Music

Eminem’s ‘The Death of Slim Shady’ Set for 11th U.K. No. 1 Album

Eminem is on track to secure his 11th U.K. No. 1 album with The Death of Slim Shady (Coup de Grâce), according to the latest midweek charts.

The Detroit rapper is outselling his nearest rival more than three times over.

The album’s lead single, “Houdini” is set to perform another magic trick as it looks to reclaim the top spot on the Official Singles Chart for a third non-consecutive week.

Eminem‘s illustrious career, spanning 25 years, has seen him amass ten U.K. No. 1 albums so far, including The Marshall Mathers LP (2000), The Eminem Show (2002), Encore (2004), Curtain Call: The Hits (2005), Relapse (2009), Recovery (2010), The Marshall Mathers LP 2 (2013), Revival (2017), Kamikaze (2018), and Music to Be Murdered By (2020).

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In a fiercely competitive week, Glasgow, Scotland band Travis aims for their highest-charting album in 23 years with L.A. Times, currently sitting at No. 2. This could become their tenth Top 10 album in the U.K., following a string of successful releases since the late ’90s.

Newcomer Griff is also making strides with her second Top 10 album, Vertigo, which is tracking at No. 3. Meanwhile, Cat Burns is on the verge of her first Top 10 album with early twenties, currently at No. 4.

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Cigarettes After Sex look like they’ll achieve a career-best with their new album X’s, expected to enter the charts at No. 5. This marks a major leap from their previous albums, Cigarettes After Sex (2017) and Cry (2019), which peaked at Nos 27 and 36, respectively.

John Lennon’s 1973 album Mind Games is enjoying a resurgence, aiming for a new peak at No. 10 following a multi-format reissue. The album originally peaked at No. 13 upon its release 51 years ago.

Clairo’s third studio album Charm is set to be her first Top 40 entry, currently tracking at No. 12. Similarly, Cassandra Jenkins’ My Light, My Destroyer is aiming for a Top 40 spot, coming in at No. 15.

Teddy Swims’ debut album I’ve Tried Everything But Therapy (Part 1) is making a comeback, jumping to 31-28, thanks to the success of his new single “Funeral.” OneRepublic’s latest release, Artificial Paradise, is also making its mark, aiming for a Top 40 position at No. 29.

Liverpool, England’s STONE is poised to debut on the Official Albums Chart with Fear Life for a Lifetime, currently at No. 38, marking an exciting milestone for the rock outfit.

Zach Bryan’s ‘The Great American Bar Scene’ Tops Multiple Billboard Album Charts

Zach Bryan’s The Great American Bar Scene soars to No. 1 on multiple Billboard charts dated July 20 following the set’s first full tracking week, including the nearly nine-month-old Top Streaming Albums tally, where it vaults to the top spot from No. 18.

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The set was released on July 4, the final day of the tracking week reflected on July 13-dated Billboard charts, and arrived on multiple rankings from that first day of activity. The LP leads Top Streaming Albums with 127,500 streaming equivalent album (SEA) units earned in July 5-11 in the U.S., according to Luminate. That SEA sum equates to 163.9 million on-demand official streams generated by the album’s 19 tracks.

On the Billboard 200 (which blends SEA, album sales and track equivalent album [TEA] units), Bar bolts 17-2 – becoming Bryan’s fourth top 10 – while Taylor Swift continues to reign with The Tortured Poets Department. It’s the first time in four months that the two charts don’t share the same No. 1.

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In addition to Bar’s rule on Top Streaming Albums, the collection commands Top Country Albums, Top Rock Albums, Top Rock & Alternative Albums and Americana/Folk Albums. It’s his third No. 1 each on the latter four rankings.

On the Billboard Hot 100 songs chart, Bar sees 17 of its songs dot the tally, led by “Pink Skies” at No. 12.

The Top Streaming Albums chart ranks the week’s most-streamed albums in the U.S. by streaming equivalent album (SEA) units. Each SEA unit equals 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. All July 20, 2024-dated charts will be posted in full on Billboard‘s website on July 16. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Camila Cabello & Shawn Mendes Spotted Together at Copa América Final

Camila Cabello and Shawn Mendes are seemingly back to spending time together.

The duo were spotted sitting together at the Copa América soccer final between Argentina and Colombia on Sunday (July 14), in a video captured by a fan and shared on X (formerly Twitter). In the clip, the duo are casually handing out and chatting inside Hard Rock Stadium in Miami, Florida. However, neither Cabello nor Mendes have confirmed the status of their relationship.

After more than two years of dating, Shawmila announced in November 2021 that they’ve broken up, but will “continue to be best friends.” The pair shared a matching statement, signed “Camila and Shawn,” on their respective Instagram Stories.

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“Hey guys, we’ve decided to end our romantic relationship but our love for one another as humans is stronger than ever,” the statement reads. “We started our relationship as best friends and will continue to be best friends. We so appreciate your support from the beginning and moving forward.”

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Though they didn’t start dating until July 2019, the pair met in 2014 when Mendes and Cabello’s then-group Fifth Harmony both opened for Austin Mahone on tour. In 2015, they released “I Know What You Did Last Summer,” which hit the top 20 on the Billboard Hot 100. Their next duet, 2019’s “Señorita,” topped Hot 100.

The duo were seen seemingly rekindling their romance at Coachella in 2023, but after packing on the PDA at the festival and attending one of Taylor Swift’s Eras Tour shows together, the pair called it quits once again. Cabello opened up about getting back together with exes on a 2024 episode of Call Her Daddy.

“It’s crazy because I’m kind of impulsive in that way,” Cabello told host Alex Cooper, reflecting on why she got back together with Mendes in the first place. “If I feel it, I say it. I would rather say it and see what happens and then wake up the next day and find out that it’s been heavily documented. I opted for that route. It is what it is. It was a fun time; it was a fun moment.”

“I will always care about him and love him. He’s such a good person,” she continued. “I’m lucky ’cause some people have exes who are awful, and he is not. He’s a really kind, good person.”

Cam’ron & Mase Respond to J. Prince’s Defense of Shakur Stevenson

In case you missed it, Cam’ron and Mase went viral once again for a sports take.

During an episode of their sports talk show It Is What It Is, the subject of boxer Shakur Stevenson’s latest fight came up and the rapper turned pastor to turned sports commentator called Stevenson’s style of boxing boring. Shakur didn’t take to kindly to the Harlem rapper’s opinion, and initiated a back and forth between the two camps on social media (which we covered here.)

Now it seems J. Prince has gotten in the mix.

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Prince — who has been managing the Newark boxer since 2016 — sent the Harlem duo the message below on Instagram yesterday:

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“Let the haters say that he’s boring and nobody wants to watch him. Sorry to tell you it’s just a select few of you haters. As you can see there’s proof that he has the number one ratings in any fight on ESPN this year and the top three ratings since 2022. And to all of you haters who want to escalate that hate outside of the ring I’m Shakur’s manager and I handle all his business outside of the ring. In other words Cam and Mase I will fade all his shots and take all bets.”

Naturally, Cam and Mase responded this morning on the latest episode of It Is What It Is.

“When you dealing with older people, they’re the last to know that things have changed,” Mase said. “We not your lil’ n—s. All that big homie stuff, that’s for little n—s. We’re not little n—s so we don’t even respect big homies. I know Killa doesn’t. And for me? I never respected n—s in the streets, that’s why I always got the problems I got.”

He then added, “If you 60 years old and you tryna be a street n—a, you failed. My name is Mase. I stand by this message.”

The former Bad Boy artist also revealed that he recently spoke to the Texas mogul via FaceTime call with Ye and the convo was a positive one. “So I don’t even know why he would come at me with that energy. I felt really disrespected. It’s certain people you supposed to come at like that and I’m not one of them.”

Cam agreed with his co-host and added his two cents, saying, “Why do you think that you can tell us what we can and cannot say. Control your n—a! Ain’t nobody gon’ tell a n—a, ‘Get the strap’ and then we gon’ sit there and be like, ‘I think we should shut up.’” Adding, “Nah, n—a. This is not 1982, bro. You buggin’, James. I don’t know what bet you talking about and all that other slang. Whatever bet you talking about, bet it.”

You can watch the full episode here.

News Anchors Featured on Eminem’s ‘The Death of Slim Shady’ Say Rapper Is a ‘Genius’ in the Studio

Devin Scillian and Kimberly Gill are in the business of reporting the news, not making it. But the two broadcast journalists are getting as much attention as some of their leading stories as part of Eminem‘s new album, The Death of Slim Shady (Coup de Grace).

The two anchors for WDIV, the Detroit NBC affiliate, are featured in the skit “Breaking News,” reporting on the hometown rapper’s supposed attempts to “cancel himself” with the release. Over background music composed by Eminem and regular collaborator Luis Resto, Scillian introduces the faux news segment and throws it to Gill, who is covering fan protests outside Eminem’s Mom’s Spaghetti restaurant in Detroit.

“It’s a lot more than either one of us expected,” Scillian, who’s an award-winning songwriter and performing musician himself, tells Billboard. He’s actually been on two Eminem tracks before — “Careful What You Wish For” from 2009’s Relapse and “Darkness” from 2020’s Music To Be Murdered By, which also includes Gill — but says there’s more excitement surrounding this appearance.

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“The other ones passed by with just a little bit of notice it seemed. This one has been kind of crazy,” Scillian notes. “I guess it speaks to the anticipation for this album in general.” Gill adds that, “especially since Devin said my name when he tossed it to me in the report, my whole name is on an Eminem album. That’s the difference.”

Gill and Scillian only learned they would be included on the album a couple of days before its release. “I think that’s part of the reason we didn’t get too excited about it,” Gill explains. “You never know if he’s going to use it or not. We do these things, they ask us not to talk about it, we leave there and forget about it. Months pass, and before you know it the album comes out, and there we are. We made the cut!”

Scillian adds that they’re well aware that, “The cloak and dagger world of music relies so much on secrecy. It’s a need to know basis, and apparently we didn’t need to know.”

The pair worked with Eminem in his studio over several sessions, as far back as two years ago and as recently as this past spring. They’ve found him to be “very collaborative” as well. “He gave us an idea of what he wanted but he also was very interested in knowing how we would do it as real journalists,” Gill says. “So that was a really cool thing; here we have Marshall Mathers asking us for advice on how to say something.”

“He’s very hands on,” Scillian says. “He knows what he’s looking for, but he’s also having you do a couple of different things. It’s almost like he’s using them as water colors; he’s just starts playing with them later and you never know whether you’re gonna be on a song. on the skit in this case, or not. And it’s really fun… After we were done (Eminem) was like, ‘Wow, that was just crazy you could do that in one shot.’ We look at each other and say, ‘If there’s one genius in this room, it’s probably not the two of us!”

Another thrill for Scillian came when the album’s full credits were finally revealed; “I looked on Wikipedia, and we are under Musicians on the list,” he says with a laugh. “My name is right below Steve Miller. That’s about as high on the horse as I can get.”

Scillian is about to head to Paris to cover the Summer Olympic Games for WDIV. So what’s bigger — winning a gold medal or being able to say “I’m on Eminem’s new album?” “I’m going to put it on a T-shirt,” he says with a laugh.

Google Mexico Celebrates Juan Gabriel With Doodle for Billboard’s No. 1 Anniversary

For the first time in its history, Google dedicates its famous doodle to one of the greatest figures of Mexican music and his invaluable artistic legacy: Juan Gabriel.

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On Monday (July 15), the logo that appears on the search engine’s home page in Mexico honors the legendary composer and performer to remember that on this day in 1995, his song “El Palo” reached the top spot on Billboard‘s Hot Latin Songs chart.

“Today, our Google Doodle honors a legend, Juan Gabriel, ‘El Divo de Juárez’. One of the most important singer-songwriters in Latin America. His songs and his entire legacy continue to live on in Mexico and the world,” wrote Google México on its X account.

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According to information from Google Mexico, the doodle was created by Mexican illustrator Humberto Irigoyen, who spent four months working on it in order to gather many details about the artist’s life and work.

To the rhythm of his famous song “Noa, Noa”, Internet users can navigate the 2D illustration, which shows different stages and facets during a fruitful career spanning more than four decades, in which he became a true benchmark of Hispanic music in the world: from his youth on stage, his foray into television, his creative process when writing his songs, as well as his bright and colorful costumes that sealed part of his artistic personality.

The doodle also illustrates his historic 1990 performance at the Palacio de Bellas Artes, Mexico’s most important cultural venue, which was recorded and released as the live album Juan Gabriel en el Palacio de Bellas Artes. That recital made the artist the first Mexican popular music singer-songwriter to perform there with the Orquesta Sinfónica Nacional.

Juan Gabriel, known internationally for classics such as “Querida” and “Amor Eterno”, died on August 28, 2016 at his home in Santa Monica, California, of natural causes, in the middle of a concert tour. He was 66 years old.

“El Palo” was part of his album El México Que Se Nos Fue, which won the 1995 Premio Lo Nuestro award for best regional Mexican album.

Inducted into the Billboard Hall of Fame in 1996, Juan Gabriel built a legacy as a multifaceted artist over more than four decades, recording songs in genres as diverse as rancheras, baladas, pop and boleros, songwriting and producing other artists.

Among his many accomplishments, El Divo de Juárez (his nickname) sold more than 150 million records, composed more than 1,800 songs, released 34 studio albums, was nominated six times for a Grammy, won three posthumous Latin Grammys and more than 20 of his hits reached the top 10 on the Billboard charts, including seven No. 1s on the Hot Latin Songs chart. His song “Yo No Sé Qué Me Pasó” opened the first edition of that chart in 1986 at No. 1.

Check out the doodle dedicated to Juanga below:

Bruce Springsteen Makes First-Ever Appearance on Hot Country Songs Chart, Returns to Hot 100

Nearly 50 years after making his Billboard chart debut, Bruce Springsteen scores a first, notching his initial appearance on the Hot Country Songs survey.

The Boss also returns to the all-genre Billboard Hot 100 for the first time in over 15 years.

Springsteen achieves his latest chart feats, on lists dated July 20, thanks to his featured role on Zach Bryan’s “Sandpaper,” from the latter’s new album, The Great American Bar Scene. The set surges to No. 1 on Billboard’s Top Streaming Albums, Top Country Albums and Top Rock & Alternative Album charts, among others, and No. 2 on the Billboard 200, following its first full tracking week (July 5-11, after it was released July 4).

The collaboration drew 7.1 million official U.S. streams and 22,000 in radio airplay audience and sold 1,000 downloads in its first full week, according to Luminate. It debuts at No. 26 on Hot Country Songs and No. 71 on the Hot 100.

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As Springsteen logs his maiden Hot Country Songs entry, he hits the Hot 100 for the first time since “Working on a Dream” debuted and peaked at No. 95 in February 2009. “Sandpaper” marks his 27th Hot 100 showing, a haul that began in 1975 with his iconic “Born to Run,” which reached No. 23.

Notably, Springsteen showed up to duet with Bryan on “Sandpaper” on March 27 at Brooklyn’s Barclays Center. The song is drawing comparisons to Springsteen’s “I’m on Fire” – one of seven Hot 100 top 10s from his Born in the U.S.A. album in 1984-86 – which Bryan has covered in concert.

Springsteen boasts 12 career Hot 100 top 10s. His first, “Hungry Heart,” which reached No. 5 in 1980, was followed by his highest-charting single, “Dancing in the Dark,” which climbed to No. 2 in 1984. He made his most recent trip to the tier with “Streets of Philadelphia,” which rose to No. 9 in 1994.

The 1999 Rock & Roll Hall of Fame inductee has become synonymous with lengthy concerts alongside his legendary E Street Band. He has posted 11 No. 1s on the Billboard 200, among 22 top 10s. The River, which ruled for four frames in 1980, became his first leader and High Hopes his most recent in 2014.

Springsteen, 74, reached critical mass in the mid-‘80s with Born in the U.S.A., which dominated for seven weeks, beginning in July 1984, and has charted for 144 weeks, most recently last month.

Lee Greenwood, Chris Janson to Speak During Republican National Convention

“God Bless the U.S.A.” singer Lee Greenwood and “Buy Me a Boat” singer Chris Janson are among those taking part at the Republican National Convention, which runs through Thursday (July 18) in Milwaukee, Wisconsin.

Other speakers named as part of the convention include lawmakers, governors and officials, as well as rapper Amber Rose and media personalities Tucker Carlson and Savannah Chrisley.

Greenwood is known for his 1984 hit “God Bless the U.S.A.,” which reached No. 7 on Billboard’s Hot Country Songs chart. Greenwood has earned seven No. 1 chart-toppers on Hot Country Songs, including 1987’s “Mornin’ Ride.” Meanwhile, Janson has earned two chart-toppers on the Country Airplay chart, with 2019’s “Done” and “Good Vibes.” Janson’s 2015 breakthrough song “Buy Me a Boat” has been certified 4x multi-platinum by the Recording Industry Association of America (RIAA).

The Republican National Convention comes just days after an apparent assassination attempt against former U.S. President Donald J. Trump during a rally in Butler, Pennsylvania on Saturday (July 13). Trump’s right ear was wounded during the shooting. One spectator was killed during the shooting, while others were injured, according to the New York Times. Secret service agents killed the gunman, later identified as 20-year-old Thomas Matthew Crooks of Bethel Park, Pennsylvania.

On Sunday (July 14), Greenwood posted a photo of himself with Trump on Instagram, saying, “Please pray for him! God bless the USA.”

Trump is expected to make an appearance during this week’s Republican National Convention. On Monday (July 15), he also named Hillbilly Elegy author-turned-politician J.D. Vance as his vice presidential pick, according to CNN.

Nathy Peluso Delivers Powerful NPR Tiny Desk Performance: Watch

In the midst of promoting her sophomore set GRASA, Nathy Peluso visited the NPR headquarters in Washington, D.C. for an intimate Tiny Desk performance. 

“We’re fulfilling another dream today with these wonderful people by my side,” Peluso, wearing an oversized black tee and rocking her long, straight hair, said. “Thank you everyone for coming. We’re going to start with a magical song that’s been with me since I wrote it. Enjoy, have fun!”

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The nearly 19-minute set kicked off with “Buenos Aires,” the 2020 R&B-tinged tune that ultimately put Peluso on the map and was nominated for a Latin Grammy. Joined by eight musicians and two vocalists, Peluso delivered a powerful performance that captured her hard-hitting rap bars and effortless vocals, all while sending messages of self-love and empowerment as heard in the following tracks “Aprender a Amar” and “Legendario.” 

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“My new album has gems from the heart, from deep within, from love, for you that I made with that desire to make you emotional,” she expressed. “In the end, that’s what it’s all about.”

One of those gems is “Envidia,” a song that she performed accompanied only by a piano, and that narrates the story of a woman who hustles, follows her dreams, and ignores all negative comments. It’s a song for those who know how to win in life.  Peluso then wrapped her set with the funk-jazzy “Remedio.” “Thank you, we feel blessed. May you be happy, listen to ‘Grasa,’ and long live music!” she signed off. 

Earlier this year, the Argentine-born, Spanish-raised singer-songwriter opened up to Billboard about her new album, which can easily be reflected in her Tiny Desk performance.

“There is a very important message in the album which is ‘Aprender a Amarse’ (learn to love yourself), which is something we all deserve, because at the end of the day, you have to be your best friend and best companion,” she noted. “For that, you have to be brave and face things that are very difficult. [I wanted to] shed a little light and energy so that people who maybe don’t find that strength in their daily lives, maybe they can put on some music on and feel encouraged. Because music has saved me many times.”

Watch Peluso’s “Tiny Desk” performance below:



Andre 3000 Responds to LL Cool J Saying He Should Rap Again

André 3000‘s appearance on The Shop continues to grab headlines.

First, he made news when he told the story about Pimp C originally being upset about the verse he turned for “Int’l Players Anthem.” Then, he and Sexyy Red had a cool moment as they bonded over people drinking haterade.

This time he’s in the news for responding to LL Cool J‘s disappointment in his instrumental flute album New Blue Sun.

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The 56-year-old Queens rapper, who himself is on the verge of releasing his 14th solo album, was a guest on The Shop a few weeks back when he expressed his feelings about 3000’s first solo album. While having a convo with filmmaker Lena Waithe about what inspires them, New Blue Sun was brought up to which the rap legend said, “Let’s not lie to ourselves: I don’t wanna hear him do the flute,” before asking the room, “You wanna hear me do a violin? You might not wanna hear me do sh–, but do you wanna hear me do a violin?”

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Adding, “I wanna hear him get with Big Boi, I want them to make an OutKast

or to do a solo album. Every time he does a verse, it’s enough material for an album! He’s so gifted. So it’s like, ‘Come on, B. Not the flute.’ That man needs to know the truth.”

LL also said he disagreed with the notion that older rappers don’t have anything to rap about. “When you were 14, you weren’t rapping about pubescent growth spurts. So, why you have to get older and talk about prostate?” He then continued by saying he loves André, but disagrees with the notion that you can run out of things to say. “With all due respect, I disagree with that because he has it in him.”

Stacks didn’t take what LL said to heart and responded in a measured way, saying, “To me, I feel like if it’s in you — ’cause I got homies my age and older than me that still rap — so if it’s in you, you should rap until you die. You should perform until you die.”

However, he reiterated why he’s not confident at the moment when it comes to making a full-fledged rap album. “But what I’m saying is, what it takes for me to do it, I’m always looking for the next. I’m not trying to uphold a thing that I’ve done before.”

Adding, “Of course, I have things to say now, but if I can’t say them in a fresh, innovative way, if I feel like I’m just hanging onto the same flow that I used to do, it’s not enough for me. So I can’t talk for another rapper about what they doing. I just say, ‘Man, go for it. If it’s in you.’”

You can watch the both episodes here.