Music

Maya Rudolph Channels Madonna & Beyonce While Embracing ‘Mother’ Status in ‘SNL’ Monologue: Watch

Maya Rudolph has officially achieved “Mother” status on Saturday Night Live.

During her opening monologue on the Mother’s Day episode on May 11, the former SNL cast member gave a show-stopping musical performance that channeled Madonna‘s hit song “Vogue” and Beyonce‘s Renaissance aesthetics.

The glitzy monologue opened with the actress-comedian mentioning to the audience that she’s a four-time mother. SNL cast member Bowen Yang quickly chimed in to remind her, “But Maya, look — you’re not just a mom. You’re Mother,” adding, “You were the first to slay the house down boots, queen!”

Rudolph takes a liking to the new title and celebrates with a throbbing dance number while sporting a reflective black bodysuit and strutting through Studio 8H — aka the “House of Rockefeller” — surrounded by elaborately dressed backup dancers.

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“I’m your mother/ I’m your mother,” she repeats in a Madonna-esque fashion. “I’m your… Oops, I’ve made you dance/ Remember that movie when I pooped my pants?/ When you were a baby, you pooped your pants and I changed your diaper/ I’m your mother.”

SNL‘s Chloe Fineman and her adorable dog interrupt the party by asking Rudolph if “dog moms” should also be honored on Mother’s Day. “What about them?” she replies. “And honey, that’s not a dog, that’s a b—-.”

Saturday’s SNL marked Rudolph’s third time hosting the long-running sketch comedy show since leaving the program as a cast member 17 years ago.

Elsewhere during the episode, Rudolph reprised her role as Beyonce for a hilarious parody of the chicken wing-themed YouTube series Hot Ones. In the sketch, a follow-up to her parody from 2021, the comedian dons a cowboy hat and red, white and blue getup similar to the outfit Queen Bey sports on the cover of her latest album, Cowboy Carter, which debuted at No. 1 on the Billboard 200 in early April.

Watch Rudolph’s SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.



Brandon Lake, Anne Wilson, Elevation Worship Lead K-LOVE Fan Awards Nominees

“Praise You Anywhere” hitmaker Brandon Lake, CCM and country musician Anne Wilson and music collective Elevation Worship are among the artists topping the list of nominees for the fan-voted, 11th annual K-LOVE Fan Awards, which is set to return to the Grand Ole Opry House on Sunday, May 26, Billboard can exclusively reveal.

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Fan voting for the awards opens at 6 p.m. CT on Monday (May 13) and runs through 6 p.m. CT on May 24 at klovefanawards.com.

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Lake leads this year’s nominees with four nominations, including nods for artist of the year, male artist of the year, song of the year (“Praise You Anywhere”). Wilson, Elevation Worship, Phil Wickham, Matthew West and TobyMac each earned three nominations. Wilson is up for artist of the year, female artist of the year, and song of the year (“Strong”).

Among Elevation Worship’s nominations are group of the year and worship song of the year (“Praise”), while Wickham picked up nominations in categories including artist of the year and worship song of the year (“I Believe”). West, a 12-time Billboard Christian Airplay chart-topper, has nominations in categories including artist of the year and song of the year (“Don’t Stop Praying”) while 13-time Billboard Christian Airplay chart-topper TobyMac’s nominations include song of the year (“Faithfully”) and artist of the year.

Among those with first-time nominations in various categories are Stephen McWhirter (“Come Jesus Come”), Housefires featuring JWLKRS and Ryan Ellis (“I Thank God”), “Counting My Blessings” singer Seph Schlueter, “Good Day” hitmaker Forrest Frank, Caleb & John (“Hallelujah Feeling”) and Josiah Queen (“The Prodigal”), as well as Terrian, who earned her first nomination as female artist of the year, as well as a nomination for breakout single, for “Big God.”

The awards ceremony, hosted by Lake and Sadie Robertson Huff, will broadcast on TBN on May 31. In addition to music-related categories, the awards highlight impactful films, television series, books, and podcasts.

The awards ceremony, sponsored by Coca-Cola Consolidated, will conclude the K-LOVE Fan Awards weekend, which launches with a Friday evening (May 24) kickoff concert, a Worship in the Round event, emerging artist showcase, songwriter’s showcase and a Sunday morning worship service.

See the full list of 2024 K-LOVE Fan Awards nominees below:

Artist of the year

Anne Wilson 

Brandon Lake 

Casting Crowns 

for King & Country 

Lauren Daigle 

Matthew West 

Phil Wickham 

TobyMac 

Song of the year

“Come Jesus Come” – Stephen McWhirter 

“Don’t Stop Praying” – Matthew West 

“Faithfully” – TobyMac 

“I Thank God” – Housefires f/JWLKRS & Ryan Ellis 

“Praise” – Elevation Worship 

“Praise You Anywhere” – Brandon Lake 

“Somebody To You” – Rachael Lampa f/Andrew Ripp 

“Strong” – Anne Wilson 

Male artist of the year

Brandon Lake 

Chris Tomlin 

Crowder 

Jeremy Camp 

Matthew West 

Phil Wickham 

Tauren Wells 

TobyMac 

Female artist of the year

Anne Wilson

CeCe Winans

Katy Nichole

Lauren Daigle

Natalie Grant

Rachael Lampa

Tasha Layton

Terrian 

Worship song of the year

“Fear is Not My Future” – Maverick City Music 

“Firm Foundation” – Cody Carnes 

“Holy Forever” – Chris Tomlin 

“I Believe” – Phil Wickham 

“I Thank God” – Housefires f/JWLKRS & Ryan Ellis 

“Praise” – Elevation Worship 

“Praise You Anywhere” – Brandon Lake 

Breakout single

“Big God”- Terrian 

“Come Jesus Come” – Stephen McWhirter 

“Counting My Blessings” – Seph Schlueter 

“Good Day” – Forrest Frank 

“Hallelujah Feeling” – Caleb & John 

“The Prodigal” – Josiah Queen 

Group of the year

CAIN 

Casting Crowns 

Big Daddy Weave 

Elevation Worship 

Maverick City Music 

MercyMe 

We Are Messengers 

We The Kingdom 

Film impact

Sound of Freedom 

The Shift

After Death 

The Chosen Season 4 (Theatrical Release)

Big George Foreman 

The Blind 

Journey to Bethlehem 

Ordinary Angels 

TV/streaming impact

Jonathan & Jesus

Chasing CAIN

Eleanor’s Bench

Going Home (Season 2)

The Wingfeather Saga

Book impact

Mostly What God Does – Savannah Guthrie

Like A River – Granger Smith

Untangle Your Emotions – Jennie Allen

Practicing the Way – John Mark Comer

Rescue Story – Zach Williams

The Digital Fast – Dr. Darren Whitehead

Upon Waking – Jackie Hill Perry

The Awe of God – John Bevere

Podcast impact

Cooper Stuff – John Cooper

WHOA That’s Good – Sadie Robertson Huff

That Sounds Fun – Annie F. Downs

Made for This – Jennie Allen

The Candace Cameron Bure Podcast – Candace Cameron Bure

Back Porch Theology – Lisa Harper

Vampire Weekend Rocks ‘SNL’ With Performances of ‘Gen-X Cops’ and ‘Capricorn’: Watch

Vampire Weekend returned to Studio 8H to perform songs from their latest album.

During the May 11 episode of Saturday Night Live, hosted by former cast member Maya Rudolph, the Ezra Koenig-led rock quartet delivered a pair of tracks from their fifth studio album, Only God Was Above Us, which debuted at No. 27 on the Billboard 200 albums chart in late April.

The Columbia-bred rock outfit opened their SNL musical guest gig with “Gen-X Cops” and closed with “Capricorn.” Both tracks appear on the group’s new set, the follow-up to 2019’s Father of the Bride, which took home a Grammy Award for best alternative music album.

Saturday’s episode marked the “A-Punk” band’s fourth time on SNL, after making their first appearance in March 2008, not even two months after the release of the self-titled debut album that put them on the map.

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Elsewhere during the episode, Rudolph reprised her role as Beyonce for a hilarious parody of the chicken wing-themed YouTube series Hot Ones. In the sketch, a follow-up to her parody from 2021, the comedian dons a cowboy hat and red, white and blue getup similar to the outfit Queen Bey sports on the cover of her latest album, Cowboy Carter, which debuted at No. 1 on the Billboard 200 in early April.

Rudolph also performed a glitzy Madonna-inspired song during her monologue in honor of Mother’s Day on May 12.

Saturday Night Live‘s season 49 finale on May 18 will be hosted by actor Jake Gyllenhaal and musical guest Sabrina Carpenter.

Watch Vampire Weekend’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


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Maya Rudolph’s Beyonce Returns for More Spicy Wings in ‘Hot Ones’ Parody on ‘SNL’: Watch

Maya Rudolph‘s Beyonce is back for some more spicy wings.

The former Saturday Night Live cast member returned to the long-running sketch comedy show as host on May 11, reprising her role as the superstar singer in a parody of the chicken wings-themed YouTube series Hot Ones.

In the sketch, a follow-up to her parody from 2020, Rudolph dons a cowboy hat and red, white and blue getup similar to the outfit Queen Bey sports on the cover of her latest album, Cowboy Carter, which debuted at No. 1 on the Billboard 200 in early April.

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“This is the only thing that I attempted that I did not slay, and that bothered both me and my husband, my husband is Jay-Z,” Rudolph’s Beyonce tells host Sean Evans (played by SNL‘s Mikey Day), referring to the original skit.

Things start off mild as Rudolph’s Bey samples her first wing while answering a question about her new country-themed album.

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“I just thought who gets to define country music, why not me?” she says. “This is a tasty wing, not that spicy. I’m from Texas baby, your girl likes it caliente. Let’s do the next one.”

As she begins to sample more hot wings, “Beyonce” becomes increasingly more uncomfortable with the rising temperatures.

“This wing is stomping my a–. Damn, my bones are hot,” she says after sampling sauces, including “Satan’s Taint Charred Chili” and “Sergeant Sphincter’s Volcanopeno.”

Similar to the 2020 parody, Bey’s handler eventually takes control of the situation and demands that all footage be destroyed.

This isn’t the first time Rudolph has portrayed the beloved music star. In addition to her Hot Ones sketches, the comedian played Bey in 2012 during a skit where other artists visited her and Jay-Z (portrayed by Jay Pharoah) following the birth of their daughter Blue Ivy.

Watch SNL‘s “Hot Ones with Beyoncé 2” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.



Fans Choose Peso Pluma, Junior H & Eslabon Armado’s ‘La Durango’ as This Week’s Favorite New Music Latin

Peso Pluma, Junior H and Eslabon Armado’s new song, “La Durango,” has topped this week’s new music Latin poll.

In a poll published on Friday (May 10) — in support of the weekly New Music Latin roundup and playlist, curated by Billboard’s Latin and Billboard Español editors — music fans voted for the Mexican artists’ latest collaboration as their favorite music release of the past week.

“La Durango” garnered nearly 70% of the votes, beating out other new songs that also dropped in the week, including Gaby Moreno’s “Alma Florecida,” Gian Marco’s “Dicen En Mi Barrio” and Black Eyed Peas’ “Tonight” with Becky G.

Grupo Frontera landed in second place with its new album, Jugando A Que No Pasa Nada, and Ryan Castro arrived in third place with his new set, El Cantante del Ghetto.

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“The title itself hints at the rugged Dodge Durango, perhaps symbolizing the artists’ robust ascent in the regional Mexican music scene,” wrote Billboard Español‘s Isabela Raygoza, spotlighting the track for New Music Latin. “This música mexicana trinity demonstrates that their combined force is not just a fleeting alignment, but a formidable fusion of talents that sets the bar high for genre contemporaries.”

The collab comes after Peso and Eslabon Armado’s wildly successful team-up “Ella Baila Sola,” which made history last year when it peaked at No. 4 on the Hot 100, the highest ranking for a Mexican music song on the tally.

See the final results of this week’s new music release poll below.

Moms In Music Founder Talks Supporting Women in Music Through Journey of Motherhood

Instead of annually, Mother’s Day is a year-round celebration for Brittney Brock and Moms In Music.

Founded by Brock in 2023, the community-fostering organization is dedicated to empowering, supporting and advocating “for women in music who are mothers, in mothering roles or on the journey to motherhood.” Its mission statement further notes, “We are a community of female music creators and music professionals who have come together to connect and empower one another to fulfill our true potential in an industry where motherhood has traditionally been viewed as taboo and where women are often marginalized.”

It was while working as president of operations for record label 10K Projects that Brock began envisioning the need for an organization like Moms In Music. “The reasons came from my personal experience as a woman and a woman of color in the business,” Brock recalls. Her industry background includes serving as Usher’s day-to-day manager and as an A&R executive at Def Jam.

“When I became pregnant in 2019,” Brock continues, “I was looking for other women who had been down the path that I was about to go down. I wanted to be able to ask questions and find resources. But I couldn’t really find anything or anyone that felt like a safe space to talk about it. I began talking with other women in the industry who shared the same sentiment: we needed a community; we needed to be able to build our own table.”

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Welcoming new members on a quarterly basis, Moms In Music stands at just under 200 members having just announced its Q2 class. Encompassing all genres and facets of the industry  as well as including artists and executives, the organization counts notable members such as former Capitol Music Group chairwoman/CEO Michelle Jubelirer, Grammy-winning artist Melanie Fiona, Grammy-nominated songwriter Makeba Riddick, background vocalist Rachel Beauregard (Maren Morris, Hozier) and trumpeter Crystal Torres, who played on Beyoncé’s Renaissance tour accompanied by a very visible baby bump.

In tandem with its launch last year, the organization hosted its inaugural Moms In Music brunch. Sponsored by the Recording Academy and Songwriters of North America (SONA), the event honored Grammy-winning artist Faith Evans, creative director/choreographer Jamaica Craft (Ciara, Usher) and Grammy-nominated singer-songwriter Dionne Farris. Plans are underway for a second annual brunch again in September.

During the day, Brock doubles as CEO of King Creative Group, which she established after leaving 10K Projects. The Atlanta-based firm provides talent management and operations consulting. Among the clients in its admin division: Quality Control Music. 

By no means, however, is Brock’s day job sacrificing the passion and determination that sparked her vision for Moms In Music. “Another of our goals is to be a source of inspiration for the generations that will come after us,” she declares. “It’s something I wish that I would have had.”

In the wake of the call for more diversity, equity and inclusion over the last several years, what positive changes have you witnessed for women in music?

Transparency is starting to happen a bit more just in terms of how the business operates. That’s because artists are becoming smarter about the business; wanting to maintain a level of independence. But with it also has to come a level of education in terms of how you do it and how you do it successfully. I’m inspired when I hear about artists going the independent route or choosing to be creative in how they structure their deals because they understand the mutual value that’s coming to the table. When it comes to moms specifically, we’ve seen a change in the last five to 10 years with artists being more vocal about being proud to be a mom; that family is a priority. Artists like Beyoncé, Rihanna, Ciara and others who are succeeding in their careers while shattering the misconception that a woman has to sacrifice or give something up. The more that we’re able to have spaces like Moms In Music and other organizations such as FAM [Family Alliance in Music] with which we’re partnered. The big picture goal is to be part of the disruption that we already see happening. You can’t be what you can’t see.

Speaking of which, what about women executives and the challenges they’re still facing?

The more faith we have in women and moms in the C-suite, the more they can advocate. The industry overall has a lot of work to do in terms of building better leaders who are delegating; who are managing in a way that is supportive for their team. Look at organizations that have great leaders. For instance, Jacqueline Saturn [Virgin Music Group president, North America/exec. vp of global artist relations]. I worked with Jacqueline when I was 10K. Literally everyone who’s on Jacqueline’s staff doesn’t want to go anywhere because she leads from a place of support. She’s created a safe space for her team where they feel comfortable coming to her or her executives as a team and say, “This is what I need.” And they support that. The more that we’re able to build better leaders at the top, there’s no choice but for that to trickle down to the rest of the organization. 

What kind of support does Moms In Music provide?

We focus on the personal and the professional. All of our support and programming are built around our four core pillars: physical wellness, financial wellness, professional development and spiritual/mental health. For example, a few days ago we brought in a financial wellness specialist from an organization called Moms with Benefits. And the specialist did a full presentation on topics like how long you can ask for extended maternity leaves and what you can do in terms of taxes and other matters that most of us didn’t have a clue about. We also recently presented a panel built around a series we’re launching called “More Than a Mom” that talks about how to reclaim your identity in motherhood.

Once you become a member, you have access to our members-only portal, our own mini-Facebook featuring whatever information you’d like to have available to other members so you’re able to network with each other. We also have a forum that lists our events plus recaps, videos, various resources and member feedback. Our virtual events, at least one per month, are generally open to anyone who wants to join. But our recaps and video replays are for members only. Next Monday [May 13], we’re doing a mixer in Nashville during Music Biz 2024 that’s open to anyone who wants to learn more about Moms In Music because we’re looking to further build our brand awareness. Leading into Mother’s Day, we presented three programs earlier this week. We’re also doing free giveaways to members each week this month.

How has establishing Moms In Music shaped your own journey as a business executive and mother?

To be very honest, I didn’t want kids. I was so career-focused, trying to climb the corporate ladder. That was literally all I could think about. Then everything changed. Now I’m so glad that God knew what I needed more than I knew. Because it’s changed my whole perspective on life. It’s given me purpose in a way I didn’t know that I needed. It’s also helped me tap into my strengths, my superpowers. I’m a way better executive since becoming a mom because I understand how to delegate. I understand how to prioritize like during the little window of time that you get after [school] drop off. I get so much done because I’m laser-focused. And being a mom has also helped me realize how much time I was wasting before. Just kind of chasing my tail, right? It’s helped me to understand purpose in a way that I’ve never understood before. Motherhood is definitely the hardest job I’ve ever had, from the minute I open my eyes at 5:15 a.m. and don’t stop moving untii 9:30 p.m. But it’s also the most amazing and fulfilling.

Moms in Music

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Jennifer Lawrence Toasts Orville Peck (And Roasts Mike Pence) at Fiery 2024 GLAAD Media Awards

On Saturday (May 11), there was only one show on planet Earth that could boast more queer energy than the Eurovision Song Contest, and that was the 2024 GLAAD Media Awards in New York City at the Midtown Hilton Hotel.

And not unlike this year’s Eurovision in Malmö, Sweden, the event was not without protestors. A small group of protestors accusing Israel of genocide against the Palestinian people picketed outside the hotel’s entrance during the 35th annual GLAAD Media Awards; more notably, at the top of the show itself, one attendee interrupted the opening monologue by host Ross Matthews to repeatedly declare “GLAAD is complicit in genocide” before being escorted out.

“That was uncomfy for everybody,” Matthews said after a pause. “But you know what? We have to fight for everyone’s rights – and that’s one of them.”

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While the Israel-Hamas War didn’t come up again that night, politics were still central to the GLAAD Media Awards, as always. New York Attorney General Letitia James made an appearance to celebrate LGBTQ New Yorkers and speak out for trans rights; GLAAD President Sarah Kate Ellis urged attendees to use their “platform and privilege” to ensure that the next U.S. president will be a human who values LGBTQ rights — and warned that the Supreme Court “will roll back our legal marriages like they rolled back Roe v. Wade” in a powerful, fiery speech; and one very famous Oscar winner took a couple of hilarious pot shots at a former U.S. vice president during the show.

Jennifer Lawrence (rocking a Veronica Lake haircut) appeared to celebrate “my favorite musician and good friend Orville Peck,” who was receiving the Vito Russo Award (named after the late activist and author of The Celluloid Closet) at the 2024 GLAAD Media Awards.

“I love seeing so many humans who can top their field while still being power bottoms,” Lawrence cracked. Talking about her love for the gay community, Lawrence said she once fell in love with a gay man, but soon realized her advances were for naught. “Conversion therapy doesn’t work,” she said. “Did you hear me, Mike Pence? I said conversion therapy is not real – even though you think it worked on you.”

Accepting the award, Peck talked about being a singer-songwriter in a genre that’s not always been the most open to the LGBTQ community. “I’m one of many of us here who have felt excluded or held back because of who we are,” Peck said, adding that queer people nevertheless manage to “turn tragedy into art, humor and culture.”

Peck also spoke on the “responsibility for visibility” when it comes to all minority communities and what it means to the next generation “to allow some kid in a small town who loves country music to see themselves in me or Mickey Guyton or T.J. Osborne.”

Earlier in the night, Jennifer Hudson – who already has an EGOT – added another award to her trophy room when she hit the stage to accept the GLAAD for outstanding variety or talk show episode, for an episode of The Jennifer Hudson Show in which she surprised HIV activist Ian Haddock (of the Normal Anomaly Initiative) with $10,000.

After a fundraising portion that raised more than $350,000, Loren Allred took the stage to perform an emotional version of “Never Enough” from The Greatest Showman, as well as the upbeat “Come Alive.” The latter was a duet, with Scott Hoying (of Pentatonix and Superfruit) joining her on the lightly funky vocal showcase.

Toward the end of the night, Billboard (and Billboard‘s Pride Editor Stephen Daw) were honored when GLAAD named Billboard‘s 2023 Pride Issue cover story the outstanding print article of the year. The (now award-winning) article, written by Daw, is a wide-ranging, in-depth interview with Maren Morris and four drag artists about the proliferation of drag bans in the United States. You can read it here.

Eurovision 2024: Switzerland Defies the Odds to Win With Nemo’s ‘The Code’

Defying the odds, Switzerland won the 68th Eurovision Song Contest with “The Code” by Nemo on Saturday (May 11) at the Malmö Arena in Sweden. It’s the perfect bookend as Switzerland won the very first competition in 1956 with “Refrain” by Lys Assia. This is the European nation’s third win and the first since Celine Dion claimed victory with “Ne Partez Pas Sans Moi” in 1988.

Croatia was tipped to take the 2024 crown, and in the end, it did come down to the two countries vying for first place. Switzerland took a commanding lead with the jury vote, which is always announced first. Adding in the audience votes at the end usually provides for a dramatic ending, and it could have gone either way, but Switzerland collected enough points from the public to maintain its lead. It would have been Croatia’s first win out of 29 tries; it is the country’s best result to date, after three top five finishes — in 1996, 1998 and 1999.

Nemo, who identifies as non-binary, received the microphone-shaped glass trophy from the hands of Loreen, who won Eurovision in 2023 for Sweden with “Tattoo.” Nemo has been releasing music in Switzerland since 2015. They competed on Switzerland’s version of The Masked Singer in 2021-22 and was unveiled as the Panda in fifth place.

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It was a Eurovision Song Contest with more drama than in recent memory. Joost Klein from the Netherlands was disqualified after the semi-finals because of an alleged backstage incident. Alanna Mele, designated to be the spokesperson to give Norway’s jury points on air, withdrew the day of the final with a statement that ended with “Free Palestine.” Slimane from France unexpectedly stopped his performance during Saturday afternoon’s (May 11) dress rehearsal for a message of love and peace. Bambie Thug from Ireland protested to the European Broadcasting Union about remarks from the Israeli commentator and missed one of her rehearsals.

One of the biggest questions of the night was whether would ABBA appear, 50 years after giving Sweden its first Eurovision victory with “Waterloo.” While the four members did not appear in person in Malmö, they were represented by their avatars in London, where the virtual show Voyage has been playing for two years. While most of their dialog about their Eurovision win was directly from the show, they did add comments wishing everyone well in Malmö.

Nemo’s win means that Switzerland will host Eurovision in 2025. Cities in that nation can vie to host. Switzerland previously hosted Eurovision in Lugano and Lausanne.

The top 10 countries for Eurovision 2024 and their combined points from the jury and public votes are:

  • Switzerland, 591
  • Croatia, 547
  • Ukraine, 453
  • France, 445
  • Israel, 375
  • Ireland, 278
  • Italy, 268
  • Armenia, 183
  • Sweden, 174
  • Portugal, 152

Norway finished last with 16 points. The U.K. entry “Dizzy” by Ollie Alexander, did not fare well with the juries, receiving 46 points, but completely failed with the public, being the only nation to receive zero points from viewers voting by telephone, website, SMS and the Eurovision app.

Dave Grohl Dedicates ‘My Hero’ to Steve Albini at Foo Fighters Concert in N.C.

Dave Grohl is remembering late engineer/producer and noise-rock pioneer Steve Albini.

During the rock band’s concert in Charlotte, N.C., on Thursday (May 9), the Foo Fighters frontman dedicated the group’s hit song “My Hero” to Albini, who died earlier in the week at age 61.

“Tonight, I’d like to dedicate this song to a friend we lost the other day, who I’ve known for a long, long time. And he left us much too soon,” Grohl told the crowd. “He’s touched all of your lives, I’m sure. Talking about Steve Albini. For those of you who know, you know. For those of you who don’t know, just remember that name: Steve Albini. So let’s sing this one for him.”

Grohl first worked with the Chicago-based engineer/producer when recording Nirvana‘s 1993 album, In Utero. The pair reunited in 2014 for Grohl’s HBO series Sonic Highways. During the episode, the Foo Fighters recorded the song “Something From Nothing” at Albini’s Electric Audio Recordings studio in Chicago.

Last year, Grohl, Nirvana bassist Krist Novoselic and Albini also sat down for an interview on the Conan O’Brien Needs a Friend podcast to discuss the making of In Utero.

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Following his death from a sudden heart attack, numerous artists paid tribute to Albini, including the Pixies, PJ Harvey, Failure, the Breeders, Urge Overkill, Jarvis Cocker, Superchunk and Butch Vig.

In addition to In Utero, Albini — who fronted the bands Shellac and Big Black — also worked on the Pixies’ beloved 1988 album, Surfer Rosa, along with projects by Jon Spencer Blues Explosion, Mogwai, Flogging Molly, the Breeders, Newsom, the Stooges, and many others.

His band, Shellac, was gearing up to release its first album in a decade, To All Trains, and had booked a series of shows in England in June, followed by a run of U.S. dates in Chicago, New York and Los Angeles in July.

Watch Foo Fighters’ tribute to Albini here.

Zayn Malik Shares Regrets Over Taking ‘Things Too Seriously’ While in One Direction

Zayn Malik is opening up about his regrets while being a member of One Direction.

During an interview on the Zach Sang Show, the 31-year-old “Pillowtalk” singer said he wishes he would’ve taken more time to appreciate his time with the British boy band.

“The main thing that I always feel bad about when I look back over my life is not enjoying the band enough,” explained Malik, whose new album, Room Under the Stairs, dropped on Friday (May 10).

“I feel like I just took things too seriously. I’m grateful that I’m able to be happier now. I can actually enjoy things and own my own perspective a bit. Like, glass half full versus it being half empty. That’s my choice.”

Malik shocked fans by announcing his departure from One Direction in March 2015. Later that year, the remaining four-piece — Niall Horan, Liam Payne, Harry Styles and Louis Tomlinson — went on an indefinite hiatus. The group was formed in 2010 by Simon Cowell on the U.K.’s X-Factor when the musicians were teenagers.

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During the interview, Malik added that his younger self “didn’t understand the importance of just trying to be happy. I had this, like, teen angst thing going on — chip on my shoulder. I’m like, ‘It’s really cool to be moody as f— all the time.’ It’s not. You’re just a loser. Let’s be honest, you know what I mean?”

Since then, Malik has learned that “you should be a nice person. You should be somebody that people want to be around and enjoy being in your presence, and you should bring light to peoples’ day instead of being this f—ing negative cloud of energy.”

When the topic turned to romance, Malik admitted that he doesn’t think he’s ever been in love. The pop star previously dated supermodel Gigi Hadid for more than five years. The pair share 3-year-old daughter, Khai.

“I don’t know how you know what love is. That’s a really deep question. It’s hard, you know? I think love comes in many different forms. In love with somebody is a whole different, kind of complicated, you know? There’s so many different variables that go into it,” Malik said.

He added, “When you ask me, ‘What is love?’ I think the reason that’s hard for me to answer that question is I don’t know if I’ve ever actually truly been in love.”

Watch Malik’s Zach Sang Show interview below.