School Musical’ Castmates at the Guts World Tour Show in NYC

Once a Wildcat, always a Wildcat. Some of Olivia Rodrigo‘s former High School Musical: The Musical: The Series castmates showed their support for the 21-year-old pop star by coming to see her Guts World Tour show at Madison Square Garden Tuesday night (April 9), after which they all met up backstage to pose for a photo.

In grainy videos taken by fans at the concert, Disney actors Larry Saperstein, Julia Lester, Joe Serafini and Frankie Rodriguez were among the 10-thousand-plus fans at the venue, where Rodrigo played her final of four New York City Guts shows. After she performed tracks from Guts as well as her hit debut album Sour — much of which has long been rumored to be about HSM costar Joshua Bassett, who was not in attendance — Rodrigo greeted the gang backstage.

“danced our GUTS off!! ?,” Saperstein wrote on Instagram afterward, sharing a photo of the five stars smiling for the camera with Liv in the center.

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Also in attendance were Conan Gray, Rodrigo’s best friend and fellow singer-songwriter, as well as Heartstopper‘s Joe Locke. Another fan video captured the two dancing together to the headliner’s closing number, “Get Him Back!”

The “Drivers License” singer’s four-night stay at MSG was eventful, with both Noah Kahan and Jewel taking the stage at separate shows for surprise guest duets with Rodrigo. During her first night in New York City, she spotted yet another High School Musical costar in the crowd: Michelle Noh, who played Rodrigo’s character’s mom in the series.

With the final MSG show in the books, Rodrigo has officially wrapped the North American leg of her first-ever arena tour. Later this month, she’ll launch a run of European shows starting in Dublin, after which she’ll return to the U.S. on July 19 for a performance at the Wells Fargo Center in Philadelphia.

See clips of the HSM:TM:TS cast, Conan Gray and Joe Locke at the Guts World Tour below.