Music

Ariana Grande Is ‘Reprocessing’ Her Time on Nickelodeon After Hearing ‘Devastating’ ‘Quiet on the Set’ Abuse Allegations

Ariana Grande has broken her silence on her time with Nickelodeon following the claims of sexual harassment and toxic workplace conditions made by former child actors in the documentary Quiet on Set: The Dark Side of Kids TV, which streams on Max.

While talking with her “The Boy Is Mine” costar Penn Badgley, Nava Kavelin and Sophie Ansari on the trio’s Podcrushed podcast, the pop star reflected on playing Cat Valentine on the network’s Victorious and Sam & Cat when she was just a teenager. “Obviously my relationship to it has been — and is currently — changing,” she said in the Wednesday (June 12) episode. “I’ve been reprocessing a lot of what the experience was like.”

“I think that the environment needs to be made safer if kids are going to be acting, and I think there should be therapists,” continued Grande, who was cast on Victorious when she was just 14 years old. “I think there should be parents allowed to be wherever they wanna be.”

The interview comes about three months after the arrival of the docuseries, which explored multiple claims from former Nickelodeon employees about the network’s sets allegedly being rife with sexism, racism and inappropriate/predatory behavior involving underage stars and crew. The documentary also suggested that head producer Dan Schneider’s shows tended to put young women such as Grande in comedic situations with overt sexual implications. (Schneider filed a defamation lawsuit against Warner Bros. Discovery and the other companies behind the docuseries in May, arguing that Quiet on the Set incorrectly implied that he sexually abused the child performers he worked with.)

“It’s really taken advantage of how much it means to the young performer to get a laugh,” the “Yes, And?” artist told Badgley and his co-hosts. “We were convinced [that] was the cool thing about [Victorious]: We pushed the envelope with our humor, the innuendos. It just all happened so quickly, and now looking back on some of the clips, I’m like, ‘D–n, really?’”

“You think about it, ‘If I had a daughter …,’” she added. “There’s a bottom line. The things that weren’t approved for the network were snuck onto our website. That is another discovery. Going into it, I guess I’m upset.”

Grande also revealed that the Victorious casts’ parents were, for most of her time on the show, only occasionally allowed to be on set with their children. She also pointed out that young people in all industries, not just Hollywood, deal with inappropriate bosses and sexual harassment, and she’s glad that society is starting to push for better conditions.

“The survivors who have come forward, there’s not a word for how devastating that is to hear about,” she concluded. “I think the environment just needs to be made a lot safer all around. Like I said, I’m still, in real-time, reprocessing my relationship to it.”

Watch Grande recount her time on Nickelodeon on Podcrushed above.

Tasha Cobbs Leonard Scores Her Seventh Gospel Airplay Leader With ‘Burdens Down’

Tasha Cobbs Leonard notches her seventh No. 1 on Billboard’s Gospel Airplay chart as “Burdens Down” rises to the top of the survey dated June 15. It increased by 5% in plays May 31-June 6, according to Luminate.

“Burdens Down,” which was authored solely by Cobbs Leonard and produced by her husband, Kenneth Leonard, is from her LP Hymns. The set opened at its No. 3 high on Top Gospel Albums in October 2022, becoming the Atlanta native’s seventh of eight top 10s. Itwas recorded live in Chicago earlier that year.

“It is always an honor to write, produce and release musical tools that help to inspire others,” Cobbs Leonard says. “I am committed to spreading the good news by all means.”



“Burdens Down” is Cobbs Leonard’s fifth consecutive Gospel Airplay No. 1, following “The Moment,” which led for two frames starting in May 2023; “Gotta Believe” (one week, March 2022); “In Spite of Me” (one week, June 2021); and “You Know My Name (Live)” (one week, October 2019).

Cobbs Leonard previously topped Gospel Airplay as featured on Kirk Franklin’s “My World Needs You” (also featuring Sarah Reeves and Tamela Mann), a two-week leader in July 2017, and with her debut hit, “Break Every Chain,” for seven weeks beginning in June 2013.

The singer-songwriter ties Jekalyn Carr, Todd Dulaney and Marvin Sapp for the fourth-most No. 1s since Gospel Airplay began in March 2005. Kirk Franklin and Tamela Mann lead with 10 each, followed by James Fortune and FIYA (nine).

Cobbs Leonard’s active streak of five Gospel Airplay leaders is the longest among women, followed by Tamela Mann’s four. Among all acts, Dulaney, Jonathan McReynolds and Pastor Mike Jr. have the longest active runs (six each, with Pastor Mike Jr.’s the best from the start of a career in the chart’s history).

‘Exile’ Enters at No. 1

Crowder banks his fourth leader on Top Christian Albums, all of which have opened at the summit, with The Exile. The 12-song set, released May 31, earned 11,000 equivalent album units in the U.S., with 8,000 in album sales, through June 6.

Crowder, from Texarkana, Texas, previously opened at No. 1 on Top Christian Albums with Milk & Honey in June 2021; American Prodigal in October 2016; and Neon Steeple in June 2014.

“Grave Robber,” the new set’s lead single, ruled Christian Airplay and Christian AC Airplay for two frames each in May, becoming Crowder’s fifth and third No. 1, respectively. On the multimetric Hot Christian Songs chart, the track reached No. 8 in April, marking his 10th top 10.

Celine Dion Battled Extreme Muscle Spasms From Stiff-Person Syndrome With Dangerously High Doses of Valium: ‘It Could Have Been Fatal’

Celine Dion was so desperate to alleviate the pain from severe muscle spasms during her secret, nearly two-decade-long battle with the rare neurological and autoimmune disease Stiff-Person Syndrome that she took near-lethal doses of Valium in search of relief. In her one-hour primetime NBC special on Tuesday night (June 11), Dion said she took up to 90 milligrams of the medication used to treat anxiety, seizures and muscle spasms, an amount that is more than twice the recommended daily dose.

“I did not know, honestly, that it could kill me. I would take, for example before a performance, 20 milligrams of Valium, and then just walking from my dressing room to backstage — it was gone,” Dion said of the instant pain relief the medication offered at levels, however that “could have been fatal” if she’d continued at that pace. “At one point, the thing is, that my body got used to it at 20 and 30 and 40 [milligrams] until it went up. And I needed that. It was relaxing my whole body. For two weeks, for a month, the show would go on… but then you get used to [and] it doesn’t work anymore.”

Dion was taking such high doses of Valium every day that, she said, the amounts, “can kill you. You can stop breathing.” The 56-year-old singer said she began to cut back on her intake during the COVID-19 pandemic when the world went into lockdown and she was unable to perform.

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Though she leaves the door open during the special that she will return to the stage this year, Dion has not performed on stage since March 2020, when the global pandemic arrived just in time to give her time away to focus on her health and wean off her dangerously high doses of Valium. “It was an opportunity for me to take a break,” she said. “Do not be brave… I stopped everything with the help of doctors. I was weaning off all the meds, and especially the bad ones. I stopped everything because it stopped working.”

Though the doctors helped her wean off the drugs, Dion noted that even that process can kill you if not done correctly. “You cannot just, like, stop everything,” she said. Another downside, she revealed, was that once she weaned off the medication her symptoms got much worse.

Dion has said that the symptoms of the chronic, incurable disorder began appearing in the mid-2000s, getting progressively worse until she finally revealed her struggle in a December 2022 announcement after cancelling her planned tour that year.

In the emotional NBC special, Dion describes being gripped by fear when the disorder’s symptoms began to affect her in 2008, affecting her mobility and causing spasms so intense they caused broken ribs and sometimes made it feel like “somebody is strangling you.” In a scary moment, she said that “anything” could trigger the painful symptoms. “Too much work, not enough work. If I sit all day long I’ll be wobbly. Walking wobbly.” Shockingly, Dion said even joyful moments could lead to pain. “Happiness, sound, a touch unexpected,” she said.

She described first noticing the symptoms of her body getting “more rigid” during a before a show in Germany on her 2008 Taking Chances world tour. “I said to my assistants and to my people, ‘I don’t know if I can do the show. I don’t know what’s happening,’” she told Kotb, sending her voice into a higher register to imitate the effects on her voice. “I was very, very, very scared. And then you panic, and the more you panic, the more you spasm. I went onstage… of course. And I started to sound more nasal.”

She said the panic led to more spasms, which forced her to lower the keys on some songs in order to gain some control over the situation, lamenting that she had to lie to her beloved fans at the time by blaming her issues on a sinus infection. During the pandemic, Dion’s team struggled to figure out what was going on, with the symptoms persisting even after she stopped performing and the singer worrying that she might be facing the end of her four-decade career.

It was at that point she began working with director Irene Taylor Brodsky on the upcoming Prime Video documentary I Am: Celine Dion (June 25) in which she vows to find a way to make it back on stage for her fans. “If I can’t run, I’ll walk,” she says in the film. “If I can’t walk, I’ll crawl… I won’t stop.” In the NBC special, Brodsky talked about seeing one of Dion’s attacks in person, saying it came on quickly and then, just as quickly, progressed in a scary fashion.

“She was giggling, and five seconds later, we were in a totally different stratosphere,” Brodsky told Kotb. “She had a cramp in her foot, and I thought, ‘That doesn’t look right.’” Then, just minutes later, Dion couldn’t talk because her body had stiffened up so badly. “It was the most extraordinary and extraordinarily uncomfortable moment in my life. As a filmmaker, but also as a mother, as a fellow human, because I didn’t know what was happening,” Brodsky said. “We were this close, and her body was enduring something that was unimaginable, and I wasn’t sure if she was aware of it, and I wasn’t sure if she was going to survive it.”

You can watch the full NBC News interview with Dion now on Peacock.

Grammy Camp Alum Maren Morris to Return to Camp as a Guest Artist

Maren Morris is heading back to Grammy Camp. The versatile singer first attended the Grammy Museum‘s program for promising U.S. high school students in 2005 (its first year), when she was 15. She’s returning this year as a guest artist – and, no doubt, a source of inspiration to the assembled students.

“Grammy Camp will always be one of those formative memories in my career,” she said in a statement. “I was 15 years old when I went back in 2005 and remember it cementing my dreams of being a songwriter. Being involved with the organization still to this day is such a unique pleasure I have.”

Morris has had many career highlights since her initial Grammy Camp experience. She won a Grammy in 2017 (best country solo performance for “My Church”) and landed a top five hit on the Billboard Hot 100 in 2018 with “The Middle,” a collab with Zedd and Grey.

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New York City-born bass guitarist Blu DeTiger and New Jersey-born singer/songwriter Jeremy Zucker will also serve as guest artists this year. All three will discuss their career paths and endeavor to help students prepare for the music industry.

This year’s Grammy Camp will be held from Sunday, July 14 to Saturday July 20 at The Village Recording Studios in Los Angeles. A total of 83 high school students from 76 U.S. cities across 22 states have been selected as participants in the 20th annual Grammy Camp program.

“Over the last two decades, Grammy Camp has served as the heartbeat of the music world for high school students aspiring towards a career in music, offering an authentic immersion into the music industry and life itself,” Michael Sticka, president/CEO of the Grammy Museum, said in a statement.

Grammy Camp will focus on all aspects of commercial music and provide instruction by industry professionals in an immersive and creative environment. The program features seven music career tracks: audio engineering, electronic music production, music business, music and media, songwriting, vocal performance, and instrumental performance. All tracks culminate in virtual media projects, recordings and/or performances.

This Grammy In The Schools program is presented by the Hot Topic Foundation with support from the Chuck Lorre Family Foundation. Additional scholarship and program support is provided by the Aufmann Family, BeatHeadz, Ella Fitzgerald Charitable Foundation, Natalie Cole Foundation, Pacific Bridge Arts Foundation, and the Recording Academy.

Applications for GRAMMY Camp 2025 will be available online in September at www.grammycamp.com.

Howard Stern Does First Guest DJ Takeover of SiriusXM Lithium Channel, Spins STP, Hendrix, Rolling Stones and Public Enemy

If you listen to enough Howard Stern you know that as much as he loves his SiriusXM channels, more work is the last thing he wants. But the veteran broadcaster has long held a special place in his heart for his sister rock channel, Lithium, so on Wednesday morning (June 12) Stern will help kick off SiriusXM’s new Guest DJ campaign by doing a takeover in which he gets to spin some of his favorite songs and tell a few stories about why they are so special to him.

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“Hi everybody, this is Howard Stern and welcome to the Howard Stern Guest DJ,” Stern says in his intro to the stunt. “Over the years I feature a lot of music on the show, I interview a lot of musicians, I just love music. And I also talk about music because I used to professional radio DJ.” In his best announcer voice, Stern then jokes that during his DJ stint he learned the delicate art of “talk-ups,” where a DJ speaks over a song’s instrumental intro until just before the vocals kick in.

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Or as Stern described it, “where you talk over really good songs and ruin them.” He notes that on his three-day-a-week Howard 100 show he often plays his favorite songs and talks about why he loves them, which is why he wanted to share his personal home playlist during his Lithium guest spot.

In a perfect example of a song-ruining talk-up, Stern describes how much he thinks about late Stone Temple Pilots singer Scott Weiland while playing the band’s 1994 hit “Vasoline,” saying, “what a charismatic dude. We had him on the show a bunch of times and I used to go to Stone Temple Pilot concerts and see him perform and… fabulous band. And I would go and I’d think, ‘geez, he’s got it all. He’s f–kin’ good looking. He can sing like an angel.’” Stern also reveals some background about the lyrics he gleaned from the band’s other members, talking through almost the entire song as longtime co-host Robin Quivers adds some of her patented positive accents to his banter.

In addition to songs by Soundgarden (“Black Hole Sun”), Jimi Hendrix (“Are You Experienced?”), Aurora (“Life on Mars?”) and Public Enemy (“911 Is a Joke”), Stern will also queue up the Rolling Stones’ 1971 Sticky Fingers track “Moonlight Mile,” calling it the “epitome of a great song. This is when music was staggeringly good. How did he come up with this? How does that happen?”

Stern says the only thing he knows about the song is that singer Mick Jagger came up with it while sitting on a train and staring at the moon before going home to write the lyrics. He then goes into one of his patented digressions about being raised with a deficit of emotion that he wore like a “suit of armor” his whole life that has started cracking as he’s gotten older. In theory, that sounds to him like a great idea for a song. But, unlike Jagger’s emotional revelation on his train ride, Stern says, “and then I sat and thought about this and nothing happened! There was no song!”

The special will premiere today at 11 a.m. on Lithium and is available anytime on the SiriusXM app. The Guest DJ campaign will feature more than 70 other entertainers doing take-overs, including: James Corden, Kate Hudson, Kevin Hart, Busy Philipps, Rob Lowe, Conan O’Brien, Andy Cohen, Gayle King, NFL player Maxx Crosby, NASCAR’s Chase Elliot and more. The campaign will be heard on more than 35 SiriusXM channels across a variety of genres.

Listen to Stern on Lithium below.







BTS’ Jin Completes Military Service, Gets Hugs From Bandmates, Celebratory ‘Dynamite’ Sax Solo From RM

BTS member Jin, 31, celebrated the end of his mandatory 18-month South Korean military service on Wednesday (June 12). The seven-member group’s oldest singer is the first to complete his hitch in the army and a video posted by Reuters from his final day, he gleefully marked the moment by reuniting with his bandmates, who were all given leave to mark the special moment.

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Wearing his army fatigues and a black beret, Jin — who served as an assistant drill instructor — accepted a bouquet of flowers and laughed as fellow BTS member RM greeted him with a performance of the their No. 1 hit “Dynamite” on saxophone at the military base in Yeoncheon, Gyeonggi province. “I cried during the ceremony,” Jin said in a Weverse livestream later in the day. “But it was so fun for the last year and six months. It’s such a relief I met so many amazing people.”

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BTS’s agency, Big Hit Music, released a statement to fans on Weverse announcing Jin’s release, which read, “Jin is close to completing his active service in the army and will soon be discharged,” encouraging fans to not visit the base to avoid overcrowding.

In December 2022, Jin was the first member of BTS to enlist in the army, kicking off a three-year break for the global superstars that is expected to end in June 2025 after the final four members are released from service; at present, J-Hope, V, RM, Jimin, Jung Kook and Suga are still enlisted.

According to Reuters, Jin planned to celebrate his discharge at an event in Seoul on Thursday where he was expected to greet fans and perform a solo show featuring fan song requests. BBC reported that his first public event featured a raffle in which 1,000 fans queued up to hug the singer in a “hugathon” at the Seoul Sports Complex.

LGBTQ+ K-Pop Group LIONESSES Talk ‘Courage’ in Honoring Christina Aguilera, Mariah Carey & More Pop Icons for New Single

In both America and South Korea, June marks Pride Month, with the 2024 celebration seeing one of K-pop‘s rare representatives deliver a universal anthem honoring global pop icons.

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The first-ever LGBTQ+ boy band to come from the K-pop scene, LIONESSES has been bravely pushing for representation in Korea and reaching the world with its consistent string of all-inclusive anthems like “It’s OK to Be Me” and “Show Me Your Pride” since debuting in 2021. Minus the group’s leader and music producer Damjun, LIONESSES’ countertenor Kanghan, vocalist Lee Malrang, as well as its former member and rapper Foxman who exited in late 2022, all perform in masks to conceal their identities in the socially conservative South Korea where LGBTQ+ people face prejudice, discrimination, and social stigmas with few protections compared to other developed democracies. But the music video to LIONESSES’ latest single “Like Christina Taught Me” not only shines a spotlight on a range of pop icons — including the titular Christina Aguilera — but sees Malrang stepping into the international spotlight by taking his mask off for the first time on camera.

“Like Christina Taught Me” has a bouncy, R&B-pop beat to back the trio’s range of vocals delivering encouraging words and finding comfort in the music of larger-than-life superstars that so many queer kids do. Referencing two of Xtina’s singles from her defining Stripped album from 2002, they sing on the chorus: “Know that you’re ‘Beautiful,’ like Christina taught me in that song / Trust ‘The Voice Within’” followed by an Aguilera-esque growl.

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With the mix of English and Korean lyrics, LIONESSES also pay tribute to Mariah Carey (“Yes, MC, I believe within my soul, hold on tight I won’t let go’ / I can ‘Make It Happen’”), Whitney Houston (”Learning to love yourself,’ like Whitney taught me in that song / ‘The Greatest Love of All’”), and Michael Jackson (“Yes, MJ, I’mma start to love that man/ That ‘Man in the Mirror”).

Inspired by the band members’ actual experiences, the accompanying music video depicts the LIONESSES members in a classic Korean school setting, navigating bullies and ridicule from their classmates but finding secret solace in a smiling partner and coming closer to their true selves — like Kanghan showcasing her drag persona and Malrang removing his mask in the final seconds of the video in a beautiful moment of public courageousness.

Despite wins like successfully repealing bans from Korean-television broadcasters for their music, LIONESSES and their associates also deal with an onslaught of abuse from religious zealots in South Korea. Whether or not LIONESSES tops the charts, the representation and stories that Damjun, Kanghan and Malrang bring in a public setting are important steps in creating a greater music industry and world where all are accepted regardless of sexuality, gender identity or the other aspects that make each human precious.

Watch the “Like Christina Taught Me” music video below and read on for an extensive interview with LIONESSES members.



Congratulations on your new single, LIONESSES! What does the song mean to you all personally?

Kanghan: “Like Christina Taught Me” is about inner beauty and embracing it. As the title indicates, it’s a collection of artistic energy that brings together musicians talking about “beauty.” I needed time to accept myself, especially during my career in LIONESSES and taking off my mask and showing my drag queen ego to the public. But that’s when I got courage and hope from watching the drag queens who were already active in Korea. It’s the same for music, for drag, for dancing: being able to fill that courage indirectly to someone who needs it, which inspired me to bring that into my life. In particular, I know that this song was inspired by the lyrics “You are beautiful, no matter what they say” from Christina Aguilera’s “Beautiful.” I remember Damjun introducing us to this song about all our beauty.

Lee Malrang: It seems to be the hardest song to sing live out of all the songs released so far, but since it’s named after the diva we admire the most, I’m always practicing hard to sing more perfectly. [Laughs]

Damjun: I made this song to give back to my fans the courage that all the great musicians cited in this music, including Christina. So I went back to Young Damjun from my childhood era in this music video, and even appeared in the video wearing my school uniform! [Laughs]

Even after I debuted in LIONESSES, I still work as a vocal coach at some art high schools because I can’t just send my students off to another coach so easily. I thought just having one actor playing the role of my friends was not enough, so I brought my students to the set and asked for their help. It was a special experience for me to act in the same uniform next to my students — but my students will still laugh when we talk about it.

“Beautiful” and “The Voice Within,” Michael Jackson’s “Man in the Mirror,” Mariah Carey’s “Make It Happen,” Whitney Houston’s “Greatest Love of All,” Korea’s legendary diva Yoon Bok-hee’s “You,” and BTS‘ “Answer: Love Myself” — the message that all these songs have given me is, “It’s OK.” No matter how much you are loved by others, I think accepting yourself is the beginning of all courage. I want to remind anyone who will listen to this song that all this music has told me and that if you feel OK about yourself, everything’s going to be OK.”

Damjun, you wrote, co-produced and vocal directed “Like Christina Taught Me.” Can you tell me about creating the song?

Damjun: “Like Christina Taught Me” is a song that I made to return the comfort given by Christina Aguilera, our great diva, and to our fans DEN. Almost three years have passed since my debut, time flies so fast but Christina is an artist who is almost everything to me. I’m sure my fans have often seen me say in live streams and Instagram posts, “80% of what raised me was Christina Aguilera.” That’s how much she’s incorporated into my singing skill — I’m still way short of her but I’m trying to do my best. Sometimes just humming her songs that I sing to fans on live streams such as “I Turn to You”, “Beautiful,” “The Voice Within,” “Ain’t No Other Man,” “Hurt,” and her version of [James Brown‘s] “It’s a Man’s Man’s Man’s World” in her whistle register. [Laughs]

I’ve been dreaming of becoming a K-pop idol ever since I was a little boy and I’ve had a lot of opportunities come my way — come to think of it, I auditioned singing “The Voice Within” when I was in high school — but when I thought about if I was ever caught being bisexual, I thought Korean society, back then, would destroy my music career and all my loved ones. So, I gave up opportunities every time. For a long time, I worked as a singer in advertisements, a wedding singer and vocal coach but with my debut with LIONESSES, I accepted a lot of things. I accepted by myself. I thought, “I can make my story into music and tell it to people” and a lot of stories that I had suppressed have been made into music.

Just like how [Christina] helped me not to let go of my dreams, singing “You are beautiful, no matter what they say,” I want to give courage to my younger fans: “Know that you’re beautiful, like she taught me.”

Why did LIONESSES want to honor Christina Aguilera not just in the lyrics, but also in the title?

Kanghan: Because we all love Christina! [Laughs] She is an icon of our generation. Especially for me as a drag queen, she is an important figure who taught me how to be a diva.

Damjun: For me, Christina has been the vocal teacher I’ve never met for the past 20 years. When I have to sing a new song that I made, rather than cover someone else’s song, there are times when I just don’t know how am I supposed to sing it. Every time I face that kind of pinch, I find an answer thinking, “What would Christina do?”

When I first auditioned to become a singer in 2007, I was a little gay boy in ninth grade. Before that, I had opera singing training, but I wanted to be a pop star just like her. That’s when Christina came to do a concert in Korea — it was a world tour when the Back to Basics album was released and tens of thousands of people flocked to Seoul’s Olympic Stadium to see her. She appeared in a white suit — oh, all of a sudden, I feel like a ninth-grade boy talking about this! [Laughs] — but I wanted to go to that show so my mother paid me an advance for almost a year’s worth of allowance, I borrowed money from my friends, and managed to buy a ticket. And yes, she took the stage with her baby bump and touched tens of thousands of people.

I fell in love with her Back to Basics character of “Baby Jane” with songs called  “Candyman” and “Ain’t No Other Man.” She introduced to me retro-vibe music when she released that album and that’s when I first started searching for and listening to music from earlier generations of musicians such as Etta James, Ella Fitzgerald and James Brown. Recently, I participated in CUMA 2024, a joint concert of Korean and Japanese LGBTQ+ jazz musicians…it was also Christina who first introduced the jazz music I sang in this performance!

I will love her music forever. You know, if you have someone you love, you want to share it with them when you watch a good movie or eat something delicious, right? I wanted to share the music that I love with my beloved DENs, just like that. And if there is anyone who is a little boy like younger me who is torn between dreams, talents, and fears, I want to tell him this: “It’s OK to chase a dream,” as Christina told me through her music.

You’ve shared a couple songs already, but what is everyone’s favorite Xtina songs and videos?

Malrang: Oh god…I really feel like I’m a teen-girl fan of Christina. I like “What a Girl Wants”, “Come on Over (All I Want Is You)” and “Genie in a Bottle.” Of course we discuss, “Who’s going to be Christina’s part when we sing ‘Lady Marmalade?’” every time we meet. [Laughs]

Kanghan: Actually, I didn’t know much about pop music before I was an opera singer, but I mainly liked Christina Aguilera’s most popular ballads then. Now, I love her boldness and I’m turning into a big fan, but “Like Christina Taught Me” in particular gave me a chance to reflect on “Beautiful” and think again about the huge comfort it gave us. My favorite song right now is “Dirrty.”

The music video of “Beautiful” has many outsiders wandering, not feeling positive about themselves, being bullied by many people, but eventually finding their true selves. That’s what I’ve been through in my life too so I think this song has the most special meaning to all LGBTQ+ people of my generation.

Damjun: I especially like all the songs in the Back to Basics album, I guess I can’t forget the first time I actually saw her at a concert. My biggest goal in high school was to sing “Candyman” perfectly once…it’s still hard to sing! I also remember practicing notes one by one, while performing the intro line of “Ain’t No Other Man,” playing it a halfspeed. I also like her version of “Climb Every Mountain” [from The Sound of Music] and “Do What U Want” with Lady Gaga. Actually, I like her music from start to finish, so this answer is just a list of her songs that come to mind right now.

I also liked the recently remade version of the “Beautiful” music video. Is it OK to call the entire animation Mulan as the music video for “Reflection”? [Laughs] Her music was also used as a theme song in the movie…I liked the red background of “Loyal Brave True” and the background production using Chinese characters because it felt like modern art. My favorite, though, is definitely “Candyman.” Everything about it makes me feel like I’m an American Navy [SEAL] from another era.

Malang: I like “Candyman,” too! I once dreamed of being an American pin-up girl. I wanted to be a pin-up girl to make guys stand up — just kidding!



You also honor Mariah Carey, Whitney Houston and Michael Jackson in the song. Can you share how these artists are inspirations too?

Kanghan: Michael Jackson is the “King of Pop” that all earthlings know, right? I remember when I was young I would play along with his dances. As a performer, I respect him so much for being a sensation that will go down in history. One of my role models, Korean gospel singer Sohyang, specifically mentioned that the singer she respect the most is Whitney Houston so I listened to all of her music. Sohyang and Whitney are the singers who inspired me a lot in my life.

Malrang: I especially really like MJ’s “You Are Not Alone.” I used to cry a lot when I first heard it when I was little and I actually listen to it every time I had to endure something by myself. This song always gives me a lot of strength.

Damjun: Before our comeback in the second half of last year, I talked to my fans about sponsoring a UNICEF campaign together. I said, “All pop musicians, including K-pop artists, are like Michael Jackson’s children. Everyone inherited his great legacy and is making their own music. So, I wanted to do ‘Heal the World’ with DENs just like Michael did to the world.” The same goes for Whitney Houston’s voice. Perhaps Christina, whom I keep referring to as an icon, is also considered to be the greatest diva to have inherited her legacy. My entire life has been a practice process to sing like them.  

The quote from “Make It Happen” by Mariah Carey was a little more significant to me. My other two members are Christians, but I have no religion. However, after releasing “It’s OK to Be Me” in 2022, I became strongly opposed to religion in my mind when the song was banned from broadcasting on the grounds of “homosexuality” by MBC. When fans around the world protested, the broadcaster reversed it and I was attacked a lot by Christians in Korea for the reversal. Pastors incited the congregation by praying that “We should call [broadcasters] as a group to get those gay singers out of the entertainment industry.” Thousands of them went to the broadcasting companies and protested to get us out of the K-pop industry. Since Han and Malrang are Christians, so I don’t know how they would feel, but I was at the height of my aversion toward Christianity at the time — I had death threats messages from Christians in Korea and malicious complaints where they systematically attacked me. From that, I hated a lot of music, including “Make It Happen,” which had a Christian message. 

However, I couldn’t deny the consolation and courage Mariah gave me. It’s the homophobics that attacked me that are bad, but not all religion and religious music is bad. Eventually I even listened to the great gospel songs that Mariah released — her music comforted me so much that I felt so stupid in the moments when I turned a blind eye to it because it had a religious message. So, I quoted “Make It Happen” in our [new] song, as opposed to any of her countless other songs, intending to forgive everything I suffered and give a hand of reconciliation to Christianity. The Korean diva Yoon Bok-hee’s “You” quoted in this song also had a religious message but I thought that ultimately, her willingness to be a comfort and joy as a voice for everyone was more important.

And as I’ve mentioned since my debut, as an ARMY — an old ARMY [Laughs] — I wanted to include the message that BTS gave me. They’re the idols of all idols now, but when I was working as a vocal coach and rejecting debut offers before I debuted as LIONESSES, I was unhappy and pessimistic about everything in the world. When BTS first came out with the message “Love Yourself,” I thought to myself, “It’s easy for you guys because you’re straight.” Then, I came to know about the hardships they’ve been through, saw their efforts, and fell in love with their music. I felt so ashamed of myself for not accepting the messages that BTS had conveyed simply because they hadn’t had experiences as LGBTQ+ and that’s how special all the songs in the album Love Yourself: Answer are to me. When I listened to their music and sincerity in the past, I felt so grateful for the messages that told me to overcome. Everyone has their own struggles, and we’ve concluded that the way to overcome them is to “love yourselves,” as all the great musicians mentioned in this song have said.



Thank you for sharing all your stories. Have you dealt had any comments or bans with “Like Christina Taught Me”?

Damjun: [LIONESSES’ 2021 single] “Christmas Miracle” was banned by the Korean broadcaster CBS [The Christian Broadcasting System] on the “charge” of being LGBTQ — or, to be more precise, “a singer who harms the Christian spirit.” Exactly a year after that, “It’s OK to Be Me” went through the same thing at MBC, Korea’s largest broadcasting station, but MBC resolved the misunderstanding when the director called our company directly and apologized after complaints from fans and the media. The deliberations corrected it as a broadcast-approved song, but as a result the aforementioned attacks persisted for months. There were Christians who filed complaints with the school and education office where I worked as a coach and begged me to fire them. But now that I think about it, not everyone has the experience of being worshipped by pastors, right? [Laughs] So, I think I’ll have fun accepting it even if it happens in the future? “Like Christina Taught Me” has not faced any problems yet, but even in the face of discrimination, I want to sing this song firmly and convey more of the message to the world.

Malrang: Actually, “Like Christina Taught Me” has scenes revealing bits and pieces of my school years. My actual high school years were hell. They’d call me “lady” and “transgender” as insults, and I was sexually harassed a lot by them. I cursed and swore a lot so I wouldn’t get beat up by the bad guys, and even now, I still end up saying things that aren’t very refined, so my boss and Damjun used to be concerned about me. [All laugh] But even when a celebrity with LGBTQ+ image appeared on TV, bullies rushed to hit me. One day when news of a queer celebrity’s suicide was reported, they said, “This is your future; you won’t die comfortably.” But now it’s all in the past — I like how much happier I am after overcoming all of this in the music video.



The video is also significant because Malrang removes his mask for the first time and Kanghan shares her drag persona. Congratulations on this big step! What inspired these decisions?

Malang: Last year, when my grandmother passed away, I had a lot of think about my life. During that time, it occurred to me that I had lived my life lying to my family for 30 years, as if I had put a thin layer on my life. I was wearing a mask and coming out to the fans and the world, and bravely starting my career, but I couldn’t muster the courage to come out to my family. So, there were many conflicts with the label about unmasking. As such, my grandmother’s passing was a turning point for me since I felt I was constantly lying to the public and to my family. I then addressed my concerns to Damjun who, in producing of this wonderful song, gave me the opportunity to come out again to my family and the public. I felt that I no longer wanted to play a deceiving role, but more than anything, I feel relieved to be able to proudly stand in front of my family now.

Damjun: There was a Christian who attacked us before said, “They hide behind the mask because they know they are ashamed of themselves.” But you know, our mask was rather in solidarity with fans anywhere who could not come out immediately. Of course, I’ve shown my face since our debut but they tried to spread the argument that “they’re hiding behind the mask because they’re ashamed of themselves”, and they only captured and watched footage of the other members wearing masks except my face on the Internet.

Kanghan: My alter ego, the drag queen “Rooya,” was also first revealed to the world through LIONESSES’ music videos. In fact, I’ve dressed up in full drag-queen makeup and outfits for Rooya, but pre-LIONESSES I was only dressed up alone in my room and was never seen by people. I’ve been admiring the queens in the musicals Hedwig and the Angry Inch and Kinky Boots and I believe that revealing the drag queen as a LIONESSES member is a way to bring back the inspiration I’ve received from them. I hope that I can continue to show you the new Rooya through LIONESSES.

Malrang, I’ve heard you’re related to another famous singer, Jeon Soyeon of (G)I-DLE! Have you two connected over music?

Malrang: We are cousins, so we met often on holidays. When she and I were very young, I taught her how to play the piano just once and she has already become the best composer in the K-pop industry so I am always proud of her and her talent. If that short memory is a musical connection to her, it can be said that it is a connection, but as you know, family members don’t usually talk about work.

I originally made my debut in 2009 in the past, and Soyeon supported and listened to me a lot. After that, I was growing my world as an indie musician and as Soyeon prepared to become a K-pop idol, I talked with her about her mindset as an artist and attitude on stage. But when my little sister became a successful musician and started (G)I-DLE‘s world tour, I cried a lot when I came back from the concert hall. I was so proud of her and for being able to so perfectly connect with such a large audience.

So, when I released this single, I decided to reveal my bare face to the public and, at the same time, I came out to her. She has given me a warm support and has given me a lot of support for my future as a K-pop artist. If I could say a word to my little sister Soyeon as an older brother, through this interview, I would like to say, “As your older brother, I will always try to be a good, fellow singer that you are not ashamed of.”

Anything else you would like to share with Billboard readers or maybe Xtina herself?

Malrang: Christina unnie! Next time you visit Korea, make sure to have a glass of soju with mala xiang guo [the spicy Chinese spicy dish that’s popular nowadays). And let’s sing a “spicy” song together!

Kanghan: I still vividly remember how you came out on RuPaul’s Drag Race and supported the drag artists. Because you are the goddess of all the drag queens, I am honored to continue to love your music as great as you have given the LGBTQ+ community. 

Damjun: Christina, you’ll have no idea how much you are loved by singers who come after you. Especially for LGBTQ+ boys and girls, like me, who got the hope to live by hearing “You are beautiful” from your music…as a singer who wanted to be like Christina, I think the best I can do is to share the courage and comfort I received from you to my fans again. So, I’m still working hard to resemble you. Christina, I believe that beauty comes from love. Everything that is loved becomes beautiful. That’s why I, as a crooked adolescent boy, was able to become as beautiful as I am now based on the love you gave me through music. I was reluctant to love myself, but your music did so I want to make this song that conveys the message to someone, “Oh, this song loves me.” Because if someone’s having a hard time loving yourself, you can be loved by these kinds of songs first. I love you — to “the voice of our generation” from “the boy of your generation.”

And I’m especially grateful to the people who are fans of countless stars, including my dear DEN, and I want you to know that your presence gives us the strength to live and to create. We, all the musicians can be exist because we have fans. Also, my solo songs will be released in the second half of this year or the first half of 2025…I feel I will be able to sing about more personal things in my solo.

Kanghan: My dear DEN, you know we are always together, right? I hope this year’s Pride Month will have happier and more queer days.

Malrang: Our new single needs a lot of attention, right? [Laughs] We always try to read all the comments. We’ll wait for you, we love you!

Tye Tribbett Tops 2024 Stellar Gospel Music Awards Nominations: Full List

Four months after winning his third Grammy Award (best gospel album for All Things New: Live in Orlando), Tye Tribbett is the leading nominee for the 2024 Stellar Awards, with eight nods. Tribbett will also receive the James Cleveland Lifetime Achievement Icon Award.

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Pastor Mike Jr. and Ricky Dillard each received six nominations; Jonathan McReynolds and Erica Campbell each nabbed five.

Kim Burrell is set to receive the Aretha Franklin Icon Award.

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The 39th annual Stellar Gospel Music Awards show is set to tape on Saturday, July 20 at the Orleans Arena in Las Vegas. TV personality and comedian Loni Love and radio/TV personality and comedian Rickey Smiley are set to co-host. The two-hour show will premiere on the Stellar Network on Saturday, August 3 at 8 p.m. and repeat at 10 p.m. ET. It will also air in broadcast syndication from Aug. 10 – Sept. 8.

Tickets are available now at www.stellarawards.com or Ticketmaster.com.

The 39th Stellar Gospel Music Awards show is executive produced by Don Jackson with Jennifer J. Jackson serving as producer and executive in charge of production; Michael A. Johnson as producer and director, Erin Johnson as talent producer and Daniel Moore as music director.

This year’s Stellar Awards show is part of the Stellar Plus week, which offers a diverse array of activities for attendees. A full list of events and ticket information is available at stellarplusexperience.com. Stellar Plus event sponsors include Amazon Music, Compassion and The Recording Academy.

Here’s a complete list of nominations for the 39th annual Stellar Gospel Music Awards:

Artist of the year

Donald Lawrence; Donald Lawrence Presents Power: A Tribute to Twinkie Clark; RCA Inspiration

Erica Campbell; I Love You; My Block Inc.

Pastor Mike Jr.; Impossible; Blacksmoke Music Worldwide

Tye Tribbett; All Things New (Live Album); Motown Gospel

Song of the year

“Able” ft. Marvin Winans; Jonathan McReynolds, Major Johnson Finley, Marvin Winans & Demetrius Terrell Wilson; MNRK

“Feel Alright (Blessed)”; Erica Campbell, Warryn Campbell, Marvin L. Winans, Juan Winans & William Weatherspoon; My Block Inc.

“It’s Morning”; Latrice Pace; Latrice Pace

“Only One Night Tho (Live)”; Tye Tribbett; Motown Gospel

Male artist of the year

Jonathan McReynolds; My Truth; MNRK

Melvin Crispell III; No Failure; RCA Inspiration

Pastor Mike Jr.; Impossible; Blacksmoke Music Worldwide

Tye Tribbett; All Things New (Live Album); Motown Gospel

Albertina Walker female artist of the year

Erica Campbell; I Love You; My Block Inc.

Jekalyn Carr; JEKALYN; Waynorth Music

Kierra Sheard; All Yours; RCA Inspiration/Karew Entertainment

Maurette Brown Clark; He Loves Me; Nettie’s Child Music/MNRK

Duo/chorus group of the year

Anthony Brown & group therAPy; Affirmations; Key of A/Tyscot/FairTrade

JJ Hairston; Believe Again Vol II; Tribl Records

Maverick City Music; The Maverick Way Complete; Tribl Records

The Walls Group; Four Walls; My Block Inc.

New artist of the year

Adam Blackstone; A Legacy Christmas; BASSic Black Entertainment Records/Anderson Music Group/Empire

Jevon Dewand & The Trapstarz; The Change Experience; Blacksmoke Music Worldwide

Jovonta Patton; Established; Newton Street Entertainment/MNRK

Rudy Currence; Stained Glass Windows; Mike Chek / MNRK

Album of the year

All Things New (Live Album); Tye Tribbett; Motown Gospel

Choirmaster II; Ricky Dillard; Motown Gospel

Impossible; Pastor Mike Jr.; Blacksmoke Music Worldwide

My Truth; Jonathan McReynolds; MNRK

Choir of the year

B. Chase Williams & Shabach; CHASing the Next Chapter; Mellie’s Boy Muzic Group

Ricky Dillard; Choirmaster II; Motown Gospel

Vincent Bohanan & SOV; Live in Dallas; HezHouse Entertainment

Zak Williams & 1AKORD; Revisited; Enon Music Group

Producer of the year

Donald Lawrence; Donald Lawrence Presents Power: A Tribute to Twinkie Clark; RCA Inspiration

Pastor Mike Jr. (Michael McClure Jr.) & Jevon Hill; Impossible; Blacksmoke Music Worldwide

Tye Tribbett, Joseph Bethea, and assisted by Shante Tribbett; All Things New (Live Album); Motown Gospel

Warryn Campbell; I Love You; My Block Inc.

Contemporary duo/chorus group of the year

Anthony Brown & group therAPy; Affirmations; Key of A/Tyscot/FairTrade

Housefires; How to Start a Housefire (Pt. III); Housefires Music

Pastor Dalton Hill & The Tabernacle Singers; Rejoice (Live from Boston); Beulah Tabernacle/Bean House Productions

The Walls Group; Four Walls; My Block Inc.

Traditional duo/chorus group of the year

JJ Hairston; Believe Again Vol II; Tribl Records

Kevin Vasser & BLVRS; I Believe; KTV Music

Lisa Knowles-Smith & The Brown Singers; Live in Memphis 2; EvoWorld Entertainment, Inc

Ron Summers; God Can; Emanuel Media Group/Ron Summers Music

Contemporary male artist of the year

Jonathan McReynolds; My Truth; MNRK

Jovonta Patton; Established; Newton Street Entertainment/MNRK

Pastor Mike Jr.; Impossible; Blacksmoke Music Worldwide

Tye Tribbett; All Things New (Live Album); Motown Gospel

Traditional male artist of the year

John P. Kee; Tribute to a Legend: Rance Allen; Kee Music Group/Tyscot Records

Kelontae Gavin; Testify; RCA Inspiration

Melvin Crispell III; No Failure; RCA Inspiration

Ricky Dillard; Choirmaster II; Motown Gospel

Contemporary female artist of the year

Kierra Sheard; All Yours; RCA Inspiration/Karew Entertainment

Latrice Pace; Exodus: The Journey of Obedience, Vol 2; Latrice Pace

Lena Byrd Miles; Brand New; My Block Inc.

Naomi Raine; Cover the Earth; Tribl Records

Traditional female artist of the year

Eartha Edwards; It All Belongs to God; Blockbuster Records/Javel Music

Jekalyn Carr; JEKALYN; Waynorth Music

Lucinda Moore; Lord, I Hear You; Nalah Music Group/New Day Distribution/The Orchard

Maurette Brown Clark; He Loves Me; Nettie’s Child Music/MNRK

Contemporary album of the year

All Things New (Live Album); Tye Tribbett; Motown Gospel

I Love You; Erica Campbell; My Block Inc.

Impossible; Pastor Mike Jr.; Blacksmoke Music Worldwide

My Truth; Jonathan McReynolds; MNRK

Traditional album of the year

Choirmaster II; Ricky Dillard; Motown Gospel

Donald Lawrence Presents Power: A Tribute to Twinkie Clark; Donald Lawrence; RCA Inspiration

JEKALYN; Jekalyn Carr; Waynorth Music

No Failure; Melvin Crispell III; RCA Inspiration

Urban single or performance of the year

“Feel Alright (Blessed)”; Erica Campbell; My Block Inc.

“Only One Night Tho (Live)”; Tye Tribbett; Motown Gospel

“Trusting God”; James Fortune & Monica; FIYA World/MNRK

“Witness”; Dexter Walker and Zion Movement; Indieblue Music

Music video of the year

“All Things”; West Webb and Jalen Turner; Fo Yo Soul Recordings/RCA Inspiration

“Feel Alright (Blessed)”; Rich Laru; My Block Inc.

“I Will Wait”; Avery Henley; Tyscot

“Look at God”; Damien Sandoval; RCA Inspiration

Traditional choir of the year

Kevin Lemons & Higher Calling; Destined for Greatness; HezHouse Entertainment

Ricky Dillard; Choirmaster II; Motown Gospel

Vincent Bohanan & SOV; Live in Dallas; HezHouse Entertainment

Zak Williams & 1AKORD; Revisited; Enon Music Group

Traditional artist of the year

Jekalyn Carr; JEKALYN; Waynorth Music

Lisa Knowles-Smith & The Brown Singers; Live in Memphis 2; EvoWorld Entertainment, Inc

Melvin Crispell III; No Failure; RCA Inspiration

Ricky Dillard; Choirmaster II; Motown Gospel

Special event album of the year

Destined for Greatness; Kevin Lemons & Higher Calling; HezHouse Entertainment

Donald Lawrence Presents Power: A Tribute to Twinkie Clark; Donald Lawrence; RCA Inspiration

Joy Is Here; JJ Hairston; JamesTown Music/MNRK

Tribute to a Legend: Rance Allen; Various Artists; Kee Music Group/Tyscot Records

Rap/hip hop gospel album of the year

Emanuel; Da T.R.U.T.H.; Mixed Bag Entertainment

His Glory Alone II; KB; RCA Inspiration/Provident Label Group LLC

Pray for Atlanta; 1K Phew & Zaytoven; Reach Records

The Change Experience; Jevon Dewand & The Trapstarz; Blacksmoke Music Worldwide

Youth project of the year

AMG Kidz; The Kidz Interlude; AMG Kidz/Anderson Music Group

Nina Symmone; Just Smile; AMG Kidz/Anderson Music Group

Noah Alexander; Lots of Love; AMG Kidz/Anderson Music Group

Shout Praises Kids; Joy to the World; Integrity Music

Quartet of the year

Lisa Knowles-Smith & The Brown Singers; Live in Memphis 2; EvoWorld Entertainment, Inc

Paul Porter & The Christianaires; Miracle EP; Porterboy Music Group/Trin Records

The Williams Singers; Reel Quartet; Deznell Music Group/Anderson Music Group

Young Men 4 Christ; Our Testimony; Independent

Recorded music packaging of the year

Brand New; JP Designs Art; My Block Inc.

Choirmaster II; Nathan Blaine; Motown Gospel

JEKALYN; Octavia’s Holmes; Waynorth Music

Lord, I Hear You; BMO Designs & Blair Monique Walker; Nalah Music Group/New Day Distribution/The Orchard

Praise and worship album of the year

Believe Again Vol II; JJ Hairston; Tribl Records

Chapter X: See the Goodness; VaShawn Mitchell; V Man Entertainment/Tyscot/FairTrade

The Journey; Todd Dulaney; DulaneyLand/MNRK

The Maverick Way Complete; Maverick City Music; Tribl Records

Praise and worship song of the year

“Always”; Jovonta Patton; Newton Street Entertainment/MNRK

“Holy Forever”; CeCe Winans; Red Alliance Media

“I Just Wanna Praise You”; Maurette Brown Clark; Nettie’s Child Music/MNRK

“It’s Working ft. Hezekiah Walker”; Todd Dulaney; DulaneyLand/MNRK

Rap/hip hop song of the year

“Amen Right There” (ft. Canton Jones & Everett Drake); Emcee N.I.C.E.; Gypsy City Music

“MIA” ft. 1K Phew; Jor’Dan Armstrong; Jor’Dan Armstrong Music

“Miracles” ft. Lecrae; KB; RCA Inspiration/Provident Label Group LLC

“Your Power” ft. Tasha Cobbs Leonard; Lecrae; Reach Records

Top market of the year

WBGX 1570 AM, Chicago

WNZN 89.1 FM, Cleveland

WPRS Praise 104.1, Washington, DC

WPZE – MyPraise 102.5, Atlanta

Medium market of the year

KOKA 980 AM 93.3 FM, Shreveport

KZTS 1380 AM, Little Rock

WEHA 88.7 & 100.3 FM, Atlantic City

WJYD JOY 107.1 FM, Columbus, OH

Small market of the year

WBZF-98.5 FM, Florence-Myrtle Beach

WWLD-HD2 98.3FM, Tallahassee

WXHL 89.1 FM, Wilmington

WXOK 1460 AM, Baton Rouge

Internet station of the year

GODRadio1.com, https://streams.radio.co/sf6241e689/listen

Sound Gospel Radio, https://soundgospelradio.com/live/

Waycrosspraise/Power 89.1, https://www.waycrosspraise.org/

WVTC Gospel Radio Network, http://www.wvtcradio.com

Syndicated gospel radio show of the year

Early Morning Praise Party, Sherry Mackey & Dre Monie

Get Up! Mornings with Erica Campbell, Erica Campbell & Arlen “Griff” Griffin

The Nightly Spirit, Darlene “McCoy” Jackson

Willie Moore Jr Show, Willie Moore Jr & Dwight Stone

Gospel announcer of the year

Destiny Diggs, – WXHL 89.1 FM

Neiko Flowers, WPZE – MyPraise 102.5

Cheryl Jackson, WPRS Praise 104.1

Trey Nickelson, WBZF-98.5 F

Gucci Mane Pays Tribute to Former 1017 Rapper Enchanting, Dead at 26

Texas rapper Enchanting is dead at age 26. Gucci Mane confirmed the tragic news on Tuesday (June 11) amid reports of the artist being on life support.

Enchanting — born Channing Nicole Larry — signed to Gucci Mane’s New 1017 Records in 2020 before departing the record label last year.

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“So sad to have to say R.I.P to such a great young lady a true star we gone all miss you Chant @luvenchanting,” La Flare captioned the post featuring a photo of Enchanting rocking a pair of 1017 chains.

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Most comments sent well-wishes to Enchanting, while some attempted to blame Gucci Mane for her death and tied him to the downfall of other 1017 affiliates. Guwop’s wife Keyshia Ka’Oir stepped in to defend her grieving hubby.

“Leave my husband alone,” she wrote. “He signs these artist to help them & give them a better life! I wish it wasn’t like this ! Chant we love you baby girl ! RIH.”

Luv Scarred/No Luv (Deluxe) served as Enchanting’s last album on 1017, which arrived in November 2022 and featured several collaborations with Gucci Mane such as “Big Chant,” “Large Amounts,” “Issa Photoshoot” and “No Love” alongside the late Big Scarr and Key Glock.

Enchanting affiliate Lil CJ Casino also paid homage to the late rapper with a heartfelt post to Instagram regarding her passing.

“They Pulled The Plug Bro This Shit So F—ed Up I Just Knew You was Finna Pull Threw @luvenchanting You gone Forever Be Stop6 Princess & Kasino First Lady,” he wrote. “They Don’t Know All Hours You Spent At The Kasino Studio Sleeping There Making Music Putting This Shit Together And You Went Way Further Than Us I Always Told You How Proud I Was Of You.”

Find Gucci Mane’s tribute below.

Miley Cyrus Promises to Be ‘As Extra as I Can’ in Performance Preview From David Letterman’s Show

When it comes to performing, Miley Cyrus always goes big — and it looks like her appearance on Netflix‘s My Next Guest Needs No Introduction With David Letterman will be no exception.

In a clip from her upcoming episode — premiering Wednesday on the streamer — Cyrus is holding court in a dimly lit performance space, where she explains her terms for appearing on the Letterman-hosted show.

“You were going to introduce me, but I’m going to introduce you,” Cyrus says to Letterman. “David Letterman is here. In true spirit, David Letterman asked me to be on his show, but I like to do things my own way. And so I turned it around on him and said, ‘You can be in my show.’ So this is my show.”

Cyrus then gives herself a challenge before performing an unnamed song — possibly her record of the year Grammy-winning 2023 hit “Flowers.”

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“How extra do you think I can be on this round of the song? Should I try to be, like, as extra as I can?” she asks the crowd, to resounding “yes” cries. “OK!” she promises.

We’ll have to wait until Wednesday to see what song she pulls out, and fans will also be able to see her full sit-down interview with Letterman on the show too. In a trailer released last month, Cyrus tells the host: “My biggest fear used to be getting fired, and now how good does that sound? Every time someone’s like, ‘Oh, they might kick you — maybe they don’t want you to do this anymore.’ I’m like, ‘Thank God!’”

Watch the new clip below, and check out her full appearance via Netflix on Wednesday.