Music

Jordan Davis’ ‘Tucson Too Late’ Travels to No. 1 on Country Airplay Chart

Jordan Davis rolls up his fifth leader on Billboard’s Country Airplay chart as “Tucson Too Late” ascends to No. 1 on the survey dated May 18. It increased by 14% to 30.5 million in audience May 3-9, according to Luminate.

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The song was co-authored by two pairs of brothers: Jordan and Jacob Davis and Josh and Matt Jenkins. It’s from Jordan Davis’ Bluebird Days, which arrived at its No. 3 peak on Top Country Albums in March 2023, becoming his second and top-charting top 10. His rookie LP, Home State, entered at its No. 6 peak in April 2018.



The 36-year-old from Shreveport, La., previously led Country Airplay with “What My World Spins Around,” for two frames in January 2023; “Buy Dirt” (featuring Luke Bryan; two weeks beginning in January 2022); “Slow Dance in a Parking Lot” (one week, April 2020); and his debut hit “Singles You Up” (one, April 2018).

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New ‘Country’ Top 10

Jason Aldean banks his 38th Country Airplay top 10 as “Let Your Boys Be Country” bumps 12-10 (16 million, up 6%). It follows “Try That in a Small Town,” which reached No. 2 in October 2023 and became his 10th No. 1 on the multimetric Hot Country Songs chart and his first on the all-genre Billboard Hot 100.

Aldean claims the eighth-most top 10s since Country Airplay launched in January 1990. Kenny Chesney and George Strait lead with 61 each, followed by Tim McGraw (60), Alan Jackson (51), Keith Urban (44), Toby Keith (42) and Brooks & Dunn (41). Aldean breaks out of a tie with Reba McEntire, who leads all women with 37 top 10s.



Post Malone, Wallen Lead Debuts

Post Malone and Morgan Wallen’s “I Had Some Help” makes the highest debut on Country Airplay, at No. 18 with 10.4 million audience impressions from its first day of availability. The song was released to country radio May 9 and received hourly plays on participating iHeartMedia stations. It’s Post Malone’s first Country Airplay entry as a lead act, and second overall, after late hitmaker Joe Diffie’s “Pickup Man,” on which he’s featured, hit No. 44 in January. (Taylor Swift’s “Fortnight,” featuring Post Malone, has topped the Hot 100 for two weeks running, having become his fifth No. 1.)

Marshmello hits Country Airplay for the first time, via his new collaboration with Kane Brown, “Miles on It,” which opens at No. 30 (4.7 million). They previously combined for “One Right Thing,” which led the streaming-, airplay- and sales-based Hot Country Songs chart for a week in 2019.

Miranda Lambert’s new single “Wranglers” opens at No. 37 on Country Airplay (3.6 million). Lambert, who has achieved seven No. 1s among 15 top 10s, spent her entire career with Sony Music Nashville before signing with Republic Records in April in a partnership with Big Loud, which will promote her music to country radio.



Also on Country Airplay, legend Randy Travis makes his first appearance in 15 years. Travis, who boasts 16 No. 1s among 30 top 10s on Hot Country Songs, arrives at No. 45 with “Where That Came From” (2.1 million). He last hit Country Airplay as featured on Carrie Underwood’s “I Told You So,” which rose to No. 2 in 2009; his original solo version topped Hot Country Songs in 1987.

Travis’ new single was crafted with through the use of AI. Said the 64-year-old, who suffered a stroke in 2013, in a statement, “By God’s grace and the support of family, friends, fellow artists and fans, I’m able to create the music I so dearly love. Many thanks to my wonderful team and the best fans in the world for putting me back in the saddle again! I’ve enjoyed every moment of it.”

Black Thought Calls J. Cole’s Apology to Kendrick Lamar ‘A Beautiful Thing’

The Roots frontman Black Thought appeared on the This Week In White Supremacy podcast and was asked about J. Cole’s infamous apology to Kendrick Lamar by host Jasiri X. Interestingly enough, the emcee had no issues with Cole taking that route and actually applauded his decision.

The Philly rapper, who’s also an adjunct instructor at the Clive Davis Institute of Recorded Music at NYU Tisch School of the Arts, mentioned his students asking him what he thought about the apology. “Some of my students at NYU asked me a week ago asked me how I feel about J. Cole’s apology to Kendrick a day or so after putting out a diss record,” he said. “Though I hadn’t heard any of the music, I thought it was a beautiful thing. I thought that’s what’s unprecedented.”

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He continued by bringing up rap’s violent history when it comes to beef, saying, “What we’ve seen, time and time again since the ’80s, are MCs going back and forth, like battling out. Sometimes they keep it to the records, sometimes it gets physical and it gets crazy.”

So, he applauded Cole for looking at the bigger picture. “What we’ve yet to see is somebody nip that in the bud, right? That’s what I felt like he was in effect doing. I felt like it just showed humility, nobility and a sense of elevation that you don’t see too often across the board.” He then added, “When the plane’s going down, you gotta situate your own oxygen mask first. He’s been on a trajectory of just that, self-revelation, and investing in himself. His mind, spirit, body, soul, music, everything is better for it.”

Thought admitted he doesn’t know the Carolina rapper very well personally, but is familiar with his music and revealed that back in 2018 they almost did a joint album together. However, he feels like he might’ve scared Cole away. “He sent me a batch of beats and they all just felt so close to, I guess, something Roots-centric. At the time, I was trying to sort of step outside of what I’d done with The Roots and I just didn’t feel like we were lining up.” He then asked Cole for a different pack of beats adding, “So I think I asked him to do a different batch. I gave him an explanation, and in my explanation I think I scared him off. Maybe some of the trigger words that I was using, like, ‘I want something hard! This beat ain’t aggressive enough. He wasn’t on that. He was on a peaceful journey.”

Check out the clip below and watch the entire podcast here.

Justin Bieber’s Wax Figure Wears a Baby Carrier at Madame Tussauds Following Hailey Bieber Pregnancy News

Justin Bieber is a soon-to-be dad, and Madame Tussauds celebrated the exciting news that his wife, Hailey Bieber, is pregnant in a unique way.

The singer’s wax figure at Madame Tussauds London got a new addition on Friday (May 10) — a baby carrier so JB can practice before his baby arrives. A baby doll is seen inside the carrier, and fans can check out Justin’s updated figure in the Impossible Festival zone at the attraction.

Justin Bieber's Madame Tussauds Wax Figure Wears a Baby Carrier

Justin Bieber’s Madame Tussauds Wax Figure Wears a Baby Carrier

Madame Tussauds London

The addition to his wax figure comes just a day after the “Love Yourself” singer and Rhode founder took to Instagram to share a series of photos and videos from a film shoot celebrating the renewal of their vows among a meadow, in which Hailey is seen wearing a skin-tight lace gown, cradling her growing baby bump as Justin snaps photos of her. 

The couple officially wed in September 2018 at a New York City courthouse. A year later, they flew down to the Montage Palmetto Bluff hotel in South Carolina with their friends and family for a more traditional wedding ceremony and star-studded party.

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They have yet to reveal the gender or due date of their upcoming bundle of joy.

Friday Dance Music Guide: The Week’s Best New Tracks From TroyBoi, TEED & Anna Lunoe, Alesso & More

This week in dance music: We shared images of the earliest days of The Chemical Brothers taken from the duo’s new retrospective book, Paused in Cosmic Reflection, Charli XCX spoke about writing music for Britney Spears and Hot Since 82 shared a terrifying story about being chased by gunmen in Brazil.

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And of course, these are the best new dance tracks of the week.

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TroyBoi, “Híbrido”



London’s TroyBoi has always been especially adept at fusing harder bass with the softer, more sensual side of low end, with that latter element arguably never stronger in his catalog than on his latest, “Híbrido.” Made for that cool down part of the night, the track brings together a hypnotic vocal sample, a sultry melody, spare, crisp percussion and a restrained, mature build and release. The track follows TroyBoi’s Coachella 2024 set at the Do Lab stage and comes from his 4 on the Floor EP coming in June.

“I love to combine different genres together into my work,” the producer born Troy Henry says. “After completing the song, I listened to it and realized I fused elements of baile funk, house, U.K. garage, R&B and funk all together. It truly sounded like a hybrid track and that’s how I came up with the name ‘Híbrido’.” Henry’s other summer dates include EDC Las Vegas, HARD Summer and Ubbi Dubbi.

Anna Lunoe & Totally Enormous Extinct Dinosaurs, “Right Here”



Two of the scene’s most cerebral producers unite for a predictably excellent house production, “Right Here.” Out through Nina Las Vegas’ NLV Records, the track is pure uplift, winding to a place of blissful abandon but maintaining heft and power through it’s acid-influenced bass and percussion. The track comes ten years after the duo’s first collaboration, “Feels Like,” with Lunoe calling this new one “a sassy anthem to remind you who the main character is in your life… (you!)”

Alesso, Hypnotize


https://youtube.com/watch?v=O0NH70OhUto&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

You might call remixing Corona’s “The Rhythm of the Night” (which celebrates its 30-year anniversary this year), messing with perfection. But Alesso makes it work. His take on the classic turns up the gothic drama dial with a very Hans Zimmer Interstellar-style intro, before transitioning into a full on deep house production that still maintains the size and grandiosity that’s defined so much of the producer’s work over the last 10-plus years. “The Rhythm of the Night” comes from Alesso’s new three-track Hypnotize EP, with this project officially marking his transition into club-focused productions coming via his new label, Body Hi.

DJ Seinfeld, “If U Like Me”



Coming off a pair of sets at Coachella last month, Sweden’s DJ Seinfeld drops his first new solo music since 2022 with “If U Like Me.” Out via Ninja Tune, the track is a 2-step club song that balances lyrics about club-style love (“yeah I can’t wait to find out if I’m leaving with you”) with a dash of woozy, minor key melancholy. Seinfeld upcoming dates include a flurry of European festivals and DC10 in Ibiza on May 20.

Hot Since 82 feat. Ron Carroll, “Preach”



While Hot Since 82 hit a very rough patch last week with the aforementioned situation in Rio de Janeiro where he was pursued by a car full of gunmen, this week ends on a much brighter note with the release of “Preach.” Out as part of Defected Records’ Together series — which pairs talent from the past and present of the U.K. label — this song finds the English artist working with Chicago legend Ron Carroll on a soulful, slow-burn, big-build, huge-payoff house production. The track features a vocal sample from power-lunged Chicago house singer Shawn Christopher, who wails (quite appropriately in this case) that while everything in life has its ups downs “if you turn to the music, everything is going to be alright.”

Netherlands’ Joost Klein Barred From Eurovision Rehearsals After ‘Incident’

Joost Klein, the Netherlands’ representative in the 2024 Eurovision Song Contest, is being investigated by the European Broadcasting Union for an “incident.” No details have been made public yet, but Klein is suspended from rehearsals. It is not known if he will be able to continue in the competition.

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The EBU statement did not shine much light on the situation: “We are investigating an incident reported to us concerning the Dutch artist. He will not be rehearsing until further notice. We have no further comment at this time and will update in due course.”

The second dress rehearsal for the grand final is now underway at the Malmö Arena in Sweden. The Netherlands is in fifth position. Nothing will seem amiss in the venue. SVT, the Swedish TV broadcaster, will use Klein’s rehearsal from semi-final 2 unless the incident is cleared up in the next few minutes. The EBU is in talks with Dutch broadcaster Avrotros.

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The broadcast begins with the traditional “flag parade,” with the artists striding on the stage in performance order. Klein appeared in the ceremony in the first dress rehearsal on Friday (May 10) afternoon. When it was time for him to perform, his stage props were being set up on stage when they were suddenly removed. He was absent from the evening rehearsal flag ceremony. The voiceover announcer proclaimed, “Netherlands,” but no one appeared to show off the nation’s flag.

The dress rehearsal currently underway is an important one; the national juries are watching and will cast their votes tonight.

While details about the incident are not known, Billboard got wind of speculation that there was a backstage incident between Klein and someone working on the show — but cannot confirm anything. There was tension between Klein and Israel’s singer, Eden Golan, at a Thursday (May 9) night press conference for the 10 qualifying countries in semi-final 2. Golan was asked if her presence at the contest presented a security risk.

The moderator told Golan she need not answer, and Klein shouted out, “Why not?” Golan then voluntarily said that the EBU was committed to a safe and inclusive environment for all. The assembled press corps burst into applause.

Israel follows Netherlands in the running order, so it is likely that the two artists were in close proximity during the afternoon rehearsal.

This is a developing story.

NBA Legend Shaquille O’Neal Drops Shannon Sharpe Diss Track Following NBA MVP Criticism

Shaquille O’Neal is no stranger to the rap world and with beef running rampant throughout the genre, the NBA icon is ready for battle.

NFL Hall-of-Famer Shannon Sharpe heavily criticized Shaq on his Nightcap podcast earlier this week after the former Laker critiqued Denver Nuggets star Nikola Jokic winning a third NBA MVP in four years.

Shaq said that Oklahoma City guard Shai Gilgeous-Alexander “deserved” to win the title,and he candidly told that to Jokic’s face in an interview after collecting his latest accolade.

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Sharpe took issue with O’Neal’s remarks. “Shaq should have five MVP’s,” he said. “He sees a guy like Nikola Jokic that’s not as dominant as him and gets three in four years. When you historically great, they talk about you as a great basketball player, the GOAT, and Shaq is never brought up.

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Sharpe continued, accusing Shaq of jealousy. “I think a part of him is envious of that … It’s hard for me to put someone in the GOAT conversation with one MVP. If Shaq would have had my work ethic, he would have had 40,000 points,” he added.

O’Neal took to Instagram early Friday (May 10) to serve up a scintillating and long-winded response on his Instagram featuring a photo that had Sharpe ranked at the No. 51 best player of all time.

“You took me sticking up for @shai as jealousy?? Shows how smart you are and how you say anything to get clicks. so here’s some click bait for you. if you ain’t ranked in the top ten in your profession , then you can’t speak on Me. don’t forget i know what you did to get where you at,” he wrote.

“Me jealous lol sounds like you jealous. i kno you tryna stay relevant by gossiping on your podcast. we don’t believe you. you need more people and in case you forgot. 4 rings three finals Mvp top 50 and top 75. google me.”

His caption sounded as if it could’ve been a fiery rap. Hours later, Shaq served up an actual Shannon Sharpe diss track on Friday’s episode of The Big Podcast.

“Oh no, Shannon Sharpe man, you’re way beneath me/ Your whole demeanor is faker than new rapper beefy/ You’re soft before you get fly, you’d rather tweet me/ I was in three different cars when you was in three feet/ All I see is dollar signs, they coming in 3-D,” he spews.

“Make it hot, ain’t no way around my degrees/ You are not in my spot, you are like a peewee/ I’ve got him calling me Rocky the way I RiRi,” he spit. “I get to the green bag, I don’t mean a lawnmower/ Jet flying, foreign driving, best buying, downpour.”

Listen to the diss track below.

John Mayer Pens Letter Clarifying His Friendship With Andy Cohen

John Mayer is setting the record straight.

The “Your Body Is a Wonderland” singer penned a letter in response to a recent The Hollywood Reporter interview with TV host Andy Cohen, who has maintained a close friendship with Mayer over the years. “Your friendship with Mayer has been the subject of intense speculation,” the reporter, co-editor in chief Maer Roshan, asked, in regards to tabloids speculating the nature of the relationship between openly gay Cohen and openly straight Mayer. “People seem dubious that a straight rock star can have a close, platonic relationship with a gay TV personality.”

In response, Cohen said, “Let them speculate. I honestly love John Mayer, and he loves me. But because we are so affectionate to each other, people don’t know what box to put that in. They assume we are sleeping with each other, which we are most definitely not.”

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However, Mayer took it a step further, sending an email to Roshan personally. In his letter, he noted the history of friendships between straight and gay people, and gave the public the benefit of being able to discern that friendship comes in all forms. “I’d like to think they’re sophisticated enough to see a relationship like ours without assuming it must include a sexual component,” he wrote. “That turns the concept of being gay into an ignorantly two-dimensional one, which I know you know it’s not. I don’t question that at all.”

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He concluded, “Reinforcing the idea that any gay/straight relationship needs qualification that it’s not sexual devoids everyone involved of their dignity.”

Cohen and Mayer have had an envy-worthy, mutually caring friendship for years, stemming back to 2015 when they went on a road trip together to watch the Grateful Dead, whom they both love. “John Mayer is someone who is very in touch with his emotions He very quickly in our friendship started saying, ‘You know what, I gotta tell you something — I love you,’” Cohen said in a 2022 Table for Two with Bruce Bozzi interview of their friendship. “He is someone to say, ‘I love you and I cherish you and I cherish our friendship’ — just this stuff that straight guys aren’t necessarily supposed to say.”

Read the full letter, via THR, below.

Hi Mr. Roshan,

I read your interview with Andy Cohen, and was intrigued by your line of questioning regarding our friendship. You posited that “your friendship with Mayer has been a subject of intense speculation. People seem dubious that a straight rock star can have a close platonic relationship with a gay TV personality.”

I think this is somewhat of a specious premise. First, there is a long and storied history of “rock stars” (not mocking, just won’t refer to myself as one) befriending gay icons and artists.

Second, I think that to suggest that people are dubious of a friendship like mine and Andy’s is to undermine the public’s ability to accept and understand diversity in all facets of culture, be it in art or in real life. I’d like to think they’re sophisticated enough to see a relationship like ours without assuming it must include a sexual component. That turns the concept of being gay into an ignorantly two-dimensional one, which I know you know it’s not. I don’t question that at all. 

I love intelligent discourse — as I hope you’ll find this email to be — but I bristle at your selectively flimsy logic meant to coax an answer, when the premise itself is so deeply flawed, and quite possibly not even quantitatively true. 

Quite simply, if someone is dubious of a platonic relationship between a straight man and a gay man, I don’t think that shallow a view deserves clarification by anyone with self respect, be it Andy or your publication. Reinforcing the idea that any gay/straight relationship needs qualification that it’s not sexual devoids everyone involved of their dignity. 

Respectfully,
John Mayer

Tee Grizzley & Future Go Off in Video for New Song ‘Swear to God’

We’ve been had! We’ve been took! We’ve been hoodwinked! Bamboozled! Yesterday, everyone (including us) assumed Future was dropping a mixtape after the Atlanta rapper posted a series of tweets on X saying his album is better than [insert rapper’s] mixtape and even evoked his “Mixtape Pluto” moniker.

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Everyone also thought he had beef with Gunna because Gunna tweeted this out:

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However, Gunna was talking about his new album in which he appears to takes shots at — you guessed it— Drake. Yeah, that Drake. Meanwhile, Future was referring to this new track with Tee Grizzley all along. We’re not mad at it, though, because both of them went off. In the video, they post up at the jewelry store, the gas station, and Kiki at the River in Miami to give us a banger.

Future hops out the whip and starts things off with the bar that got everyone talking: “F—k your album, s—t ain’t slappin’ like my mixtape.” Future seems to be in a zone and he showed why here. The Detroit rapper was talking heavy, as well, spittin’, “Street n—a from the trenches, swear to God, I made millions (I did)/I went and made that, n—s gave you that, b—h n—a, it’s a difference (Be cool)/N—s losin’, we winnin’, want smoke ’cause they in they feelings.”

The song is hard, but we thought Mixtape Pluto was making a comeback. His fans felt the same way, too. Check out some of their reactions below.

Billboard Explains: Stray Kids’ Chart Success

Leave it to Stray Kids to keep the hits coming! On Friday (May 10), the Billboard Music Award-winning K-pop group released its new Charlie Puth-assisted single, “Lose My Breath,” marking the group’s third single of 2024. In celebration of the new release, Billboard is looking back on the boy band’s impressive chart history.

Stray Kids made its Billboard chart debut back in 2017 with “Hellevator,” which eventually peaked at No. 6 on World Digitial Song Sales. That spunky track became the group’s first of 27 top 10 hits on the chart, including four chart-toppers. 2021’s “Mixtape: Oh,” became their first song to top the ranking, and the following year, they added two additional No. 1 hits with “Maniac” and “Case 143.” 2023’s “Lalalala” is the group’s most recent track to reach the summit.

“Lalalala” also served as Stray Kids’ first Billboard Hot 100, topping out at No. 90. Over on the Billboard 200, SKZ has achieved remarkable success. All four of the group’s charting projects — 2022’s Maxident and Stray Kids Mini Album: Oddinary (EP) and 2023’s Rock-Star and 5-Star — debuted at No. 1 on Billboard’s all-genre albums chart. Stray Kids is the first act to send its first four charting albums to No. 1 on the Billboard 200 since Alicia Keys (2001-2007).

On the Billboard Global 200, the boy band has notched seven entries, including its sole top 10, “Lalalala” (No. 10) in 2023.

With their new Charlie Puth collab set to ignite the charts soon, Stray Kids is on track to continue adding to its arsenal of Billboard chart achievements.

After the video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boomthe role record labels playorigins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and more.

5 Latina Artists Share How Motherhood Reshapes Their Music

Motherhood can inspire a number of profound changes, not only personally but also artistically. For many singers, becoming mothers affects their creative approaches, priorities and overall messages.

With Mother’s Day just around the corner — the second Sunday of May in the United States and other countries, May 10 in Mexico — new mothers in Latin music enlighten us on how motherhood has inspired their creativity.

(See also our list of “25 Latin Songs to Celebrate Mother’s Day”.)

This year, for example, Kali Uchis released Orquídeas, her fourth studio album. The production pays homage to Colombia’s national flower, which symbolizes beauty and resilience, but is also a celebration of femininity in which the artist shares her reflections as a new mother. Uchis revealed her first pregnancy with longtime partner, rapper Don Toliver, in the music video for her double track “Tu Corazón Es Mío” / “Diosa.”

Another touching story comes from Colombian couple Greeicy and Mike Bahía, who chose the music video for their 2022 single “Att: Amor” as a tender announcement of their impending parenthood. The song’s refrain, “Whenever there’s love, we’ll be witnesses of the most beautiful creation,” resonates with their fans.

Cazzu, another key figure in the contemporary Latin music scene, caused buzz when she announced that she was expecting her partner Christian Nodal’s child. During a concert at the Movistar Arena in Buenos Aires, she dramatically dropped her white coat to show her baby bump, turning her performance into a personal moment.

Below, Kali Uchis, Yuridia, Greeicy and more women in Latin music share how motherhood has expanded and deepened their creative process, in their own words.

Additional reporting by Ingrid Fajardo and Jessica Roiz.