State Champ Radio Music
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As Sabrina Carpenter continues to field criticism for her suggestive Man’s Best Friend cover, singer-songwriter Carly Simon is “Coming Around Again” to help her fellow performer out. In an interview with Rolling Stone on Wednesday (June 18), Simon commented on the ongoing backlash Carpenter has received since unveiling the new artwork for her forthcoming album. […]
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Nas’ record label and media company, Mass Appeal, has reached a settlement with a white former executive who claimed that she was discriminated against and forced to leave the company because she’s white.
From Billboard:
Mass Appeal filed a joint motion with its former head of development, Melissa Cooper, in federal court on Friday (June 13), agreeing to dismiss the case entirely. Court filings show that Mass Appeal and Cooper have reached a settlement, although the terms of the deal were not disclosed.
Cooper sued Mass Appeal, CEO Peter Bittenbender and the company’s former content chief, Jenya Meggs, in 2023, claiming she was the subject of a “racist conspiracy” at the company. Nas is not individually named as a defendant in the lawsuit.
Cooper is white. Meggs is Black. Cooper claims that Meggs didn’t like her ideas because of her animosity toward a “white woman working in Hip-Hop.” Meggs reportedly refused to work with Cooper and even had her taken off of big projects “…like the planning of Mass Appeal’s Hip Hop 50 Live concert,” Billboard reports.
Cooper was eventually fired from Mass Appeal in June 2023.
After her termination, a messy former lover of Meggs reached out to Cooper to share text messages in which Meggs reportedly referred to Cooper as a “cracker” and criticized “white folk.”
Cooper claimed in her lawsuit that she brought the messages to Bittenbender, but he paid them no mind. Cooper wanted to be reinstated to Mass Appeal and given money for damages for the alleged racism she endured.
Mass Appeal, Bittenbender and Meggs not only deny the claims of discrimination, but they “vigorously” deny any claims made by Cooper and claim that she was fired because her division hadn’t sold any projects. Oh, and about those text messages, they claim they were “taken out of context and are nothing but a red herring.”
Meggs reportedly left Mass Appeal in 2024.
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Lorde is laying down the hammer in the last few days before her new album, Virgin, drops, with the pop star announcing that she has one more single coming out in advance.
On Instagram Wednesday (June 18), Lorde revealed that the new song will be titled “Hammer.” “First song on the album,” she wrote in her caption. “An ode to city life and horniness tbh.”
The New Zealand native also shared what appears to be the track’s cover art: a photo of Lorde’s reflection repeating infinitely in opposite-facing bathroom mirrors as she washes her face at the sink, wearing a white tank and gray underwear.
Lorde didn’t say when exactly the song will arrive, but she did post on Instagram one day prior the announcement, “Virgin in ten days another song in a few.”
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“Hammer” will follow Virgin‘s first two singles, “What Was That” and “Man of the Year.” Lorde dropped the former in April along with a DIY music video filmed in part at a fan meetup in Washington Square Park, and on the latter — released in late May — she reflects on her broadening gender identity while embracing her inner masculinity.
Gender is one of several topics Lorde has promised to explore on Virgin, which drops June 27 via Republic Records featuring production from Jim-E Stack, Fabiana Palladino, Andrew Aged, Buddy Ross, Dan Nigro and Dev Hynes of Blood Orange. The singer-songwriter has also said that the album was informed by her experiences with disordered eating, quitting birth control and breaking off a longterm relationship.
“THE COLOUR OF THE ALBUM IS CLEAR,” she described the project when announcing it back in April. “LIKE BATHWATER, WINDOWS, ICE, SPIT. FULL TRANSPARENCY. THE LANGUAGE IS PLAIN AND UNSENTIMENTAL. THE SOUNDS ARE THE SAME WHEREVER POSSIBLE. I WAS TRYING TO SEE MYSELF, ALL THE WAY THROUGH. I WAS TRYING TO MAKE A DOCUMENT THAT REFLECTED MY FEMININITY: RAW, PRIMAL, INNOCENT, ELEGANT, OPENHEARTED, SPIRITUAL, MASC.”
See Lorde’s announcement below.
Bun B thinks Pusha T is “a dangerous man.” The Texas rap legend sat down with Shannon Sharpe’s Night Cap and was asked about Pusha T’s recent diss aimed at Travis Scott that has been dominating the rap news cycle. “Pusha’s a dangerous man,” the UGK member told Sharpe. “He’s willing to throw caution to […]
Billboard Unfiltered returned on Wednesday (June 18) with another brand-new episode featuring a special guest: Rapsody was in the building.
This week, senior director of R&B/Hip-Hop Carl Lamarre returned with hip-hop editor Angel Diaz alongside Rapsody to debate who is the greatest rapper/producer combination of all time.
First up, Lamarre made the case for Nas and Hit-Boy, who connected for five projects over the course of 36 months with three installments of the King’s Disease series, which Lamarre holds in the upper echelon of rap album series, and a pair of Magic projects.
“When they came into each other’s lives, I think they changed the dynamic of what hip-hop is today in terms of what we look at from a rapper and producer standpoint,” Lamarre declared. “From 2020 to 2023, we saw the best rapping of Nas’ career.”
He continued: “King’s Disease is probably one of the best series in hip-hop of all-time. Magic one and two, flawless. We introduce Nas in a new era… Some of the best beats in Hit-Boy’s career came from working with Nas and they got a Grammy out of it.”
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Angel Diaz laid out the case for Snoop Dogg and Dr. Dre, as he believes the duo put the West Coast on the map. “They had The Chronic and Doggystyle back-to-back and then they came back with 2001,” he said. “They put the West Coast on the map.”
Taking things a step further, Diaz explained that there’s still remnants of Dre and Snoop’s G-funk DNA in West Coast rap decades later as seen in Kendrick Lamar’s GNX.
As for Rapsody, she elected to spotlight the Clipse and Pharrell. “From their first project Lord Willin’ to this one — I haven’t heard all of it — but it’s setting up to be a phenomenal classic,” she said. “It’s like they’ve evolved and haven’t missed a step. This ain’t gon’ be a miss, we can feel the energy.”
The North Carolina rapper added: “When you have a producer and a rapper come together and they always create their best work together, it’s undeniable,” “Those two, that’s always their best work.”
There was plenty of back-and-forth, but moderator Delisa Shannon gave the victory to Carl Lamarre and his pick of Nas and Hit-Boy on Wednesday’s show.
Watch the full episode below.
Coldplay’s “Sparks” appears on a U.S.-based Billboard consumption chart for the first time, debuting across multiple rankings dated June 21 following the latest viral moment for the 2000 track. The song, from the Chris Martin-fronted band’s debut album Parachutes, bows at No. 15 on the Hot Rock & Alternative Songs chart (where older songs are […]
Kenshi Yonezu’s “Plazma” returns to No. 1 on the Billboard Japan Hot 100, on the chart released June 18.
The track is the theme song for the latest Mobile Suit Gundam installment called GQuuuuuuX -Beginning- and dropped digitally on Jan. 20. The track debuted at No. 1 on the chart released Jan. 29, and returns atop the tally after the double-A side single “Plazma / BOW AND ARROW” went on sale June 11.
With 310,981 copies sold in its first week, the single marks the highest first-week sales for a solo artist among all releases during the 2025 chart year so far. The CD release also led to significant growth in other metrics, with downloads gaining 108% over the previous week, karaoke 106%, video 198%, and radio airplay a whopping 745%.
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HANA’s “Burning Flower” debuts at No. 2. The new song by the recently formed girl group dropped digitally on June 9 and hits No. 1 for downloads, No. 3 for streaming, and No. 22 for radio. HANA currently have three songs charting on the Japan Hot 100, with “ROSE” at No. 7, “Drop” at No. 16, and “Tiger” at No. 23. The group is set to digitally drop another song called “Blue Jeans” on July 14, followed by the “Blue Jeans” CD single that includes “Burning Flower” on July 16.
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Mrs. GREEN APPLE’s “breakfast” slips a notch to No. 3, but is still going strong in various metrics, with streaming up to 120% and radio to 140% week-over-week.
Bowing at No. 4 is “Blue Hawaii Lemon” by ≒JOY (“Nearly Equal Joy”). The girl group’s third single launched with 207,790 CDs, a personal best for the group, and hits No. 2 for the metric.
Mrs. GREEN APPLE’s “KUSUSHIKI” is at No. 5. While the The Apothecary Diaries Season 2 Part 2 opener drops two notches from last week, overall points for the track remains mostly unchanged for the past four weeks, indicating a steady stream of listeners.
Elsewhere on the Japan Hot 100, Fujii Kaze’s lead single “Hachikō” (released June 13) off his upcoming new album Prema debuts at No. 29. The track comes in at No. 2 for downloads, No. 88 for streaming, No. 10 for radio, and No. 12 for video.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from June 9 to June 15, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Grupo Frontera and Grupo Firme have both achieved their first-ever entry in YouTube’s coveted Billion Views Club thanks to their collaboration “El Amor de su Vida” (the love of her life). Explore See latest videos, charts and news See latest videos, charts and news The music video, which premiered on Aug. 3, 2023, surpassed the […]
Billboard’s rock album charts dated June 21 are topped by a pair of full-length releases new to No. 1 – though one is brand new while the other recently celebrated its 21st birthday.
My Chemical Romance’s Three Cheers for Sweet Revenge, the act’s 2004 breakthrough LP, returns to the Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums charts at No. 1, while Turnstile’s newly released Never Enough debuts at No. 1 on Top Hard Rock Albums.
Three Cheers for Sweet Revenge earned 44,000 equivalent album units (up 809%) in the United States in the week ending June 12, according to Luminate. That sum includes 37,000 album sales, spurred by the release of its 20th anniversary deluxe edition on June 6. For the reissue, the album’s 13-song original tracklist was remastered and remixed, while four live versions of the songs from BBC Radio 1’s punk show The Lock Up in 2005 were added. (All versions of the album are combined for tracking and charting purposes.)
Although the bulk of the album’s coronation was driven by album sales, Three Cheers for Sweet Revenge nonetheless tallied a 77% increase to 8.9 million official U.S. streams in the tracking week.
Three Cheers for Sweet Revenge logged previous history on all three charts (in fact, it ranked at No. 14 on the inaugural Top Rock Albums tally in 2006), but its original release preceded the inceptions of those rankings. The set debuted at No. 103 on the Billboard 200 dated June 26, 2004, but had never risen higher than No. 28 (Sept. 24, 2005) prior to its reissue, which sends it to No. 6, as previously reported. The LP generated a trio of Billboard Hot 100 entries, paced by the No. 33-peaking “Helena (So Long & Goodnight).”
As for Turnstile, Never Enough launches at No. 1 on Top Hard Rock Albums with 38,000 units, including 28,000 from album sales. It’s the band’s first ruler on the chart, exceeding the No. 2 peak of Glow On in 2021.
Never Enough also bows at No. 2, behind Three Cheers for Sweet Revenge, on Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums and arrives as the band’s first top 10 on the Billboard 200 at No. 9.
The albums hold the top two spots on Vinyl Albums, too. Three Cheers for Sweet Revenge leads with 31,000 vinyl copies sold, followed by Never Enough (21,000).
Two songs from Never Enough concurrently debut on the Hot Rock & Alternative Songs chart. The title track leads at No. 42 via 1.5 million streams and 1.4 million radio audience impressions, with “I Care” at No. 49 (1.4 million streams). They mark Turnstile’s first appearances on the tally.
Eight songs from Never Enough also rank on Hot Hard Rock Songs, fronted by “Never Enough” at No. 7.
Lead radio single “Never Enough” hits a new No. 11 high on Alternative Airplay. Turnstile is seeking its third top 10 on the chart in as many tries, following “Mystery” and “Holiday,” which reached Nos. 8 and 10, respectively, in 2022.
Bruce Springsteen isn’t backing down when it comes to his thoughts on President Donald Trump.
In a wide-reaching interview with The New York Times published Wednesday (June 18), the rock star criticized everything from the politician’s leadership to his effect on the social fabric of the United States. Springsteen is currently on his Land of Hope & Dreams Tour, on which he performs a setlist every night that he says “addresses our current situation” under Trump’s administration.
And how would Springsteen describe the current situation? “It’s an American tragedy,” he told the publication. “I think that it was the combination of the deindustrialization of the country and then the incredible increase in wealth disparity that left so many people behind. It was ripe for a demagogue. And while I can’t believe it was this moron that came along, he fit the bill for some people.”
Reflecting on Trump’s first few months in office since winning a second term, Springsteen added that “what we’ve been living through in the last 70 days is things that we all said, ‘This can’t happen here. This will never happen in America.’ And here we are.”
The Boss has long been vocal in his opposition to Trump, endorsing Kamala Harris in the 2024 election and telling The Atlantic four years prior that the twice-impeached POTUS was a “threat to our democracy.” Trump, however, hit back at Springsteen a few weeks ago after the rocker slammed his administration as “corrupt, incompetent and treasonous” during a May concert in Manchester, England.
“I see that Highly Overrated Bruce Springsteen goes to a Foreign Country to speak badly about the President of the United States,” Trump wrote on Truth Social shortly after the show. “Never liked him, never liked his music, or his Radical Left Politics and, importantly, he’s not a talented guy — Just a pushy, obnoxious JERK … This dried out ‘prune’ of a rocker (his skin is all atrophied!) ought to KEEP HIS MOUTH SHUT.”
The insults didn’t phase Springsteen, who has since continued to voice his dismay with the current state of affairs in his home country on stage. In late May, he released an EP featuring a recording of the speech that ticked Trump off.
And in his NYT interview, the Rock & Roll Hall of Famer didn’t shy away from criticizing Trump’s immigration policies, which in recent weeks have manifested in widely criticized ICE raids in places like Los Angeles. “There’s a large migrant population that lives and has altered Freehold in a very vibrant way,” Springsteen said of his hometown in New Jersey.
“There are communities all across America now that have taken in immigrants and migrant workers,” Springsteen continued. “So what’s going on at the moment to me is disgusting, and a terrible tragedy.”
Despite everything, though, the musician says he still has a lot of hope for the future of the country he’s spent his career writing about in his songs. Why? “Because we have a long democratic history,” Springsteen said. “We don’t have an autocratic history as a nation. It’s fundamentally democratic, and I believe that at some point that’s going to rear its head and things will swing back.”
He added, “Let’s knock on wood.”
